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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #613CDC it is the complementary color #9EC323. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #613CDC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #613CDC shade: #663CD7, #774EEA, #8860FD, #9972FF and #AA84FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #613CDC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #613CDC shade: #613CDC, #502AC9, #3F18B6, #2E06A3 and #1D0090

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #613CDC shade: #613CDD, #8C3CDD, #B83CDD, #DD3CD6 and #DD3CAB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #613CDC shade: #613CDD and #3C3CDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #613CDC shade matches the following richer shades: #613CDD and #5729EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #613CDC shade: #613CDD, #6B4ECA, #7561B7, #7F74A5 and #898692

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #613CDC shade: #3C6FDD, #3C44DD, #5F3CDD, #8A3CDD and #B43CDD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #613CDC shade: #3E1EA8, #4B24CB, #613CDD, #7D5FE3 and #9A82E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #613CDC shade: #613CDC, #DD3C9A and #59DD3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #613CDC shade: #613CDC, #DD5F3C and #3CDD5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #613CDC shade: #613CDC, #DD3C9A, #BADD3C and #3CDD7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #613CDC shade: #613CDC, #DD3C69, #BADD3C and #3CDDAF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 73 / 0 / 14

HEX #613CDC

RGB 97 60 220

HSL 253.88, 0.7%, 0.55%

LAB 39.48, 55.58, -75.96

 

Complementary color

CMYK 19 / 0 / 82 / 24

HEX #9EC323

RGB 158 195 35

HSL 73.88, 0.7%, 0.45%

LAB 73.82, -32.49, 68.51

 

CMYK 53 / 72 / 0 / 16

HEX #663CD7

RGB 102 60 215

HSL 256.26, 0.66%, 0.54%

LAB 39.52, 54.89, -73.01

 

CMYK 49 / 67 / 0 / 8

HEX #774EEA

RGB 119 78 234

HSL 255.77, 0.79%, 0.61%

LAB 46.06, 53.65, -73.08

 

CMYK 46 / 62 / 0 / 1

HEX #8860FD

RGB 136 96 253

HSL 255.29, 0.98%, 0.68%

LAB 52.61, 52.34, -72.97

 

CMYK 40 / 55 / 0 / 0

HEX #9972FF

RGB 153 114 255

HSL 256.6, 1%, 0.72%

LAB 58.06, 46.52, -65.19

 

CMYK 33 / 48 / 0 / 0

HEX #AA84FF

RGB 170 132 255

HSL 258.54, 1%, 0.76%

LAB 63.56, 40.53, -56.3

 

CMYK 56 / 73 / 0 / 14

HEX #613CDC

RGB 97 60 220

HSL 253.88, 0.7%, 0.55%

LAB 39.48, 55.58, -75.96

 

CMYK 60 / 79 / 0 / 21

HEX #502AC9

RGB 80 42 201

HSL 254.34, 0.65%, 0.48%

LAB 33.09, 56.67, -75.55

 

CMYK 65 / 87 / 0 / 29

HEX #3F18B6

RGB 63 24 182

HSL 254.81, 0.77%, 0.4%

LAB 26.98, 57.06, -74.5

 

CMYK 72 / 96 / 0 / 36

HEX #2E06A3

RGB 46 6 163

HSL 255.29, 0.93%, 0.33%

LAB 21.41, 56.04, -72.35

 

CMYK 80 / 100 / 0 / 44

HEX #1D0090

RGB 29 0 144

HSL 252.08, 1%, 0.28%

LAB 16.87, 52.2, -68.25

 

CMYK 56 / 73 / 0 / 13

HEX #613CDD

RGB 97 60 221

HSL 253.79, 0.7%, 0.55%

LAB 39.57, 55.86, -76.39

 

CMYK 37 / 73 / 0 / 13

HEX #8C3CDD

RGB 140 60 221

HSL 269.81, 0.7%, 0.55%

LAB 44.27, 62.61, -68.51

 

CMYK 17 / 73 / 0 / 13

HEX #B83CDD

RGB 184 60 221

HSL 286.21, 0.7%, 0.55%

LAB 50.27, 70.81, -58.52

 

CMYK 0 / 73 / 3 / 13

HEX #DD3CD6

RGB 221 60 214

HSL 302.61, 0.7%, 0.55%

LAB 55.54, 77.16, -45.78

 

CMYK 0 / 73 / 23 / 13

HEX #DD3CAB

RGB 221 60 171

HSL 318.63, 0.7%, 0.55%

LAB 53.54, 71.12, -24.11

 

CMYK 56 / 73 / 0 / 13

HEX #613CDD

RGB 97 60 221

HSL 253.79, 0.7%, 0.55%

LAB 39.57, 55.86, -76.39

 

CMYK 73 / 73 / 0 / 13

HEX #3C3CDD

RGB 60 60 221

HSL 240, 0.7%, 0.55%

LAB 36.77, 51.65, -81.1

 

CMYK 56 / 73 / 0 / 13

HEX #613CDD

RGB 97 60 221

HSL 253.79, 0.7%, 0.55%

LAB 39.57, 55.86, -76.39

 

CMYK 64 / 83 / 0 / 6

HEX #5729EF

RGB 87 41 239

HSL 253.94, 0.86%, 0.55%

LAB 37.56, 68.02, -89.98

 

CMYK 56 / 73 / 0 / 13

HEX #613CDD

RGB 97 60 221

HSL 253.79, 0.7%, 0.55%

LAB 39.57, 55.86, -76.39

 

CMYK 47 / 61 / 0 / 21

HEX #6B4ECA

RGB 107 78 202

HSL 254.03, 0.54%, 0.55%

LAB 42.52, 42.4, -60.6

 

CMYK 36 / 47 / 0 / 28

HEX #7561B7

RGB 117 97 183

HSL 253.95, 0.37%, 0.55%

LAB 46.65, 28.15, -42.9

 

CMYK 23 / 30 / 0 / 35

HEX #7F74A5

RGB 127 116 165

HSL 253.47, 0.21%, 0.55%

LAB 51.52, 14.98, -24.71

 

CMYK 6 / 8 / 0 / 43

HEX #898692

RGB 137 134 146

HSL 255, 0.05%, 0.55%

LAB 56.53, 3.53, -6.02

 

CMYK 73 / 50 / 0 / 13

HEX #3C6FDD

RGB 60 111 221

HSL 220.99, 0.7%, 0.55%

LAB 48.95, 20.4, -61.22

 

CMYK 73 / 69 / 0 / 13

HEX #3C44DD

RGB 60 68 221

HSL 237.02, 0.7%, 0.55%

LAB 38.4, 47.12, -78.41

 

CMYK 57 / 73 / 0 / 13

HEX #5F3CDD

RGB 95 60 221

HSL 253.04, 0.7%, 0.55%

LAB 39.39, 55.59, -76.7

 

CMYK 38 / 73 / 0 / 13

HEX #8A3CDD

RGB 138 60 221

HSL 269.07, 0.7%, 0.55%

LAB 44.02, 62.26, -68.92

 

CMYK 19 / 73 / 0 / 13

HEX #B43CDD

RGB 180 60 221

HSL 284.72, 0.7%, 0.55%

LAB 49.68, 70.03, -59.49

 

CMYK 63 / 82 / 0 / 34

HEX #3E1EA8

RGB 62 30 168

HSL 253.91, 0.7%, 0.39%

LAB 26.1, 50.74, -67.57

 

CMYK 63 / 82 / 0 / 20

HEX #4B24CB

RGB 75 36 203

HSL 254.01, 0.7%, 0.47%

LAB 31.96, 59.26, -78.6

 

CMYK 56 / 73 / 0 / 13

HEX #613CDD

RGB 97 60 221

HSL 253.79, 0.7%, 0.55%

LAB 39.57, 55.86, -76.39

 

CMYK 45 / 58 / 0 / 11

HEX #7D5FE3

RGB 125 95 227

HSL 253.64, 0.7%, 0.63%

LAB 49.61, 43.51, -63.34

 

CMYK 34 / 44 / 0 / 9

HEX #9A82E9

RGB 154 130 233

HSL 253.98, 0.7%, 0.71%

LAB 60.53, 31.94, -49.07

 

CMYK 56 / 73 / 0 / 14

HEX #613CDC

RGB 97 60 220

HSL 253.88, 0.7%, 0.55%

LAB 39.48, 55.58, -75.96

 

CMYK 0 / 73 / 30 / 13

HEX #DD3C9A

RGB 221 60 154

HSL 324.97, 0.7%, 0.55%

LAB 52.88, 69.06, -15.11

 

CMYK 60 / 0 / 73 / 13

HEX #59DD3C

RGB 89 221 60

HSL 109.19, 0.7%, 0.55%

LAB 78.56, -64.17, 64.28

 

CMYK 56 / 73 / 0 / 14

HEX #613CDC

RGB 97 60 220

HSL 253.88, 0.7%, 0.55%

LAB 39.48, 55.58, -75.96

 

CMYK 0 / 57 / 73 / 13

HEX #DD5F3C

RGB 221 95 60

HSL 13.04, 0.7%, 0.55%

LAB 55.97, 47.23, 43.76

 

CMYK 73 / 0 / 57 / 13

HEX #3CDD5F

RGB 60 221 95

HSL 133.04, 0.7%, 0.55%

LAB 78.17, -66.28, 49.47

 

CMYK 56 / 73 / 0 / 14

HEX #613CDC

RGB 97 60 220

HSL 253.88, 0.7%, 0.55%

LAB 39.48, 55.58, -75.96

 

CMYK 0 / 73 / 30 / 13

HEX #DD3C9A

RGB 221 60 154

HSL 324.97, 0.7%, 0.55%

LAB 52.88, 69.06, -15.11

 

CMYK 16 / 0 / 73 / 13

HEX #BADD3C

RGB 186 221 60

HSL 73.04, 0.7%, 0.55%

LAB 83.17, -32.28, 70.37

 

CMYK 73 / 0 / 43 / 13

HEX #3CDD7F

RGB 60 221 127

HSL 144.97, 0.7%, 0.55%

LAB 78.58, -61.48, 34.57

 

CMYK 56 / 73 / 0 / 14

HEX #613CDC

RGB 97 60 220

HSL 253.88, 0.7%, 0.55%

LAB 39.48, 55.58, -75.96

 

CMYK 0 / 73 / 52 / 13

HEX #DD3C69

RGB 221 60 105

HSL 343.23, 0.7%, 0.55%

LAB 51.41, 64.33, 12.11

 

CMYK 16 / 0 / 73 / 13

HEX #BADD3C

RGB 186 221 60

HSL 73.04, 0.7%, 0.55%

LAB 83.17, -32.28, 70.37

 

CMYK 73 / 0 / 21 / 13

HEX #3CDDAF

RGB 60 221 175

HSL 162.86, 0.7%, 0.55%

LAB 79.48, -51.62, 10.89

 

Description

Color code: HEX #613CDC | qconv.com Color code: HEX #613CDC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 60 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 60 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 73 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 73% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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