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Color name
HEX #608F12

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #608F12 it is the complementary color #9F70ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #608F12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #608F12 shade: #658F0D, #76A120, #87B333, #98C546 and #A9D759

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #608F12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #608F12 shade: #608F12, #4F7D00, #3E6B00, #2D5900 and #1C4700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #608F12 shade: #619112, #849112, #917C12, #915A12 and #913812

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #608F12 shade: #619112, #3F9112, #1D9112, #12912A and #12914C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #608F12 shade matches the following richer shades: #619112 and #659E05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #608F12 shade: #619112, #5E841F, #5B772C, #586A3A and #545C47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #608F12 shade: #917C12, #859112, #639112, #419112 and #1F9112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #608F12 shade: #304809, #496D0D, #619112, #7AB616 and #93DB1B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #608F12 shade: #608F12, #12915A and #8D1291

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #608F12 shade: #608F12, #126391 and #911263

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #608F12 shade: #608F12, #12915A, #411291 and #911249

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #608F12 shade: #608F12, #129180, #411291 and #911223

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 87 / 44

HEX #608F12

RGB 96 143 18

HSL 82.56, 0.78%, 0.32%

LAB 54.21, -33.92, 54.16

 

Complementary color

CMYK 33 / 53 / 0 / 7

HEX #9F70ED

RGB 159 112 237

HSL 262.56, 0.78%, 0.68%

LAB 57.15, 44.38, -56.65

 

CMYK 29 / 0 / 91 / 44

HEX #658F0D

RGB 101 143 13

HSL 79.38, 0.83%, 0.31%

LAB 54.49, -32.08, 55.57

 

CMYK 27 / 0 / 80 / 37

HEX #76A120

RGB 118 161 32

HSL 80, 0.67%, 0.38%

LAB 61.17, -32.9, 57.07

 

CMYK 25 / 0 / 72 / 30

HEX #87B333

RGB 135 179 51

HSL 80.63, 0.56%, 0.45%

LAB 67.75, -33.48, 57.31

 

CMYK 23 / 0 / 64 / 23

HEX #98C546

RGB 152 197 70

HSL 81.26, 0.52%, 0.52%

LAB 74.22, -33.88, 56.86

 

CMYK 21 / 0 / 59 / 16

HEX #A9D759

RGB 169 215 89

HSL 81.9, 0.61%, 0.6%

LAB 80.6, -34.15, 56.06

 

CMYK 33 / 0 / 87 / 44

HEX #608F12

RGB 96 143 18

HSL 82.56, 0.78%, 0.32%

LAB 54.21, -33.92, 54.16

 

CMYK 37 / 0 / 100 / 51

HEX #4F7D00

RGB 79 125 0

HSL 82.08, 1%, 0.25%

LAB 47.4, -32.94, 51.76

 

CMYK 42 / 0 / 100 / 58

HEX #3E6B00

RGB 62 107 0

HSL 85.23, 1%, 0.21%

LAB 40.47, -31.43, 46

 

CMYK 49 / 0 / 100 / 65

HEX #2D5900

RGB 45 89 0

HSL 89.66, 1%, 0.17%

LAB 33.36, -29.81, 40.08

 

CMYK 61 / 0 / 100 / 72

HEX #1C4700

RGB 28 71 0

HSL 96.34, 1%, 0.14%

LAB 26.02, -27.96, 33.8

 

CMYK 33 / 0 / 88 / 43

HEX #619112

RGB 97 145 18

HSL 82.68, 0.78%, 0.32%

LAB 54.9, -34.43, 54.77

 

CMYK 9 / 0 / 88 / 43

HEX #849112

RGB 132 145 18

HSL 66.14, 0.78%, 0.32%

LAB 57.27, -19.67, 57.72

 

CMYK 0 / 14 / 88 / 43

HEX #917C12

RGB 145 124 18

HSL 50.08, 0.78%, 0.32%

LAB 52.37, -2.39, 54.15

 

CMYK 0 / 38 / 88 / 43

HEX #915A12

RGB 145 90 18

HSL 34.02, 0.78%, 0.32%

LAB 43.32, 17.13, 46.68

 

CMYK 0 / 61 / 88 / 43

HEX #913812

RGB 145 56 18

HSL 17.95, 0.78%, 0.32%

LAB 35.78, 35.76, 40.35

 

CMYK 33 / 0 / 88 / 43

HEX #619112

RGB 97 145 18

HSL 82.68, 0.78%, 0.32%

LAB 54.9, -34.43, 54.77

 

CMYK 57 / 0 / 88 / 43

HEX #3F9112

RGB 63 145 18

HSL 98.74, 0.78%, 0.32%

LAB 53.33, -46.04, 52.8

 

CMYK 80 / 0 / 88 / 43

HEX #1D9112

RGB 29 145 18

HSL 114.8, 0.78%, 0.32%

LAB 52.46, -53.35, 51.69

 

CMYK 88 / 0 / 71 / 43

HEX #12912A

RGB 18 145 42

HSL 131.34, 0.78%, 0.32%

LAB 52.45, -52.92, 43.69

 

CMYK 88 / 0 / 48 / 43

HEX #12914C

RGB 18 145 76

HSL 147.4, 0.78%, 0.32%

LAB 52.84, -48.15, 27.69

 

CMYK 33 / 0 / 88 / 43

HEX #619112

RGB 97 145 18

HSL 82.68, 0.78%, 0.32%

LAB 54.9, -34.43, 54.77

 

CMYK 36 / 0 / 97 / 38

HEX #659E05

RGB 101 158 5

HSL 82.35, 0.94%, 0.32%

LAB 59.19, -38.98, 60.63

 

CMYK 33 / 0 / 88 / 43

HEX #619112

RGB 97 145 18

HSL 82.68, 0.78%, 0.32%

LAB 54.9, -34.43, 54.77

 

CMYK 29 / 0 / 77 / 48

HEX #5E841F

RGB 94 132 31

HSL 82.57, 0.62%, 0.32%

LAB 50.67, -28.98, 47

 

CMYK 24 / 0 / 63 / 53

HEX #5B772C

RGB 91 119 44

HSL 82.4, 0.46%, 0.32%

LAB 46.44, -22.82, 37.04

 

CMYK 17 / 0 / 45 / 58

HEX #586A3A

RGB 88 106 58

HSL 82.5, 0.29%, 0.32%

LAB 42.29, -15.66, 24.7

 

CMYK 9 / 0 / 23 / 64

HEX #545C47

RGB 84 92 71

HSL 82.86, 0.13%, 0.32%

LAB 37.83, -7.38, 11.06

 

CMYK 0 / 14 / 88 / 43

HEX #917C12

RGB 145 124 18

HSL 50.08, 0.78%, 0.32%

LAB 52.37, -2.39, 54.15

 

CMYK 8 / 0 / 88 / 43

HEX #859112

RGB 133 145 18

HSL 65.67, 0.78%, 0.32%

LAB 57.35, -19.22, 57.82

 

CMYK 32 / 0 / 88 / 43

HEX #639112

RGB 99 145 18

HSL 81.73, 0.78%, 0.32%

LAB 55.02, -33.65, 54.92

 

CMYK 55 / 0 / 88 / 43

HEX #419112

RGB 65 145 18

HSL 97.8, 0.78%, 0.32%

LAB 53.4, -45.47, 52.89

 

CMYK 79 / 0 / 88 / 43

HEX #1F9112

RGB 31 145 18

HSL 113.86, 0.78%, 0.32%

LAB 52.49, -53.06, 51.74

 

CMYK 33 / 0 / 88 / 72

HEX #304809

RGB 48 72 9

HSL 82.86, 0.78%, 0.16%

LAB 27.53, -19.92, 31.95

 

CMYK 33 / 0 / 88 / 57

HEX #496D0D

RGB 73 109 13

HSL 82.5, 0.79%, 0.24%

LAB 41.82, -27.49, 44.13

 

CMYK 33 / 0 / 88 / 43

HEX #619112

RGB 97 145 18

HSL 82.68, 0.78%, 0.32%

LAB 54.9, -34.43, 54.77

 

CMYK 33 / 0 / 88 / 29

HEX #7AB616

RGB 122 182 22

HSL 82.5, 0.78%, 0.4%

LAB 67.76, -41.12, 65.4

 

CMYK 33 / 0 / 88 / 14

HEX #93DB1B

RGB 147 219 27

HSL 82.5, 0.78%, 0.48%

LAB 80.15, -47.51, 75.39

 

CMYK 33 / 0 / 87 / 44

HEX #608F12

RGB 96 143 18

HSL 82.56, 0.78%, 0.32%

LAB 54.21, -33.92, 54.16

 

CMYK 88 / 0 / 38 / 43

HEX #12915A

RGB 18 145 90

HSL 154.02, 0.78%, 0.32%

LAB 53.08, -45.39, 20.35

 

CMYK 3 / 88 / 0 / 43

HEX #8D1291

RGB 141 18 145

HSL 298.11, 0.78%, 0.32%

LAB 34.27, 61.17, -39.74

 

CMYK 33 / 0 / 87 / 44

HEX #608F12

RGB 96 143 18

HSL 82.56, 0.78%, 0.32%

LAB 54.21, -33.92, 54.16

 

CMYK 88 / 32 / 0 / 43

HEX #126391

RGB 18 99 145

HSL 201.73, 0.78%, 0.32%

LAB 39.74, -5.64, -31.7

 

CMYK 0 / 88 / 32 / 43

HEX #911263

RGB 145 18 99

HSL 321.73, 0.78%, 0.32%

LAB 32.6, 55.5, -13.36

 

CMYK 33 / 0 / 87 / 44

HEX #608F12

RGB 96 143 18

HSL 82.56, 0.78%, 0.32%

LAB 54.21, -33.92, 54.16

 

CMYK 88 / 0 / 38 / 43

HEX #12915A

RGB 18 145 90

HSL 154.02, 0.78%, 0.32%

LAB 53.08, -45.39, 20.35

 

CMYK 55 / 88 / 0 / 43

HEX #411291

RGB 65 18 145

HSL 262.2, 0.78%, 0.32%

LAB 22.31, 49.42, -59.74

 

CMYK 0 / 88 / 50 / 43

HEX #911249

RGB 145 18 73

HSL 334.02, 0.78%, 0.32%

LAB 31.65, 52.84, 2.23

 

CMYK 33 / 0 / 87 / 44

HEX #608F12

RGB 96 143 18

HSL 82.56, 0.78%, 0.32%

LAB 54.21, -33.92, 54.16

 

CMYK 88 / 0 / 12 / 43

HEX #129180

RGB 18 145 128

HSL 171.97, 0.78%, 0.32%

LAB 53.96, -35.8, -0.03

 

CMYK 55 / 88 / 0 / 43

HEX #411291

RGB 65 18 145

HSL 262.2, 0.78%, 0.32%

LAB 22.31, 49.42, -59.74

 

CMYK 0 / 88 / 76 / 43

HEX #911223

RGB 145 18 35

HSL 351.97, 0.78%, 0.32%

LAB 30.82, 50.4, 26.11

 

Description

Color code: HEX #608F12 | qconv.com Color code: HEX #608F12 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 143 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 143 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 87 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 87% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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