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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #613D87 it is the complementary color #9EC278. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #613D87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #613D87 shade: #663D82, #774F95, #8861A8, #9973BB and #AA85CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #613D87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #613D87 shade: #613D87, #502B74, #3F1961, #2E074E and #1D003B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #613D87 shade: #603C86, #743C86, #863C84, #863C70 and #863C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #613D87 shade: #603C86, #4C3C86 and #3C3C86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #613D87 shade matches the following richer shades: #603C86, #5F2C95, #5F1DA5 and #5F0DB5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #613D87 shade: #603C86, #604C76, #615B66, #616B57 and #627B47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #613D87 shade: #3C4086, #4C3C86, #603C86, #733C86 and #863C84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #613D87 shade: #37224D, #4B2F69, #603C86, #7449A2 and #895EB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #613D87 shade: #613D87, #863C53 and #3C8642

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #613D87 shade: #613D87, #86603C and #3C8660

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #613D87 shade: #613D87, #863C53, #62863C and #3C866E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #613D87 shade: #613D87, #863C3D, #62863C and #3C8684

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 55 / 0 / 47

HEX #613D87

RGB 97 61 135

HSL 269.19, 0.38%, 0.38%

LAB 33.2, 31.4, -35.68

 

Complementary color

CMYK 19 / 0 / 38 / 24

HEX #9EC278

RGB 158 194 120

HSL 89.19, 0.38%, 0.62%

LAB 74.32, -24.96, 33.35

 

CMYK 22 / 53 / 0 / 49

HEX #663D82

RGB 102 61 130

HSL 275.65, 0.36%, 0.37%

LAB 33.51, 31.57, -32.06

 

CMYK 20 / 47 / 0 / 42

HEX #774F95

RGB 119 79 149

HSL 274.29, 0.31%, 0.45%

LAB 40.71, 30.65, -32.16

 

CMYK 19 / 42 / 0 / 34

HEX #8861A8

RGB 136 97 168

HSL 272.96, 0.29%, 0.52%

LAB 47.77, 29.78, -32.24

 

CMYK 18 / 39 / 0 / 27

HEX #9973BB

RGB 153 115 187

HSL 271.67, 0.35%, 0.59%

LAB 54.68, 28.97, -32.33

 

CMYK 17 / 35 / 0 / 19

HEX #AA85CE

RGB 170 133 206

HSL 270.41, 0.43%, 0.66%

LAB 61.46, 28.23, -32.43

 

CMYK 28 / 55 / 0 / 47

HEX #613D87

RGB 97 61 135

HSL 269.19, 0.38%, 0.38%

LAB 33.2, 31.4, -35.68

 

CMYK 31 / 63 / 0 / 55

HEX #502B74

RGB 80 43 116

HSL 270.41, 0.46%, 0.31%

LAB 25.85, 32.41, -35.64

 

CMYK 35 / 74 / 0 / 62

HEX #3F1961

RGB 63 25 97

HSL 271.67, 0.59%, 0.24%

LAB 18.43, 33.21, -35.38

 

CMYK 41 / 91 / 0 / 69

HEX #2E074E

RGB 46 7 78

HSL 272.96, 0.84%, 0.17%

LAB 11.16, 33.18, -34.5

 

CMYK 51 / 100 / 0 / 77

HEX #1D003B

RGB 29 0 59

HSL 269.49, 1%, 0.12%

LAB 5.21, 28.02, -30.9

 

CMYK 28 / 55 / 0 / 47

HEX #603C86

RGB 96 60 134

HSL 269.19, 0.38%, 0.38%

LAB 32.79, 31.46, -35.72

 

CMYK 13 / 55 / 0 / 47

HEX #743C86

RGB 116 60 134

HSL 285.41, 0.38%, 0.38%

LAB 35.33, 37.15, -31.52

 

CMYK 0 / 55 / 1 / 47

HEX #863C84

RGB 134 60 132

HSL 301.62, 0.38%, 0.38%

LAB 37.78, 42.01, -26.26

 

CMYK 0 / 55 / 16 / 47

HEX #863C70

RGB 134 60 112

HSL 317.84, 0.38%, 0.38%

LAB 36.87, 38.47, -15.25

 

CMYK 0 / 55 / 31 / 47

HEX #863C5C

RGB 134 60 92

HSL 334.05, 0.38%, 0.38%

LAB 36.12, 35.42, -3.76

 

CMYK 28 / 55 / 0 / 47

HEX #603C86

RGB 96 60 134

HSL 269.19, 0.38%, 0.38%

LAB 32.79, 31.46, -35.72

 

CMYK 43 / 55 / 0 / 47

HEX #4C3C86

RGB 76 60 134

HSL 252.97, 0.38%, 0.38%

LAB 30.62, 26.12, -39.32

 

CMYK 55 / 55 / 0 / 47

HEX #3C3C86

RGB 60 60 134

HSL 240, 0.38%, 0.38%

LAB 29.19, 22.32, -41.68

 

CMYK 28 / 55 / 0 / 47

HEX #603C86

RGB 96 60 134

HSL 269.19, 0.38%, 0.38%

LAB 32.79, 31.46, -35.72

 

CMYK 36 / 70 / 0 / 42

HEX #5F2C95

RGB 95 44 149

HSL 269.14, 0.54%, 0.38%

LAB 30.41, 43.95, -48.79

 

CMYK 42 / 82 / 0 / 35

HEX #5F1DA5

RGB 95 29 165

HSL 269.12, 0.7%, 0.38%

LAB 29.48, 54.44, -60.04

 

CMYK 48 / 93 / 0 / 29

HEX #5F0DB5

RGB 95 13 181

HSL 269.29, 0.87%, 0.38%

LAB 29.56, 62.59, -69.53

 

CMYK 28 / 55 / 0 / 47

HEX #603C86

RGB 96 60 134

HSL 269.19, 0.38%, 0.38%

LAB 32.79, 31.46, -35.72

 

CMYK 19 / 36 / 0 / 54

HEX #604C76

RGB 96 76 118

HSL 268.57, 0.22%, 0.38%

LAB 35.91, 17.5, -20.88

 

CMYK 5 / 11 / 0 / 60

HEX #615B66

RGB 97 91 102

HSL 272.73, 0.06%, 0.38%

LAB 39.55, 4.72, -5.42

 

CMYK 9 / 0 / 19 / 58

HEX #616B57

RGB 97 107 87

HSL 90, 0.1%, 0.38%

LAB 43.86, -7.85, 9.95

 

CMYK 20 / 0 / 42 / 52

HEX #627B47

RGB 98 123 71

HSL 88.85, 0.27%, 0.38%

LAB 48.53, -18.86, 25.5

 

CMYK 55 / 52 / 0 / 47

HEX #3C4086

RGB 60 64 134

HSL 236.76, 0.38%, 0.38%

LAB 30.28, 19.66, -39.94

 

CMYK 43 / 55 / 0 / 47

HEX #4C3C86

RGB 76 60 134

HSL 252.97, 0.38%, 0.38%

LAB 30.62, 26.12, -39.32

 

CMYK 28 / 55 / 0 / 47

HEX #603C86

RGB 96 60 134

HSL 269.19, 0.38%, 0.38%

LAB 32.79, 31.46, -35.72

 

CMYK 14 / 55 / 0 / 47

HEX #733C86

RGB 115 60 134

HSL 284.59, 0.38%, 0.38%

LAB 35.2, 36.86, -31.75

 

CMYK 0 / 55 / 1 / 47

HEX #863C84

RGB 134 60 132

HSL 301.62, 0.38%, 0.38%

LAB 37.78, 42.01, -26.26

 

CMYK 29 / 56 / 0 / 70

HEX #37224D

RGB 55 34 77

HSL 269.3, 0.39%, 0.22%

LAB 17.88, 20.1, -22.9

 

CMYK 29 / 55 / 0 / 59

HEX #4B2F69

RGB 75 47 105

HSL 268.97, 0.38%, 0.3%

LAB 25.41, 25.65, -29.31

 

CMYK 28 / 55 / 0 / 47

HEX #603C86

RGB 96 60 134

HSL 269.19, 0.38%, 0.38%

LAB 32.79, 31.46, -35.72

 

CMYK 28 / 55 / 0 / 36

HEX #7449A2

RGB 116 73 162

HSL 268.99, 0.38%, 0.46%

LAB 39.73, 36.49, -41.54

 

CMYK 25 / 49 / 0 / 28

HEX #895EB7

RGB 137 94 183

HSL 268.99, 0.38%, 0.54%

LAB 47.93, 35.4, -40.73

 

CMYK 28 / 55 / 0 / 47

HEX #613D87

RGB 97 61 135

HSL 269.19, 0.38%, 0.38%

LAB 33.2, 31.4, -35.68

 

CMYK 0 / 55 / 38 / 47

HEX #863C53

RGB 134 60 83

HSL 341.35, 0.38%, 0.38%

LAB 35.84, 34.23, 1.55

 

CMYK 55 / 0 / 51 / 47

HEX #3C8642

RGB 60 134 66

HSL 124.86, 0.38%, 0.38%

LAB 49.98, -38.03, 29.62

 

CMYK 28 / 55 / 0 / 47

HEX #613D87

RGB 97 61 135

HSL 269.19, 0.38%, 0.38%

LAB 33.2, 31.4, -35.68

 

CMYK 0 / 28 / 55 / 47

HEX #86603C

RGB 134 96 60

HSL 29.19, 0.38%, 0.38%

LAB 43.89, 11.04, 26.52

 

CMYK 55 / 0 / 28 / 47

HEX #3C8660

RGB 60 134 96

HSL 149.19, 0.38%, 0.38%

LAB 50.52, -32.45, 13.63

 

CMYK 28 / 55 / 0 / 47

HEX #613D87

RGB 97 61 135

HSL 269.19, 0.38%, 0.38%

LAB 33.2, 31.4, -35.68

 

CMYK 0 / 55 / 38 / 47

HEX #863C53

RGB 134 60 83

HSL 341.35, 0.38%, 0.38%

LAB 35.84, 34.23, 1.55

 

CMYK 27 / 0 / 55 / 47

HEX #62863C

RGB 98 134 60

HSL 89.19, 0.38%, 0.38%

LAB 51.81, -25.86, 35.39

 

CMYK 55 / 0 / 18 / 47

HEX #3C866E

RGB 60 134 110

HSL 160.54, 0.38%, 0.38%

LAB 50.85, -29.18, 6

 

CMYK 28 / 55 / 0 / 47

HEX #613D87

RGB 97 61 135

HSL 269.19, 0.38%, 0.38%

LAB 33.2, 31.4, -35.68

 

CMYK 0 / 55 / 54 / 47

HEX #863C3D

RGB 134 60 61

HSL 359.19, 0.38%, 0.38%

LAB 35.28, 31.82, 14.77

 

CMYK 27 / 0 / 55 / 47

HEX #62863C

RGB 98 134 60

HSL 89.19, 0.38%, 0.38%

LAB 51.81, -25.86, 35.39

 

CMYK 55 / 0 / 1 / 47

HEX #3C8684

RGB 60 134 132

HSL 178.38, 0.38%, 0.38%

LAB 51.47, -23.33, -5.91

 

Description

Color code: HEX #613D87 | qconv.com Color code: HEX #613D87 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 61 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 61 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 55 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 55% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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