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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #607ED04C it is the complementary color #9F812F4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #607ED04C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #607ED04C shade: #657ECB4C, #7690DE4C, #87A2F14C, #98B4FF4C and #A9C6FF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #607ED04C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #607ED04C shade: #607ED04C, #4F6CBD4C, #3E5AAA4C, #2D48974C and #1C36844C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #607ED04C shade: #627FD0, #6262D0, #8062D0, #9E62D0 and #BB62D0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #607ED04C shade: #627FD0 and #6262D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #607ED04C shade matches the following richer shades: #627FD0, #5178E1 and #4170F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #607ED04C shade: #627FD0, #7287C0, #838FAF, #93969F and #A49E8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #607ED04C shade: #62BCD0, #629FD0, #6281D0, #6264D0 and #7D62D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #607ED04C shade: #3354AC, #4266C7, #627FD0, #8299DA and #A1B3E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #607ED04C shade: #607ED0, #C762D0 and #ADD062

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #607ED04C shade: #607ED0, #D06281 and #81D062

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #607ED04C shade: #607ED0, #C762D0, #D0B162 and #6BD062

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #607ED04C shade: #607ED0, #D062B8, #D0B162 and #62D07A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 12 / 0 / 6

HEX #607ED04C

RGBA 96 126 208 0.3

HSLA 223.93, 0.54%, 0.6%, 0.3

LABA 53.99, 12.9, -45.69, 0.3

 

Complementary color

CMYK 0 / 6 / 21 / 11

HEX #9F812F4C

RGBA 159 129 47 0.3

HSLA 43.93, 0.54%, 0.4%, 0.3

LABA 55.36, 2.47, 46.97, 0.3

 

CMYK 15 / 11 / 0 / 6

HEX #657ECB4C

RGBA 101 126 203 0.3

HSLA 225.29, 0.5%, 0.6%, 0.3

LABA 54.03, 12.45, -42.78, 0.3

 

CMYK 14 / 11 / 0 / 4

HEX #7690DE4C

RGBA 118 144 222 0.3

HSLA 225, 0.61%, 0.67%, 0.3

LABA 60.85, 11.57, -42.64, 0.3

 

CMYK 13 / 10 / 0 / 2

HEX #87A2F14C

RGBA 135 162 241 0.3

HSLA 224.72, 0.79%, 0.74%, 0.3

LABA 67.53, 10.82, -42.54, 0.3

 

CMYK 12 / 9 / 0 / 0

HEX #98B4FF4C

RGBA 152 180 255 0.3

HSLA 223.69, 1%, 0.8%, 0.3

LABA 73.89, 8.81, -40.13, 0.3

 

CMYK 10 / 7 / 0 / 0

HEX #A9C6FF4C

RGBA 169 198 255 0.3

HSLA 219.77, 1%, 0.83%, 0.3

LABA 79.64, 3.43, -31.15, 0.3

 

CMYK 16 / 12 / 0 / 6

HEX #607ED04C

RGBA 96 126 208 0.3

HSLA 223.93, 0.54%, 0.6%, 0.3

LABA 53.99, 12.9, -45.69, 0.3

 

CMYK 17 / 13 / 0 / 8

HEX #4F6CBD4C

RGBA 79 108 189 0.3

HSLA 224.18, 0.45%, 0.53%, 0.3

LABA 47.06, 14.13, -45.9, 0.3

 

CMYK 19 / 14 / 0 / 10

HEX #3E5AAA4C

RGBA 62 90 170 0.3

HSLA 224.44, 0.47%, 0.45%, 0.3

LABA 39.98, 15.65, -46.15, 0.3

 

CMYK 21 / 16 / 0 / 12

HEX #2D48974C

RGBA 45 72 151 0.3

HSLA 224.72, 0.54%, 0.38%, 0.3

LABA 32.76, 17.6, -46.42, 0.3

 

CMYK 24 / 18 / 0 / 14

HEX #1C36844C

RGBA 28 54 132 0.3

HSLA 225, 0.65%, 0.31%, 0.3

LABA 25.42, 20.16, -46.65, 0.3

 

CMYK 53 / 39 / 0 / 18

HEX #627FD0

RGB 98 127 208

HSL 224.18, 0.54%, 0.6%

LAB 54.37, 12.74, -45.07

 

CMYK 53 / 53 / 0 / 18

HEX #6262D0

RGB 98 98 208

HSL 240, 0.54%, 0.6%

LAB 46.82, 30.46, -57.14

 

CMYK 38 / 53 / 0 / 18

HEX #8062D0

RGB 128 98 208

HSL 256.36, 0.54%, 0.6%

LAB 49.35, 37.2, -52.95

 

CMYK 24 / 53 / 0 / 18

HEX #9E62D0

RGB 158 98 208

HSL 272.73, 0.54%, 0.6%

LAB 52.46, 44.78, -47.79

 

CMYK 10 / 53 / 0 / 18

HEX #BB62D0

RGB 187 98 208

HSL 288.55, 0.54%, 0.6%

LAB 55.94, 52.49, -42.06

 

CMYK 53 / 39 / 0 / 18

HEX #627FD0

RGB 98 127 208

HSL 224.18, 0.54%, 0.6%

LAB 54.37, 12.74, -45.07

 

CMYK 53 / 53 / 0 / 18

HEX #6262D0

RGB 98 98 208

HSL 240, 0.54%, 0.6%

LAB 46.82, 30.46, -57.14

 

CMYK 53 / 39 / 0 / 18

HEX #627FD0

RGB 98 127 208

HSL 224.18, 0.54%, 0.6%

LAB 54.37, 12.74, -45.07

 

CMYK 64 / 47 / 0 / 12

HEX #5178E1

RGB 81 120 225

HSL 223.75, 0.71%, 0.6%

LAB 52.53, 19.32, -57.66

 

CMYK 73 / 54 / 0 / 5

HEX #4170F1

RGB 65 112 241

HSL 223.98, 0.86%, 0.6%

LAB 50.76, 27.61, -69.51

 

CMYK 53 / 39 / 0 / 18

HEX #627FD0

RGB 98 127 208

HSL 224.18, 0.54%, 0.6%

LAB 54.37, 12.74, -45.07

 

CMYK 41 / 30 / 0 / 25

HEX #7287C0

RGB 114 135 192

HSL 223.85, 0.38%, 0.6%

LAB 56.79, 7.1, -32.13

 

CMYK 25 / 18 / 0 / 31

HEX #838FAF

RGB 131 143 175

HSL 223.64, 0.22%, 0.6%

LAB 59.49, 2.96, -18.21

 

CMYK 8 / 6 / 0 / 38

HEX #93969F

RGB 147 150 159

HSL 225, 0.06%, 0.6%

LAB 62.1, 0.73, -5.1

 

CMYK 0 / 4 / 13 / 36

HEX #A49E8E

RGB 164 158 142

HSL 43.64, 0.11%, 0.6%

LAB 65.2, -0.65, 9.13

 

CMYK 53 / 10 / 0 / 18

HEX #62BCD0

RGB 98 188 208

HSL 190.91, 0.54%, 0.6%

LAB 71.63, -21.39, -18.32

 

CMYK 53 / 24 / 0 / 18

HEX #629FD0

RGB 98 159 208

HSL 206.73, 0.54%, 0.6%

LAB 63.3, -5.9, -31.09

 

CMYK 53 / 38 / 0 / 18

HEX #6281D0

RGB 98 129 208

HSL 223.09, 0.54%, 0.6%

LAB 54.92, 11.54, -44.21

 

CMYK 53 / 52 / 0 / 18

HEX #6264D0

RGB 98 100 208

HSL 238.91, 0.54%, 0.6%

LAB 47.32, 29.24, -56.34

 

CMYK 40 / 53 / 0 / 18

HEX #7D62D0

RGB 125 98 208

HSL 254.73, 0.54%, 0.6%

LAB 49.07, 36.48, -53.41

 

CMYK 70 / 51 / 0 / 33

HEX #3354AC

RGB 51 84 172

HSL 223.64, 0.54%, 0.44%

LAB 37.88, 18.45, -50.73

 

CMYK 67 / 49 / 0 / 22

HEX #4266C7

RGB 66 102 199

HSL 223.76, 0.54%, 0.52%

LAB 45.34, 19.01, -54.46

 

CMYK 53 / 39 / 0 / 18

HEX #627FD0

RGB 98 127 208

HSL 224.18, 0.54%, 0.6%

LAB 54.37, 12.74, -45.07

 

CMYK 40 / 30 / 0 / 15

HEX #8299DA

RGB 130 153 218

HSL 224.32, 0.54%, 0.68%

LAB 63.83, 8.23, -35.69

 

CMYK 29 / 21 / 0 / 11

HEX #A1B3E3

RGB 161 179 227

HSL 223.64, 0.54%, 0.76%

LAB 73.13, 4.6, -26.1

 

CMYK 54 / 39 / 0 / 18

HEX #607ED0

RGB 96 126 208

HSL 223.93, 0.54%, 0.6%

LAB 53.99, 12.9, -45.69

 

CMYK 4 / 53 / 0 / 18

HEX #C762D0

RGB 199 98 208

HSL 295.09, 0.54%, 0.6%

LAB 57.49, 55.73, -39.51

 

CMYK 17 / 0 / 53 / 18

HEX #ADD062

RGB 173 208 98

HSL 79.09, 0.54%, 0.6%

LAB 78.97, -28.54, 50.18

 

CMYK 54 / 39 / 0 / 18

HEX #607ED0

RGB 96 126 208

HSL 223.93, 0.54%, 0.6%

LAB 53.99, 12.9, -45.69

 

CMYK 0 / 53 / 38 / 18

HEX #D06281

RGB 208 98 129

HSL 343.09, 0.54%, 0.6%

LAB 55.82, 46.57, 3.79

 

CMYK 38 / 0 / 53 / 18

HEX #81D062

RGB 129 208 98

HSL 103.09, 0.54%, 0.6%

LAB 76.47, -44.3, 46.6

 

CMYK 54 / 39 / 0 / 18

HEX #607ED0

RGB 96 126 208

HSL 223.93, 0.54%, 0.6%

LAB 53.99, 12.9, -45.69

 

CMYK 4 / 53 / 0 / 18

HEX #C762D0

RGB 199 98 208

HSL 295.09, 0.54%, 0.6%

LAB 57.49, 55.73, -39.51

 

CMYK 0 / 15 / 53 / 18

HEX #D0B162

RGB 208 177 98

HSL 43.09, 0.54%, 0.6%

LAB 73.37, 1.38, 44.19

 

CMYK 49 / 0 / 53 / 18

HEX #6BD062

RGB 107 208 98

HSL 115.09, 0.54%, 0.6%

LAB 75.53, -50.99, 45.24

 

CMYK 54 / 39 / 0 / 18

HEX #607ED0

RGB 96 126 208

HSL 223.93, 0.54%, 0.6%

LAB 53.99, 12.9, -45.69

 

CMYK 0 / 53 / 12 / 18

HEX #D062B8

RGB 208 98 184

HSL 313.09, 0.54%, 0.6%

LAB 57.66, 54.14, -25.46

 

CMYK 0 / 15 / 53 / 18

HEX #D0B162

RGB 208 177 98

HSL 43.09, 0.54%, 0.6%

LAB 73.37, 1.38, 44.19

 

CMYK 53 / 0 / 41 / 18

HEX #62D07A

RGB 98 208 122

HSL 133.09, 0.54%, 0.6%

LAB 75.52, -49.93, 33.32

 

Description

Color code: HEX #607ED04C | qconv.com Color code: HEX #607ED04C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 126 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 126 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 12 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 12% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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