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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6139D7 it is the complementary color #9EC628. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6139D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6139D7 shade: #6639D2, #774BE5, #885DF8, #996FFF and #AA81FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6139D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6139D7 shade: #6139D7, #5027C4, #3F15B1, #2E039E and #1D008B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6139D7 shade: #6038D6, #8B38D6, #B538D6, #D638CC and #D638A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6139D7 shade: #6038D6 and #3838D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6139D7 shade matches the following richer shades: #6038D6, #5725EA and #4D11FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6139D7 shade: #6038D6, #6A4BC3, #735FAF, #7D729C and #868689

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6139D7 shade: #3865D6, #383BD6, #6038D6, #8A38D6 and #B438D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6139D7 shade: #3F209C, #4D27BE, #6038D6, #7B5ADD and #977DE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6139D7 shade: #6139D7, #D6388F and #50D638

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6139D7 shade: #6139D7, #D66038 and #38D660

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6139D7 shade: #6139D7, #D6388F, #AFD638 and #38D67F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6139D7 shade: #6139D7, #D63860, #AFD638 and #38D6AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 73 / 0 / 16

HEX #6139D7

RGB 97 57 215

HSL 255.19, 0.66%, 0.53%

LAB 38.51, 55.66, -74.69

 

Complementary color

CMYK 20 / 0 / 80 / 22

HEX #9EC628

RGB 158 198 40

HSL 75.19, 0.66%, 0.47%

LAB 74.71, -33.69, 67.97

 

CMYK 51 / 73 / 0 / 18

HEX #6639D2

RGB 102 57 210

HSL 257.65, 0.63%, 0.52%

LAB 38.56, 54.99, -71.71

 

CMYK 48 / 67 / 0 / 10

HEX #774BE5

RGB 119 75 229

HSL 257.14, 0.75%, 0.6%

LAB 45.1, 53.85, -71.81

 

CMYK 45 / 63 / 0 / 3

HEX #885DF8

RGB 136 93 248

HSL 256.65, 0.92%, 0.67%

LAB 51.66, 52.59, -71.74

 

CMYK 40 / 56 / 0 / 0

HEX #996FFF

RGB 153 111 255

HSL 257.5, 1%, 0.72%

LAB 57.43, 48.17, -66.22

 

CMYK 33 / 49 / 0 / 0

HEX #AA81FF

RGB 170 129 255

HSL 259.52, 1%, 0.75%

LAB 62.9, 42.19, -57.36

 

CMYK 55 / 73 / 0 / 16

HEX #6139D7

RGB 97 57 215

HSL 255.19, 0.66%, 0.53%

LAB 38.51, 55.66, -74.69

 

CMYK 59 / 80 / 0 / 23

HEX #5027C4

RGB 80 39 196

HSL 255.67, 0.67%, 0.46%

LAB 32.13, 56.59, -74.21

 

CMYK 64 / 88 / 0 / 31

HEX #3F15B1

RGB 63 21 177

HSL 256.15, 0.79%, 0.39%

LAB 26.06, 56.72, -73.04

 

CMYK 71 / 98 / 0 / 38

HEX #2E039E

RGB 46 3 158

HSL 256.65, 0.96%, 0.32%

LAB 20.5, 55.52, -70.82

 

CMYK 79 / 100 / 0 / 45

HEX #1D008B

RGB 29 0 139

HSL 252.52, 1%, 0.27%

LAB 16.13, 50.91, -66.35

 

CMYK 55 / 74 / 0 / 16

HEX #6038D6

RGB 96 56 214

HSL 255.19, 0.66%, 0.53%

LAB 38.15, 55.73, -74.71

 

CMYK 35 / 74 / 0 / 16

HEX #8B38D6

RGB 139 56 214

HSL 271.52, 0.66%, 0.53%

LAB 43.02, 62.5, -66.54

 

CMYK 15 / 74 / 0 / 16

HEX #B538D6

RGB 181 56 214

HSL 287.47, 0.66%, 0.53%

LAB 48.89, 70.31, -56.76

 

CMYK 0 / 74 / 5 / 16

HEX #D638CC

RGB 214 56 204

HSL 303.8, 0.66%, 0.53%

LAB 53.48, 75.37, -43.42

 

CMYK 0 / 74 / 24 / 16

HEX #D638A2

RGB 214 56 162

HSL 319.75, 0.66%, 0.53%

LAB 51.53, 69.55, -22

 

CMYK 55 / 74 / 0 / 16

HEX #6038D6

RGB 96 56 214

HSL 255.19, 0.66%, 0.53%

LAB 38.15, 55.73, -74.71

 

CMYK 74 / 74 / 0 / 16

HEX #3838D6

RGB 56 56 214

HSL 240, 0.66%, 0.53%

LAB 35.05, 51.24, -79.92

 

CMYK 55 / 74 / 0 / 16

HEX #6038D6

RGB 96 56 214

HSL 255.19, 0.66%, 0.53%

LAB 38.15, 55.73, -74.71

 

CMYK 63 / 84 / 0 / 8

HEX #5725EA

RGB 87 37 234

HSL 255.23, 0.82%, 0.53%

LAB 36.54, 68.16, -88.84

 

CMYK 70 / 93 / 0 / 1

HEX #4D11FD

RGB 77 17 253

HSL 255.25, 0.98%, 0.53%

LAB 36.12, 77.57, -100.29

 

CMYK 55 / 74 / 0 / 16

HEX #6038D6

RGB 96 56 214

HSL 255.19, 0.66%, 0.53%

LAB 38.15, 55.73, -74.71

 

CMYK 46 / 62 / 0 / 24

HEX #6A4BC3

RGB 106 75 195

HSL 255.5, 0.5%, 0.53%

LAB 41.27, 41.9, -58.57

 

CMYK 34 / 46 / 0 / 31

HEX #735FAF

RGB 115 95 175

HSL 255, 0.33%, 0.53%

LAB 45.53, 26.62, -40.01

 

CMYK 20 / 27 / 0 / 39

HEX #7D729C

RGB 125 114 156

HSL 255.71, 0.18%, 0.53%

LAB 50.45, 13.33, -21.13

 

CMYK 2 / 2 / 0 / 46

HEX #868689

RGB 134 134 137

HSL 240, 0.01%, 0.53%

LAB 56.01, 0.6, -1.61

 

CMYK 74 / 53 / 0 / 16

HEX #3865D6

RGB 56 101 214

HSL 222.91, 0.66%, 0.53%

LAB 45.64, 23.68, -62.6

 

CMYK 74 / 72 / 0 / 16

HEX #383BD6

RGB 56 59 214

HSL 238.86, 0.66%, 0.53%

LAB 35.64, 49.59, -78.94

 

CMYK 55 / 74 / 0 / 16

HEX #6038D6

RGB 96 56 214

HSL 255.19, 0.66%, 0.53%

LAB 38.15, 55.73, -74.71

 

CMYK 36 / 74 / 0 / 16

HEX #8A38D6

RGB 138 56 214

HSL 271.14, 0.66%, 0.53%

LAB 42.89, 62.32, -66.76

 

CMYK 16 / 74 / 0 / 16

HEX #B438D6

RGB 180 56 214

HSL 287.09, 0.66%, 0.53%

LAB 48.74, 70.12, -57.01

 

CMYK 60 / 79 / 0 / 39

HEX #3F209C

RGB 63 32 156

HSL 255, 0.66%, 0.37%

LAB 25.23, 46.47, -61.7

 

CMYK 59 / 79 / 0 / 25

HEX #4D27BE

RGB 77 39 190

HSL 255.1, 0.66%, 0.45%

LAB 31.22, 54.6, -72.19

 

CMYK 55 / 74 / 0 / 16

HEX #6038D6

RGB 96 56 214

HSL 255.19, 0.66%, 0.53%

LAB 38.15, 55.73, -74.71

 

CMYK 44 / 59 / 0 / 13

HEX #7B5ADD

RGB 123 90 221

HSL 255.11, 0.66%, 0.61%

LAB 47.94, 44.24, -62.65

 

CMYK 34 / 45 / 0 / 11

HEX #977DE4

RGB 151 125 228

HSL 255.15, 0.66%, 0.69%

LAB 58.83, 32.73, -49

 

CMYK 55 / 73 / 0 / 16

HEX #6139D7

RGB 97 57 215

HSL 255.19, 0.66%, 0.53%

LAB 38.51, 55.66, -74.69

 

CMYK 0 / 74 / 33 / 16

HEX #D6388F

RGB 214 56 143

HSL 326.96, 0.66%, 0.53%

LAB 50.81, 67.31, -11.8

 

CMYK 63 / 0 / 74 / 16

HEX #50D638

RGB 80 214 56

HSL 110.89, 0.66%, 0.53%

LAB 76.12, -64.11, 63.13

 

CMYK 55 / 73 / 0 / 16

HEX #6139D7

RGB 97 57 215

HSL 255.19, 0.66%, 0.53%

LAB 38.51, 55.66, -74.69

 

CMYK 0 / 55 / 74 / 16

HEX #D66038

RGB 214 96 56

HSL 15.19, 0.66%, 0.53%

LAB 55.02, 43.98, 44.48

 

CMYK 74 / 0 / 55 / 16

HEX #38D660

RGB 56 214 96

HSL 135.19, 0.66%, 0.53%

LAB 75.93, -64.41, 46.33

 

CMYK 55 / 73 / 0 / 16

HEX #6139D7

RGB 97 57 215

HSL 255.19, 0.66%, 0.53%

LAB 38.51, 55.66, -74.69

 

CMYK 0 / 74 / 33 / 16

HEX #D6388F

RGB 214 56 143

HSL 326.96, 0.66%, 0.53%

LAB 50.81, 67.31, -11.8

 

CMYK 18 / 0 / 74 / 16

HEX #AFD638

RGB 175 214 56

HSL 74.81, 0.66%, 0.53%

LAB 80.46, -33.6, 68.84

 

CMYK 74 / 0 / 41 / 16

HEX #38D67F

RGB 56 214 127

HSL 146.96, 0.66%, 0.53%

LAB 76.35, -59.52, 31.65

 

CMYK 55 / 73 / 0 / 16

HEX #6139D7

RGB 97 57 215

HSL 255.19, 0.66%, 0.53%

LAB 38.51, 55.66, -74.69

 

CMYK 0 / 74 / 55 / 16

HEX #D63860

RGB 214 56 96

HSL 344.81, 0.66%, 0.53%

LAB 49.46, 62.97, 14.66

 

CMYK 18 / 0 / 74 / 16

HEX #AFD638

RGB 175 214 56

HSL 74.81, 0.66%, 0.53%

LAB 80.46, -33.6, 68.84

 

CMYK 74 / 0 / 18 / 16

HEX #38D6AF

RGB 56 214 175

HSL 165.19, 0.66%, 0.53%

LAB 77.3, -49.26, 7.76

 

Description

Color code: HEX #6139D7 | qconv.com Color code: HEX #6139D7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 57 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 57 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 73 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 73% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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