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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #60870D it is the complementary color #9F78F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #60870D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #60870D shade: #658708, #76991B, #87AB2E, #98BD41 and #A9CF54

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #60870D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #60870D shade: #60870D, #4F7500, #3E6300, #2D5100 and #1C3F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #60870D shade: #60870D, #81870D, #876C0D, #874B0D and #872B0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #60870D shade: #60870D, #3F870D, #1E870D, #0D871D and #0D873E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #60870D shade matches the following richer shades: #60870D and #649301

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #60870D shade: #60870D, #5C7B19, #576F25, #536331 and #4F573D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #60870D shade: #876C0D, #81870D, #60870D, #40870D and #20870D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #60870D shade: #2A3B06, #45610A, #60870D, #7BAC11 and #95D215

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #60870D shade: #60870D, #0D874C and #7C0D87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #60870D shade: #60870D, #0D6087 and #870D60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #60870D shade: #60870D, #0D874C, #340D87 and #870D48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #60870D shade: #60870D, #0D8770, #340D87 and #870D24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 90 / 47

HEX #60870D

RGB 96 135 13

HSL 79.18, 0.82%, 0.29%

LAB 51.66, -30.37, 53.09

 

Complementary color

CMYK 34 / 50 / 0 / 5

HEX #9F78F2

RGB 159 120 242

HSL 259.18, 0.82%, 0.71%

LAB 59.17, 41.2, -56.2

 

CMYK 25 / 0 / 94 / 47

HEX #658708

RGB 101 135 8

HSL 76.06, 0.89%, 0.28%

LAB 51.96, -28.42, 54.38

 

CMYK 23 / 0 / 82 / 40

HEX #76991B

RGB 118 153 27

HSL 76.67, 0.7%, 0.35%

LAB 58.71, -29.35, 56.3

 

CMYK 21 / 0 / 73 / 33

HEX #87AB2E

RGB 135 171 46

HSL 77.28, 0.58%, 0.43%

LAB 65.34, -30.03, 56.75

 

CMYK 20 / 0 / 66 / 26

HEX #98BD41

RGB 152 189 65

HSL 77.9, 0.49%, 0.5%

LAB 71.86, -30.51, 56.41

 

CMYK 18 / 0 / 59 / 19

HEX #A9CF54

RGB 169 207 84

HSL 78.54, 0.56%, 0.57%

LAB 78.29, -30.86, 55.66

 

CMYK 29 / 0 / 90 / 47

HEX #60870D

RGB 96 135 13

HSL 79.18, 0.82%, 0.29%

LAB 51.66, -30.37, 53.09

 

CMYK 32 / 0 / 100 / 54

HEX #4F7500

RGB 79 117 0

HSL 79.49, 1%, 0.23%

LAB 44.78, -29.25, 49.74

 

CMYK 37 / 0 / 100 / 61

HEX #3E6300

RGB 62 99 0

HSL 82.42, 1%, 0.19%

LAB 37.75, -27.75, 43.89

 

CMYK 44 / 0 / 100 / 68

HEX #2D5100

RGB 45 81 0

HSL 86.67, 1%, 0.16%

LAB 30.5, -26.17, 37.86

 

CMYK 56 / 0 / 100 / 75

HEX #1C3F00

RGB 28 63 0

HSL 93.33, 1%, 0.12%

LAB 23.01, -24.42, 30.87

 

CMYK 29 / 0 / 90 / 47

HEX #60870D

RGB 96 135 13

HSL 79.18, 0.82%, 0.29%

LAB 51.66, -30.37, 53.09

 

CMYK 4 / 0 / 90 / 47

HEX #81870D

RGB 129 135 13

HSL 62.95, 0.82%, 0.29%

LAB 54.05, -15.94, 56.03

 

CMYK 0 / 20 / 90 / 47

HEX #876C0D

RGB 135 108 13

HSL 46.72, 0.82%, 0.29%

LAB 46.85, 1.84, 50.49

 

CMYK 0 / 44 / 90 / 47

HEX #874B0D

RGB 135 75 13

HSL 30.49, 0.82%, 0.29%

LAB 38.22, 21.1, 43.61

 

CMYK 0 / 68 / 90 / 47

HEX #872B0D

RGB 135 43 13

HSL 14.75, 0.82%, 0.29%

LAB 31.6, 37.98, 38.33

 

CMYK 29 / 0 / 90 / 47

HEX #60870D

RGB 96 135 13

HSL 79.18, 0.82%, 0.29%

LAB 51.66, -30.37, 53.09

 

CMYK 53 / 0 / 90 / 47

HEX #3F870D

RGB 63 135 13

HSL 95.41, 0.82%, 0.29%

LAB 49.99, -42.38, 51.01

 

CMYK 78 / 0 / 90 / 47

HEX #1E870D

RGB 30 135 13

HSL 111.64, 0.82%, 0.29%

LAB 49.05, -50.21, 49.82

 

CMYK 90 / 0 / 79 / 47

HEX #0D871D

RGB 13 135 29

HSL 127.87, 0.82%, 0.29%

LAB 48.89, -51.35, 45.04

 

CMYK 90 / 0 / 54 / 47

HEX #0D873E

RGB 13 135 62

HSL 144.1, 0.82%, 0.29%

LAB 49.21, -47.4, 30.53

 

CMYK 29 / 0 / 90 / 47

HEX #60870D

RGB 96 135 13

HSL 79.18, 0.82%, 0.29%

LAB 51.66, -30.37, 53.09

 

CMYK 32 / 0 / 99 / 42

HEX #649301

RGB 100 147 1

HSL 79.32, 0.99%, 0.29%

LAB 55.66, -34.59, 58.47

 

CMYK 29 / 0 / 90 / 47

HEX #60870D

RGB 96 135 13

HSL 79.18, 0.82%, 0.29%

LAB 51.66, -30.37, 53.09

 

CMYK 25 / 0 / 80 / 52

HEX #5C7B19

RGB 92 123 25

HSL 78.98, 0.66%, 0.29%

LAB 47.64, -25.78, 46.18

 

CMYK 22 / 0 / 67 / 56

HEX #576F25

RGB 87 111 37

HSL 79.46, 0.5%, 0.29%

LAB 43.55, -21.04, 37.1

 

CMYK 16 / 0 / 51 / 61

HEX #536331

RGB 83 99 49

HSL 79.2, 0.34%, 0.29%

LAB 39.55, -15.13, 26.26

 

CMYK 9 / 0 / 30 / 66

HEX #4F573D

RGB 79 87 61

HSL 78.46, 0.18%, 0.29%

LAB 35.63, -8.31, 14.1

 

CMYK 0 / 20 / 90 / 47

HEX #876C0D

RGB 135 108 13

HSL 46.72, 0.82%, 0.29%

LAB 46.85, 1.84, 50.49

 

CMYK 4 / 0 / 90 / 47

HEX #81870D

RGB 129 135 13

HSL 62.95, 0.82%, 0.29%

LAB 54.05, -15.94, 56.03

 

CMYK 29 / 0 / 90 / 47

HEX #60870D

RGB 96 135 13

HSL 79.18, 0.82%, 0.29%

LAB 51.66, -30.37, 53.09

 

CMYK 53 / 0 / 90 / 47

HEX #40870D

RGB 64 135 13

HSL 94.92, 0.82%, 0.29%

LAB 50.03, -42.07, 51.06

 

CMYK 76 / 0 / 90 / 47

HEX #20870D

RGB 32 135 13

HSL 110.66, 0.82%, 0.29%

LAB 49.09, -49.88, 49.87

 

CMYK 29 / 0 / 90 / 77

HEX #2A3B06

RGB 42 59 6

HSL 79.25, 0.82%, 0.13%

LAB 22.42, -15.89, 28.08

 

CMYK 29 / 0 / 90 / 62

HEX #45610A

RGB 69 97 10

HSL 79.31, 0.81%, 0.21%

LAB 37.55, -23.41, 41.11

 

CMYK 29 / 0 / 90 / 47

HEX #60870D

RGB 96 135 13

HSL 79.18, 0.82%, 0.29%

LAB 51.66, -30.37, 53.09

 

CMYK 28 / 0 / 90 / 33

HEX #7BAC11

RGB 123 172 17

HSL 78.97, 0.82%, 0.37%

LAB 64.77, -36.46, 63.86

 

CMYK 29 / 0 / 90 / 18

HEX #95D215

RGB 149 210 21

HSL 79.37, 0.82%, 0.45%

LAB 77.6, -43.11, 74.34

 

CMYK 29 / 0 / 90 / 47

HEX #60870D

RGB 96 135 13

HSL 79.18, 0.82%, 0.29%

LAB 51.66, -30.37, 53.09

 

CMYK 90 / 0 / 44 / 47

HEX #0D874C

RGB 13 135 76

HSL 150.98, 0.82%, 0.29%

LAB 49.42, -44.88, 23.27

 

CMYK 8 / 90 / 0 / 47

HEX #7C0D87

RGB 124 13 135

HSL 294.59, 0.82%, 0.29%

LAB 30.21, 57.3, -40.24

 

CMYK 29 / 0 / 90 / 47

HEX #60870D

RGB 96 135 13

HSL 79.18, 0.82%, 0.29%

LAB 51.66, -30.37, 53.09

 

CMYK 90 / 29 / 0 / 47

HEX #0D6087

RGB 13 96 135

HSL 199.18, 0.82%, 0.29%

LAB 38.2, -8.1, -28.08

 

CMYK 0 / 90 / 29 / 47

HEX #870D60

RGB 135 13 96

HSL 319.18, 0.82%, 0.29%

LAB 30.12, 53.76, -15.39

 

CMYK 29 / 0 / 90 / 47

HEX #60870D

RGB 96 135 13

HSL 79.18, 0.82%, 0.29%

LAB 51.66, -30.37, 53.09

 

CMYK 90 / 0 / 44 / 47

HEX #0D874C

RGB 13 135 76

HSL 150.98, 0.82%, 0.29%

LAB 49.42, -44.88, 23.27

 

CMYK 61 / 90 / 0 / 47

HEX #340D87

RGB 52 13 135

HSL 259.18, 0.82%, 0.29%

LAB 19.09, 47.11, -58.86

 

CMYK 0 / 90 / 47 / 47

HEX #870D48

RGB 135 13 72

HSL 330.98, 0.82%, 0.29%

LAB 29.18, 51.17, -0.97

 

CMYK 29 / 0 / 90 / 47

HEX #60870D

RGB 96 135 13

HSL 79.18, 0.82%, 0.29%

LAB 51.66, -30.37, 53.09

 

CMYK 90 / 0 / 17 / 47

HEX #0D8770

RGB 13 135 112

HSL 168.69, 0.82%, 0.29%

LAB 50.2, -36.22, 3.77

 

CMYK 61 / 90 / 0 / 47

HEX #340D87

RGB 52 13 135

HSL 259.18, 0.82%, 0.29%

LAB 19.09, 47.11, -58.86

 

CMYK 0 / 90 / 73 / 47

HEX #870D24

RGB 135 13 36

HSL 348.69, 0.82%, 0.29%

LAB 28.29, 48.66, 21.95

 

Description

Color code: HEX #60870D | qconv.com Color code: HEX #60870D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 135 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 135 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 90 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 90% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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