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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #60EECD it is the complementary color #9F1132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #60EECD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #60EECD shade: #65EEC8, #76FFDB, #87FFEE, #98FFFF and #A9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #60EECD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #60EECD shade: #60EECD, #4FDCBA, #3ECAA7, #2DB894 and #1CA681

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #60EECD shade: #5DEECC, #5DEEA5, #5DEE7E, #63EE5D and #8AEE5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #60EECD shade: #5DEECC, #5DE9EE, #5DC2EE, #5D9BEE and #5D74EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #60EECD shade matches the following richer shades: #5DEECC and #4FFCD4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #60EECD shade: #5DEECC, #6CE0C5, #7AD1BD, #89C3B5 and #97B4AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #60EECD shade: #5DEE7F, #5DEEA6, #5DEECC, #5DE9EE and #5DC3EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #60EECD shade: #18E1B2, #38EAC1, #5DEECC, #83F2D8 and #A8F6E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #60EECD shade: #60EECD, #5D62EE and #EE925D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #60EECD shade: #60EECD, #CC5DEE and #EECC5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #60EECD shade: #60EECD, #5D62EE, #EE5D7F and #EEE95D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #60EECD shade: #60EECD, #845DEE, #EE5D7F and #C7EE5D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 14 / 7

HEX #60EECD

RGB 96 238 205

HSL 166.06, 0.81%, 0.65%

LAB 86.03, -46.03, 4.58

 

Complementary color

CMYK 0 / 89 / 69 / 38

HEX #9F1132

RGB 159 17 50

HSL 346.06, 0.81%, 0.35%

LAB 33.99, 55.18, 21.01

 

CMYK 58 / 0 / 16 / 7

HEX #65EEC8

RGB 101 238 200

HSL 163.36, 0.8%, 0.66%

LAB 86.05, -46.26, 7.25

 

CMYK 54 / 0 / 14 / 0

HEX #76FFDB

RGB 118 255 219

HSL 164.23, 1%, 0.73%

LAB 91.9, -45.89, 5.87

 

CMYK 47 / 0 / 7 / 0

HEX #87FFEE

RGB 135 255 238

HSL 171.5, 1%, 0.76%

LAB 92.95, -37.87, -2.37

 

CMYK 40 / 0 / 0 / 0

HEX #98FFFF

RGB 152 255 255

HSL 180, 1%, 0.8%

LAB 94.06, -29.95, -9.43

 

CMYK 34 / 0 / 0 / 0

HEX #A9FFFF

RGB 169 255 255

HSL 180, 1%, 0.83%

LAB 94.81, -25.74, -8.24

 

CMYK 60 / 0 / 14 / 7

HEX #60EECD

RGB 96 238 205

HSL 166.06, 0.81%, 0.65%

LAB 86.03, -46.03, 4.58

 

CMYK 64 / 0 / 15 / 14

HEX #4FDCBA

RGB 79 220 186

HSL 165.53, 0.67%, 0.59%

LAB 79.84, -45.78, 5.62

 

CMYK 69 / 0 / 17 / 21

HEX #3ECAA7

RGB 62 202 167

HSL 165, 0.57%, 0.52%

LAB 73.58, -45.38, 6.74

 

CMYK 76 / 0 / 20 / 28

HEX #2DB894

RGB 45 184 148

HSL 164.46, 0.61%, 0.45%

LAB 67.26, -44.76, 7.98

 

CMYK 83 / 0 / 22 / 35

HEX #1CA681

RGB 28 166 129

HSL 163.91, 0.71%, 0.38%

LAB 60.87, -43.81, 9.37

 

CMYK 61 / 0 / 14 / 7

HEX #5DEECC

RGB 93 238 204

HSL 165.93, 0.81%, 0.65%

LAB 85.92, -46.8, 4.95

 

CMYK 61 / 0 / 31 / 7

HEX #5DEEA5

RGB 93 238 165

HSL 149.79, 0.81%, 0.65%

LAB 85.09, -55.28, 24.05

 

CMYK 61 / 0 / 47 / 7

HEX #5DEE7E

RGB 93 238 126

HSL 133.66, 0.81%, 0.65%

LAB 84.47, -62, 42.75

 

CMYK 58 / 0 / 61 / 7

HEX #63EE5D

RGB 99 238 93

HSL 117.52, 0.81%, 0.65%

LAB 84.27, -64.85, 57.63

 

CMYK 42 / 0 / 61 / 7

HEX #8AEE5D

RGB 138 238 93

HSL 101.38, 0.81%, 0.65%

LAB 85.68, -54.33, 59.59

 

CMYK 61 / 0 / 14 / 7

HEX #5DEECC

RGB 93 238 204

HSL 165.93, 0.81%, 0.65%

LAB 85.92, -46.8, 4.95

 

CMYK 61 / 2 / 0 / 7

HEX #5DE9EE

RGB 93 233 238

HSL 182.07, 0.81%, 0.65%

LAB 85.39, -35.88, -13.71

 

CMYK 61 / 18 / 0 / 7

HEX #5DC2EE

RGB 93 194 238

HSL 198.21, 0.81%, 0.65%

LAB 74.24, -16.68, -30.64

 

CMYK 61 / 35 / 0 / 7

HEX #5D9BEE

RGB 93 155 238

HSL 214.34, 0.81%, 0.65%

LAB 63.3, 4.84, -47.72

 

CMYK 61 / 51 / 0 / 7

HEX #5D74EE

RGB 93 116 238

HSL 230.48, 0.81%, 0.65%

LAB 52.94, 28.22, -64.25

 

CMYK 61 / 0 / 14 / 7

HEX #5DEECC

RGB 93 238 204

HSL 165.93, 0.81%, 0.65%

LAB 85.92, -46.8, 4.95

 

CMYK 69 / 0 / 16 / 1

HEX #4FFCD4

RGB 79 252 212

HSL 166.13, 0.97%, 0.65%

LAB 89.88, -52.96, 6.44

 

CMYK 61 / 0 / 14 / 7

HEX #5DEECC

RGB 93 238 204

HSL 165.93, 0.81%, 0.65%

LAB 85.92, -46.8, 4.95

 

CMYK 52 / 0 / 12 / 12

HEX #6CE0C5

RGB 108 224 197

HSL 166.03, 0.65%, 0.65%

LAB 82.13, -39.36, 3.19

 

CMYK 42 / 0 / 10 / 18

HEX #7AD1BD

RGB 122 209 189

HSL 166.21, 0.49%, 0.65%

LAB 78.12, -30.95, 1.7

 

CMYK 30 / 0 / 7 / 24

HEX #89C3B5

RGB 137 195 181

HSL 165.52, 0.33%, 0.65%

LAB 74.63, -21.73, 1.02

 

CMYK 16 / 0 / 3 / 29

HEX #97B4AE

RGB 151 180 174

HSL 167.59, 0.16%, 0.65%

LAB 71.06, -11.1, -0.26

 

CMYK 61 / 0 / 47 / 7

HEX #5DEE7F

RGB 93 238 127

HSL 134.07, 0.81%, 0.65%

LAB 84.49, -61.85, 42.29

 

CMYK 61 / 0 / 30 / 7

HEX #5DEEA6

RGB 93 238 166

HSL 150.21, 0.81%, 0.65%

LAB 85.11, -55.08, 23.56

 

CMYK 61 / 0 / 14 / 7

HEX #5DEECC

RGB 93 238 204

HSL 165.93, 0.81%, 0.65%

LAB 85.92, -46.8, 4.95

 

CMYK 61 / 2 / 0 / 7

HEX #5DE9EE

RGB 93 233 238

HSL 182.07, 0.81%, 0.65%

LAB 85.39, -35.88, -13.71

 

CMYK 61 / 18 / 0 / 7

HEX #5DC3EE

RGB 93 195 238

HSL 197.79, 0.81%, 0.65%

LAB 74.53, -17.2, -30.2

 

CMYK 89 / 0 / 21 / 12

HEX #18E1B2

RGB 24 225 178

HSL 165.97, 0.81%, 0.49%

LAB 80.33, -55.66, 10.44

 

CMYK 76 / 0 / 18 / 8

HEX #38EAC1

RGB 56 234 193

HSL 166.18, 0.81%, 0.57%

LAB 83.72, -53.04, 7.45

 

CMYK 61 / 0 / 14 / 7

HEX #5DEECC

RGB 93 238 204

HSL 165.93, 0.81%, 0.65%

LAB 85.92, -46.8, 4.95

 

CMYK 46 / 0 / 11 / 5

HEX #83F2D8

RGB 131 242 216

HSL 165.95, 0.81%, 0.73%

LAB 88.58, -37.94, 2.68

 

CMYK 32 / 0 / 7 / 4

HEX #A8F6E4

RGB 168 246 228

HSL 166.15, 0.81%, 0.81%

LAB 91.61, -27.65, 1.04

 

CMYK 60 / 0 / 14 / 7

HEX #60EECD

RGB 96 238 205

HSL 166.06, 0.81%, 0.65%

LAB 86.03, -46.03, 4.58

 

CMYK 61 / 59 / 0 / 7

HEX #5D62EE

RGB 93 98 238

HSL 237.93, 0.81%, 0.65%

LAB 48.56, 39.15, -71.35

 

CMYK 0 / 39 / 61 / 7

HEX #EE925D

RGB 238 146 93

HSL 21.93, 0.81%, 0.65%

LAB 69.13, 29.89, 42.39

 

CMYK 60 / 0 / 14 / 7

HEX #60EECD

RGB 96 238 205

HSL 166.06, 0.81%, 0.65%

LAB 86.03, -46.03, 4.58

 

CMYK 14 / 61 / 0 / 7

HEX #CC5DEE

RGB 204 93 238

HSL 285.93, 0.81%, 0.65%

LAB 58.83, 65, -54.23

 

CMYK 0 / 14 / 61 / 7

HEX #EECC5D

RGB 238 204 93

HSL 45.93, 0.81%, 0.65%

LAB 82.99, -0.59, 58.43

 

CMYK 60 / 0 / 14 / 7

HEX #60EECD

RGB 96 238 205

HSL 166.06, 0.81%, 0.65%

LAB 86.03, -46.03, 4.58

 

CMYK 61 / 59 / 0 / 7

HEX #5D62EE

RGB 93 98 238

HSL 237.93, 0.81%, 0.65%

LAB 48.56, 39.15, -71.35

 

CMYK 0 / 61 / 47 / 7

HEX #EE5D7F

RGB 238 93 127

HSL 345.93, 0.81%, 0.65%

LAB 59.47, 58.55, 10.79

 

CMYK 0 / 2 / 61 / 7

HEX #EEE95D

RGB 238 233 93

HSL 57.93, 0.81%, 0.65%

LAB 90.43, -15.17, 66.56

 

CMYK 60 / 0 / 14 / 7

HEX #60EECD

RGB 96 238 205

HSL 166.06, 0.81%, 0.65%

LAB 86.03, -46.03, 4.58

 

CMYK 45 / 61 / 0 / 7

HEX #845DEE

RGB 132 93 238

HSL 256.14, 0.81%, 0.65%

LAB 50.58, 49.1, -67.92

 

CMYK 0 / 61 / 47 / 7

HEX #EE5D7F

RGB 238 93 127

HSL 345.93, 0.81%, 0.65%

LAB 59.47, 58.55, 10.79

 

CMYK 16 / 0 / 61 / 7

HEX #C7EE5D

RGB 199 238 93

HSL 76.14, 0.81%, 0.65%

LAB 88.96, -32.99, 64.15

 

Description

Color code: HEX #60EECD | qconv.com Color code: HEX #60EECD | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 238 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 238 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 14 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 14% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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