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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #60E95B it is the complementary color #9F16A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #60E95B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #60E95B shade: #65E956, #76FB69, #87FF7C, #98FF8F and #A9FFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #60E95B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #60E95B shade: #60E95B, #4FD748, #3EC535, #2DB322 and #1CA10F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #60E95B shade: #62E95D, #88E95D, #AEE95D, #D3E95D and #E9D95D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #60E95B shade: #62E95D, #5DE97E, #5DE9A4, #5DE9C9 and #5DE3E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #60E95B shade matches the following richer shades: #62E95D and #55F84F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #60E95B shade: #62E95D, #70DA6C, #7ECB7B, #8CBC8A and #9AAE99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #60E95B shade: #AFE95D, #8AE95D, #64E95D, #5DE97C and #5DE9A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #60E95B shade: #24D71D, #3FE439, #62E95D, #86EE82 and #A9F3A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #60E95B shade: #60E95B, #5DD4E9 and #E95D9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #60E95B shade: #60E95B, #5D64E9 and #E95D64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #60E95B shade: #60E95B, #5DD4E9, #E25DE9 and #E9725D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #60E95B shade: #60E95B, #5DAAE9, #E25DE9 and #E99C5D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 61 / 9

HEX #60E95B

RGB 96 233 91

HSL 117.89, 0.76%, 0.64%

LAB 82.66, -63.98, 56.63

 

Complementary color

CMYK 3 / 87 / 0 / 36

HEX #9F16A4

RGB 159 22 164

HSL 297.89, 0.76%, 0.36%

LAB 38.94, 66.82, -43.63

 

CMYK 57 / 0 / 63 / 9

HEX #65E956

RGB 101 233 86

HSL 113.88, 0.77%, 0.63%

LAB 82.76, -63.32, 58.89

 

CMYK 53 / 0 / 58 / 2

HEX #76FB69

RGB 118 251 105

HSL 114.66, 0.95%, 0.7%

LAB 88.86, -63.68, 57.87

 

CMYK 47 / 0 / 51 / 0

HEX #87FF7C

RGB 135 255 124

HSL 114.96, 1%, 0.74%

LAB 90.84, -58.53, 51.86

 

CMYK 40 / 0 / 44 / 0

HEX #98FF8F

RGB 152 255 143

HSL 115.18, 1%, 0.78%

LAB 91.76, -51.24, 44.21

 

CMYK 34 / 0 / 36 / 0

HEX #A9FFA2

RGB 169 255 162

HSL 115.48, 1%, 0.82%

LAB 92.82, -43.4, 36.45

 

CMYK 59 / 0 / 61 / 9

HEX #60E95B

RGB 96 233 91

HSL 117.89, 0.76%, 0.64%

LAB 82.66, -63.98, 56.63

 

CMYK 63 / 0 / 67 / 16

HEX #4FD748

RGB 79 215 72

HSL 117.06, 0.64%, 0.56%

LAB 76.52, -63.35, 57.59

 

CMYK 69 / 0 / 73 / 23

HEX #3EC535

RGB 62 197 53

HSL 116.25, 0.58%, 0.49%

LAB 70.33, -62.35, 58.21

 

CMYK 75 / 0 / 81 / 30

HEX #2DB322

RGB 45 179 34

HSL 115.45, 0.68%, 0.42%

LAB 64.09, -60.82, 58.18

 

CMYK 83 / 0 / 91 / 37

HEX #1CA10F

RGB 28 161 15

HSL 114.66, 0.83%, 0.35%

LAB 57.82, -58.54, 56.99

 

CMYK 58 / 0 / 60 / 9

HEX #62E95D

RGB 98 233 93

HSL 117.86, 0.76%, 0.64%

LAB 82.73, -63.31, 55.88

 

CMYK 42 / 0 / 60 / 9

HEX #88E95D

RGB 136 233 93

HSL 101.57, 0.76%, 0.64%

LAB 84.12, -52.95, 57.82

 

CMYK 25 / 0 / 60 / 9

HEX #AEE95D

RGB 174 233 93

HSL 85.29, 0.76%, 0.64%

LAB 86.04, -40.08, 60.5

 

CMYK 9 / 0 / 60 / 9

HEX #D3E95D

RGB 211 233 93

HSL 69.43, 0.76%, 0.64%

LAB 88.41, -25.99, 63.78

 

CMYK 0 / 7 / 60 / 9

HEX #E9D95D

RGB 233 217 93

HSL 53.14, 0.76%, 0.64%

LAB 85.88, -9.27, 61.49

 

CMYK 58 / 0 / 60 / 9

HEX #62E95D

RGB 98 233 93

HSL 117.86, 0.76%, 0.64%

LAB 82.73, -63.31, 55.88

 

CMYK 60 / 0 / 46 / 9

HEX #5DE97E

RGB 93 233 126

HSL 134.14, 0.76%, 0.64%

LAB 82.97, -60.15, 40.86

 

CMYK 60 / 0 / 30 / 9

HEX #5DE9A4

RGB 93 233 164

HSL 150.43, 0.76%, 0.64%

LAB 83.59, -53.48, 22.5

 

CMYK 60 / 0 / 14 / 9

HEX #5DE9C9

RGB 93 233 201

HSL 166.29, 0.76%, 0.64%

LAB 84.39, -45.36, 4.31

 

CMYK 60 / 3 / 0 / 9

HEX #5DE3E9

RGB 93 227 233

HSL 182.57, 0.76%, 0.64%

LAB 83.52, -34.45, -13.87

 

CMYK 58 / 0 / 60 / 9

HEX #62E95D

RGB 98 233 93

HSL 117.86, 0.76%, 0.64%

LAB 82.73, -63.31, 55.88

 

CMYK 66 / 0 / 68 / 3

HEX #55F84F

RGB 85 248 79

HSL 117.87, 0.92%, 0.64%

LAB 86.82, -72.5, 65.91

 

CMYK 58 / 0 / 60 / 9

HEX #62E95D

RGB 98 233 93

HSL 117.86, 0.76%, 0.64%

LAB 82.73, -63.31, 55.88

 

CMYK 49 / 0 / 50 / 15

HEX #70DA6C

RGB 112 218 108

HSL 117.82, 0.6%, 0.64%

LAB 78.85, -52.31, 44.56

 

CMYK 38 / 0 / 39 / 20

HEX #7ECB7B

RGB 126 203 123

HSL 117.75, 0.43%, 0.64%

LAB 75.19, -39.74, 32.59

 

CMYK 26 / 0 / 27 / 26

HEX #8CBC8A

RGB 140 188 138

HSL 117.6, 0.27%, 0.64%

LAB 71.81, -25.71, 20.31

 

CMYK 11 / 0 / 12 / 32

HEX #9AAE99

RGB 154 174 153

HSL 117.14, 0.11%, 0.64%

LAB 69.07, -11.01, 8.44

 

CMYK 25 / 0 / 60 / 9

HEX #AFE95D

RGB 175 233 93

HSL 84.86, 0.76%, 0.64%

LAB 86.1, -39.72, 60.58

 

CMYK 41 / 0 / 60 / 9

HEX #8AE95D

RGB 138 233 93

HSL 100.71, 0.76%, 0.64%

LAB 84.21, -52.33, 57.95

 

CMYK 57 / 0 / 60 / 9

HEX #64E95D

RGB 100 233 93

HSL 117, 0.76%, 0.64%

LAB 82.79, -62.84, 55.96

 

CMYK 60 / 0 / 47 / 9

HEX #5DE97C

RGB 93 233 124

HSL 133.29, 0.76%, 0.64%

LAB 82.95, -60.45, 41.79

 

CMYK 60 / 0 / 31 / 9

HEX #5DE9A1

RGB 93 233 161

HSL 149.14, 0.76%, 0.64%

LAB 83.54, -54.07, 23.97

 

CMYK 83 / 0 / 87 / 16

HEX #24D71D

RGB 36 215 29

HSL 117.74, 0.76%, 0.48%

LAB 75.49, -72.94, 69.66

 

CMYK 72 / 0 / 75 / 11

HEX #3FE439

RGB 63 228 57

HSL 117.89, 0.76%, 0.56%

LAB 80.09, -71.74, 66.6

 

CMYK 58 / 0 / 60 / 9

HEX #62E95D

RGB 98 233 93

HSL 117.86, 0.76%, 0.64%

LAB 82.73, -63.31, 55.88

 

CMYK 44 / 0 / 45 / 7

HEX #86EE82

RGB 134 238 130

HSL 117.78, 0.76%, 0.72%

LAB 85.92, -51.25, 42.93

 

CMYK 30 / 0 / 32 / 5

HEX #A9F3A6

RGB 169 243 166

HSL 117.66, 0.76%, 0.8%

LAB 89.53, -37.46, 30.05

 

CMYK 59 / 0 / 61 / 9

HEX #60E95B

RGB 96 233 91

HSL 117.89, 0.76%, 0.64%

LAB 82.66, -63.98, 56.63

 

CMYK 60 / 9 / 0 / 9

HEX #5DD4E9

RGB 93 212 233

HSL 189, 0.76%, 0.64%

LAB 79.21, -27.26, -20.36

 

CMYK 0 / 60 / 33 / 9

HEX #E95D9C

RGB 233 93 156

HSL 333, 0.76%, 0.64%

LAB 59.48, 60.02, -6.18

 

CMYK 59 / 0 / 61 / 9

HEX #60E95B

RGB 96 233 91

HSL 117.89, 0.76%, 0.64%

LAB 82.66, -63.98, 56.63

 

CMYK 60 / 57 / 0 / 9

HEX #5D64E9

RGB 93 100 233

HSL 237, 0.76%, 0.64%

LAB 48.67, 36.32, -68.36

 

CMYK 0 / 60 / 57 / 9

HEX #E95D64

RGB 233 93 100

HSL 357, 0.76%, 0.64%

LAB 58.11, 54.71, 24.5

 

CMYK 59 / 0 / 61 / 9

HEX #60E95B

RGB 96 233 91

HSL 117.89, 0.76%, 0.64%

LAB 82.66, -63.98, 56.63

 

CMYK 60 / 9 / 0 / 9

HEX #5DD4E9

RGB 93 212 233

HSL 189, 0.76%, 0.64%

LAB 79.21, -27.26, -20.36

 

CMYK 3 / 60 / 0 / 9

HEX #E25DE9

RGB 226 93 233

HSL 297, 0.76%, 0.64%

LAB 61.55, 69.32, -46.93

 

CMYK 0 / 51 / 60 / 9

HEX #E9725D

RGB 233 114 93

HSL 9, 0.76%, 0.64%

LAB 61.78, 44.35, 33.2

 

CMYK 59 / 0 / 61 / 9

HEX #60E95B

RGB 96 233 91

HSL 117.89, 0.76%, 0.64%

LAB 82.66, -63.98, 56.63

 

CMYK 60 / 27 / 0 / 9

HEX #5DAAE9

RGB 93 170 233

HSL 207, 0.76%, 0.64%

LAB 67.25, -5.29, -38.77

 

CMYK 3 / 60 / 0 / 9

HEX #E25DE9

RGB 226 93 233

HSL 297, 0.76%, 0.64%

LAB 61.55, 69.32, -46.93

 

CMYK 0 / 33 / 60 / 9

HEX #E99C5D

RGB 233 156 93

HSL 27, 0.76%, 0.64%

LAB 70.8, 22.58, 44.24

 

Description

Color code: HEX #60E95B | qconv.com Color code: HEX #60E95B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 233 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 233 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 61 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 61% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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