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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #616632 it is the complementary color #9E99CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #616632. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #616632 shade: #66662D, #777840, #888A53, #999C66 and #AAAE79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #616632. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #616632 shade: #616632, #50541F, #3F420C, #2E3000 and #1D1E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #616632 shade: #626732, #675D32, #674F32, #674132 and #673332

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #616632 shade: #626732, #536732, #456732, #376732 and #32673C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #616632 shade matches the following richer shades: #626732, #6C7326, #767F1A, #7F8C0D and #899801

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #616632 shade: #626732, #585A3F, #4E4E4B, #444158 and #3A3564

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #616632 shade: #674F32, #675D32, #626732, #546732 and #466732

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #616632 shade: #2D2F17, #474B25, #626732, #7C8240 and #969E4E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #616632 shade: #616632, #326741 and #563267

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #616632 shade: #616632, #326267 and #673262

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #616632 shade: #616632, #326741, #373267 and #673258

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #616632 shade: #616632, #326751, #373267 and #673248

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 51 / 60

HEX #616632

RGB 97 102 50

HSL 65.77, 0.34%, 0.3%

LAB 41.65, -10.44, 28.52

 

Complementary color

CMYK 23 / 25 / 0 / 20

HEX #9E99CD

RGB 158 153 205

HSL 245.77, 0.34%, 0.7%

LAB 65.33, 12.93, -25.98

 

CMYK 0 / 0 / 56 / 60

HEX #66662D

RGB 102 102 45

HSL 60, 0.39%, 0.29%

LAB 42.03, -8.65, 31.76

 

CMYK 1 / 0 / 47 / 53

HEX #777840

RGB 119 120 64

HSL 61.07, 0.3%, 0.36%

LAB 49.16, -9.17, 30.48

 

CMYK 1 / 0 / 40 / 46

HEX #888A53

RGB 136 138 83

HSL 62.18, 0.25%, 0.43%

LAB 56.12, -9.55, 29.2

 

CMYK 2 / 0 / 35 / 39

HEX #999C66

RGB 153 156 102

HSL 63.33, 0.21%, 0.51%

LAB 62.93, -9.84, 27.96

 

CMYK 2 / 0 / 30 / 32

HEX #AAAE79

RGB 170 174 121

HSL 64.53, 0.25%, 0.58%

LAB 69.61, -10.07, 26.8

 

CMYK 5 / 0 / 51 / 60

HEX #616632

RGB 97 102 50

HSL 65.77, 0.34%, 0.3%

LAB 41.65, -10.44, 28.52

 

CMYK 5 / 0 / 63 / 67

HEX #50541F

RGB 80 84 31

HSL 64.53, 0.46%, 0.23%

LAB 34.28, -9.93, 29.74

 

CMYK 5 / 0 / 82 / 74

HEX #3F420C

RGB 63 66 12

HSL 63.33, 0.69%, 0.15%

LAB 26.68, -9.11, 30.41

 

CMYK 4 / 0 / 100 / 81

HEX #2E3000

RGB 46 48 0

HSL 62.5, 1%, 0.09%

LAB 18.78, -7.76, 26.58

 

CMYK 3 / 0 / 100 / 88

HEX #1D1E00

RGB 29 30 0

HSL 62, 1%, 0.06%

LAB 10.48, -5.65, 15.52

 

CMYK 5 / 0 / 51 / 60

HEX #626732

RGB 98 103 50

HSL 65.66, 0.35%, 0.3%

LAB 42.04, -10.55, 29.01

 

CMYK 0 / 10 / 51 / 60

HEX #675D32

RGB 103 93 50

HSL 48.68, 0.35%, 0.3%

LAB 39.48, -2.45, 26.01

 

CMYK 0 / 23 / 51 / 60

HEX #674F32

RGB 103 79 50

HSL 32.83, 0.35%, 0.3%

LAB 35.41, 6, 20.93

 

CMYK 0 / 37 / 51 / 60

HEX #674132

RGB 103 65 50

HSL 16.98, 0.35%, 0.3%

LAB 31.57, 14.64, 15.95

 

CMYK 0 / 50 / 51 / 60

HEX #673332

RGB 103 51 50

HSL 1.13, 0.35%, 0.3%

LAB 28.06, 23.12, 11.26

 

CMYK 5 / 0 / 51 / 60

HEX #626732

RGB 98 103 50

HSL 65.66, 0.35%, 0.3%

LAB 42.04, -10.55, 29.01

 

CMYK 19 / 0 / 51 / 60

HEX #536732

RGB 83 103 50

HSL 82.64, 0.35%, 0.3%

LAB 40.85, -17.19, 27.29

 

CMYK 33 / 0 / 51 / 60

HEX #456732

RGB 69 103 50

HSL 98.49, 0.35%, 0.3%

LAB 39.91, -22.96, 25.92

 

CMYK 47 / 0 / 51 / 60

HEX #376732

RGB 55 103 50

HSL 114.34, 0.35%, 0.3%

LAB 39.14, -28.09, 24.81

 

CMYK 51 / 0 / 42 / 60

HEX #32673C

RGB 50 103 60

HSL 131.32, 0.35%, 0.3%

LAB 39.08, -28.01, 18.97

 

CMYK 5 / 0 / 51 / 60

HEX #626732

RGB 98 103 50

HSL 65.66, 0.35%, 0.3%

LAB 42.04, -10.55, 29.01

 

CMYK 6 / 0 / 67 / 55

HEX #6C7326

RGB 108 115 38

HSL 65.45, 0.5%, 0.3%

LAB 46.43, -13.72, 40.2

 

CMYK 7 / 0 / 80 / 50

HEX #767F1A

RGB 118 127 26

HSL 65.35, 0.66%, 0.3%

LAB 50.81, -16.3, 49.48

 

CMYK 9 / 0 / 91 / 45

HEX #7F8C0D

RGB 127 140 13

HSL 66.14, 0.83%, 0.3%

LAB 55.38, -19.45, 57.03

 

CMYK 10 / 0 / 99 / 40

HEX #899801

RGB 137 152 1

HSL 65.96, 0.99%, 0.3%

LAB 59.69, -21.35, 62.63

 

CMYK 5 / 0 / 51 / 60

HEX #626732

RGB 98 103 50

HSL 65.66, 0.35%, 0.3%

LAB 42.04, -10.55, 29.01

 

CMYK 2 / 0 / 30 / 65

HEX #585A3F

RGB 88 90 63

HSL 64.44, 0.18%, 0.3%

LAB 37.38, -5.82, 15.38

 

CMYK 0 / 0 / 4 / 69

HEX #4E4E4B

RGB 78 78 75

HSL 60, 0.02%, 0.3%

LAB 33.08, -0.64, 1.77

 

CMYK 23 / 26 / 0 / 65

HEX #444158

RGB 68 65 88

HSL 247.83, 0.15%, 0.3%

LAB 28.68, 6.9, -13.25

 

CMYK 42 / 47 / 0 / 61

HEX #3A3564

RGB 58 53 100

HSL 246.38, 0.31%, 0.3%

LAB 24.85, 15.18, -27.09

 

CMYK 0 / 23 / 51 / 60

HEX #674F32

RGB 103 79 50

HSL 32.83, 0.35%, 0.3%

LAB 35.41, 6, 20.93

 

CMYK 0 / 10 / 51 / 60

HEX #675D32

RGB 103 93 50

HSL 48.68, 0.35%, 0.3%

LAB 39.48, -2.45, 26.01

 

CMYK 5 / 0 / 51 / 60

HEX #626732

RGB 98 103 50

HSL 65.66, 0.35%, 0.3%

LAB 42.04, -10.55, 29.01

 

CMYK 18 / 0 / 51 / 60

HEX #546732

RGB 84 103 50

HSL 81.51, 0.35%, 0.3%

LAB 40.92, -16.76, 27.39

 

CMYK 32 / 0 / 51 / 60

HEX #466732

RGB 70 103 50

HSL 97.36, 0.35%, 0.3%

LAB 39.97, -22.57, 26.01

 

CMYK 4 / 0 / 51 / 82

HEX #2D2F17

RGB 45 47 23

HSL 65, 0.34%, 0.14%

LAB 18.6, -5.48, 15.09

 

CMYK 5 / 0 / 51 / 71

HEX #474B25

RGB 71 75 37

HSL 66.32, 0.34%, 0.22%

LAB 30.65, -8.3, 21.98

 

CMYK 5 / 0 / 51 / 60

HEX #626732

RGB 98 103 50

HSL 65.66, 0.35%, 0.3%

LAB 42.04, -10.55, 29.01

 

CMYK 5 / 0 / 51 / 49

HEX #7C8240

RGB 124 130 64

HSL 65.45, 0.34%, 0.38%

LAB 52.53, -12.47, 34.66

 

CMYK 5 / 0 / 51 / 38

HEX #969E4E

RGB 150 158 78

HSL 66, 0.34%, 0.46%

LAB 62.92, -14.84, 40.43

 

CMYK 5 / 0 / 51 / 60

HEX #616632

RGB 97 102 50

HSL 65.77, 0.34%, 0.3%

LAB 41.65, -10.44, 28.52

 

CMYK 51 / 0 / 37 / 60

HEX #326741

RGB 50 103 65

HSL 136.98, 0.35%, 0.3%

LAB 39.17, -27.05, 16.16

 

CMYK 17 / 51 / 0 / 60

HEX #563267

RGB 86 50 103

HSL 280.75, 0.35%, 0.3%

LAB 27.4, 26.67, -24.77

 

CMYK 5 / 0 / 51 / 60

HEX #616632

RGB 97 102 50

HSL 65.77, 0.34%, 0.3%

LAB 41.65, -10.44, 28.52

 

CMYK 51 / 5 / 0 / 60

HEX #326267

RGB 50 98 103

HSL 185.66, 0.35%, 0.3%

LAB 38.54, -14.76, -7.89

 

CMYK 0 / 51 / 5 / 60

HEX #673262

RGB 103 50 98

HSL 305.66, 0.35%, 0.3%

LAB 29.53, 31.13, -18.05

 

CMYK 5 / 0 / 51 / 60

HEX #616632

RGB 97 102 50

HSL 65.77, 0.34%, 0.3%

LAB 41.65, -10.44, 28.52

 

CMYK 51 / 0 / 37 / 60

HEX #326741

RGB 50 103 65

HSL 136.98, 0.35%, 0.3%

LAB 39.17, -27.05, 16.16

 

CMYK 47 / 51 / 0 / 60

HEX #373267

RGB 55 50 103

HSL 245.66, 0.35%, 0.3%

LAB 23.91, 17.35, -30.54

 

CMYK 0 / 51 / 15 / 60

HEX #673258

RGB 103 50 88

HSL 316.98, 0.35%, 0.3%

LAB 29.08, 29.24, -12.26

 

CMYK 5 / 0 / 51 / 60

HEX #616632

RGB 97 102 50

HSL 65.77, 0.34%, 0.3%

LAB 41.65, -10.44, 28.52

 

CMYK 51 / 0 / 21 / 60

HEX #326751

RGB 50 103 81

HSL 155.09, 0.35%, 0.3%

LAB 39.53, -23.49, 7.05

 

CMYK 47 / 51 / 0 / 60

HEX #373267

RGB 55 50 103

HSL 245.66, 0.35%, 0.3%

LAB 23.91, 17.35, -30.54

 

CMYK 0 / 51 / 30 / 60

HEX #673248

RGB 103 50 72

HSL 335.09, 0.35%, 0.3%

LAB 28.47, 26.58, -2.69

 

Description

Color code: HEX #616632 | qconv.com Color code: HEX #616632 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 102 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 102 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 51 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 51% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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