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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #60CDF3 it is the complementary color #9F320C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #60CDF3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #60CDF3 shade: #65CDEE, #76DFFF, #87F1FF, #98FFFF and #A9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #60CDF3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #60CDF3 shade: #60CDF3, #4FBBE0, #3EA9CD, #2D97BA and #1C85A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #60CDF3 shade: #5ECCF3, #5EA4F3, #5E7CF3, #685EF3 and #905EF3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #60CDF3 shade: #5ECCF3, #5EA4F3, #5E7CF3 and #5E5EF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #60CDF3 shade matches the following richer shades: #5ECCF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #60CDF3 shade: #5ECCF3, #6CC6E5, #7ABFD7, #88B8C9 and #96B1BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #60CDF3 shade: #5EF3C9, #5EF3F0, #5ECEF3, #5EA6F3 and #5E7EF3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #60CDF3 shade: #12B4EC, #37C0F0, #5ECCF3, #84D8F6 and #AAE4F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #60CDF3 shade: #60CDF3, #A15EF3 and #F3DC5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #60CDF3 shade: #60CDF3, #F35ECE and #CEF35E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #60CDF3 shade: #60CDF3, #A15EF3, #F3835E and #B0F35E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #60CDF3 shade: #60CDF3, #CE5EF3, #F3835E and #83F35E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 16 / 0 / 5

HEX #60CDF3

RGB 96 205 243

HSL 195.51, 0.86%, 0.66%

LAB 77.65, -20.33, -28.08

 

Complementary color

CMYK 0 / 69 / 92 / 38

HEX #9F320C

RGB 159 50 12

HSL 15.51, 0.86%, 0.34%

LAB 37.26, 43.63, 44.99

 

CMYK 58 / 14 / 0 / 7

HEX #65CDEE

RGB 101 205 238

HSL 194.45, 0.8%, 0.66%

LAB 77.64, -20.88, -25.41

 

CMYK 54 / 13 / 0 / 0

HEX #76DFFF

RGB 118 223 255

HSL 194.01, 1%, 0.73%

LAB 83.89, -21.84, -24.87

 

CMYK 47 / 5 / 0 / 0

HEX #87F1FF

RGB 135 241 255

HSL 187, 1%, 0.76%

LAB 89.52, -27.13, -16.28

 

CMYK 40 / 0 / 0 / 0

HEX #98FFFF

RGB 152 255 255

HSL 180, 1%, 0.8%

LAB 94.06, -29.95, -9.43

 

CMYK 34 / 0 / 0 / 0

HEX #A9FFFF

RGB 169 255 255

HSL 180, 1%, 0.83%

LAB 94.81, -25.74, -8.24

 

CMYK 60 / 16 / 0 / 5

HEX #60CDF3

RGB 96 205 243

HSL 195.51, 0.86%, 0.66%

LAB 77.65, -20.33, -28.08

 

CMYK 65 / 17 / 0 / 12

HEX #4FBBE0

RGB 79 187 224

HSL 195.31, 0.7%, 0.59%

LAB 71.27, -19.68, -27.66

 

CMYK 70 / 18 / 0 / 20

HEX #3EA9CD

RGB 62 169 205

HSL 195.1, 0.59%, 0.52%

LAB 64.81, -18.85, -27.2

 

CMYK 76 / 19 / 0 / 27

HEX #2D97BA

RGB 45 151 186

HSL 194.89, 0.61%, 0.45%

LAB 58.26, -17.76, -26.69

 

CMYK 83 / 20 / 0 / 35

HEX #1C85A7

RGB 28 133 167

HSL 194.68, 0.71%, 0.38%

LAB 51.62, -16.32, -26.11

 

CMYK 61 / 16 / 0 / 5

HEX #5ECCF3

RGB 94 204 243

HSL 195.7, 0.86%, 0.66%

LAB 77.3, -20.16, -28.62

 

CMYK 61 / 33 / 0 / 5

HEX #5EA4F3

RGB 94 164 243

HSL 211.81, 0.86%, 0.66%

LAB 66.06, 1.47, -46.1

 

CMYK 61 / 49 / 0 / 5

HEX #5E7CF3

RGB 94 124 243

HSL 227.92, 0.86%, 0.66%

LAB 55.35, 25.18, -63.15

 

CMYK 57 / 61 / 0 / 5

HEX #685EF3

RGB 104 94 243

HSL 244.03, 0.86%, 0.66%

LAB 48.78, 44.87, -73.74

 

CMYK 41 / 61 / 0 / 5

HEX #905EF3

RGB 144 94 243

HSL 260.13, 0.86%, 0.66%

LAB 52.29, 52.31, -67.89

 

CMYK 61 / 16 / 0 / 5

HEX #5ECCF3

RGB 94 204 243

HSL 195.7, 0.86%, 0.66%

LAB 77.3, -20.16, -28.62

 

CMYK 61 / 33 / 0 / 5

HEX #5EA4F3

RGB 94 164 243

HSL 211.81, 0.86%, 0.66%

LAB 66.06, 1.47, -46.1

 

CMYK 61 / 49 / 0 / 5

HEX #5E7CF3

RGB 94 124 243

HSL 227.92, 0.86%, 0.66%

LAB 55.35, 25.18, -63.15

 

CMYK 61 / 61 / 0 / 5

HEX #5E5EF3

RGB 94 94 243

HSL 240, 0.86%, 0.66%

LAB 48.08, 43.29, -74.92

 

CMYK 61 / 16 / 0 / 5

HEX #5ECCF3

RGB 94 204 243

HSL 195.7, 0.86%, 0.66%

LAB 77.3, -20.16, -28.62

 

CMYK 61 / 16 / 0 / 5

HEX #5ECCF3

RGB 94 204 243

HSL 195.7, 0.86%, 0.66%

LAB 77.3, -20.16, -28.62

 

CMYK 53 / 14 / 0 / 10

HEX #6CC6E5

RGB 108 198 229

HSL 195.37, 0.7%, 0.66%

LAB 75.6, -18.5, -23.66

 

CMYK 43 / 11 / 0 / 16

HEX #7ABFD7

RGB 122 191 215

HSL 195.48, 0.54%, 0.66%

LAB 73.74, -15.53, -18.85

 

CMYK 32 / 8 / 0 / 21

HEX #88B8C9

RGB 136 184 201

HSL 195.69, 0.38%, 0.66%

LAB 72.05, -11.71, -13.7

 

CMYK 20 / 5 / 0 / 27

HEX #96B1BB

RGB 150 177 187

HSL 196.22, 0.21%, 0.66%

LAB 70.54, -7.03, -8.19

 

CMYK 61 / 0 / 17 / 5

HEX #5EF3C9

RGB 94 243 201

HSL 163.09, 0.86%, 0.66%

LAB 87.34, -49.45, 8.55

 

CMYK 61 / 0 / 1 / 5

HEX #5EF3F0

RGB 94 243 240

HSL 178.79, 0.86%, 0.66%

LAB 88.34, -39.77, -10.36

 

CMYK 61 / 15 / 0 / 5

HEX #5ECEF3

RGB 94 206 243

HSL 194.9, 0.86%, 0.66%

LAB 77.87, -21.18, -27.75

 

CMYK 61 / 32 / 0 / 5

HEX #5EA6F3

RGB 94 166 243

HSL 211.01, 0.86%, 0.66%

LAB 66.61, 0.33, -45.23

 

CMYK 61 / 48 / 0 / 5

HEX #5E7EF3

RGB 94 126 243

HSL 227.11, 0.86%, 0.66%

LAB 55.86, 23.96, -62.33

 

CMYK 92 / 24 / 0 / 7

HEX #12B4EC

RGB 18 180 236

HSL 195.41, 0.86%, 0.5%

LAB 68.63, -17.98, -38.38

 

CMYK 77 / 20 / 0 / 6

HEX #37C0F0

RGB 55 192 240

HSL 195.57, 0.86%, 0.58%

LAB 72.76, -20.32, -34.09

 

CMYK 61 / 16 / 0 / 5

HEX #5ECCF3

RGB 94 204 243

HSL 195.7, 0.86%, 0.66%

LAB 77.3, -20.16, -28.62

 

CMYK 46 / 12 / 0 / 4

HEX #84D8F6

RGB 132 216 246

HSL 195.79, 0.86%, 0.74%

LAB 82.2, -17.76, -22.62

 

CMYK 32 / 8 / 0 / 2

HEX #AAE4F9

RGB 170 228 249

HSL 195.95, 0.87%, 0.82%

LAB 87.42, -13.51, -16.13

 

CMYK 60 / 16 / 0 / 5

HEX #60CDF3

RGB 96 205 243

HSL 195.51, 0.86%, 0.66%

LAB 77.65, -20.33, -28.08

 

CMYK 34 / 61 / 0 / 5

HEX #A15EF3

RGB 161 94 243

HSL 266.98, 0.86%, 0.66%

LAB 54.08, 55.88, -64.9

 

CMYK 0 / 9 / 61 / 5

HEX #F3DC5E

RGB 243 220 94

HSL 50.74, 0.86%, 0.66%

LAB 87.51, -6.6, 63.09

 

CMYK 60 / 16 / 0 / 5

HEX #60CDF3

RGB 96 205 243

HSL 195.51, 0.86%, 0.66%

LAB 77.65, -20.33, -28.08

 

CMYK 0 / 61 / 15 / 5

HEX #F35ECE

RGB 243 94 206

HSL 314.9, 0.86%, 0.66%

LAB 62.94, 68.95, -29.42

 

CMYK 15 / 0 / 61 / 5

HEX #CEF35E

RGB 206 243 94

HSL 74.9, 0.86%, 0.66%

LAB 90.79, -32.54, 65.86

 

CMYK 60 / 16 / 0 / 5

HEX #60CDF3

RGB 96 205 243

HSL 195.51, 0.86%, 0.66%

LAB 77.65, -20.33, -28.08

 

CMYK 34 / 61 / 0 / 5

HEX #A15EF3

RGB 161 94 243

HSL 266.98, 0.86%, 0.66%

LAB 54.08, 55.88, -64.9

 

CMYK 0 / 46 / 61 / 5

HEX #F3835E

RGB 243 131 94

HSL 14.9, 0.86%, 0.66%

LAB 66.59, 39.66, 38.94

 

CMYK 28 / 0 / 61 / 5

HEX #B0F35E

RGB 176 243 94

HSL 86.98, 0.86%, 0.66%

LAB 88.99, -43.66, 63.37

 

CMYK 60 / 16 / 0 / 5

HEX #60CDF3

RGB 96 205 243

HSL 195.51, 0.86%, 0.66%

LAB 77.65, -20.33, -28.08

 

CMYK 15 / 61 / 0 / 5

HEX #CE5EF3

RGB 206 94 243

HSL 285.1, 0.86%, 0.66%

LAB 59.52, 65.98, -55.88

 

CMYK 0 / 46 / 61 / 5

HEX #F3835E

RGB 243 131 94

HSL 14.9, 0.86%, 0.66%

LAB 66.59, 39.66, 38.94

 

CMYK 46 / 0 / 61 / 5

HEX #83F35E

RGB 131 243 94

HSL 105.1, 0.86%, 0.66%

LAB 86.87, -58.28, 60.42

 

Description

Color code: HEX #60CDF3 | qconv.com Color code: HEX #60CDF3 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 205 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 205 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 16 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 16% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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