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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6161E9 it is the complementary color #9E9E16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6161E9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6161E9 shade: #6661E4, #7773F7, #8885FF, #9997FF and #AAA9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6161E9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6161E9 shade: #6161E9, #504FD6, #3F3DC3, #2E2BB0 and #1D199D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6161E9 shade: #6262EA, #8762EA, #AB62EA, #D062EA and #EA62DF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6161E9 shade: #6262EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6161E9 shade matches the following richer shades: #6262EA and #5353F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6161E9 shade: #6262EA, #7070DB, #7F7FCD, #8D8DBE and #9C9CB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6161E9 shade: #62AAEA, #6286EA, #6262EA, #8662EA and #AA62EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6161E9 shade: #1E1EDB, #3E3EE5, #6262EA, #8686EF and #ABABF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6161E9 shade: #6161E9, #EA62CE and #98EA62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6161E9 shade: #6161E9, #EA6262 and #62EA62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6161E9 shade: #6161E9, #EA62CE, #EAEA62 and #62EA7D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6161E9 shade: #6161E9, #EA62A6, #EAEA62 and #62EAA6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 58 / 0 / 9

HEX #6161E9

RGB 97 97 233

HSL 240, 0.76%, 0.65%

LAB 48.23, 38.8, -69.06

 

Complementary color

CMYK 0 / 0 / 86 / 38

HEX #9E9E16

RGB 158 158 22

HSL 60, 0.76%, 0.35%

LAB 63.16, -14.68, 62.56

 

CMYK 55 / 57 / 0 / 11

HEX #6661E4

RGB 102 97 228

HSL 242.29, 0.71%, 0.64%

LAB 48.23, 38.11, -66.22

 

CMYK 52 / 53 / 0 / 3

HEX #7773F7

RGB 119 115 247

HSL 241.82, 0.89%, 0.71%

LAB 54.97, 36.52, -65.9

 

CMYK 47 / 48 / 0 / 0

HEX #8885FF

RGB 136 133 255

HSL 241.48, 1%, 0.76%

LAB 60.98, 31.91, -60.58

 

CMYK 40 / 41 / 0 / 0

HEX #9997FF

RGB 153 151 255

HSL 241.15, 1%, 0.8%

LAB 66.62, 25.5, -51.55

 

CMYK 33 / 34 / 0 / 0

HEX #AAA9FF

RGB 170 169 255

HSL 240.7, 1%, 0.83%

LAB 72.32, 19.71, -42.48

 

CMYK 58 / 58 / 0 / 9

HEX #6161E9

RGB 97 97 233

HSL 240, 0.76%, 0.65%

LAB 48.23, 38.8, -69.06

 

CMYK 63 / 63 / 0 / 16

HEX #504FD6

RGB 80 79 214

HSL 240.44, 0.62%, 0.57%

LAB 41.46, 40.75, -69.34

 

CMYK 68 / 69 / 0 / 24

HEX #3F3DC3

RGB 63 61 195

HSL 240.9, 0.53%, 0.5%

LAB 34.67, 42.92, -69.49

 

CMYK 74 / 76 / 0 / 31

HEX #2E2BB0

RGB 46 43 176

HSL 241.35, 0.61%, 0.43%

LAB 27.96, 45.18, -69.34

 

CMYK 82 / 84 / 0 / 38

HEX #1D199D

RGB 29 25 157

HSL 241.82, 0.73%, 0.36%

LAB 21.55, 47.15, -68.5

 

CMYK 58 / 58 / 0 / 8

HEX #6262EA

RGB 98 98 234

HSL 240, 0.76%, 0.65%

LAB 48.6, 38.69, -69.01

 

CMYK 42 / 58 / 0 / 8

HEX #8762EA

RGB 135 98 234

HSL 256.32, 0.76%, 0.65%

LAB 51.64, 45.86, -63.95

 

CMYK 27 / 58 / 0 / 8

HEX #AB62EA

RGB 171 98 234

HSL 272.21, 0.76%, 0.65%

LAB 55.41, 53.99, -57.68

 

CMYK 11 / 58 / 0 / 8

HEX #D062EA

RGB 208 98 234

HSL 288.53, 0.76%, 0.65%

LAB 59.97, 62.92, -50.15

 

CMYK 0 / 58 / 5 / 8

HEX #EA62DF

RGB 234 98 223

HSL 304.85, 0.76%, 0.65%

LAB 62.97, 67.53, -39.03

 

CMYK 58 / 58 / 0 / 8

HEX #6262EA

RGB 98 98 234

HSL 240, 0.76%, 0.65%

LAB 48.6, 38.69, -69.01

 

CMYK 58 / 58 / 0 / 8

HEX #6262EA

RGB 98 98 234

HSL 240, 0.76%, 0.65%

LAB 48.6, 38.69, -69.01

 

CMYK 67 / 67 / 0 / 3

HEX #5353F8

RGB 83 83 248

HSL 240, 0.92%, 0.65%

LAB 45.36, 49.79, -82.19

 

CMYK 58 / 58 / 0 / 8

HEX #6262EA

RGB 98 98 234

HSL 240, 0.76%, 0.65%

LAB 48.6, 38.69, -69.01

 

CMYK 49 / 49 / 0 / 14

HEX #7070DB

RGB 112 112 219

HSL 240, 0.6%, 0.65%

LAB 52, 28.36, -55.02

 

CMYK 38 / 38 / 0 / 20

HEX #7F7FCD

RGB 127 127 205

HSL 240, 0.44%, 0.65%

LAB 56.19, 19, -40.39

 

CMYK 26 / 26 / 0 / 25

HEX #8D8DBE

RGB 141 141 190

HSL 240, 0.27%, 0.65%

LAB 60.28, 10.91, -25.45

 

CMYK 11 / 11 / 0 / 31

HEX #9C9CB0

RGB 156 156 176

HSL 240, 0.11%, 0.65%

LAB 64.95, 4.05, -10.37

 

CMYK 58 / 27 / 0 / 8

HEX #62AAEA

RGB 98 170 234

HSL 208.24, 0.76%, 0.65%

LAB 67.49, -4.03, -38.92

 

CMYK 58 / 43 / 0 / 8

HEX #6286EA

RGB 98 134 234

HSL 224.12, 0.76%, 0.65%

LAB 57.64, 16.89, -54.46

 

CMYK 58 / 58 / 0 / 8

HEX #6262EA

RGB 98 98 234

HSL 240, 0.76%, 0.65%

LAB 48.6, 38.69, -69.01

 

CMYK 43 / 58 / 0 / 8

HEX #8662EA

RGB 134 98 234

HSL 255.88, 0.76%, 0.65%

LAB 51.55, 45.65, -64.1

 

CMYK 27 / 58 / 0 / 8

HEX #AA62EA

RGB 170 98 234

HSL 271.76, 0.76%, 0.65%

LAB 55.3, 53.75, -57.87

 

CMYK 86 / 86 / 0 / 14

HEX #1E1EDB

RGB 30 30 219

HSL 240, 0.76%, 0.49%

LAB 30.2, 63.55, -90.88

 

CMYK 73 / 73 / 0 / 10

HEX #3E3EE5

RGB 62 62 229

HSL 240, 0.76%, 0.57%

LAB 38.07, 53.29, -83.52

 

CMYK 58 / 58 / 0 / 8

HEX #6262EA

RGB 98 98 234

HSL 240, 0.76%, 0.65%

LAB 48.6, 38.69, -69.01

 

CMYK 44 / 44 / 0 / 6

HEX #8686EF

RGB 134 134 239

HSL 240, 0.77%, 0.73%

LAB 60.2, 26.25, -53.02

 

CMYK 30 / 30 / 0 / 5

HEX #ABABF3

RGB 171 171 243

HSL 240, 0.75%, 0.81%

LAB 72.4, 15.85, -35.86

 

Description

Color code: HEX #6161E9 | qconv.com Color code: HEX #6161E9 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 97 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 97 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 58 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 58% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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