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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #607F8D it is the complementary color #9F8072. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #607F8D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #607F8D shade: #657F88, #76919B, #87A3AE, #98B5C1 and #A9C7D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #607F8D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #607F8D shade: #607F8D, #4F6D7A, #3E5B67, #2D4954 and #1C3741

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #607F8D shade: #5F7E8C, #5F728C, #5F668C, #645F8C and #705F8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #607F8D shade: #5F7E8C, #5F728C, #5F668C and #5F5F8C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #607F8D shade matches the following richer shades: #5F7E8C, #4C859F, #398CB2, #2693C5 and #139AD8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #607F8D shade: #5F7E8C, #727779, #856F66, #986853 and #AB6140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #607F8D shade: #5F8C81, #5F8A8C, #5F7E8C, #5F728C and #5F668C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #607F8D shade: #3E515A, #4E6873, #5F7E8C, #7492A0 and #8CA5B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #607F8D shade: #607F8D, #755F8C and #8C875F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #607F8D shade: #607F8D, #8C5F7E and #7E8C5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #607F8D shade: #607F8D, #755F8C, #8C6C5F and #758C5F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #607F8D shade: #607F8D, #835F8C, #8C6C5F and #688C5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 10 / 0 / 45

HEX #607F8D

RGB 96 127 141

HSL 198.67, 0.19%, 0.46%

LAB 51.37, -7.45, -11.14

 

Complementary color

CMYK 0 / 19 / 28 / 38

HEX #9F8072

RGB 159 128 114

HSL 18.67, 0.19%, 0.54%

LAB 56.11, 9.76, 12.11

 

CMYK 26 / 7 / 0 / 47

HEX #657F88

RGB 101 127 136

HSL 195.43, 0.15%, 0.46%

LAB 51.52, -7.14, -7.95

 

CMYK 24 / 6 / 0 / 39

HEX #76919B

RGB 118 145 155

HSL 196.22, 0.16%, 0.54%

LAB 58.48, -7.15, -8.43

 

CMYK 22 / 6 / 0 / 32

HEX #87A3AE

RGB 135 163 174

HSL 196.92, 0.19%, 0.61%

LAB 65.28, -7.18, -8.91

 

CMYK 21 / 6 / 0 / 24

HEX #98B5C1

RGB 152 181 193

HSL 197.56, 0.25%, 0.68%

LAB 71.94, -7.2, -9.38

 

CMYK 20 / 6 / 0 / 17

HEX #A9C7D4

RGB 169 199 212

HSL 198.14, 0.33%, 0.75%

LAB 78.48, -7.24, -9.84

 

CMYK 32 / 10 / 0 / 45

HEX #607F8D

RGB 96 127 141

HSL 198.67, 0.19%, 0.46%

LAB 51.37, -7.45, -11.14

 

CMYK 35 / 11 / 0 / 52

HEX #4F6D7A

RGB 79 109 122

HSL 198.14, 0.21%, 0.39%

LAB 44.24, -7.39, -10.72

 

CMYK 40 / 12 / 0 / 60

HEX #3E5B67

RGB 62 91 103

HSL 197.56, 0.25%, 0.32%

LAB 36.9, -7.31, -10.29

 

CMYK 46 / 13 / 0 / 67

HEX #2D4954

RGB 45 73 84

HSL 196.92, 0.3%, 0.25%

LAB 29.32, -7.19, -9.85

 

CMYK 57 / 15 / 0 / 75

HEX #1C3741

RGB 28 55 65

HSL 196.22, 0.4%, 0.18%

LAB 21.43, -6.95, -9.4

 

CMYK 32 / 10 / 0 / 45

HEX #5F7E8C

RGB 95 126 140

HSL 198.67, 0.19%, 0.46%

LAB 50.98, -7.45, -11.15

 

CMYK 32 / 19 / 0 / 45

HEX #5F728C

RGB 95 114 140

HSL 214.67, 0.19%, 0.46%

LAB 47.44, -0.47, -16.5

 

CMYK 32 / 27 / 0 / 45

HEX #5F668C

RGB 95 102 140

HSL 230.67, 0.19%, 0.46%

LAB 43.99, 6.77, -21.81

 

CMYK 29 / 32 / 0 / 45

HEX #645F8C

RGB 100 95 140

HSL 246.67, 0.19%, 0.46%

LAB 42.44, 12.67, -24.17

 

CMYK 20 / 32 / 0 / 45

HEX #705F8C

RGB 112 95 140

HSL 262.67, 0.19%, 0.46%

LAB 43.54, 16.58, -22.38

 

CMYK 32 / 10 / 0 / 45

HEX #5F7E8C

RGB 95 126 140

HSL 198.67, 0.19%, 0.46%

LAB 50.98, -7.45, -11.15

 

CMYK 32 / 19 / 0 / 45

HEX #5F728C

RGB 95 114 140

HSL 214.67, 0.19%, 0.46%

LAB 47.44, -0.47, -16.5

 

CMYK 32 / 27 / 0 / 45

HEX #5F668C

RGB 95 102 140

HSL 230.67, 0.19%, 0.46%

LAB 43.99, 6.77, -21.81

 

CMYK 32 / 32 / 0 / 45

HEX #5F5F8C

RGB 95 95 140

HSL 240, 0.19%, 0.46%

LAB 42.02, 11.1, -24.86

 

CMYK 32 / 10 / 0 / 45

HEX #5F7E8C

RGB 95 126 140

HSL 198.67, 0.19%, 0.46%

LAB 50.98, -7.45, -11.15

 

CMYK 52 / 16 / 0 / 38

HEX #4C859F

RGB 76 133 159

HSL 198.8, 0.35%, 0.46%

LAB 52.75, -11.19, -19.63

 

CMYK 68 / 21 / 0 / 30

HEX #398CB2

RGB 57 140 178

HSL 198.84, 0.51%, 0.46%

LAB 54.91, -12.76, -27.29

 

CMYK 81 / 25 / 0 / 23

HEX #2693C5

RGB 38 147 197

HSL 198.87, 0.68%, 0.46%

LAB 57.38, -12.52, -34.29

 

CMYK 91 / 29 / 0 / 15

HEX #139AD8

RGB 19 154 216

HSL 198.88, 0.84%, 0.46%

LAB 60.08, -10.93, -40.73

 

CMYK 32 / 10 / 0 / 45

HEX #5F7E8C

RGB 95 126 140

HSL 198.67, 0.19%, 0.46%

LAB 50.98, -7.45, -11.15

 

CMYK 6 / 2 / 0 / 53

HEX #727779

RGB 114 119 121

HSL 197.14, 0.03%, 0.46%

LAB 49.68, -1.46, -1.76

 

CMYK 0 / 17 / 23 / 48

HEX #856F66

RGB 133 111 102

HSL 17.42, 0.13%, 0.46%

LAB 48.65, 7.14, 8.23

 

CMYK 0 / 32 / 45 / 40

HEX #986853

RGB 152 104 83

HSL 18.26, 0.29%, 0.46%

LAB 48.51, 16.63, 19.58

 

CMYK 0 / 43 / 63 / 33

HEX #AB6140

RGB 171 97 64

HSL 18.5, 0.46%, 0.46%

LAB 48.98, 26.89, 31.59

 

CMYK 32 / 0 / 8 / 45

HEX #5F8C81

RGB 95 140 129

HSL 165.33, 0.19%, 0.46%

LAB 54.84, -17.89, 0.97

 

CMYK 32 / 1 / 0 / 45

HEX #5F8A8C

RGB 95 138 140

HSL 182.67, 0.19%, 0.46%

LAB 54.56, -14.14, -5.8

 

CMYK 32 / 10 / 0 / 45

HEX #5F7E8C

RGB 95 126 140

HSL 198.67, 0.19%, 0.46%

LAB 50.98, -7.45, -11.15

 

CMYK 32 / 19 / 0 / 45

HEX #5F728C

RGB 95 114 140

HSL 214.67, 0.19%, 0.46%

LAB 47.44, -0.47, -16.5

 

CMYK 32 / 27 / 0 / 45

HEX #5F668C

RGB 95 102 140

HSL 230.67, 0.19%, 0.46%

LAB 43.99, 6.77, -21.81

 

CMYK 31 / 10 / 0 / 65

HEX #3E515A

RGB 62 81 90

HSL 199.29, 0.18%, 0.3%

LAB 33.24, -4.92, -7.67

 

CMYK 32 / 10 / 0 / 55

HEX #4E6873

RGB 78 104 115

HSL 197.84, 0.19%, 0.38%

LAB 42.4, -6.68, -9.27

 

CMYK 32 / 10 / 0 / 45

HEX #5F7E8C

RGB 95 126 140

HSL 198.67, 0.19%, 0.46%

LAB 50.98, -7.45, -11.15

 

CMYK 28 / 9 / 0 / 37

HEX #7492A0

RGB 116 146 160

HSL 199.09, 0.19%, 0.54%

LAB 58.8, -7.13, -10.83

 

CMYK 21 / 7 / 0 / 31

HEX #8CA5B1

RGB 140 165 177

HSL 199.46, 0.19%, 0.62%

LAB 66.26, -5.99, -9.09

 

CMYK 32 / 10 / 0 / 45

HEX #607F8D

RGB 96 127 141

HSL 198.67, 0.19%, 0.46%

LAB 51.37, -7.45, -11.14

 

CMYK 16 / 32 / 0 / 45

HEX #755F8C

RGB 117 95 140

HSL 269.33, 0.19%, 0.46%

LAB 44.03, 18.25, -21.58

 

CMYK 0 / 4 / 32 / 45

HEX #8C875F

RGB 140 135 95

HSL 53.33, 0.19%, 0.46%

LAB 55.82, -4.69, 22.23

 

CMYK 32 / 10 / 0 / 45

HEX #607F8D

RGB 96 127 141

HSL 198.67, 0.19%, 0.46%

LAB 51.37, -7.45, -11.14

 

CMYK 0 / 32 / 10 / 45

HEX #8C5F7E

RGB 140 95 126

HSL 318.67, 0.19%, 0.46%

LAB 46, 23.44, -9.93

 

CMYK 10 / 0 / 32 / 45

HEX #7E8C5F

RGB 126 140 95

HSL 78.67, 0.19%, 0.46%

LAB 56.11, -13.17, 22.41

 

CMYK 32 / 10 / 0 / 45

HEX #607F8D

RGB 96 127 141

HSL 198.67, 0.19%, 0.46%

LAB 51.37, -7.45, -11.14

 

CMYK 16 / 32 / 0 / 45

HEX #755F8C

RGB 117 95 140

HSL 269.33, 0.19%, 0.46%

LAB 44.03, 18.25, -21.58

 

CMYK 0 / 23 / 32 / 45

HEX #8C6C5F

RGB 140 108 95

HSL 17.33, 0.19%, 0.46%

LAB 48.42, 10.75, 12.16

 

CMYK 16 / 0 / 32 / 45

HEX #758C5F

RGB 117 140 95

HSL 90.67, 0.19%, 0.46%

LAB 55.45, -16.74, 21.41

 

CMYK 32 / 10 / 0 / 45

HEX #607F8D

RGB 96 127 141

HSL 198.67, 0.19%, 0.46%

LAB 51.37, -7.45, -11.14

 

CMYK 6 / 32 / 0 / 45

HEX #835F8C

RGB 131 95 140

HSL 288, 0.19%, 0.46%

LAB 45.5, 23.03, -19.19

 

CMYK 0 / 23 / 32 / 45

HEX #8C6C5F

RGB 140 108 95

HSL 17.33, 0.19%, 0.46%

LAB 48.42, 10.75, 12.16

 

CMYK 26 / 0 / 32 / 45

HEX #688C5F

RGB 104 140 95

HSL 108, 0.19%, 0.46%

LAB 54.58, -21.67, 20.1

 

Description

Color code: HEX #607F8D | qconv.com Color code: HEX #607F8D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 127 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 127 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 10 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 10% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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