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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #60E99B it is the complementary color #9F1664. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #60E99B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #60E99B shade: #65E996, #76FBA9, #87FFBC, #98FFCF and #A9FFE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #60E99B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #60E99B shade: #60E99B, #4FD788, #3EC575, #2DB362 and #1CA14F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #60E99B shade: #62EA9C, #62EA78, #71EA62, #95EA62 and #BAEA62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #60E99B shade: #62EA9C, #62EAC1, #62EAE6, #62C9EA and #62A4EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #60E99B shade matches the following richer shades: #62EA9C and #53F89A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #60E99B shade: #62EA9C, #70DB9E, #7FCDA0, #8DBEA2 and #9CB0A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #60E99B shade: #72EA62, #62EA76, #62EA9A, #62EABF and #62EAE3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #60E99B shade: #1EDB6F, #3EE586, #62EA9C, #86EFB3 and #ABF3CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #60E99B shade: #60E99B, #6296EA and #EA6462

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #60E99B shade: #60E99B, #9A62EA and #EA9A62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #60E99B shade: #60E99B, #6296EA, #EA62B1 and #EAB662

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #60E99B shade: #60E99B, #626DEA, #EA62B1 and #EADE62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 33 / 9

HEX #60E99B

RGB 96 233 155

HSL 145.84, 0.76%, 0.65%

LAB 83.51, -54.61, 27.04

 

Complementary color

CMYK 0 / 86 / 37 / 38

HEX #9F1664

RGB 159 22 100

HSL 325.84, 0.76%, 0.35%

LAB 35.72, 58.13, -9

 

CMYK 57 / 0 / 36 / 9

HEX #65E996

RGB 101 233 150

HSL 142.27, 0.75%, 0.65%

LAB 83.57, -54.46, 29.7

 

CMYK 53 / 0 / 33 / 2

HEX #76FBA9

RGB 118 251 169

HSL 143.01, 0.94%, 0.72%

LAB 89.72, -54.44, 28.44

 

CMYK 47 / 0 / 26 / 0

HEX #87FFBC

RGB 135 255 188

HSL 146.5, 1%, 0.76%

LAB 91.82, -48.52, 21.76

 

CMYK 40 / 0 / 19 / 0

HEX #98FFCF

RGB 152 255 207

HSL 152.04, 1%, 0.8%

LAB 92.88, -40.47, 13.62

 

CMYK 34 / 0 / 11 / 0

HEX #A9FFE2

RGB 169 255 226

HSL 159.77, 1%, 0.83%

LAB 94.07, -32.03, 5.65

 

CMYK 59 / 0 / 33 / 9

HEX #60E99B

RGB 96 233 155

HSL 145.84, 0.76%, 0.65%

LAB 83.51, -54.61, 27.04

 

CMYK 63 / 0 / 37 / 16

HEX #4FD788

RGB 79 215 136

HSL 145.15, 0.63%, 0.58%

LAB 77.31, -54.46, 28.38

 

CMYK 69 / 0 / 41 / 23

HEX #3EC575

RGB 62 197 117

HSL 144.44, 0.54%, 0.51%

LAB 71.04, -54.1, 29.83

 

CMYK 75 / 0 / 45 / 30

HEX #2DB362

RGB 45 179 98

HSL 143.73, 0.6%, 0.44%

LAB 64.71, -53.45, 31.39

 

CMYK 83 / 0 / 51 / 37

HEX #1CA14F

RGB 28 161 79

HSL 143.01, 0.7%, 0.37%

LAB 58.32, -52.36, 33.05

 

CMYK 58 / 0 / 33 / 8

HEX #62EA9C

RGB 98 234 156

HSL 145.59, 0.76%, 0.65%

LAB 83.88, -54.41, 27.04

 

CMYK 58 / 0 / 49 / 8

HEX #62EA78

RGB 98 234 120

HSL 129.71, 0.76%, 0.65%

LAB 83.34, -60.32, 44.24

 

CMYK 52 / 0 / 58 / 8

HEX #71EA62

RGB 113 234 98

HSL 113.38, 0.76%, 0.65%

LAB 83.57, -59.42, 54.78

 

CMYK 36 / 0 / 58 / 8

HEX #95EA62

RGB 149 234 98

HSL 97.5, 0.76%, 0.65%

LAB 85.06, -48.73, 56.88

 

CMYK 21 / 0 / 58 / 8

HEX #BAEA62

RGB 186 234 98

HSL 81.18, 0.76%, 0.65%

LAB 87.08, -35.69, 59.72

 

CMYK 58 / 0 / 33 / 8

HEX #62EA9C

RGB 98 234 156

HSL 145.59, 0.76%, 0.65%

LAB 83.88, -54.41, 27.04

 

CMYK 58 / 0 / 18 / 8

HEX #62EAC1

RGB 98 234 193

HSL 161.91, 0.76%, 0.65%

LAB 84.63, -46.73, 8.88

 

CMYK 58 / 0 / 2 / 8

HEX #62EAE6

RGB 98 234 230

HSL 178.24, 0.76%, 0.65%

LAB 85.58, -37.64, -9.2

 

CMYK 58 / 14 / 0 / 8

HEX #62C9EA

RGB 98 201 234

HSL 194.56, 0.76%, 0.65%

LAB 76.26, -20.57, -25.38

 

CMYK 58 / 30 / 0 / 8

HEX #62A4EA

RGB 98 164 234

HSL 210.88, 0.76%, 0.65%

LAB 65.82, -0.66, -41.54

 

CMYK 58 / 0 / 33 / 8

HEX #62EA9C

RGB 98 234 156

HSL 145.59, 0.76%, 0.65%

LAB 83.88, -54.41, 27.04

 

CMYK 67 / 0 / 38 / 3

HEX #53F89A

RGB 83 248 154

HSL 145.82, 0.92%, 0.65%

LAB 87.63, -62.96, 33.01

 

CMYK 58 / 0 / 33 / 8

HEX #62EA9C

RGB 98 234 156

HSL 145.59, 0.76%, 0.65%

LAB 83.88, -54.41, 27.04

 

CMYK 49 / 0 / 28 / 14

HEX #70DB9E

RGB 112 219 158

HSL 145.79, 0.6%, 0.65%

LAB 79.94, -44.6, 20.69

 

CMYK 38 / 0 / 22 / 20

HEX #7FCDA0

RGB 127 205 160

HSL 145.38, 0.44%, 0.65%

LAB 76.5, -33.88, 14.95

 

CMYK 26 / 0 / 15 / 25

HEX #8DBEA2

RGB 141 190 162

HSL 145.71, 0.27%, 0.65%

LAB 72.96, -21.94, 8.96

 

CMYK 11 / 0 / 7 / 31

HEX #9CB0A4

RGB 156 176 164

HSL 144, 0.11%, 0.65%

LAB 70.03, -9.29, 3.79

 

CMYK 51 / 0 / 58 / 8

HEX #72EA62

RGB 114 234 98

HSL 112.94, 0.76%, 0.65%

LAB 83.6, -59.16, 54.83

 

CMYK 58 / 0 / 50 / 8

HEX #62EA76

RGB 98 234 118

HSL 128.82, 0.76%, 0.65%

LAB 83.31, -60.6, 45.17

 

CMYK 58 / 0 / 34 / 8

HEX #62EA9A

RGB 98 234 154

HSL 144.71, 0.76%, 0.65%

LAB 83.85, -54.78, 28.01

 

CMYK 58 / 0 / 18 / 8

HEX #62EABF

RGB 98 234 191

HSL 161.03, 0.76%, 0.65%

LAB 84.59, -47.18, 9.86

 

CMYK 58 / 0 / 3 / 8

HEX #62EAE3

RGB 98 234 227

HSL 176.91, 0.76%, 0.65%

LAB 85.5, -38.42, -7.74

 

CMYK 86 / 0 / 49 / 14

HEX #1EDB6F

RGB 30 219 111

HSL 145.71, 0.76%, 0.49%

LAB 77.33, -66.71, 40.82

 

CMYK 73 / 0 / 41 / 10

HEX #3EE586

RGB 62 229 134

HSL 145.87, 0.76%, 0.57%

LAB 81.17, -62.84, 34.44

 

CMYK 58 / 0 / 33 / 8

HEX #62EA9C

RGB 98 234 156

HSL 145.59, 0.76%, 0.65%

LAB 83.88, -54.41, 27.04

 

CMYK 44 / 0 / 25 / 6

HEX #86EFB3

RGB 134 239 179

HSL 145.71, 0.77%, 0.73%

LAB 87.02, -43.6, 19.71

 

CMYK 30 / 0 / 17 / 5

HEX #ABF3CA

RGB 171 243 202

HSL 145.83, 0.75%, 0.81%

LAB 90.33, -30.59, 12.71

 

CMYK 59 / 0 / 33 / 9

HEX #60E99B

RGB 96 233 155

HSL 145.84, 0.76%, 0.65%

LAB 83.51, -54.61, 27.04

 

CMYK 58 / 36 / 0 / 8

HEX #6296EA

RGB 98 150 234

HSL 217.06, 0.76%, 0.65%

LAB 61.95, 7.4, -47.61

 

CMYK 0 / 57 / 58 / 8

HEX #EA6462

RGB 234 100 98

HSL 0.88, 0.76%, 0.65%

LAB 59.42, 51.74, 27.4

 

CMYK 59 / 0 / 33 / 9

HEX #60E99B

RGB 96 233 155

HSL 145.84, 0.76%, 0.65%

LAB 83.51, -54.61, 27.04

 

CMYK 34 / 58 / 0 / 8

HEX #9A62EA

RGB 154 98 234

HSL 264.71, 0.76%, 0.65%

LAB 53.54, 50.05, -60.79

 

CMYK 0 / 34 / 58 / 8

HEX #EA9A62

RGB 234 154 98

HSL 24.71, 0.76%, 0.65%

LAB 70.51, 24.41, 41.37

 

CMYK 59 / 0 / 33 / 9

HEX #60E99B

RGB 96 233 155

HSL 145.84, 0.76%, 0.65%

LAB 83.51, -54.61, 27.04

 

CMYK 58 / 36 / 0 / 8

HEX #6296EA

RGB 98 150 234

HSL 217.06, 0.76%, 0.65%

LAB 61.95, 7.4, -47.61

 

CMYK 0 / 58 / 24 / 8

HEX #EA62B1

RGB 234 98 177

HSL 325.15, 0.76%, 0.65%

LAB 61.13, 60.75, -15.8

 

CMYK 0 / 22 / 58 / 8

HEX #EAB662

RGB 234 182 98

HSL 37.06, 0.76%, 0.65%

LAB 77.18, 9.56, 49.34

 

CMYK 59 / 0 / 33 / 9

HEX #60E99B

RGB 96 233 155

HSL 145.84, 0.76%, 0.65%

LAB 83.51, -54.61, 27.04

 

CMYK 58 / 53 / 0 / 8

HEX #626DEA

RGB 98 109 234

HSL 235.15, 0.76%, 0.65%

LAB 51.24, 32.06, -64.74

 

CMYK 0 / 58 / 24 / 8

HEX #EA62B1

RGB 234 98 177

HSL 325.15, 0.76%, 0.65%

LAB 61.13, 60.75, -15.8

 

CMYK 0 / 5 / 58 / 8

HEX #EADE62

RGB 234 222 98

HSL 54.71, 0.76%, 0.65%

LAB 87.3, -11.02, 60.91

 

Description

Color code: HEX #60E99B | qconv.com Color code: HEX #60E99B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 233 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 233 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 33 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 33% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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