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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #615EC3CE it is the complementary color #9EA13CCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #615EC3CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #615EC3CE shade: #665EBECE, #7770D1CE, #8882E4CE, #9994F7CE and #AAA6FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #615EC3CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #615EC3CE shade: #615EC3CE, #504CB0CE, #3F3A9DCE, #2E288ACE and #1D1677CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #615EC3CE shade: #625FC4, #7D5FC4, #985FC4, #B45FC4 and #C45FB9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #615EC3CE shade: #625FC4 and #5F5FC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #615EC3CE shade matches the following richer shades: #625FC4, #514DD6, #413BE7 and #302AF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #615EC3CE shade: #625FC4, #7371B2, #8382A0, #94948F and #A5A67D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #615EC3CE shade: #5F93C4, #5F78C4, #615FC4, #7B5FC4 and #965FC4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #615EC3CE shade: #3B3898, #4743B6, #625FC4, #7F7DCF and #9D9BDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #615EC3CE shade: #615EC3, #C45FAE and #86C45F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #615EC3CE shade: #615EC3, #C4615F and #5FC461

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #615EC3CE shade: #615EC3, #C45FAE, #C2C45F and #5FC475

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #615EC3CE shade: #615EC3, #C45F90, #C2C45F and #5FC493

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 42 / 0 / 19

HEX #615EC3CE

RGBA 97 94 195 0.81

HSLA 241.78, 0.46%, 0.57%, 0.81

LABA 44.92, 28.63, -52.72, 0.81

 

Complementary color

CMYK 2 / 0 / 51 / 30

HEX #9EA13CCE

RGBA 158 161 60 0.81

HSLA 61.78, 0.46%, 0.43%, 0.81

LABA 64.23, -14.47, 50.56, 0.81

 

CMYK 38 / 41 / 0 / 21

HEX #665EBECE

RGBA 102 94 190 0.81

HSLA 245, 0.42%, 0.56%, 0.81

LABA 45.01, 28.23, -49.66, 0.81

 

CMYK 35 / 38 / 0 / 15

HEX #7770D1CE

RGBA 119 112 209 0.81

HSLA 244.33, 0.51%, 0.63%, 0.81

LABA 51.97, 27.02, -49.38, 0.81

 

CMYK 33 / 35 / 0 / 9

HEX #8882E4CE

RGBA 136 130 228 0.81

HSLA 243.67, 0.64%, 0.7%, 0.81

LABA 58.79, 25.97, -49.14, 0.81

 

CMYK 31 / 32 / 0 / 3

HEX #9994F7CE

RGBA 153 148 247 0.81

HSLA 243.03, 0.86%, 0.77%, 0.81

LABA 65.49, 25.05, -48.96, 0.81

 

CMYK 27 / 28 / 0 / 0

HEX #AAA6FFCE

RGBA 170 166 255 0.81

HSLA 242.7, 1%, 0.83%, 0.81

LABA 71.58, 21.4, -43.64, 0.81

 

CMYK 41 / 42 / 0 / 19

HEX #615EC3CE

RGBA 97 94 195 0.81

HSLA 241.78, 0.46%, 0.57%, 0.81

LABA 44.92, 28.63, -52.72, 0.81

 

CMYK 44 / 46 / 0 / 25

HEX #504CB0CE

RGBA 80 76 176 0.81

HSLA 242.4, 0.4%, 0.49%, 0.81

LABA 37.86, 30.2, -53.05, 0.81

 

CMYK 48 / 51 / 0 / 31

HEX #3F3A9DCE

RGBA 63 58 157 0.81

HSLA 243.03, 0.46%, 0.42%, 0.81

LABA 30.68, 32.03, -53.38, 0.81

 

CMYK 54 / 58 / 0 / 37

HEX #2E288ACE

RGBA 46 40 138 0.81

HSLA 243.67, 0.55%, 0.35%, 0.81

LABA 23.45, 34.14, -53.57, 0.81

 

CMYK 61 / 66 / 0 / 43

HEX #1D1677CE

RGBA 29 22 119 0.81

HSLA 244.33, 0.69%, 0.28%, 0.81

LABA 16.34, 36.29, -53.3, 0.81

 

CMYK 50 / 52 / 0 / 23

HEX #625FC4

RGB 98 95 196

HSL 241.78, 0.46%, 0.57%

LAB 45.31, 28.55, -52.66

 

CMYK 36 / 52 / 0 / 23

HEX #7D5FC4

RGB 125 95 196

HSL 257.82, 0.46%, 0.57%

LAB 47.66, 34.96, -48.77

 

CMYK 22 / 52 / 0 / 23

HEX #985FC4

RGB 152 95 196

HSL 273.86, 0.46%, 0.57%

LAB 50.51, 42.04, -44.07

 

CMYK 8 / 52 / 0 / 23

HEX #B45FC4

RGB 180 95 196

HSL 290.5, 0.46%, 0.57%

LAB 53.89, 49.73, -38.5

 

CMYK 0 / 52 / 6 / 23

HEX #C45FB9

RGB 196 95 185

HSL 306.53, 0.46%, 0.57%

LAB 55.51, 52.25, -29.5

 

CMYK 50 / 52 / 0 / 23

HEX #625FC4

RGB 98 95 196

HSL 241.78, 0.46%, 0.57%

LAB 45.31, 28.55, -52.66

 

CMYK 52 / 52 / 0 / 23

HEX #5F5FC4

RGB 95 95 196

HSL 240, 0.46%, 0.57%

LAB 45.09, 27.9, -53.04

 

CMYK 50 / 52 / 0 / 23

HEX #625FC4

RGB 98 95 196

HSL 241.78, 0.46%, 0.57%

LAB 45.31, 28.55, -52.66

 

CMYK 62 / 64 / 0 / 16

HEX #514DD6

RGB 81 77 214

HSL 241.75, 0.63%, 0.57%

LAB 41.08, 42.09, -69.96

 

CMYK 72 / 74 / 0 / 9

HEX #413BE7

RGB 65 59 231

HSL 242.09, 0.78%, 0.57%

LAB 37.88, 55.78, -84.96

 

CMYK 81 / 83 / 0 / 2

HEX #302AF9

RGB 48 42 249

HSL 241.74, 0.95%, 0.57%

LAB 36.22, 68.01, -97.92

 

CMYK 50 / 52 / 0 / 23

HEX #625FC4

RGB 98 95 196

HSL 241.78, 0.46%, 0.57%

LAB 45.31, 28.55, -52.66

 

CMYK 35 / 37 / 0 / 30

HEX #7371B2

RGB 115 113 178

HSL 241.85, 0.3%, 0.57%

LAB 50.3, 16.56, -34.24

 

CMYK 18 / 19 / 0 / 37

HEX #8382A0

RGB 131 130 160

HSL 242, 0.14%, 0.57%

LAB 55.41, 6.86, -15.83

 

CMYK 0 / 0 / 3 / 42

HEX #94948F

RGB 148 148 143

HSL 60, 0.02%, 0.57%

LAB 61.18, -0.95, 2.63

 

CMYK 1 / 0 / 25 / 35

HEX #A5A67D

RGB 165 166 125

HSL 61.46, 0.19%, 0.57%

LAB 67.09, -7.24, 21.18

 

CMYK 52 / 25 / 0 / 23

HEX #5F93C4

RGB 95 147 196

HSL 209.11, 0.46%, 0.57%

LAB 59.24, -3.44, -30.68

 

CMYK 52 / 39 / 0 / 23

HEX #5F78C4

RGB 95 120 196

HSL 225.15, 0.46%, 0.57%

LAB 51.67, 12.5, -42.54

 

CMYK 51 / 52 / 0 / 23

HEX #615FC4

RGB 97 95 196

HSL 241.19, 0.46%, 0.57%

LAB 45.24, 28.33, -52.79

 

CMYK 37 / 52 / 0 / 23

HEX #7B5FC4

RGB 123 95 196

HSL 256.63, 0.46%, 0.57%

LAB 47.47, 34.46, -49.09

 

CMYK 23 / 52 / 0 / 23

HEX #965FC4

RGB 150 95 196

HSL 272.67, 0.46%, 0.57%

LAB 50.28, 41.5, -44.44

 

CMYK 61 / 63 / 0 / 40

HEX #3B3898

RGB 59 56 152

HSL 241.88, 0.46%, 0.41%

LAB 29.48, 30.91, -52.31

 

CMYK 61 / 63 / 0 / 29

HEX #4743B6

RGB 71 67 182

HSL 242.09, 0.46%, 0.49%

LAB 35.46, 36.12, -60.53

 

CMYK 50 / 52 / 0 / 23

HEX #625FC4

RGB 98 95 196

HSL 241.78, 0.46%, 0.57%

LAB 45.31, 28.55, -52.66

 

CMYK 39 / 40 / 0 / 19

HEX #7F7DCF

RGB 127 125 207

HSL 241.46, 0.46%, 0.65%

LAB 55.77, 20.74, -42.17

 

CMYK 28 / 29 / 0 / 15

HEX #9D9BDA

RGB 157 155 218

HSL 241.9, 0.46%, 0.73%

LAB 66.27, 14.64, -31.75

 

CMYK 50 / 52 / 0 / 24

HEX #615EC3

RGB 97 94 195

HSL 241.78, 0.46%, 0.57%

LAB 44.92, 28.63, -52.72

 

CMYK 0 / 52 / 11 / 23

HEX #C45FAE

RGB 196 95 174

HSL 313.07, 0.46%, 0.57%

LAB 55.05, 50.42, -23.85

 

CMYK 32 / 0 / 52 / 23

HEX #86C45F

RGB 134 196 95

HSL 96.83, 0.46%, 0.57%

LAB 73.14, -37.7, 44.09

 

CMYK 50 / 52 / 0 / 24

HEX #615EC3

RGB 97 94 195

HSL 241.78, 0.46%, 0.57%

LAB 44.92, 28.63, -52.72

 

CMYK 0 / 51 / 52 / 23

HEX #C4615F

RGB 196 97 95

HSL 1.19, 0.46%, 0.57%

LAB 53.07, 39.29, 19.69

 

CMYK 52 / 0 / 51 / 23

HEX #5FC461

RGB 95 196 97

HSL 121.19, 0.46%, 0.57%

LAB 71.4, -49.61, 40.6

 

CMYK 50 / 52 / 0 / 24

HEX #615EC3

RGB 97 94 195

HSL 241.78, 0.46%, 0.57%

LAB 44.92, 28.63, -52.72

 

CMYK 0 / 52 / 11 / 23

HEX #C45FAE

RGB 196 95 174

HSL 313.07, 0.46%, 0.57%

LAB 55.05, 50.42, -23.85

 

CMYK 1 / 0 / 52 / 23

HEX #C2C45F

RGB 194 196 95

HSL 61.19, 0.46%, 0.57%

LAB 77.15, -14.55, 49.83

 

CMYK 52 / 0 / 40 / 23

HEX #5FC475

RGB 95 196 117

HSL 133.07, 0.46%, 0.57%

LAB 71.69, -46.59, 30.86

 

CMYK 50 / 52 / 0 / 24

HEX #615EC3

RGB 97 94 195

HSL 241.78, 0.46%, 0.57%

LAB 44.92, 28.63, -52.72

 

CMYK 0 / 52 / 27 / 23

HEX #C45F90

RGB 196 95 144

HSL 330.89, 0.46%, 0.57%

LAB 53.96, 45.9, -7.97

 

CMYK 1 / 0 / 52 / 23

HEX #C2C45F

RGB 194 196 95

HSL 61.19, 0.46%, 0.57%

LAB 77.15, -14.55, 49.83

 

CMYK 52 / 0 / 25 / 23

HEX #5FC493

RGB 95 196 147

HSL 150.89, 0.46%, 0.57%

LAB 72.24, -40.96, 15.75

 

Description

Color code: HEX #615EC3CE | qconv.com Color code: HEX #615EC3CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 94 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 94 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 42 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 42% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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