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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #615016 it is the complementary color #9EAFE9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #615016. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #615016 shade: #665011, #776224, #887437, #99864A and #AA985D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #615016. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #615016 shade: #615016, #503E03, #3F2C00, #2E1A00 and #1D0800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #615016 shade: #604F16, #603B16, #602716 and #601616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #615016 shade: #604F16, #5C6016, #486016, #356016 and #216016

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #615016 shade matches the following richer shades: #604F16, #69540C and #735903

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #615016 shade: #604F16, #564A1F, #4D4429, #433F32 and #3A3A3C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #615016 shade: #602716, #603B16, #604E16, #5D6016 and #496016

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #615016 shade: #1C1706, #3E330E, #604F16, #816B1D and #A38625

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #615016 shade: #615016, #186016 and #311660

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #615016 shade: #615016, #16604E and #4E1660

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #615016 shade: #615016, #186016, #162760 and #5D1660

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #615016 shade: #615016, #166029, #162760 and #60164C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 77 / 62

HEX #615016

RGB 97 80 22

HSL 46.4, 0.63%, 0.23%

LAB 34.67, 0.18, 35.05

 

Complementary color

CMYK 32 / 25 / 0 / 9

HEX #9EAFE9

RGB 158 175 233

HSL 226.4, 0.63%, 0.77%

LAB 72.1, 7.44, -30.96

 

CMYK 0 / 22 / 83 / 60

HEX #665011

RGB 102 80 17

HSL 44.47, 0.71%, 0.23%

LAB 35.21, 2.43, 37.86

 

CMYK 0 / 18 / 70 / 53

HEX #776224

RGB 119 98 36

HSL 44.82, 0.54%, 0.3%

LAB 42.44, 0.98, 37.23

 

CMYK 0 / 15 / 60 / 47

HEX #887437

RGB 136 116 55

HSL 45.19, 0.42%, 0.37%

LAB 49.5, -0.12, 36.03

 

CMYK 0 / 12 / 52 / 40

HEX #99864A

RGB 153 134 74

HSL 45.57, 0.35%, 0.45%

LAB 56.4, -0.97, 34.7

 

CMYK 0 / 11 / 45 / 33

HEX #AA985D

RGB 170 152 93

HSL 45.97, 0.31%, 0.52%

LAB 63.17, -1.65, 33.39

 

CMYK 0 / 18 / 77 / 62

HEX #615016

RGB 97 80 22

HSL 46.4, 0.63%, 0.23%

LAB 34.67, 0.18, 35.05

 

CMYK 0 / 23 / 96 / 69

HEX #503E03

RGB 80 62 3

HSL 45.97, 0.93%, 0.16%

LAB 27.18, 1.82, 35.19

 

CMYK 0 / 30 / 100 / 75

HEX #3F2C00

RGB 63 44 0

HSL 41.9, 1%, 0.12%

LAB 19.47, 4.27, 27.9

 

CMYK 0 / 43 / 100 / 82

HEX #2E1A00

RGB 46 26 0

HSL 33.91, 1%, 0.09%

LAB 11.41, 7.15, 17.16

 

CMYK 0 / 72 / 100 / 89

HEX #1D0800

RGB 29 8 0

HSL 16.55, 1%, 0.06%

LAB 3.93, 7.38, 6.02

 

CMYK 0 / 18 / 77 / 62

HEX #604F16

RGB 96 79 22

HSL 46.22, 0.63%, 0.23%

LAB 34.27, 0.29, 34.61

 

CMYK 0 / 39 / 77 / 62

HEX #603B16

RGB 96 59 22

HSL 30, 0.63%, 0.23%

LAB 28.57, 12.69, 28.8

 

CMYK 0 / 59 / 77 / 62

HEX #602716

RGB 96 39 22

HSL 13.78, 0.63%, 0.23%

LAB 23.66, 24.71, 23.5

 

CMYK 0 / 77 / 77 / 62

HEX #601616

RGB 96 22 22

HSL 0, 0.63%, 0.23%

LAB 20.51, 33.11, 19.93

 

CMYK 0 / 18 / 77 / 62

HEX #604F16

RGB 96 79 22

HSL 46.22, 0.63%, 0.23%

LAB 34.27, 0.29, 34.61

 

CMYK 4 / 0 / 77 / 62

HEX #5C6016

RGB 92 96 22

HSL 63.24, 0.63%, 0.23%

LAB 39.07, -11.67, 39.16

 

CMYK 25 / 0 / 77 / 62

HEX #486016

RGB 72 96 22

HSL 79.46, 0.63%, 0.23%

LAB 37.48, -20.95, 37.07

 

CMYK 45 / 0 / 77 / 62

HEX #356016

RGB 53 96 22

HSL 94.86, 0.63%, 0.23%

LAB 36.33, -28.76, 35.54

 

CMYK 66 / 0 / 77 / 62

HEX #216016

RGB 33 96 22

HSL 111.08, 0.63%, 0.23%

LAB 35.49, -35.17, 34.42

 

CMYK 0 / 18 / 77 / 62

HEX #604F16

RGB 96 79 22

HSL 46.22, 0.63%, 0.23%

LAB 34.27, 0.29, 34.61

 

CMYK 0 / 20 / 89 / 59

HEX #69540C

RGB 105 84 12

HSL 46.45, 0.79%, 0.23%

LAB 36.69, 1.32, 41.06

 

CMYK 0 / 23 / 97 / 55

HEX #735903

RGB 115 89 3

HSL 46.07, 0.95%, 0.23%

LAB 39.24, 3.04, 46.16

 

CMYK 0 / 18 / 77 / 62

HEX #604F16

RGB 96 79 22

HSL 46.22, 0.63%, 0.23%

LAB 34.27, 0.29, 34.61

 

CMYK 0 / 14 / 64 / 66

HEX #564A1F

RGB 86 74 31

HSL 46.91, 0.47%, 0.23%

LAB 31.75, -0.99, 27.05

 

CMYK 0 / 12 / 47 / 70

HEX #4D4429

RGB 77 68 41

HSL 45, 0.31%, 0.23%

LAB 29.09, -0.62, 17.74

 

CMYK 0 / 6 / 25 / 74

HEX #433F32

RGB 67 63 50

HSL 45.88, 0.15%, 0.23%

LAB 26.67, -0.83, 8.61

 

CMYK 3 / 3 / 0 / 76

HEX #3A3A3C

RGB 58 58 60

HSL 240, 0.02%, 0.23%

LAB 24.49, 0.46, -1.24

 

CMYK 0 / 59 / 77 / 62

HEX #602716

RGB 96 39 22

HSL 13.78, 0.63%, 0.23%

LAB 23.66, 24.71, 23.5

 

CMYK 0 / 39 / 77 / 62

HEX #603B16

RGB 96 59 22

HSL 30, 0.63%, 0.23%

LAB 28.57, 12.69, 28.8

 

CMYK 0 / 19 / 77 / 62

HEX #604E16

RGB 96 78 22

HSL 45.41, 0.63%, 0.23%

LAB 33.97, 0.9, 34.31

 

CMYK 3 / 0 / 77 / 62

HEX #5D6016

RGB 93 96 22

HSL 62.43, 0.63%, 0.23%

LAB 39.16, -11.19, 39.27

 

CMYK 24 / 0 / 77 / 62

HEX #496016

RGB 73 96 22

HSL 78.65, 0.63%, 0.23%

LAB 37.55, -20.5, 37.16

 

CMYK 0 / 18 / 79 / 89

HEX #1C1706

RGB 28 23 6

HSL 46.36, 0.65%, 0.07%

LAB 7.88, -0.47, 9.34

 

CMYK 0 / 18 / 77 / 76

HEX #3E330E

RGB 62 51 14

HSL 46.25, 0.63%, 0.15%

LAB 21.67, -0.07, 24.41

 

CMYK 0 / 18 / 77 / 62

HEX #604F16

RGB 96 79 22

HSL 46.22, 0.63%, 0.23%

LAB 34.27, 0.29, 34.61

 

CMYK 0 / 17 / 78 / 49

HEX #816B1D

RGB 129 107 29

HSL 46.8, 0.63%, 0.31%

LAB 46, 0.11, 44.27

 

CMYK 0 / 18 / 77 / 36

HEX #A38625

RGB 163 134 37

HSL 46.19, 0.63%, 0.39%

LAB 57.05, 1.01, 52.89

 

CMYK 0 / 18 / 77 / 62

HEX #615016

RGB 97 80 22

HSL 46.4, 0.63%, 0.23%

LAB 34.67, 0.18, 35.05

 

CMYK 75 / 0 / 77 / 62

HEX #186016

RGB 24 96 22

HSL 118.38, 0.63%, 0.23%

LAB 35.24, -37.27, 34.08

 

CMYK 49 / 77 / 0 / 62

HEX #311660

RGB 49 22 96

HSL 261.89, 0.63%, 0.23%

LAB 15.86, 31.6, -38.99

 

CMYK 0 / 18 / 77 / 62

HEX #615016

RGB 97 80 22

HSL 46.4, 0.63%, 0.23%

LAB 34.67, 0.18, 35.05

 

CMYK 77 / 0 / 19 / 62

HEX #16604E

RGB 22 96 78

HSL 165.41, 0.63%, 0.23%

LAB 36.15, -26.94, 3.93

 

CMYK 19 / 77 / 0 / 62

HEX #4E1660

RGB 78 22 96

HSL 285.41, 0.63%, 0.23%

LAB 20.2, 37.85, -31.75

 

CMYK 0 / 18 / 77 / 62

HEX #615016

RGB 97 80 22

HSL 46.4, 0.63%, 0.23%

LAB 34.67, 0.18, 35.05

 

CMYK 75 / 0 / 77 / 62

HEX #186016

RGB 24 96 22

HSL 118.38, 0.63%, 0.23%

LAB 35.24, -37.27, 34.08

 

CMYK 77 / 59 / 0 / 62

HEX #162760

RGB 22 39 96

HSL 226.22, 0.63%, 0.23%

LAB 17.76, 15.37, -35.98

 

CMYK 3 / 77 / 0 / 62

HEX #5D1660

RGB 93 22 96

HSL 297.57, 0.63%, 0.23%

LAB 22.81, 41.41, -27.42

 

CMYK 0 / 18 / 77 / 62

HEX #615016

RGB 97 80 22

HSL 46.4, 0.63%, 0.23%

LAB 34.67, 0.18, 35.05

 

CMYK 77 / 0 / 57 / 62

HEX #166029

RGB 22 96 41

HSL 135.41, 0.63%, 0.23%

LAB 35.39, -35.26, 24.91

 

CMYK 77 / 59 / 0 / 62

HEX #162760

RGB 22 39 96

HSL 226.22, 0.63%, 0.23%

LAB 17.76, 15.37, -35.98

 

CMYK 0 / 77 / 21 / 62

HEX #60164C

RGB 96 22 76

HSL 316.22, 0.63%, 0.23%

LAB 22.24, 38.75, -14.91

 

Description

Color code: HEX #615016 | qconv.com Color code: HEX #615016 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 80 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 80 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 77 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 77% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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