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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #613FA4 it is the complementary color #9EC05B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #613FA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #613FA4 shade: #663F9F, #7751B2, #8863C5, #9975D8 and #AA87EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #613FA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #613FA4 shade: #613FA4, #502D91, #3F1B7E, #2E096B and #1D0058

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #613FA4 shade: #6240A5, #7D40A5, #9940A5, #A54097 and #A5407B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #613FA4 shade: #6240A5, #4740A5 and #4040A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #613FA4 shade matches the following richer shades: #6240A5, #5C2EB8, #561BCA and #5009DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #613FA4 shade: #6240A5, #685393, #6E6580, #74786E and #7B8B5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #613FA4 shade: #4054A5, #4740A5, #6240A5, #7D40A5 and #9840A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #613FA4 shade: #3F296A, #513588, #6240A5, #7653BC and #8E70C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #613FA4 shade: #613FA4, #A5406F and #47A540

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #613FA4 shade: #613FA4, #A56240 and #40A562

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #613FA4 shade: #613FA4, #A5406F, #84A540 and #40A576

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #613FA4 shade: #613FA4, #A54051, #84A540 and #40A594

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 62 / 0 / 36

HEX #613FA4

RGB 97 63 164

HSL 260.2, 0.44%, 0.45%

LAB 35.55, 38.08, -49.56

 

Complementary color

CMYK 18 / 0 / 53 / 25

HEX #9EC05B

RGB 158 192 91

HSL 80.2, 0.44%, 0.55%

LAB 73.37, -27.37, 46.62

 

CMYK 36 / 60 / 0 / 38

HEX #663F9F

RGB 102 63 159

HSL 264.38, 0.43%, 0.44%

LAB 35.76, 37.88, -46.19

 

CMYK 33 / 54 / 0 / 30

HEX #7751B2

RGB 119 81 178

HSL 263.51, 0.39%, 0.51%

LAB 42.8, 36.79, -46.1

 

CMYK 31 / 50 / 0 / 23

HEX #8863C5

RGB 136 99 197

HSL 262.65, 0.46%, 0.58%

LAB 49.72, 35.75, -45.99

 

CMYK 29 / 46 / 0 / 15

HEX #9975D8

RGB 153 117 216

HSL 261.82, 0.56%, 0.65%

LAB 56.54, 34.78, -45.89

 

CMYK 28 / 43 / 0 / 8

HEX #AA87EB

RGB 170 135 235

HSL 261, 0.71%, 0.73%

LAB 63.24, 33.89, -45.81

 

CMYK 41 / 62 / 0 / 36

HEX #613FA4

RGB 97 63 164

HSL 260.2, 0.44%, 0.45%

LAB 35.55, 38.08, -49.56

 

CMYK 45 / 69 / 0 / 43

HEX #502D91

RGB 80 45 145

HSL 261, 0.53%, 0.37%

LAB 28.45, 39.28, -49.6

 

CMYK 50 / 79 / 0 / 51

HEX #3F1B7E

RGB 63 27 126

HSL 261.82, 0.65%, 0.3%

LAB 21.38, 40.22, -49.34

 

CMYK 57 / 92 / 0 / 58

HEX #2E096B

RGB 46 9 107

HSL 262.65, 0.84%, 0.23%

LAB 14.61, 40.19, -48.31

 

CMYK 67 / 100 / 0 / 65

HEX #1D0058

RGB 29 0 88

HSL 259.77, 1%, 0.17%

LAB 8.7, 37.47, -45.49

 

CMYK 41 / 61 / 0 / 35

HEX #6240A5

RGB 98 64 165

HSL 260.2, 0.44%, 0.45%

LAB 35.95, 38.01, -49.51

 

CMYK 24 / 61 / 0 / 35

HEX #7D40A5

RGB 125 64 165

HSL 276.24, 0.44%, 0.45%

LAB 39.14, 44.47, -44.2

 

CMYK 7 / 61 / 0 / 35

HEX #9940A5

RGB 153 64 165

HSL 292.87, 0.44%, 0.45%

LAB 43, 51.59, -37.83

 

CMYK 0 / 61 / 8 / 35

HEX #A54097

RGB 165 64 151

HSL 308.32, 0.44%, 0.45%

LAB 44.09, 52.28, -27.62

 

CMYK 0 / 61 / 25 / 35

HEX #A5407B

RGB 165 64 123

HSL 324.95, 0.44%, 0.45%

LAB 42.91, 48, -12.43

 

CMYK 41 / 61 / 0 / 35

HEX #6240A5

RGB 98 64 165

HSL 260.2, 0.44%, 0.45%

LAB 35.95, 38.01, -49.51

 

CMYK 57 / 61 / 0 / 35

HEX #4740A5

RGB 71 64 165

HSL 244.16, 0.44%, 0.45%

LAB 33.4, 32.37, -53.76

 

CMYK 61 / 61 / 0 / 35

HEX #4040A5

RGB 64 64 165

HSL 240, 0.44%, 0.45%

LAB 32.86, 31.11, -54.66

 

CMYK 41 / 61 / 0 / 35

HEX #6240A5

RGB 98 64 165

HSL 260.2, 0.44%, 0.45%

LAB 35.95, 38.01, -49.51

 

CMYK 50 / 75 / 0 / 28

HEX #5C2EB8

RGB 92 46 184

HSL 260, 0.6%, 0.45%

LAB 33.33, 51.7, -65.12

 

CMYK 57 / 87 / 0 / 21

HEX #561BCA

RGB 86 27 202

HSL 260.23, 0.76%, 0.45%

LAB 31.87, 63.22, -78.14

 

CMYK 64 / 96 / 0 / 13

HEX #5009DD

RGB 80 9 221

HSL 260.09, 0.92%, 0.45%

LAB 32.08, 71.43, -88.82

 

CMYK 41 / 61 / 0 / 35

HEX #6240A5

RGB 98 64 165

HSL 260.2, 0.44%, 0.45%

LAB 35.95, 38.01, -49.51

 

CMYK 29 / 44 / 0 / 42

HEX #685393

RGB 104 83 147

HSL 259.69, 0.28%, 0.45%

LAB 39.98, 23.22, -32.22

 

CMYK 14 / 21 / 0 / 50

HEX #6E6580

RGB 110 101 128

HSL 260, 0.12%, 0.45%

LAB 44.49, 9.35, -13.72

 

CMYK 3 / 0 / 8 / 53

HEX #74786E

RGB 116 120 110

HSL 84, 0.04%, 0.45%

LAB 49.82, -3.49, 4.96

 

CMYK 12 / 0 / 35 / 45

HEX #7B8B5B

RGB 123 139 91

HSL 80, 0.21%, 0.45%

LAB 55.51, -14.42, 23.81

 

CMYK 61 / 49 / 0 / 35

HEX #4054A5

RGB 64 84 165

HSL 228.12, 0.44%, 0.45%

LAB 38.11, 18.15, -46.18

 

CMYK 57 / 61 / 0 / 35

HEX #4740A5

RGB 71 64 165

HSL 244.16, 0.44%, 0.45%

LAB 33.4, 32.37, -53.76

 

CMYK 41 / 61 / 0 / 35

HEX #6240A5

RGB 98 64 165

HSL 260.2, 0.44%, 0.45%

LAB 35.95, 38.01, -49.51

 

CMYK 24 / 61 / 0 / 35

HEX #7D40A5

RGB 125 64 165

HSL 276.24, 0.44%, 0.45%

LAB 39.14, 44.47, -44.2

 

CMYK 8 / 61 / 0 / 35

HEX #9840A5

RGB 152 64 165

HSL 292.28, 0.44%, 0.45%

LAB 42.85, 51.33, -38.07

 

CMYK 41 / 61 / 0 / 58

HEX #3F296A

RGB 63 41 106

HSL 260.31, 0.44%, 0.29%

LAB 22.6, 26.38, -34.54

 

CMYK 40 / 61 / 0 / 47

HEX #513588

RGB 81 53 136

HSL 260.24, 0.44%, 0.37%

LAB 29.6, 32.29, -42.17

 

CMYK 41 / 61 / 0 / 35

HEX #6240A5

RGB 98 64 165

HSL 260.2, 0.44%, 0.45%

LAB 35.95, 38.01, -49.51

 

CMYK 37 / 56 / 0 / 26

HEX #7653BC

RGB 118 83 188

HSL 260, 0.44%, 0.53%

LAB 43.75, 38.05, -50.43

 

CMYK 29 / 44 / 0 / 22

HEX #8E70C8

RGB 142 112 200

HSL 260.45, 0.44%, 0.61%

LAB 53.5, 30.62, -41.69

 

CMYK 41 / 62 / 0 / 36

HEX #613FA4

RGB 97 63 164

HSL 260.2, 0.44%, 0.45%

LAB 35.55, 38.08, -49.56

 

CMYK 0 / 61 / 33 / 35

HEX #A5406F

RGB 165 64 111

HSL 332.08, 0.44%, 0.45%

LAB 42.48, 46.41, -5.68

 

CMYK 57 / 0 / 61 / 35

HEX #47A540

RGB 71 165 64

HSL 115.84, 0.44%, 0.45%

LAB 60.44, -47.91, 43.16

 

CMYK 41 / 62 / 0 / 36

HEX #613FA4

RGB 97 63 164

HSL 260.2, 0.44%, 0.45%

LAB 35.55, 38.08, -49.56

 

CMYK 0 / 41 / 61 / 35

HEX #A56240

RGB 165 98 64

HSL 20.2, 0.44%, 0.45%

LAB 48.39, 23.81, 30.69

 

CMYK 61 / 0 / 41 / 35

HEX #40A562

RGB 64 165 98

HSL 140.2, 0.44%, 0.45%

LAB 60.68, -44.58, 26.24

 

CMYK 41 / 62 / 0 / 36

HEX #613FA4

RGB 97 63 164

HSL 260.2, 0.44%, 0.45%

LAB 35.55, 38.08, -49.56

 

CMYK 0 / 61 / 33 / 35

HEX #A5406F

RGB 165 64 111

HSL 332.08, 0.44%, 0.45%

LAB 42.48, 46.41, -5.68

 

CMYK 20 / 0 / 61 / 35

HEX #84A540

RGB 132 165 64

HSL 79.6, 0.44%, 0.45%

LAB 63.5, -27.08, 47.42

 

CMYK 61 / 0 / 28 / 35

HEX #40A576

RGB 64 165 118

HSL 152.08, 0.44%, 0.45%

LAB 61.05, -40.6, 15.84

 

CMYK 41 / 62 / 0 / 36

HEX #613FA4

RGB 97 63 164

HSL 260.2, 0.44%, 0.45%

LAB 35.55, 38.08, -49.56

 

CMYK 0 / 61 / 51 / 35

HEX #A54051

RGB 165 64 81

HSL 349.9, 0.44%, 0.45%

LAB 41.63, 43.12, 11.73

 

CMYK 20 / 0 / 61 / 35

HEX #84A540

RGB 132 165 64

HSL 79.6, 0.44%, 0.45%

LAB 63.5, -27.08, 47.42

 

CMYK 61 / 0 / 10 / 35

HEX #40A594

RGB 64 165 148

HSL 169.9, 0.44%, 0.45%

LAB 61.77, -33.37, 0.11

 

Description

Color code: HEX #613FA4 | qconv.com Color code: HEX #613FA4 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 63 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 63 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 62 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 62% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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