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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #60E9DA it is the complementary color #9F1625. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #60E9DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #60E9DA shade: #65E9D5, #76FBE8, #87FFFB, #98FFFF and #A9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #60E9DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #60E9DA shade: #60E9DA, #4FD7C7, #3EC5B4, #2DB3A1 and #1CA18E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #60E9DA shade: #62EADB, #62EAB6, #62EA92, #62EA6D and #7BEA62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #60E9DA shade: #62EADB, #62D4EA, #62AFEA, #628BEA and #6266EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #60E9DA shade matches the following richer shades: #62EADB and #53F8E6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #60E9DA shade: #62EADB, #70DBCF, #7FCDC4, #8DBEB9 and #9CB0AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #60E9DA shade: #62EA91, #62EAB6, #62EADA, #62D5EA and #62B1EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #60E9DA shade: #1EDBC6, #3EE5D2, #62EADB, #86EFE3 and #ABF3EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #60E9DA shade: #60E9DA, #6D62EA and #EAA362

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #60E9DA shade: #60E9DA, #DA62EA and #EADA62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #60E9DA shade: #60E9DA, #6D62EA, #EA6272 and #DEEA62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #60E9DA shade: #60E9DA, #9662EA, #EA6272 and #B6EA62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 6 / 9

HEX #60E9DA

RGB 96 233 218

HSL 173.43, 0.76%, 0.65%

LAB 84.91, -40.64, -3.88

 

Complementary color

CMYK 0 / 86 / 77 / 38

HEX #9F1625

RGB 159 22 37

HSL 353.43, 0.76%, 0.35%

LAB 34.15, 53.57, 29.44

 

CMYK 57 / 0 / 9 / 9

HEX #65E9D5

RGB 101 233 213

HSL 170.91, 0.75%, 0.65%

LAB 84.92, -40.97, -1.21

 

CMYK 53 / 0 / 8 / 2

HEX #76FBE8

RGB 118 251 232

HSL 171.43, 0.94%, 0.72%

LAB 91.09, -41.08, -2.05

 

CMYK 47 / 0 / 2 / 0

HEX #87FFFB

RGB 135 255 251

HSL 178, 1%, 0.76%

LAB 93.29, -34.76, -8.58

 

CMYK 40 / 0 / 0 / 0

HEX #98FFFF

RGB 152 255 255

HSL 180, 1%, 0.8%

LAB 94.06, -29.95, -9.43

 

CMYK 34 / 0 / 0 / 0

HEX #A9FFFF

RGB 169 255 255

HSL 180, 1%, 0.83%

LAB 94.81, -25.74, -8.24

 

CMYK 59 / 0 / 6 / 9

HEX #60E9DA

RGB 96 233 218

HSL 173.43, 0.76%, 0.65%

LAB 84.91, -40.64, -3.88

 

CMYK 63 / 0 / 7 / 16

HEX #4FD7C7

RGB 79 215 199

HSL 172.94, 0.63%, 0.58%

LAB 78.69, -40.33, -2.99

 

CMYK 69 / 0 / 9 / 23

HEX #3EC5B4

RGB 62 197 180

HSL 172.44, 0.54%, 0.51%

LAB 72.4, -39.87, -2.03

 

CMYK 75 / 0 / 10 / 30

HEX #2DB3A1

RGB 45 179 161

HSL 171.94, 0.6%, 0.44%

LAB 66.04, -39.19, -0.96

 

CMYK 83 / 0 / 12 / 37

HEX #1CA18E

RGB 28 161 142

HSL 171.43, 0.7%, 0.37%

LAB 59.61, -38.2, 0.24

 

CMYK 58 / 0 / 6 / 8

HEX #62EADB

RGB 98 234 219

HSL 173.38, 0.76%, 0.65%

LAB 85.28, -40.47, -3.85

 

CMYK 58 / 0 / 22 / 8

HEX #62EAB6

RGB 98 234 182

HSL 157.06, 0.76%, 0.65%

LAB 84.39, -49.17, 14.28

 

CMYK 58 / 0 / 38 / 8

HEX #62EA92

RGB 98 234 146

HSL 141.18, 0.76%, 0.65%

LAB 83.71, -56.21, 31.9

 

CMYK 58 / 0 / 53 / 8

HEX #62EA6D

RGB 98 234 109

HSL 124.85, 0.76%, 0.65%

LAB 83.2, -61.79, 49.26

 

CMYK 47 / 0 / 58 / 8

HEX #7BEA62

RGB 123 234 98

HSL 108.97, 0.76%, 0.65%

LAB 83.93, -56.69, 55.3

 

CMYK 58 / 0 / 6 / 8

HEX #62EADB

RGB 98 234 219

HSL 173.38, 0.76%, 0.65%

LAB 85.28, -40.47, -3.85

 

CMYK 58 / 9 / 0 / 8

HEX #62D4EA

RGB 98 212 234

HSL 189.71, 0.76%, 0.65%

LAB 79.4, -26.09, -20.6

 

CMYK 58 / 25 / 0 / 8

HEX #62AFEA

RGB 98 175 234

HSL 206.03, 0.76%, 0.65%

LAB 68.89, -6.8, -36.73

 

CMYK 58 / 41 / 0 / 8

HEX #628BEA

RGB 98 139 234

HSL 221.91, 0.76%, 0.65%

LAB 58.98, 13.9, -52.34

 

CMYK 58 / 56 / 0 / 8

HEX #6266EA

RGB 98 102 234

HSL 238.24, 0.76%, 0.65%

LAB 49.54, 36.29, -67.48

 

CMYK 58 / 0 / 6 / 8

HEX #62EADB

RGB 98 234 219

HSL 173.38, 0.76%, 0.65%

LAB 85.28, -40.47, -3.85

 

CMYK 67 / 0 / 7 / 3

HEX #53F8E6

RGB 83 248 230

HSL 173.45, 0.92%, 0.65%

LAB 89.25, -46.24, -3.82

 

CMYK 58 / 0 / 6 / 8

HEX #62EADB

RGB 98 234 219

HSL 173.38, 0.76%, 0.65%

LAB 85.28, -40.47, -3.85

 

CMYK 49 / 0 / 5 / 14

HEX #70DBCF

RGB 112 219 207

HSL 173.27, 0.6%, 0.65%

LAB 81.08, -33.78, -3.63

 

CMYK 38 / 0 / 4 / 20

HEX #7FCDC4

RGB 127 205 196

HSL 173.08, 0.44%, 0.65%

LAB 77.38, -26.09, -3.12

 

CMYK 26 / 0 / 3 / 25

HEX #8DBEB9

RGB 141 190 185

HSL 173.88, 0.27%, 0.65%

LAB 73.54, -17.11, -2.71

 

CMYK 11 / 0 / 1 / 31

HEX #9CB0AE

RGB 156 176 174

HSL 174, 0.11%, 0.65%

LAB 70.3, -7.3, -1.33

 

CMYK 58 / 0 / 38 / 8

HEX #62EA91

RGB 98 234 145

HSL 140.74, 0.76%, 0.65%

LAB 83.7, -56.38, 32.38

 

CMYK 58 / 0 / 22 / 8

HEX #62EAB6

RGB 98 234 182

HSL 157.06, 0.76%, 0.65%

LAB 84.39, -49.17, 14.28

 

CMYK 58 / 0 / 7 / 8

HEX #62EADA

RGB 98 234 218

HSL 172.94, 0.76%, 0.65%

LAB 85.25, -40.73, -3.37

 

CMYK 58 / 9 / 0 / 8

HEX #62D5EA

RGB 98 213 234

HSL 189.26, 0.76%, 0.65%

LAB 79.69, -26.58, -20.17

 

CMYK 58 / 24 / 0 / 8

HEX #62B1EA

RGB 98 177 234

HSL 205.15, 0.76%, 0.65%

LAB 69.46, -7.89, -35.86

 

CMYK 86 / 0 / 10 / 14

HEX #1EDBC6

RGB 30 219 198

HSL 173.33, 0.76%, 0.49%

LAB 79.05, -47.74, -2.02

 

CMYK 73 / 0 / 8 / 10

HEX #3EE5D2

RGB 62 229 210

HSL 173.17, 0.76%, 0.57%

LAB 82.76, -45.96, -2.9

 

CMYK 58 / 0 / 6 / 8

HEX #62EADB

RGB 98 234 219

HSL 173.38, 0.76%, 0.65%

LAB 85.28, -40.47, -3.85

 

CMYK 44 / 0 / 5 / 6

HEX #86EFE3

RGB 134 239 227

HSL 173.14, 0.77%, 0.73%

LAB 88.14, -33.31, -3.71

 

CMYK 30 / 0 / 3 / 5

HEX #ABF3EB

RGB 171 243 235

HSL 173.33, 0.75%, 0.81%

LAB 91.12, -23.86, -3.3

 

CMYK 59 / 0 / 6 / 9

HEX #60E9DA

RGB 96 233 218

HSL 173.43, 0.76%, 0.65%

LAB 84.91, -40.64, -3.88

 

CMYK 53 / 58 / 0 / 8

HEX #6D62EA

RGB 109 98 234

HSL 244.85, 0.76%, 0.65%

LAB 49.41, 40.66, -67.67

 

CMYK 0 / 30 / 58 / 8

HEX #EAA362

RGB 234 163 98

HSL 28.68, 0.76%, 0.65%

LAB 72.61, 19.63, 43.9

 

CMYK 59 / 0 / 6 / 9

HEX #60E9DA

RGB 96 233 218

HSL 173.43, 0.76%, 0.65%

LAB 84.91, -40.64, -3.88

 

CMYK 7 / 58 / 0 / 8

HEX #DA62EA

RGB 218 98 234

HSL 292.94, 0.76%, 0.65%

LAB 61.29, 65.39, -47.97

 

CMYK 0 / 7 / 58 / 8

HEX #EADA62

RGB 234 218 98

HSL 52.94, 0.76%, 0.65%

LAB 86.26, -9.02, 59.76

 

CMYK 59 / 0 / 6 / 9

HEX #60E9DA

RGB 96 233 218

HSL 173.43, 0.76%, 0.65%

LAB 84.91, -40.64, -3.88

 

CMYK 53 / 58 / 0 / 8

HEX #6D62EA

RGB 109 98 234

HSL 244.85, 0.76%, 0.65%

LAB 49.41, 40.66, -67.67

 

CMYK 0 / 58 / 51 / 8

HEX #EA6272

RGB 234 98 114

HSL 352.94, 0.76%, 0.65%

LAB 59.38, 53.9, 18.13

 

CMYK 5 / 0 / 58 / 8

HEX #DEEA62

RGB 222 234 98

HSL 65.29, 0.76%, 0.65%

LAB 89.51, -21.75, 63.11

 

CMYK 59 / 0 / 6 / 9

HEX #60E9DA

RGB 96 233 218

HSL 173.43, 0.76%, 0.65%

LAB 84.91, -40.64, -3.88

 

CMYK 36 / 58 / 0 / 8

HEX #9662EA

RGB 150 98 234

HSL 262.94, 0.76%, 0.65%

LAB 53.12, 49.15, -61.48

 

CMYK 0 / 58 / 51 / 8

HEX #EA6272

RGB 234 98 114

HSL 352.94, 0.76%, 0.65%

LAB 59.38, 53.9, 18.13

 

CMYK 22 / 0 / 58 / 8

HEX #B6EA62

RGB 182 234 98

HSL 82.94, 0.76%, 0.65%

LAB 86.84, -37.17, 59.38

 

Description

Color code: HEX #60E9DA | qconv.com Color code: HEX #60E9DA | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 233 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 233 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 6 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 6% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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