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Color name
HEX #608F11

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #608F11 it is the complementary color #9F70EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #608F11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #608F11 shade: #658F0C, #76A11F, #87B332, #98C545 and #A9D758

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #608F11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #608F11 shade: #608F11, #4F7D00, #3E6B00, #2D5900 and #1C4700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #608F11 shade: #5F8D11, #818D11, #8D7911, #8D5711 and #8D3511

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #608F11 shade: #5F8D11, #3D8D11, #1C8D11, #118D27 and #118D49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #608F11 shade matches the following richer shades: #5F8D11 and #629A04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #608F11 shade: #5F8D11, #5C811D, #58742A, #556737 and #525A44

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #608F11 shade: #8D7911, #818D11, #608D11, #3E8D11 and #1D8D11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #608F11 shade: #2D4408, #46690C, #5F8D11, #78B215 and #90D719

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #608F11 shade: #608F11, #118D57 and #89118D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #608F11 shade: #608F11, #11608D and #8D1160

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #608F11 shade: #608F11, #118D57, #3E118D and #8D1147

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #608F11 shade: #608F11, #118D7D, #3E118D and #8D1121

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 88 / 44

HEX #608F11

RGB 96 143 17

HSL 82.38, 0.79%, 0.31%

LAB 54.21, -33.95, 54.38

 

Complementary color

CMYK 33 / 53 / 0 / 7

HEX #9F70EE

RGB 159 112 238

HSL 262.38, 0.79%, 0.69%

LAB 57.2, 44.63, -57.12

 

CMYK 29 / 0 / 92 / 44

HEX #658F0C

RGB 101 143 12

HSL 79.24, 0.85%, 0.3%

LAB 54.49, -32.1, 55.75

 

CMYK 27 / 0 / 81 / 37

HEX #76A11F

RGB 118 161 31

HSL 79.85, 0.68%, 0.38%

LAB 61.17, -32.95, 57.37

 

CMYK 25 / 0 / 72 / 30

HEX #87B332

RGB 135 179 50

HSL 80.47, 0.56%, 0.45%

LAB 67.74, -33.54, 57.67

 

CMYK 23 / 0 / 65 / 23

HEX #98C545

RGB 152 197 69

HSL 81.09, 0.52%, 0.52%

LAB 74.21, -33.95, 57.27

 

CMYK 21 / 0 / 59 / 16

HEX #A9D758

RGB 169 215 88

HSL 81.73, 0.61%, 0.59%

LAB 80.59, -34.24, 56.49

 

CMYK 33 / 0 / 88 / 44

HEX #608F11

RGB 96 143 17

HSL 82.38, 0.79%, 0.31%

LAB 54.21, -33.95, 54.38

 

CMYK 37 / 0 / 100 / 51

HEX #4F7D00

RGB 79 125 0

HSL 82.08, 1%, 0.25%

LAB 47.4, -32.94, 51.76

 

CMYK 42 / 0 / 100 / 58

HEX #3E6B00

RGB 62 107 0

HSL 85.23, 1%, 0.21%

LAB 40.47, -31.43, 46

 

CMYK 49 / 0 / 100 / 65

HEX #2D5900

RGB 45 89 0

HSL 89.66, 1%, 0.17%

LAB 33.36, -29.81, 40.08

 

CMYK 61 / 0 / 100 / 72

HEX #1C4700

RGB 28 71 0

HSL 96.34, 1%, 0.14%

LAB 26.02, -27.96, 33.8

 

CMYK 33 / 0 / 88 / 45

HEX #5F8D11

RGB 95 141 17

HSL 82.26, 0.78%, 0.31%

LAB 53.52, -33.43, 53.77

 

CMYK 9 / 0 / 88 / 45

HEX #818D11

RGB 129 141 17

HSL 65.81, 0.78%, 0.31%

LAB 55.84, -18.97, 56.66

 

CMYK 0 / 14 / 88 / 45

HEX #8D7911

RGB 141 121 17

HSL 50.32, 0.78%, 0.31%

LAB 51.13, -2.62, 53.22

 

CMYK 0 / 38 / 88 / 45

HEX #8D5711

RGB 141 87 17

HSL 33.87, 0.78%, 0.31%

LAB 42.03, 17, 45.72

 

CMYK 0 / 62 / 88 / 45

HEX #8D3511

RGB 141 53 17

HSL 17.42, 0.78%, 0.31%

LAB 34.5, 35.65, 39.43

 

CMYK 33 / 0 / 88 / 45

HEX #5F8D11

RGB 95 141 17

HSL 82.26, 0.78%, 0.31%

LAB 53.52, -33.43, 53.77

 

CMYK 57 / 0 / 88 / 45

HEX #3D8D11

RGB 61 141 17

HSL 98.71, 0.78%, 0.31%

LAB 51.93, -45.14, 51.77

 

CMYK 80 / 0 / 88 / 45

HEX #1C8D11

RGB 28 141 17

HSL 114.68, 0.78%, 0.31%

LAB 51.08, -52.27, 50.7

 

CMYK 88 / 0 / 72 / 45

HEX #118D27

RGB 17 141 39

HSL 130.65, 0.78%, 0.31%

LAB 51.05, -52.03, 43.45

 

CMYK 88 / 0 / 48 / 45

HEX #118D49

RGB 17 141 73

HSL 147.1, 0.78%, 0.31%

LAB 51.44, -47.33, 27.51

 

CMYK 33 / 0 / 88 / 45

HEX #5F8D11

RGB 95 141 17

HSL 82.26, 0.78%, 0.31%

LAB 53.52, -33.43, 53.77

 

CMYK 36 / 0 / 97 / 40

HEX #629A04

RGB 98 154 4

HSL 82.4, 0.95%, 0.31%

LAB 57.77, -38.39, 59.59

 

CMYK 33 / 0 / 88 / 45

HEX #5F8D11

RGB 95 141 17

HSL 82.26, 0.78%, 0.31%

LAB 53.52, -33.43, 53.77

 

CMYK 29 / 0 / 78 / 49

HEX #5C811D

RGB 92 129 29

HSL 82.2, 0.63%, 0.31%

LAB 49.57, -28.48, 46.62

 

CMYK 24 / 0 / 64 / 55

HEX #58742A

RGB 88 116 42

HSL 82.7, 0.47%, 0.31%

LAB 45.27, -22.74, 36.63

 

CMYK 17 / 0 / 47 / 60

HEX #556737

RGB 85 103 55

HSL 82.5, 0.3%, 0.31%

LAB 41.07, -15.7, 24.81

 

CMYK 9 / 0 / 24 / 65

HEX #525A44

RGB 82 90 68

HSL 81.82, 0.14%, 0.31%

LAB 36.97, -7.59, 11.69

 

CMYK 0 / 14 / 88 / 45

HEX #8D7911

RGB 141 121 17

HSL 50.32, 0.78%, 0.31%

LAB 51.13, -2.62, 53.22

 

CMYK 9 / 0 / 88 / 45

HEX #818D11

RGB 129 141 17

HSL 65.81, 0.78%, 0.31%

LAB 55.84, -18.97, 56.66

 

CMYK 32 / 0 / 88 / 45

HEX #608D11

RGB 96 141 17

HSL 81.77, 0.78%, 0.31%

LAB 53.58, -33.04, 53.84

 

CMYK 56 / 0 / 88 / 45

HEX #3E8D11

RGB 62 141 17

HSL 98.23, 0.78%, 0.31%

LAB 51.97, -44.85, 51.82

 

CMYK 79 / 0 / 88 / 45

HEX #1D8D11

RGB 29 141 17

HSL 114.19, 0.78%, 0.31%

LAB 51.1, -52.12, 50.72

 

CMYK 34 / 0 / 88 / 73

HEX #2D4408

RGB 45 68 8

HSL 83, 0.79%, 0.15%

LAB 25.89, -19.23, 30.76

 

CMYK 33 / 0 / 89 / 59

HEX #46690C

RGB 70 105 12

HSL 82.58, 0.79%, 0.23%

LAB 40.3, -26.85, 43

 

CMYK 33 / 0 / 88 / 45

HEX #5F8D11

RGB 95 141 17

HSL 82.26, 0.78%, 0.31%

LAB 53.52, -33.43, 53.77

 

CMYK 33 / 0 / 88 / 30

HEX #78B215

RGB 120 178 21

HSL 82.17, 0.79%, 0.39%

LAB 66.43, -40.16, 64.44

 

CMYK 33 / 0 / 88 / 16

HEX #90D719

RGB 144 215 25

HSL 82.42, 0.79%, 0.47%

LAB 78.81, -46.98, 74.57

 

CMYK 33 / 0 / 88 / 44

HEX #608F11

RGB 96 143 17

HSL 82.38, 0.79%, 0.31%

LAB 54.21, -33.95, 54.38

 

CMYK 88 / 0 / 38 / 45

HEX #118D57

RGB 17 141 87

HSL 153.87, 0.78%, 0.31%

LAB 51.68, -44.57, 20.14

 

CMYK 3 / 88 / 0 / 45

HEX #89118D

RGB 137 17 141

HSL 298.06, 0.78%, 0.31%

LAB 33.23, 59.95, -38.99

 

CMYK 33 / 0 / 88 / 44

HEX #608F11

RGB 96 143 17

HSL 82.38, 0.79%, 0.31%

LAB 54.21, -33.95, 54.38

 

CMYK 88 / 32 / 0 / 45

HEX #11608D

RGB 17 96 141

HSL 201.77, 0.78%, 0.31%

LAB 38.56, -5.44, -31.14

 

CMYK 0 / 88 / 32 / 45

HEX #8D1160

RGB 141 17 96

HSL 321.77, 0.78%, 0.31%

LAB 31.6, 54.4, -13.02

 

CMYK 33 / 0 / 88 / 44

HEX #608F11

RGB 96 143 17

HSL 82.38, 0.79%, 0.31%

LAB 54.21, -33.95, 54.38

 

CMYK 88 / 0 / 38 / 45

HEX #118D57

RGB 17 141 87

HSL 153.87, 0.78%, 0.31%

LAB 51.68, -44.57, 20.14

 

CMYK 56 / 88 / 0 / 45

HEX #3E118D

RGB 62 17 141

HSL 261.77, 0.78%, 0.31%

LAB 21.39, 48.38, -58.78

 

CMYK 0 / 88 / 50 / 45

HEX #8D1147

RGB 141 17 71

HSL 333.87, 0.78%, 0.31%

LAB 30.68, 51.83, 2.05

 

CMYK 33 / 0 / 88 / 44

HEX #608F11

RGB 96 143 17

HSL 82.38, 0.79%, 0.31%

LAB 54.21, -33.95, 54.38

 

CMYK 88 / 0 / 11 / 45

HEX #118D7D

RGB 17 141 125

HSL 172.26, 0.78%, 0.31%

LAB 52.56, -34.93, -0.34

 

CMYK 56 / 88 / 0 / 45

HEX #3E118D

RGB 62 17 141

HSL 261.77, 0.78%, 0.31%

LAB 21.39, 48.38, -58.78

 

CMYK 0 / 88 / 77 / 45

HEX #8D1121

RGB 141 17 33

HSL 352.26, 0.78%, 0.31%

LAB 29.85, 49.4, 26.04

 

Description

Color code: HEX #608F11 | qconv.com Color code: HEX #608F11 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 143 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 143 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 88 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 88% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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