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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #616BA6 it is the complementary color #9E9459. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #616BA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #616BA6 shade: #666BA1, #777DB4, #888FC7, #99A1DA and #AAB3ED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #616BA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #616BA6 shade: #616BA6, #505993, #3F4780, #2E356D and #1D235A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #616BA6 shade: #626CA7, #6B62A7, #7D62A7, #9062A7 and #A262A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #616BA6 shade: #626CA7 and #6262A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #616BA6 shade matches the following richer shades: #626CA7, #4F5EBB, #3B50CE, #2742E2 and #1334F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #616BA6 shade: #626CA7, #767A93, #8A887F, #9E966B and #B2A558

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #616BA6 shade: #6291A7, #627FA7, #626DA7, #6A62A7 and #7D62A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #616BA6 shade: #424975, #515A8F, #626CA7, #7D85B6 and #979EC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #616BA6 shade: #616BA6, #A762A3 and #88A762

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #616BA6 shade: #616BA6, #A7626D and #6DA762

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #616BA6 shade: #616BA6, #A762A3, #A79D62 and #62A766

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #616BA6 shade: #616BA6, #A7628F, #A79D62 and #62A77A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 36 / 0 / 35

HEX #616BA6

RGB 97 107 166

HSL 231.3, 0.28%, 0.52%

LAB 46.72, 11.74, -32.95

 

Complementary color

CMYK 0 / 6 / 44 / 38

HEX #9E9459

RGB 158 148 89

HSL 51.3, 0.28%, 0.48%

LAB 60.93, -4.99, 32.46

 

CMYK 37 / 34 / 0 / 37

HEX #666BA1

RGB 102 107 161

HSL 234.92, 0.24%, 0.52%

LAB 46.86, 11.7, -29.77

 

CMYK 34 / 31 / 0 / 29

HEX #777DB4

RGB 119 125 180

HSL 234.1, 0.29%, 0.59%

LAB 53.9, 11.08, -29.74

 

CMYK 32 / 28 / 0 / 22

HEX #888FC7

RGB 136 143 199

HSL 233.33, 0.36%, 0.66%

LAB 60.78, 10.54, -29.77

 

CMYK 30 / 26 / 0 / 15

HEX #99A1DA

RGB 153 161 218

HSL 232.62, 0.47%, 0.73%

LAB 67.52, 10.07, -29.84

 

CMYK 28 / 24 / 0 / 7

HEX #AAB3ED

RGB 170 179 237

HSL 231.94, 0.65%, 0.8%

LAB 74.13, 9.65, -29.94

 

CMYK 42 / 36 / 0 / 35

HEX #616BA6

RGB 97 107 166

HSL 231.3, 0.28%, 0.52%

LAB 46.72, 11.74, -32.95

 

CMYK 46 / 39 / 0 / 42

HEX #505993

RGB 80 89 147

HSL 231.94, 0.3%, 0.45%

LAB 39.51, 12.6, -33.09

 

CMYK 51 / 45 / 0 / 50

HEX #3F4780

RGB 63 71 128

HSL 232.62, 0.34%, 0.37%

LAB 32.08, 13.68, -33.32

 

CMYK 58 / 51 / 0 / 57

HEX #2E356D

RGB 46 53 109

HSL 233.33, 0.41%, 0.3%

LAB 24.42, 15.1, -33.63

 

CMYK 68 / 61 / 0 / 65

HEX #1D235A

RGB 29 35 90

HSL 234.1, 0.51%, 0.23%

LAB 16.51, 17.06, -34.01

 

CMYK 41 / 35 / 0 / 35

HEX #626CA7

RGB 98 108 167

HSL 231.3, 0.28%, 0.52%

LAB 47.12, 11.69, -32.91

 

CMYK 36 / 41 / 0 / 35

HEX #6B62A7

RGB 107 98 167

HSL 247.83, 0.28%, 0.52%

LAB 45.15, 20.35, -35.95

 

CMYK 25 / 41 / 0 / 35

HEX #7D62A7

RGB 125 98 167

HSL 263.48, 0.28%, 0.52%

LAB 46.82, 25.61, -33.21

 

CMYK 14 / 41 / 0 / 35

HEX #9062A7

RGB 144 98 167

HSL 280, 0.28%, 0.52%

LAB 48.83, 31.44, -29.93

 

CMYK 3 / 41 / 0 / 35

HEX #A262A7

RGB 162 98 167

HSL 295.65, 0.28%, 0.52%

LAB 50.93, 37.1, -26.5

 

CMYK 41 / 35 / 0 / 35

HEX #626CA7

RGB 98 108 167

HSL 231.3, 0.28%, 0.52%

LAB 47.12, 11.69, -32.91

 

CMYK 41 / 41 / 0 / 35

HEX #6262A7

RGB 98 98 167

HSL 240, 0.28%, 0.52%

LAB 44.41, 17.87, -37.18

 

CMYK 41 / 35 / 0 / 35

HEX #626CA7

RGB 98 108 167

HSL 231.3, 0.28%, 0.52%

LAB 47.12, 11.69, -32.91

 

CMYK 58 / 50 / 0 / 27

HEX #4F5EBB

RGB 79 94 187

HSL 231.67, 0.44%, 0.52%

LAB 43.15, 22.27, -51

 

CMYK 71 / 61 / 0 / 19

HEX #3B50CE

RGB 59 80 206

HSL 231.43, 0.6%, 0.52%

LAB 39.79, 34.53, -67.52

 

CMYK 83 / 71 / 0 / 11

HEX #2742E2

RGB 39 66 226

HSL 231.34, 0.76%, 0.52%

LAB 37.52, 48.32, -82.76

 

CMYK 92 / 79 / 0 / 4

HEX #1334F6

RGB 19 52 246

HSL 231.28, 0.93%, 0.52%

LAB 36.46, 61.72, -95.86

 

CMYK 41 / 35 / 0 / 35

HEX #626CA7

RGB 98 108 167

HSL 231.3, 0.28%, 0.52%

LAB 47.12, 11.69, -32.91

 

CMYK 20 / 17 / 0 / 42

HEX #767A93

RGB 118 122 147

HSL 231.72, 0.12%, 0.52%

LAB 51.7, 4.08, -14

 

CMYK 0 / 1 / 8 / 46

HEX #8A887F

RGB 138 136 127

HSL 49.09, 0.04%, 0.52%

LAB 56.63, -0.95, 5.09

 

CMYK 0 / 5 / 32 / 38

HEX #9E966B

RGB 158 150 107

HSL 50.59, 0.21%, 0.52%

LAB 61.78, -3.91, 23.79

 

CMYK 0 / 7 / 51 / 30

HEX #B2A558

RGB 178 165 88

HSL 51.33, 0.37%, 0.52%

LAB 67.34, -5.75, 41.27

 

CMYK 41 / 13 / 0 / 35

HEX #6291A7

RGB 98 145 167

HSL 199.13, 0.28%, 0.52%

LAB 57.69, -10, -16.59

 

CMYK 41 / 24 / 0 / 35

HEX #627FA7

RGB 98 127 167

HSL 214.78, 0.28%, 0.52%

LAB 52.47, 0.27, -24.58

 

CMYK 41 / 35 / 0 / 35

HEX #626DA7

RGB 98 109 167

HSL 230.43, 0.28%, 0.52%

LAB 47.4, 11.08, -32.47

 

CMYK 37 / 41 / 0 / 35

HEX #6A62A7

RGB 106 98 167

HSL 246.96, 0.28%, 0.52%

LAB 45.07, 20.07, -36.09

 

CMYK 25 / 41 / 0 / 35

HEX #7D62A7

RGB 125 98 167

HSL 263.48, 0.28%, 0.52%

LAB 46.82, 25.61, -33.21

 

CMYK 44 / 38 / 0 / 54

HEX #424975

RGB 66 73 117

HSL 231.76, 0.28%, 0.36%

LAB 32.28, 9.57, -26.14

 

CMYK 43 / 37 / 0 / 44

HEX #515A8F

RGB 81 90 143

HSL 231.29, 0.28%, 0.44%

LAB 39.66, 10.99, -30.44

 

CMYK 41 / 35 / 0 / 35

HEX #626CA7

RGB 98 108 167

HSL 231.3, 0.28%, 0.52%

LAB 47.12, 11.69, -32.91

 

CMYK 31 / 27 / 0 / 29

HEX #7D85B6

RGB 125 133 182

HSL 231.58, 0.28%, 0.6%

LAB 56.6, 8.67, -26.68

 

CMYK 23 / 20 / 0 / 23

HEX #979EC5

RGB 151 158 197

HSL 230.87, 0.28%, 0.68%

LAB 65.8, 6.03, -20.85

 

CMYK 42 / 36 / 0 / 35

HEX #616BA6

RGB 97 107 166

HSL 231.3, 0.28%, 0.52%

LAB 46.72, 11.74, -32.95

 

CMYK 0 / 41 / 2 / 35

HEX #A762A3

RGB 167 98 163

HSL 303.48, 0.28%, 0.52%

LAB 51.38, 37.92, -23.42

 

CMYK 19 / 0 / 41 / 35

HEX #88A762

RGB 136 167 98

HSL 86.96, 0.28%, 0.52%

LAB 64.77, -22.82, 32.22

 

CMYK 42 / 36 / 0 / 35

HEX #616BA6

RGB 97 107 166

HSL 231.3, 0.28%, 0.52%

LAB 46.72, 11.74, -32.95

 

CMYK 0 / 41 / 35 / 35

HEX #A7626D

RGB 167 98 109

HSL 350.43, 0.28%, 0.52%

LAB 49.56, 29.27, 5.9

 

CMYK 35 / 0 / 41 / 35

HEX #6DA762

RGB 109 167 98

HSL 110.43, 0.28%, 0.52%

LAB 63.15, -32.65, 29.82

 

CMYK 42 / 36 / 0 / 35

HEX #616BA6

RGB 97 107 166

HSL 231.3, 0.28%, 0.52%

LAB 46.72, 11.74, -32.95

 

CMYK 0 / 41 / 2 / 35

HEX #A762A3

RGB 167 98 163

HSL 303.48, 0.28%, 0.52%

LAB 51.38, 37.92, -23.42

 

CMYK 0 / 6 / 41 / 35

HEX #A79D62

RGB 167 157 98

HSL 51.3, 0.28%, 0.52%

LAB 64.33, -5.08, 32.15

 

CMYK 41 / 0 / 39 / 35

HEX #62A766

RGB 98 167 102

HSL 123.48, 0.28%, 0.52%

LAB 62.67, -35.61, 26.96

 

CMYK 42 / 36 / 0 / 35

HEX #616BA6

RGB 97 107 166

HSL 231.3, 0.28%, 0.52%

LAB 46.72, 11.74, -32.95

 

CMYK 0 / 41 / 14 / 35

HEX #A7628F

RGB 167 98 143

HSL 320.87, 0.28%, 0.52%

LAB 50.61, 34.36, -12.81

 

CMYK 0 / 6 / 41 / 35

HEX #A79D62

RGB 167 157 98

HSL 51.3, 0.28%, 0.52%

LAB 64.33, -5.08, 32.15

 

CMYK 41 / 0 / 27 / 35

HEX #62A77A

RGB 98 167 122

HSL 140.87, 0.28%, 0.52%

LAB 63.04, -32.01, 16.59

 

Description

Color code: HEX #616BA6 | qconv.com Color code: HEX #616BA6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 107 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 107 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 36 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 36% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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