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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #608DEF it is the complementary color #9F7210. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #608DEF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #608DEF shade: #658DEA, #769FFD, #87B1FF, #98C3FF and #A9D5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #608DEF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #608DEF shade: #608DEF, #4F7BDC, #3E69C9, #2D57B6 and #1C45A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #608DEF shade: #618EEF, #6168EF, #8161EF, #A761EF and #CE61EF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #608DEF shade: #618EEF, #6168EF and #6161EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #608DEF shade matches the following richer shades: #618EEF and #5389FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #608DEF shade: #618EEF, #6F93E1, #7D98D3, #8B9EC5 and #99A3B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #608DEF shade: #61DAEF, #61B4EF, #618EEF, #6168EF and #8061EF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #608DEF shade: #1758E7, #3C73EC, #618EEF, #87A9F3 and #ACC4F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #608DEF shade: #608DEF, #DF61EF and #C7EF61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #608DEF shade: #608DEF, #EF618E and #8EEF61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #608DEF shade: #608DEF, #DF61EF, #EFC261 and #72EF61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #608DEF shade: #608DEF, #EF61D5, #EFC261 and #61EF7B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 41 / 0 / 6

HEX #608DEF

RGB 96 141 239

HSL 221.12, 0.82%, 0.66%

LAB 59.68, 13.96, -53.99

 

Complementary color

CMYK 0 / 28 / 90 / 38

HEX #9F7210

RGB 159 114 16

HSL 41.12, 0.82%, 0.34%

LAB 51.2, 9.75, 54.35

 

CMYK 57 / 40 / 0 / 8

HEX #658DEA

RGB 101 141 234

HSL 221.95, 0.76%, 0.66%

LAB 59.67, 13.3, -51.23

 

CMYK 53 / 37 / 0 / 1

HEX #769FFD

RGB 118 159 253

HSL 221.78, 0.97%, 0.73%

LAB 66.32, 12.21, -51.07

 

CMYK 47 / 31 / 0 / 0

HEX #87B1FF

RGB 135 177 255

HSL 219, 1%, 0.76%

LAB 72.1, 6.33, -42.99

 

CMYK 40 / 24 / 0 / 0

HEX #98C3FF

RGB 152 195 255

HSL 214.95, 1%, 0.8%

LAB 77.83, 0.56, -34.02

 

CMYK 34 / 16 / 0 / 0

HEX #A9D5FF

RGB 169 213 255

HSL 209.3, 1%, 0.83%

LAB 83.57, -4.58, -25.13

 

CMYK 60 / 41 / 0 / 6

HEX #608DEF

RGB 96 141 239

HSL 221.12, 0.82%, 0.66%

LAB 59.68, 13.96, -53.99

 

CMYK 64 / 44 / 0 / 14

HEX #4F7BDC

RGB 79 123 220

HSL 221.28, 0.67%, 0.59%

LAB 52.94, 15.42, -54.19

 

CMYK 69 / 48 / 0 / 21

HEX #3E69C9

RGB 62 105 201

HSL 221.44, 0.56%, 0.52%

LAB 46.1, 17.2, -54.39

 

CMYK 75 / 52 / 0 / 29

HEX #2D57B6

RGB 45 87 182

HSL 221.61, 0.6%, 0.45%

LAB 39.16, 19.42, -54.59

 

CMYK 83 / 58 / 0 / 36

HEX #1C45A3

RGB 28 69 163

HSL 221.78, 0.71%, 0.37%

LAB 32.14, 22.22, -54.71

 

CMYK 59 / 41 / 0 / 6

HEX #618EEF

RGB 97 142 239

HSL 220.99, 0.82%, 0.66%

LAB 60, 13.55, -53.49

 

CMYK 59 / 56 / 0 / 6

HEX #6168EF

RGB 97 104 239

HSL 237.04, 0.82%, 0.66%

LAB 50.3, 36.52, -69.06

 

CMYK 46 / 59 / 0 / 6

HEX #8161EF

RGB 129 97 239

HSL 253.52, 0.82%, 0.66%

LAB 51.21, 46.56, -67.48

 

CMYK 30 / 59 / 0 / 6

HEX #A761EF

RGB 167 97 239

HSL 269.58, 0.82%, 0.66%

LAB 55.07, 54.73, -61.05

 

CMYK 14 / 59 / 0 / 6

HEX #CE61EF

RGB 206 97 239

HSL 286.06, 0.82%, 0.66%

LAB 59.8, 63.86, -53.22

 

CMYK 59 / 41 / 0 / 6

HEX #618EEF

RGB 97 142 239

HSL 220.99, 0.82%, 0.66%

LAB 60, 13.55, -53.49

 

CMYK 59 / 56 / 0 / 6

HEX #6168EF

RGB 97 104 239

HSL 237.04, 0.82%, 0.66%

LAB 50.3, 36.52, -69.06

 

CMYK 59 / 59 / 0 / 6

HEX #6161EF

RGB 97 97 239

HSL 240, 0.82%, 0.66%

LAB 48.66, 40.71, -71.72

 

CMYK 59 / 41 / 0 / 6

HEX #618EEF

RGB 97 142 239

HSL 220.99, 0.82%, 0.66%

LAB 60, 13.55, -53.49

 

CMYK 67 / 46 / 0 / 1

HEX #5389FD

RGB 83 137 253

HSL 220.94, 0.98%, 0.66%

LAB 58.81, 18.89, -63.14

 

CMYK 59 / 41 / 0 / 6

HEX #618EEF

RGB 97 142 239

HSL 220.99, 0.82%, 0.66%

LAB 60, 13.55, -53.49

 

CMYK 51 / 35 / 0 / 12

HEX #6F93E1

RGB 111 147 225

HSL 221.05, 0.66%, 0.66%

LAB 61.38, 9.08, -43.49

 

CMYK 41 / 28 / 0 / 17

HEX #7D98D3

RGB 125 152 211

HSL 221.16, 0.49%, 0.66%

LAB 62.94, 5.53, -33.2

 

CMYK 29 / 20 / 0 / 23

HEX #8B9EC5

RGB 139 158 197

HSL 220.34, 0.33%, 0.66%

LAB 64.94, 2.37, -22.24

 

CMYK 16 / 11 / 0 / 28

HEX #99A3B7

RGB 153 163 183

HSL 220, 0.17%, 0.66%

LAB 66.81, 0.68, -11.51

 

CMYK 59 / 9 / 0 / 6

HEX #61DAEF

RGB 97 218 239

HSL 188.87, 0.82%, 0.66%

LAB 81.25, -27.79, -20.47

 

CMYK 59 / 25 / 0 / 6

HEX #61B4EF

RGB 97 180 239

HSL 204.93, 0.82%, 0.66%

LAB 70.47, -8.17, -37.01

 

CMYK 59 / 41 / 0 / 6

HEX #618EEF

RGB 97 142 239

HSL 220.99, 0.82%, 0.66%

LAB 60, 13.55, -53.49

 

CMYK 59 / 56 / 0 / 6

HEX #6168EF

RGB 97 104 239

HSL 237.04, 0.82%, 0.66%

LAB 50.3, 36.52, -69.06

 

CMYK 46 / 59 / 0 / 6

HEX #8061EF

RGB 128 97 239

HSL 253.1, 0.82%, 0.66%

LAB 51.12, 46.36, -67.63

 

CMYK 90 / 62 / 0 / 9

HEX #1758E7

RGB 23 88 231

HSL 221.25, 0.82%, 0.5%

LAB 42.66, 35.7, -77.15

 

CMYK 75 / 51 / 0 / 7

HEX #3C73EC

RGB 60 115 236

HSL 221.25, 0.82%, 0.58%

LAB 51.01, 23.34, -66.32

 

CMYK 59 / 41 / 0 / 6

HEX #618EEF

RGB 97 142 239

HSL 220.99, 0.82%, 0.66%

LAB 60, 13.55, -53.49

 

CMYK 44 / 30 / 0 / 5

HEX #87A9F3

RGB 135 169 243

HSL 221.11, 0.82%, 0.74%

LAB 69.47, 7.41, -40.61

 

CMYK 30 / 21 / 0 / 3

HEX #ACC4F7

RGB 172 196 247

HSL 220.8, 0.82%, 0.82%

LAB 79.02, 3.36, -27.8

 

CMYK 60 / 41 / 0 / 6

HEX #608DEF

RGB 96 141 239

HSL 221.12, 0.82%, 0.66%

LAB 59.68, 13.96, -53.99

 

CMYK 7 / 59 / 0 / 6

HEX #DF61EF

RGB 223 97 239

HSL 293.24, 0.82%, 0.66%

LAB 62.06, 67.94, -49.5

 

CMYK 17 / 0 / 59 / 6

HEX #C7EF61

RGB 199 239 97

HSL 76.9, 0.82%, 0.66%

LAB 89.27, -33.15, 62.82

 

CMYK 60 / 41 / 0 / 6

HEX #608DEF

RGB 96 141 239

HSL 221.12, 0.82%, 0.66%

LAB 59.68, 13.96, -53.99

 

CMYK 0 / 59 / 41 / 6

HEX #EF618E

RGB 239 97 142

HSL 340.99, 0.82%, 0.66%

LAB 60.65, 58.59, 3.77

 

CMYK 41 / 0 / 59 / 6

HEX #8EEF61

RGB 142 239 97

HSL 100.99, 0.82%, 0.66%

LAB 86.18, -53.11, 58.51

 

CMYK 60 / 41 / 0 / 6

HEX #608DEF

RGB 96 141 239

HSL 221.12, 0.82%, 0.66%

LAB 59.68, 13.96, -53.99

 

CMYK 7 / 59 / 0 / 6

HEX #DF61EF

RGB 223 97 239

HSL 293.24, 0.82%, 0.66%

LAB 62.06, 67.94, -49.5

 

CMYK 0 / 19 / 59 / 6

HEX #EFC261

RGB 239 194 97

HSL 40.99, 0.82%, 0.66%

LAB 80.63, 5.27, 53.94

 

CMYK 52 / 0 / 59 / 6

HEX #72EF61

RGB 114 239 97

HSL 112.82, 0.82%, 0.66%

LAB 85.08, -61.13, 56.97

 

CMYK 60 / 41 / 0 / 6

HEX #608DEF

RGB 96 141 239

HSL 221.12, 0.82%, 0.66%

LAB 59.68, 13.96, -53.99

 

CMYK 0 / 59 / 11 / 6

HEX #EF61D5

RGB 239 97 213

HSL 310.99, 0.82%, 0.66%

LAB 63.1, 67.69, -33.17

 

CMYK 0 / 19 / 59 / 6

HEX #EFC261

RGB 239 194 97

HSL 40.99, 0.82%, 0.66%

LAB 80.63, 5.27, 53.94

 

CMYK 59 / 0 / 49 / 6

HEX #61EF7B

RGB 97 239 123

HSL 130.99, 0.82%, 0.66%

LAB 84.85, -61.96, 44.68

 

Description

Color code: HEX #608DEF | qconv.com Color code: HEX #608DEF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 141 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 141 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 41 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 41% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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