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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #616D56 it is the complementary color #9E92A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #616D56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #616D56 shade: #666D51, #777F64, #889177, #99A38A and #AAB59D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #616D56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #616D56 shade: #616D56, #505B43, #3F4930, #2E371D and #1D250A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #616D56 shade: #606D55, #676D55, #6D6C55, #6D6655 and #6D6055

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #616D56 shade: #606D55, #5A6D55, #556D57, #556D5D and #556D63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #616D56 shade matches the following richer shades: #606D55, #607C46, #5F8C36, #5E9C26 and #5EAB17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #616D56 shade: #606D55, #615D65, #624D75, #623D84 and #632E94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #616D56 shade: #6D6C55, #676D55, #616D55, #5A6D55 and #556D56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #616D56 shade: #373E31, #4C5543, #606D55, #758467 and #8A987C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #616D56 shade: #616D56, #556D66 and #6D556A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #616D56 shade: #616D56, #55616D and #6D5561

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #616D56 shade: #616D56, #556D66, #61556D and #6D555C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #616D56 shade: #616D56, #556C6D, #61556D and #6D5655

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 21 / 57

HEX #616D56

RGB 97 109 86

HSL 91.3, 0.12%, 0.38%

LAB 44.45, -9.18, 11.36

 

Complementary color

CMYK 7 / 14 / 0 / 34

HEX #9E92A9

RGB 158 146 169

HSL 271.3, 0.12%, 0.62%

LAB 62.25, 8.9, -10.45

 

CMYK 6 / 0 / 26 / 57

HEX #666D51

RGB 102 109 81

HSL 75, 0.15%, 0.37%

LAB 44.74, -7.99, 14.79

 

CMYK 6 / 0 / 21 / 50

HEX #777F64

RGB 119 127 100

HSL 77.78, 0.12%, 0.45%

LAB 51.86, -8.07, 13.71

 

CMYK 6 / 0 / 18 / 43

HEX #889177

RGB 136 145 119

HSL 80.77, 0.11%, 0.52%

LAB 58.8, -8.13, 12.72

 

CMYK 6 / 0 / 15 / 36

HEX #99A38A

RGB 153 163 138

HSL 84, 0.12%, 0.59%

LAB 65.59, -8.19, 11.8

 

CMYK 6 / 0 / 13 / 29

HEX #AAB59D

RGB 170 181 157

HSL 87.5, 0.14%, 0.66%

LAB 72.25, -8.24, 10.93

 

CMYK 11 / 0 / 21 / 57

HEX #616D56

RGB 97 109 86

HSL 91.3, 0.12%, 0.38%

LAB 44.45, -9.18, 11.36

 

CMYK 12 / 0 / 26 / 64

HEX #505B43

RGB 80 91 67

HSL 87.5, 0.15%, 0.31%

LAB 37.1, -9.19, 12.45

 

CMYK 14 / 0 / 34 / 71

HEX #3F4930

RGB 63 73 48

HSL 84, 0.21%, 0.24%

LAB 29.5, -9.21, 13.67

 

CMYK 16 / 0 / 47 / 78

HEX #2E371D

RGB 46 55 29

HSL 80.77, 0.31%, 0.16%

LAB 21.59, -9.17, 15.05

 

CMYK 22 / 0 / 73 / 85

HEX #1D250A

RGB 29 37 10

HSL 77.78, 0.57%, 0.09%

LAB 13.27, -8.99, 15.26

 

CMYK 12 / 0 / 22 / 57

HEX #606D55

RGB 96 109 85

HSL 92.5, 0.12%, 0.38%

LAB 44.35, -9.76, 11.8

 

CMYK 6 / 0 / 22 / 57

HEX #676D55

RGB 103 109 85

HSL 75, 0.12%, 0.38%

LAB 44.91, -6.91, 12.67

 

CMYK 0 / 1 / 22 / 57

HEX #6D6C55

RGB 109 108 85

HSL 57.5, 0.12%, 0.38%

LAB 45.13, -3.84, 13.05

 

CMYK 0 / 6 / 22 / 57

HEX #6D6655

RGB 109 102 85

HSL 42.5, 0.12%, 0.38%

LAB 43.37, -0.32, 10.62

 

CMYK 0 / 12 / 22 / 57

HEX #6D6055

RGB 109 96 85

HSL 27.5, 0.12%, 0.38%

LAB 41.65, 3.25, 8.19

 

CMYK 12 / 0 / 22 / 57

HEX #606D55

RGB 96 109 85

HSL 92.5, 0.12%, 0.38%

LAB 44.35, -9.76, 11.8

 

CMYK 17 / 0 / 22 / 57

HEX #5A6D55

RGB 90 109 85

HSL 107.5, 0.12%, 0.38%

LAB 43.9, -12.14, 11.11

 

CMYK 22 / 0 / 20 / 57

HEX #556D57

RGB 85 109 87

HSL 125, 0.12%, 0.38%

LAB 43.59, -13.67, 9.43

 

CMYK 22 / 0 / 15 / 57

HEX #556D5D

RGB 85 109 93

HSL 140, 0.12%, 0.38%

LAB 43.74, -12.44, 6.05

 

CMYK 22 / 0 / 9 / 57

HEX #556D63

RGB 85 109 99

HSL 155, 0.12%, 0.38%

LAB 43.9, -11.13, 2.67

 

CMYK 12 / 0 / 22 / 57

HEX #606D55

RGB 96 109 85

HSL 92.5, 0.12%, 0.38%

LAB 44.35, -9.76, 11.8

 

CMYK 23 / 0 / 44 / 51

HEX #607C46

RGB 96 124 70

HSL 91.11, 0.28%, 0.38%

LAB 48.69, -20.32, 26.23

 

CMYK 32 / 0 / 61 / 45

HEX #5F8C36

RGB 95 140 54

HSL 91.4, 0.44%, 0.38%

LAB 53.44, -30.56, 40.18

 

CMYK 40 / 0 / 76 / 39

HEX #5E9C26

RGB 94 156 38

HSL 91.53, 0.61%, 0.38%

LAB 58.32, -39.43, 51.94

 

CMYK 45 / 0 / 87 / 33

HEX #5EAB17

RGB 94 171 23

HSL 91.22, 0.76%, 0.38%

LAB 62.98, -46.39, 60.56

 

CMYK 12 / 0 / 22 / 57

HEX #606D55

RGB 96 109 85

HSL 92.5, 0.12%, 0.38%

LAB 44.35, -9.76, 11.8

 

CMYK 4 / 8 / 0 / 60

HEX #615D65

RGB 97 93 101

HSL 270, 0.04%, 0.38%

LAB 40.1, 3.28, -4

 

CMYK 16 / 34 / 0 / 54

HEX #624D75

RGB 98 77 117

HSL 271.5, 0.21%, 0.38%

LAB 36.35, 17.31, -19.57

 

CMYK 26 / 54 / 0 / 48

HEX #623D84

RGB 98 61 132

HSL 271.27, 0.37%, 0.38%

LAB 33.14, 30.91, -33.92

 

CMYK 33 / 69 / 0 / 42

HEX #632E94

RGB 99 46 148

HSL 271.18, 0.53%, 0.38%

LAB 31.22, 43.54, -46.84

 

CMYK 0 / 1 / 22 / 57

HEX #6D6C55

RGB 109 108 85

HSL 57.5, 0.12%, 0.38%

LAB 45.13, -3.84, 13.05

 

CMYK 6 / 0 / 22 / 57

HEX #676D55

RGB 103 109 85

HSL 75, 0.12%, 0.38%

LAB 44.91, -6.91, 12.67

 

CMYK 11 / 0 / 22 / 57

HEX #616D55

RGB 97 109 85

HSL 90, 0.12%, 0.38%

LAB 44.43, -9.36, 11.92

 

CMYK 17 / 0 / 22 / 57

HEX #5A6D55

RGB 90 109 85

HSL 107.5, 0.12%, 0.38%

LAB 43.9, -12.14, 11.11

 

CMYK 22 / 0 / 21 / 57

HEX #556D56

RGB 85 109 86

HSL 122.5, 0.12%, 0.38%

LAB 43.57, -13.87, 10

 

CMYK 11 / 0 / 21 / 76

HEX #373E31

RGB 55 62 49

HSL 92.31, 0.12%, 0.22%

LAB 25.2, -5.82, 7.03

 

CMYK 11 / 0 / 21 / 67

HEX #4C5543

RGB 76 85 67

HSL 90, 0.12%, 0.3%

LAB 34.88, -7.34, 9.33

 

CMYK 12 / 0 / 22 / 57

HEX #606D55

RGB 96 109 85

HSL 92.5, 0.12%, 0.38%

LAB 44.35, -9.76, 11.8

 

CMYK 11 / 0 / 22 / 48

HEX #758467

RGB 117 132 103

HSL 91.03, 0.12%, 0.46%

LAB 53.24, -11.11, 13.87

 

CMYK 9 / 0 / 18 / 40

HEX #8A987C

RGB 138 152 124

HSL 90, 0.12%, 0.54%

LAB 61.06, -10.31, 13.08

 

CMYK 11 / 0 / 21 / 57

HEX #616D56

RGB 97 109 86

HSL 91.3, 0.12%, 0.38%

LAB 44.45, -9.18, 11.36

 

CMYK 22 / 0 / 6 / 57

HEX #556D66

RGB 85 109 102

HSL 162.5, 0.12%, 0.38%

LAB 43.99, -10.45, 0.99

 

CMYK 0 / 22 / 3 / 57

HEX #6D556A

RGB 109 85 106

HSL 307.5, 0.12%, 0.38%

LAB 39.22, 13.89, -8.26

 

CMYK 11 / 0 / 21 / 57

HEX #616D56

RGB 97 109 86

HSL 91.3, 0.12%, 0.38%

LAB 44.45, -9.18, 11.36

 

CMYK 22 / 11 / 0 / 57

HEX #55616D

RGB 85 97 109

HSL 210, 0.12%, 0.38%

LAB 40.55, -1.71, -8.34

 

CMYK 0 / 22 / 11 / 57

HEX #6D5561

RGB 109 85 97

HSL 330, 0.12%, 0.38%

LAB 38.92, 12.1, -3.14

 

CMYK 11 / 0 / 21 / 57

HEX #616D56

RGB 97 109 86

HSL 91.3, 0.12%, 0.38%

LAB 44.45, -9.18, 11.36

 

CMYK 22 / 0 / 6 / 57

HEX #556D66

RGB 85 109 102

HSL 162.5, 0.12%, 0.38%

LAB 43.99, -10.45, 0.99

 

CMYK 11 / 22 / 0 / 57

HEX #61556D

RGB 97 85 109

HSL 270, 0.12%, 0.38%

LAB 38.1, 10.03, -11.94

 

CMYK 0 / 22 / 16 / 57

HEX #6D555C

RGB 109 85 92

HSL 342.5, 0.12%, 0.38%

LAB 38.76, 11.16, -0.26

 

CMYK 11 / 0 / 21 / 57

HEX #616D56

RGB 97 109 86

HSL 91.3, 0.12%, 0.38%

LAB 44.45, -9.18, 11.36

 

CMYK 22 / 1 / 0 / 57

HEX #556C6D

RGB 85 108 109

HSL 182.5, 0.12%, 0.38%

LAB 43.89, -8.22, -3.37

 

CMYK 11 / 22 / 0 / 57

HEX #61556D

RGB 97 85 109

HSL 270, 0.12%, 0.38%

LAB 38.1, 10.03, -11.94

 

CMYK 0 / 21 / 22 / 57

HEX #6D5655

RGB 109 86 85

HSL 2.5, 0.12%, 0.38%

LAB 38.83, 9.32, 4.19

 

Description

Color code: HEX #616D56 | qconv.com Color code: HEX #616D56 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 109 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 109 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 21 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 21% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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