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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #60DAC3 it is the complementary color #9F253C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #60DAC3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #60DAC3 shade: #65DABE, #76ECD1, #87FEE4, #98FFF7 and #A9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #60DAC3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #60DAC3 shade: #60DAC3, #4FC8B0, #3EB69D, #2DA48A and #1C9277

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #60DAC3 shade: #62DAC4, #62DAA3, #62DA83, #62DA62 and #82DA62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #60DAC3 shade: #62DAC4, #62D0DA, #62B0DA, #6290DA and #626FDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #60DAC3 shade matches the following richer shades: #62DAC4, #52EACD and #43FAD7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #60DAC3 shade: #62DAC4, #72CABA, #81BBB0, #91ABA6 and #A19B9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #60DAC3 shade: #62DA82, #62DAA2, #62DAC2, #62D2DA and #62B2DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #60DAC3 shade: #2CBDA2, #41D2B7, #62DAC4, #83E2D0 and #A5EADD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #60DAC3 shade: #60DAC3, #6262DA and #DA9262

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #60DAC3 shade: #60DAC3, #C262DA and #DAC262

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #60DAC3 shade: #60DAC3, #6262DA, #DA627A and #DADA62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #60DAC3 shade: #60DAC3, #8662DA, #DA627A and #B6DA62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 11 / 15

HEX #60DAC3

RGB 96 218 195

HSL 168.69, 0.62%, 0.62%

LAB 79.94, -39.62, 1.03

 

Complementary color

CMYK 0 / 77 / 62 / 38

HEX #9F253C

RGB 159 37 60

HSL 348.69, 0.62%, 0.38%

LAB 36.02, 50.54, 17.2

 

CMYK 54 / 0 / 13 / 15

HEX #65DABE

RGB 101 218 190

HSL 165.64, 0.61%, 0.63%

LAB 79.97, -39.8, 3.76

 

CMYK 50 / 0 / 11 / 7

HEX #76ECD1

RGB 118 236 209

HSL 166.27, 0.76%, 0.69%

LAB 86.23, -39.79, 2.86

 

CMYK 47 / 0 / 10 / 0

HEX #87FEE4

RGB 135 254 228

HSL 166.89, 0.98%, 0.76%

LAB 92.41, -39.73, 2.03

 

CMYK 40 / 0 / 3 / 0

HEX #98FFF7

RGB 152 255 247

HSL 175.34, 1%, 0.8%

LAB 93.84, -31.83, -5.62

 

CMYK 34 / 0 / 0 / 0

HEX #A9FFFF

RGB 169 255 255

HSL 180, 1%, 0.83%

LAB 94.81, -25.74, -8.24

 

CMYK 56 / 0 / 11 / 15

HEX #60DAC3

RGB 96 218 195

HSL 168.69, 0.62%, 0.62%

LAB 79.94, -39.62, 1.03

 

CMYK 61 / 0 / 12 / 22

HEX #4FC8B0

RGB 79 200 176

HSL 168.1, 0.52%, 0.55%

LAB 73.61, -39.47, 1.97

 

CMYK 66 / 0 / 14 / 29

HEX #3EB69D

RGB 62 182 157

HSL 167.5, 0.49%, 0.48%

LAB 67.21, -39.17, 3.01

 

CMYK 73 / 0 / 16 / 36

HEX #2DA48A

RGB 45 164 138

HSL 166.89, 0.57%, 0.41%

LAB 60.73, -38.67, 4.16

 

CMYK 81 / 0 / 18 / 43

HEX #1C9277

RGB 28 146 119

HSL 166.27, 0.68%, 0.34%

LAB 54.17, -37.86, 5.46

 

CMYK 55 / 0 / 10 / 15

HEX #62DAC4

RGB 98 218 196

HSL 169, 0.62%, 0.62%

LAB 80.02, -38.98, 0.63

 

CMYK 55 / 0 / 25 / 15

HEX #62DAA3

RGB 98 218 163

HSL 152.5, 0.62%, 0.62%

LAB 79.26, -46.45, 17.05

 

CMYK 55 / 0 / 40 / 15

HEX #62DA83

RGB 98 218 131

HSL 136.5, 0.62%, 0.62%

LAB 78.68, -52.46, 32.86

 

CMYK 55 / 0 / 55 / 15

HEX #62DA62

RGB 98 218 98

HSL 120, 0.62%, 0.62%

LAB 78.24, -57.24, 48.41

 

CMYK 40 / 0 / 55 / 15

HEX #82DA62

RGB 130 218 98

HSL 104, 0.62%, 0.62%

LAB 79.48, -48.19, 50.19

 

CMYK 55 / 0 / 10 / 15

HEX #62DAC4

RGB 98 218 196

HSL 169, 0.62%, 0.62%

LAB 80.02, -38.98, 0.63

 

CMYK 55 / 5 / 0 / 15

HEX #62D0DA

RGB 98 208 218

HSL 185, 0.62%, 0.62%

LAB 77.74, -28.58, -14.53

 

CMYK 55 / 19 / 0 / 15

HEX #62B0DA

RGB 98 176 218

HSL 201, 0.62%, 0.62%

LAB 68.54, -12.21, -28.52

 

CMYK 55 / 34 / 0 / 15

HEX #6290DA

RGB 98 144 218

HSL 217, 0.62%, 0.62%

LAB 59.53, 5.8, -42.55

 

CMYK 55 / 49 / 0 / 15

HEX #626FDA

RGB 98 111 218

HSL 233.5, 0.62%, 0.62%

LAB 50.72, 25.68, -56.56

 

CMYK 55 / 0 / 10 / 15

HEX #62DAC4

RGB 98 218 196

HSL 169, 0.62%, 0.62%

LAB 80.02, -38.98, 0.63

 

CMYK 65 / 0 / 12 / 8

HEX #52EACD

RGB 82 234 205

HSL 168.55, 0.78%, 0.62%

LAB 84.51, -46.66, 2.34

 

CMYK 73 / 0 / 14 / 2

HEX #43FAD7

RGB 67 250 215

HSL 168.52, 0.95%, 0.62%

LAB 89.14, -52.93, 3.8

 

CMYK 55 / 0 / 10 / 15

HEX #62DAC4

RGB 98 218 196

HSL 169, 0.62%, 0.62%

LAB 80.02, -38.98, 0.63

 

CMYK 44 / 0 / 8 / 21

HEX #72CABA

RGB 114 202 186

HSL 169.09, 0.45%, 0.62%

LAB 75.68, -30.33, -0.28

 

CMYK 31 / 0 / 6 / 27

HEX #81BBB0

RGB 129 187 176

HSL 168.62, 0.3%, 0.62%

LAB 71.79, -21.17, -0.45

 

CMYK 15 / 0 / 3 / 33

HEX #91ABA6

RGB 145 171 166

HSL 168.46, 0.13%, 0.62%

LAB 67.95, -9.98, -0.44

 

CMYK 0 / 4 / 3 / 37

HEX #A19B9C

RGB 161 155 156

HSL 350, 0.03%, 0.62%

LAB 64.5, 2.37, 0.25

 

CMYK 55 / 0 / 40 / 15

HEX #62DA82

RGB 98 218 130

HSL 136, 0.62%, 0.62%

LAB 78.67, -52.63, 33.35

 

CMYK 55 / 0 / 26 / 15

HEX #62DAA2

RGB 98 218 162

HSL 152, 0.62%, 0.62%

LAB 79.24, -46.66, 17.55

 

CMYK 55 / 0 / 11 / 15

HEX #62DAC2

RGB 98 218 194

HSL 168, 0.62%, 0.62%

LAB 79.97, -39.47, 1.62

 

CMYK 55 / 4 / 0 / 15

HEX #62D2DA

RGB 98 210 218

HSL 184, 0.62%, 0.62%

LAB 78.32, -29.55, -13.67

 

CMYK 55 / 18 / 0 / 15

HEX #62B2DA

RGB 98 178 218

HSL 200, 0.62%, 0.62%

LAB 69.11, -13.28, -27.65

 

CMYK 77 / 0 / 14 / 26

HEX #2CBDA2

RGB 44 189 162

HSL 168.83, 0.62%, 0.46%

LAB 69.14, -43.42, 3.01

 

CMYK 69 / 0 / 13 / 18

HEX #41D2B7

RGB 65 210 183

HSL 168.83, 0.62%, 0.54%

LAB 76.46, -44.38, 2.29

 

CMYK 55 / 0 / 10 / 15

HEX #62DAC4

RGB 98 218 196

HSL 169, 0.62%, 0.62%

LAB 80.02, -38.98, 0.63

 

CMYK 42 / 0 / 8 / 11

HEX #83E2D0

RGB 131 226 208

HSL 168.63, 0.62%, 0.7%

LAB 83.85, -32.36, -0.02

 

CMYK 29 / 0 / 6 / 8

HEX #A5EADD

RGB 165 234 221

HSL 168.7, 0.62%, 0.78%

LAB 88, -24.2, -0.6

 

CMYK 56 / 0 / 11 / 15

HEX #60DAC3

RGB 96 218 195

HSL 168.69, 0.62%, 0.62%

LAB 79.94, -39.62, 1.03

 

CMYK 55 / 55 / 0 / 15

HEX #6262DA

RGB 98 98 218

HSL 240, 0.62%, 0.62%

LAB 47.49, 33.62, -61.77

 

CMYK 0 / 33 / 55 / 15

HEX #DA9262

RGB 218 146 98

HSL 24, 0.62%, 0.62%

LAB 66.78, 22.18, 36.34

 

CMYK 56 / 0 / 11 / 15

HEX #60DAC3

RGB 96 218 195

HSL 168.69, 0.62%, 0.62%

LAB 79.94, -39.62, 1.03

 

CMYK 11 / 55 / 0 / 15

HEX #C262DA

RGB 194 98 218

HSL 288, 0.62%, 0.62%

LAB 57.33, 56.31, -45.46

 

CMYK 0 / 11 / 55 / 15

HEX #DAC262

RGB 218 194 98

HSL 48, 0.62%, 0.62%

LAB 78.68, -3.37, 50.71

 

CMYK 56 / 0 / 11 / 15

HEX #60DAC3

RGB 96 218 195

HSL 168.69, 0.62%, 0.62%

LAB 79.94, -39.62, 1.03

 

CMYK 55 / 55 / 0 / 15

HEX #6262DA

RGB 98 98 218

HSL 240, 0.62%, 0.62%

LAB 47.49, 33.62, -61.77

 

CMYK 0 / 55 / 44 / 15

HEX #DA627A

RGB 218 98 122

HSL 348, 0.62%, 0.62%

LAB 57.12, 49.23, 9.95

 

CMYK 0 / 0 / 55 / 15

HEX #DADA62

RGB 218 218 98

HSL 60, 0.62%, 0.62%

LAB 84.96, -15.54, 57.93

 

CMYK 56 / 0 / 11 / 15

HEX #60DAC3

RGB 96 218 195

HSL 168.69, 0.62%, 0.62%

LAB 79.94, -39.62, 1.03

 

CMYK 39 / 55 / 0 / 15

HEX #8662DA

RGB 134 98 218

HSL 258, 0.62%, 0.62%

LAB 50.53, 41.33, -56.71

 

CMYK 0 / 55 / 44 / 15

HEX #DA627A

RGB 218 98 122

HSL 348, 0.62%, 0.62%

LAB 57.12, 49.23, 9.95

 

CMYK 17 / 0 / 55 / 15

HEX #B6DA62

RGB 182 218 98

HSL 78, 0.62%, 0.62%

LAB 82.36, -29.81, 54.28

 

Description

Color code: HEX #60DAC3 | qconv.com Color code: HEX #60DAC3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 218 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 218 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 11 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 11% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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