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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #616CDACE it is the complementary color #9E9325CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #616CDACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #616CDACE shade: #666CD5CE, #777EE8CE, #8890FBCE, #99A2FFCE and #AAB4FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #616CDACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #616CDACE shade: #616CDACE, #505AC7CE, #3F48B4CE, #2E36A1CE and #1D248ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #616CDACE shade: #626DDA, #7862DA, #9862DA, #B862DA and #D962DA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #616CDACE shade: #626DDA and #6262DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #616CDACE shade matches the following richer shades: #626DDA, #5260EA and #4353FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #616CDACE shade: #626DDA, #727ACA, #8187BB, #9193AB and #A1A09B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #616CDACE shade: #62AEDA, #628EDA, #626EDA, #7662DA and #9662DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #616CDACE shade: #2C3ABD, #414ED2, #626DDA, #838CE2 and #A5ABEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #616CDACE shade: #616CDA, #DA62CE and #9EDA62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #616CDACE shade: #616CDA, #DA626E and #6EDA62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #616CDACE shade: #616CDA, #DA62CE, #DACE62 and #62DA6E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #616CDACE shade: #616CDA, #DA62AA, #DACE62 and #62DA92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 41 / 0 / 12

HEX #616CDACE

RGBA 97 108 218 0.81

HSLA 234.55, 0.62%, 0.62%, 0.81

LABA 49.89, 27.32, -57.9, 0.81

 

Complementary color

CMYK 0 / 6 / 62 / 31

HEX #9E9325CE

RGBA 158 147 37 0.81

HSLA 54.55, 0.62%, 0.38%, 0.81

LABA 60.13, -8.36, 55.6, 0.81

 

CMYK 42 / 40 / 0 / 13

HEX #666CD5CE

RGBA 102 108 213 0.81

HSLA 236.76, 0.57%, 0.62%, 0.81

LABA 49.92, 26.76, -54.99, 0.81

 

CMYK 39 / 37 / 0 / 7

HEX #777EE8CE

RGBA 119 126 232 0.81

HSLA 236.28, 0.71%, 0.69%, 0.81

LABA 56.75, 25.46, -54.69, 0.81

 

CMYK 37 / 35 / 0 / 1

HEX #8890FBCE

RGBA 136 144 251 0.81

HSLA 235.83, 0.93%, 0.76%, 0.81

LABA 63.46, 24.33, -54.43, 0.81

 

CMYK 32 / 30 / 0 / 0

HEX #99A2FFCE

RGBA 153 162 255 0.81

HSLA 234.71, 1%, 0.8%, 0.81

LABA 69.35, 19.21, -47.23, 0.81

 

CMYK 27 / 24 / 0 / 0

HEX #AAB4FFCE

RGBA 170 180 255 0.81

HSLA 232.94, 1%, 0.83%, 0.81

LABA 75.08, 13.57, -38.19, 0.81

 

CMYK 45 / 41 / 0 / 12

HEX #616CDACE

RGBA 97 108 218 0.81

HSLA 234.55, 0.62%, 0.62%, 0.81

LABA 49.89, 27.32, -57.9, 0.81

 

CMYK 48 / 44 / 0 / 18

HEX #505AC7CE

RGBA 80 90 199 0.81

HSLA 234.96, 0.52%, 0.55%, 0.81

LABA 42.98, 29.01, -58.23, 0.81

 

CMYK 53 / 49 / 0 / 24

HEX #3F48B4CE

RGBA 63 72 180 0.81

HSLA 235.38, 0.48%, 0.48%, 0.81

LABA 35.96, 31.02, -58.56, 0.81

 

CMYK 58 / 54 / 0 / 30

HEX #2E36A1CE

RGBA 46 54 161 0.81

HSLA 235.83, 0.56%, 0.41%, 0.81

LABA 28.88, 33.41, -58.79, 0.81

 

CMYK 64 / 60 / 0 / 36

HEX #1D248ECE

RGBA 29 36 142 0.81

HSLA 236.28, 0.66%, 0.34%, 0.81

LABA 21.86, 36.13, -58.72, 0.81

 

CMYK 55 / 50 / 0 / 15

HEX #626DDA

RGB 98 109 218

HSL 234.5, 0.62%, 0.62%

LAB 50.21, 26.91, -57.38

 

CMYK 45 / 55 / 0 / 15

HEX #7862DA

RGB 120 98 218

HSL 251, 0.62%, 0.62%

LAB 49.24, 38.16, -58.85

 

CMYK 30 / 55 / 0 / 15

HEX #9862DA

RGB 152 98 218

HSL 267, 0.62%, 0.62%

LAB 52.37, 45.64, -53.67

 

CMYK 16 / 55 / 0 / 15

HEX #B862DA

RGB 184 98 218

HSL 283, 0.62%, 0.62%

LAB 56.08, 53.72, -47.54

 

CMYK 0 / 55 / 0 / 15

HEX #D962DA

RGB 217 98 218

HSL 299.5, 0.62%, 0.62%

LAB 60.38, 62.3, -40.46

 

CMYK 55 / 50 / 0 / 15

HEX #626DDA

RGB 98 109 218

HSL 234.5, 0.62%, 0.62%

LAB 50.21, 26.91, -57.38

 

CMYK 55 / 55 / 0 / 15

HEX #6262DA

RGB 98 98 218

HSL 240, 0.62%, 0.62%

LAB 47.49, 33.62, -61.77

 

CMYK 55 / 50 / 0 / 15

HEX #626DDA

RGB 98 109 218

HSL 234.5, 0.62%, 0.62%

LAB 50.21, 26.91, -57.38

 

CMYK 65 / 59 / 0 / 8

HEX #5260EA

RGB 82 96 234

HSL 234.47, 0.78%, 0.62%

LAB 47.11, 37.36, -71.49

 

CMYK 73 / 67 / 0 / 2

HEX #4353FA

RGB 67 83 250

HSL 234.75, 0.95%, 0.62%

LAB 44.63, 48.69, -84.54

 

CMYK 55 / 50 / 0 / 15

HEX #626DDA

RGB 98 109 218

HSL 234.5, 0.62%, 0.62%

LAB 50.21, 26.91, -57.38

 

CMYK 44 / 40 / 0 / 21

HEX #727ACA

RGB 114 122 202

HSL 234.55, 0.45%, 0.62%

LAB 53.77, 17.72, -42.56

 

CMYK 31 / 28 / 0 / 27

HEX #8187BB

RGB 129 135 187

HSL 233.79, 0.3%, 0.62%

LAB 57.64, 10, -27.9

 

CMYK 15 / 14 / 0 / 33

HEX #9193AB

RGB 145 147 171

HSL 235.38, 0.13%, 0.62%

LAB 61.51, 4.31, -12.8

 

CMYK 0 / 1 / 4 / 37

HEX #A1A09B

RGB 161 160 155

HSL 50, 0.03%, 0.62%

LAB 65.81, -0.57, 2.72

 

CMYK 55 / 20 / 0 / 15

HEX #62AEDA

RGB 98 174 218

HSL 202, 0.62%, 0.62%

LAB 67.97, -11.13, -29.4

 

CMYK 55 / 35 / 0 / 15

HEX #628EDA

RGB 98 142 218

HSL 218, 0.62%, 0.62%

LAB 58.98, 6.97, -43.42

 

CMYK 55 / 50 / 0 / 15

HEX #626EDA

RGB 98 110 218

HSL 234, 0.62%, 0.62%

LAB 50.46, 26.3, -56.97

 

CMYK 46 / 55 / 0 / 15

HEX #7662DA

RGB 118 98 218

HSL 250, 0.62%, 0.62%

LAB 49.07, 37.72, -59.14

 

CMYK 31 / 55 / 0 / 15

HEX #9662DA

RGB 150 98 218

HSL 266, 0.62%, 0.62%

LAB 52.15, 45.15, -54.02

 

CMYK 77 / 69 / 0 / 26

HEX #2C3ABD

RGB 44 58 189

HSL 234.21, 0.62%, 0.46%

LAB 32.34, 40.64, -69.84

 

CMYK 69 / 63 / 0 / 18

HEX #414ED2

RGB 65 78 210

HSL 234.62, 0.62%, 0.54%

LAB 39.96, 37.93, -69.53

 

CMYK 55 / 50 / 0 / 15

HEX #626DDA

RGB 98 109 218

HSL 234.5, 0.62%, 0.62%

LAB 50.21, 26.91, -57.38

 

CMYK 42 / 38 / 0 / 11

HEX #838CE2

RGB 131 140 226

HSL 234.32, 0.62%, 0.7%

LAB 60.85, 18.28, -44.8

 

CMYK 29 / 27 / 0 / 8

HEX #A5ABEA

RGB 165 171 234

HSL 234.78, 0.62%, 0.78%

LAB 71.6, 11.92, -32.24

 

CMYK 56 / 50 / 0 / 15

HEX #616CDA

RGB 97 108 218

HSL 234.55, 0.62%, 0.62%

LAB 49.89, 27.32, -57.9

 

CMYK 0 / 55 / 6 / 15

HEX #DA62CE

RGB 218 98 206

HSL 306, 0.62%, 0.62%

LAB 59.98, 60.54, -34.31

 

CMYK 28 / 0 / 55 / 15

HEX #9EDA62

RGB 158 218 98

HSL 90, 0.62%, 0.62%

LAB 80.9, -38.74, 52.21

 

CMYK 56 / 50 / 0 / 15

HEX #616CDA

RGB 97 108 218

HSL 234.55, 0.62%, 0.62%

LAB 49.89, 27.32, -57.9

 

CMYK 0 / 55 / 50 / 15

HEX #DA626E

RGB 218 98 110

HSL 354, 0.62%, 0.62%

LAB 56.85, 48.09, 16.59

 

CMYK 50 / 0 / 55 / 15

HEX #6EDA62

RGB 110 218 98

HSL 114, 0.62%, 0.62%

LAB 78.66, -54.1, 49.01

 

CMYK 56 / 50 / 0 / 15

HEX #616CDA

RGB 97 108 218

HSL 234.55, 0.62%, 0.62%

LAB 49.89, 27.32, -57.9

 

CMYK 0 / 55 / 6 / 15

HEX #DA62CE

RGB 218 98 206

HSL 306, 0.62%, 0.62%

LAB 59.98, 60.54, -34.31

 

CMYK 0 / 6 / 55 / 15

HEX #DACE62

RGB 218 206 98

HSL 54, 0.62%, 0.62%

LAB 81.8, -9.52, 54.33

 

CMYK 55 / 0 / 50 / 15

HEX #62DA6E

RGB 98 218 110

HSL 126, 0.62%, 0.62%

LAB 78.38, -55.68, 42.91

 

CMYK 56 / 50 / 0 / 15

HEX #616CDA

RGB 97 108 218

HSL 234.55, 0.62%, 0.62%

LAB 49.89, 27.32, -57.9

 

CMYK 0 / 55 / 22 / 15

HEX #DA62AA

RGB 218 98 170

HSL 324, 0.62%, 0.62%

LAB 58.55, 55.03, -15.91

 

CMYK 0 / 6 / 55 / 15

HEX #DACE62

RGB 218 206 98

HSL 54, 0.62%, 0.62%

LAB 81.8, -9.52, 54.33

 

CMYK 55 / 0 / 33 / 15

HEX #62DA92

RGB 98 218 146

HSL 144, 0.62%, 0.62%

LAB 78.93, -49.81, 25.49

 

Description

Color code: HEX #616CDACE | qconv.com Color code: HEX #616CDACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 108 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 108 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 41 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 41% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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