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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #615888 it is the complementary color #9EA777. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #615888. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #615888 shade: #665883, #776A96, #887CA9, #998EBC and #AAA0CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #615888. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #615888 shade: #615888, #504675, #3F3462, #2E224F and #1D103C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #615888 shade: #615988, #6E5988, #7B5988, #885988 and #88597B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #615888 shade: #615988 and #595988

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #615888 shade matches the following richer shades: #615988, #56469A, #4B34AC, #3F22BE and #3410D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #615888 shade: #615988, #6D6B76, #787D63, #848F51 and #8FA13F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #615888 shade: #596988, #595D88, #615988, #6E5988 and #7A5988

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #615888 shade: #3E3856, #50486F, #615988, #756B9E and #8C84AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #615888 shade: #615888, #885976 and #638859

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #615888 shade: #615888, #886159 and #598861

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #615888 shade: #615888, #885976, #7F8859 and #59886B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #615888 shade: #615888, #885968, #7F8859 and #598879

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 35 / 0 / 47

HEX #615888

RGB 97 88 136

HSL 251.25, 0.21%, 0.44%

LAB 40.08, 14.99, -25.45

 

Complementary color

CMYK 5 / 0 / 29 / 35

HEX #9EA777

RGB 158 167 119

HSL 71.25, 0.21%, 0.56%

LAB 66.7, -11.38, 23.82

 

CMYK 22 / 33 / 0 / 49

HEX #665883

RGB 102 88 131

HSL 259.53, 0.2%, 0.43%

LAB 40.32, 15.31, -22

 

CMYK 21 / 29 / 0 / 41

HEX #776A96

RGB 119 106 150

HSL 257.73, 0.17%, 0.5%

LAB 47.54, 14.68, -22.12

 

CMYK 20 / 27 / 0 / 34

HEX #887CA9

RGB 136 124 169

HSL 256, 0.21%, 0.57%

LAB 54.57, 14.13, -22.27

 

CMYK 19 / 24 / 0 / 26

HEX #998EBC

RGB 153 142 188

HSL 254.35, 0.26%, 0.65%

LAB 61.44, 13.64, -22.46

 

CMYK 18 / 23 / 0 / 19

HEX #AAA0CF

RGB 170 160 207

HSL 252.77, 0.33%, 0.72%

LAB 68.16, 13.2, -22.66

 

CMYK 29 / 35 / 0 / 47

HEX #615888

RGB 97 88 136

HSL 251.25, 0.21%, 0.44%

LAB 40.08, 14.99, -25.45

 

CMYK 32 / 40 / 0 / 54

HEX #504675

RGB 80 70 117

HSL 252.77, 0.25%, 0.37%

LAB 32.64, 15.78, -25.49

 

CMYK 36 / 47 / 0 / 62

HEX #3F3462

RGB 63 52 98

HSL 254.35, 0.31%, 0.29%

LAB 24.94, 16.74, -25.62

 

CMYK 42 / 57 / 0 / 69

HEX #2E224F

RGB 46 34 79

HSL 256, 0.4%, 0.22%

LAB 16.94, 17.95, -25.83

 

CMYK 52 / 73 / 0 / 76

HEX #1D103C

RGB 29 16 60

HSL 257.73, 0.58%, 0.15%

LAB 8.64, 19.43, -26.05

 

CMYK 29 / 35 / 0 / 47

HEX #615988

RGB 97 89 136

HSL 250.21, 0.21%, 0.44%

LAB 40.35, 14.37, -25.02

 

CMYK 19 / 35 / 0 / 47

HEX #6E5988

RGB 110 89 136

HSL 266.81, 0.21%, 0.44%

LAB 41.59, 18.6, -23

 

CMYK 10 / 35 / 0 / 47

HEX #7B5988

RGB 123 89 136

HSL 283.4, 0.21%, 0.44%

LAB 42.96, 22.98, -20.77

 

CMYK 0 / 35 / 0 / 47

HEX #885988

RGB 136 89 136

HSL 300, 0.21%, 0.44%

LAB 44.46, 27.44, -18.34

 

CMYK 0 / 35 / 10 / 47

HEX #88597B

RGB 136 89 123

HSL 316.6, 0.21%, 0.44%

LAB 43.96, 24.93, -11.24

 

CMYK 29 / 35 / 0 / 47

HEX #615988

RGB 97 89 136

HSL 250.21, 0.21%, 0.44%

LAB 40.35, 14.37, -25.02

 

CMYK 35 / 35 / 0 / 47

HEX #595988

RGB 89 89 136

HSL 240, 0.21%, 0.44%

LAB 39.66, 11.87, -26.15

 

CMYK 29 / 35 / 0 / 47

HEX #615988

RGB 97 89 136

HSL 250.21, 0.21%, 0.44%

LAB 40.35, 14.37, -25.02

 

CMYK 44 / 55 / 0 / 40

HEX #56469A

RGB 86 70 154

HSL 251.43, 0.38%, 0.44%

LAB 35.38, 28.37, -43.86

 

CMYK 56 / 70 / 0 / 33

HEX #4B34AC

RGB 75 52 172

HSL 251.5, 0.54%, 0.44%

LAB 31.65, 42.46, -60.8

 

CMYK 67 / 82 / 0 / 25

HEX #3F22BE

RGB 63 34 190

HSL 251.15, 0.7%, 0.44%

LAB 29.21, 55.39, -75.56

 

CMYK 75 / 92 / 0 / 18

HEX #3410D0

RGB 52 16 208

HSL 251.25, 0.86%, 0.44%

LAB 28.52, 65.61, -87.28

 

CMYK 29 / 35 / 0 / 47

HEX #615988

RGB 97 89 136

HSL 250.21, 0.21%, 0.44%

LAB 40.35, 14.37, -25.02

 

CMYK 8 / 9 / 0 / 54

HEX #6D6B76

RGB 109 107 118

HSL 250.91, 0.05%, 0.44%

LAB 45.74, 3.1, -5.84

 

CMYK 4 / 0 / 21 / 51

HEX #787D63

RGB 120 125 99

HSL 71.54, 0.12%, 0.44%

LAB 51.34, -6.72, 13.58

 

CMYK 8 / 0 / 43 / 44

HEX #848F51

RGB 132 143 81

HSL 70.65, 0.28%, 0.44%

LAB 57.22, -14.16, 31.59

 

CMYK 11 / 0 / 61 / 37

HEX #8FA13F

RGB 143 161 63

HSL 71.02, 0.44%, 0.44%

LAB 63.08, -20.65, 47.64

 

CMYK 35 / 23 / 0 / 47

HEX #596988

RGB 89 105 136

HSL 219.57, 0.21%, 0.44%

LAB 44.24, 1.96, -19.06

 

CMYK 35 / 32 / 0 / 47

HEX #595D88

RGB 89 93 136

HSL 234.89, 0.21%, 0.44%

LAB 40.78, 9.36, -24.4

 

CMYK 29 / 35 / 0 / 47

HEX #615988

RGB 97 89 136

HSL 250.21, 0.21%, 0.44%

LAB 40.35, 14.37, -25.02

 

CMYK 19 / 35 / 0 / 47

HEX #6E5988

RGB 110 89 136

HSL 266.81, 0.21%, 0.44%

LAB 41.59, 18.6, -23

 

CMYK 10 / 35 / 0 / 47

HEX #7A5988

RGB 122 89 136

HSL 282.13, 0.21%, 0.44%

LAB 42.85, 22.64, -20.94

 

CMYK 28 / 35 / 0 / 66

HEX #3E3856

RGB 62 56 86

HSL 252, 0.21%, 0.28%

LAB 25.33, 10.18, -17.16

 

CMYK 28 / 35 / 0 / 56

HEX #50486F

RGB 80 72 111

HSL 252.31, 0.21%, 0.36%

LAB 32.89, 12.81, -21.32

 

CMYK 29 / 35 / 0 / 47

HEX #615988

RGB 97 89 136

HSL 250.21, 0.21%, 0.44%

LAB 40.35, 14.37, -25.02

 

CMYK 26 / 32 / 0 / 38

HEX #756B9E

RGB 117 107 158

HSL 251.76, 0.21%, 0.52%

LAB 47.96, 15.44, -26.19

 

CMYK 20 / 25 / 0 / 31

HEX #8C84AF

RGB 140 132 175

HSL 251.16, 0.21%, 0.6%

LAB 57.24, 12.18, -21.59

 

CMYK 29 / 35 / 0 / 47

HEX #615888

RGB 97 88 136

HSL 251.25, 0.21%, 0.44%

LAB 40.08, 14.99, -25.45

 

CMYK 0 / 35 / 13 / 47

HEX #885976

RGB 136 89 118

HSL 322.98, 0.21%, 0.44%

LAB 43.78, 24.01, -8.47

 

CMYK 27 / 0 / 35 / 47

HEX #638859

RGB 99 136 89

HSL 107.23, 0.21%, 0.44%

LAB 52.93, -22.46, 21.2

 

CMYK 29 / 35 / 0 / 47

HEX #615888

RGB 97 88 136

HSL 251.25, 0.21%, 0.44%

LAB 40.08, 14.99, -25.45

 

CMYK 0 / 29 / 35 / 47

HEX #886159

RGB 136 97 89

HSL 10.21, 0.21%, 0.44%

LAB 44.95, 14.69, 10.83

 

CMYK 35 / 0 / 29 / 47

HEX #598861

RGB 89 136 97

HSL 130.21, 0.21%, 0.44%

LAB 52.5, -24.58, 16

 

CMYK 29 / 35 / 0 / 47

HEX #615888

RGB 97 88 136

HSL 251.25, 0.21%, 0.44%

LAB 40.08, 14.99, -25.45

 

CMYK 0 / 35 / 13 / 47

HEX #885976

RGB 136 89 118

HSL 322.98, 0.21%, 0.44%

LAB 43.78, 24.01, -8.47

 

CMYK 7 / 0 / 35 / 47

HEX #7F8859

RGB 127 136 89

HSL 71.49, 0.21%, 0.44%

LAB 54.91, -11.45, 24.18

 

CMYK 35 / 0 / 21 / 47

HEX #59886B

RGB 89 136 107

HSL 142.98, 0.21%, 0.44%

LAB 52.72, -22.59, 10.58

 

CMYK 29 / 35 / 0 / 47

HEX #615888

RGB 97 88 136

HSL 251.25, 0.21%, 0.44%

LAB 40.08, 14.99, -25.45

 

CMYK 0 / 35 / 24 / 47

HEX #885968

RGB 136 89 104

HSL 340.85, 0.21%, 0.44%

LAB 43.33, 21.64, -0.6

 

CMYK 7 / 0 / 35 / 47

HEX #7F8859

RGB 127 136 89

HSL 71.49, 0.21%, 0.44%

LAB 54.91, -11.45, 24.18

 

CMYK 35 / 0 / 11 / 47

HEX #598879

RGB 89 136 121

HSL 160.85, 0.21%, 0.44%

LAB 53.07, -19.51, 2.99

 

Description

Color code: HEX #615888 | qconv.com Color code: HEX #615888 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 88 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 88 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 35 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 35% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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