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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #607CE34C it is the complementary color #9F831C4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #607CE34C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #607CE34C shade: #657CDE4C, #768EF14C, #87A0FF4C, #98B2FF4C and #A9C4FF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #607CE34C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #607CE34C shade: #607CE34C, #4F6AD04C, #3E58BD4C, #2D46AA4C and #1C34974C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #607CE34C shade: #5F7BE3, #665FE3, #8A5FE3, #AD5FE3 and #D15FE3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #607CE34C shade: #5F7BE3 and #5F5FE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #607CE34C shade matches the following richer shades: #5F7BE3 and #4F72F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #607CE34C shade: #5F7BE3, #6E84D3, #7D8CC4, #8C95B5 and #9C9EA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #607CE34C shade: #5FC2E3, #5F9EE3, #5F7BE3, #655FE3 and #885FE3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #607CE34C shade: #2448CB, #3C5EDD, #5F7BE3, #8298E9 and #A5B5EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #607CE34C shade: #607CE3, #E05FE3 and #B0E35F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #607CE34C shade: #607CE3, #E35F7B and #7BE35F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #607CE34C shade: #607CE3, #E05FE3, #E3C65F and #61E35F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #607CE34C shade: #607CE3, #E35FBD, #E3C65F and #5FE384

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 14 / 0 / 3

HEX #607CE34C

RGBA 96 124 227 0.3

HSLA 227.18, 0.7%, 0.63%, 0.3

LABA 54.5, 20.27, -55.58, 0.3

 

Complementary color

CMYK 0 / 5 / 25 / 11

HEX #9F831C4C

RGBA 159 131 28 0.3

HSLA 47.18, 0.7%, 0.37%, 0.3

LABA 55.77, 0.5, 54.71, 0.3

 

CMYK 16 / 13 / 0 / 4

HEX #657CDE4C

RGBA 101 124 222 0.3

HSLA 228.6, 0.65%, 0.63%, 0.3

LABA 54.51, 19.66, -52.75, 0.3

 

CMYK 15 / 12 / 0 / 2

HEX #768EF14C

RGBA 118 142 241 0.3

HSLA 228.29, 0.81%, 0.7%, 0.3

LABA 61.26, 18.47, -52.51, 0.3

 

CMYK 14 / 11 / 0 / 0

HEX #87A0FF4C

RGBA 135 160 255 0.3

HSLA 227.5, 1%, 0.76%, 0.3

LABA 67.66, 15.99, -49.98, 0.3

 

CMYK 12 / 9 / 0 / 0

HEX #98B2FF4C

RGBA 152 178 255 0.3

HSLA 224.85, 1%, 0.8%, 0.3

LABA 73.37, 9.93, -40.93, 0.3

 

CMYK 10 / 7 / 0 / 0

HEX #A9C4FF4C

RGBA 169 196 255 0.3

HSLA 221.16, 1%, 0.83%, 0.3

LABA 79.12, 4.51, -31.95, 0.3

 

CMYK 17 / 14 / 0 / 3

HEX #607CE34C

RGBA 96 124 227 0.3

HSLA 227.18, 0.7%, 0.63%, 0.3

LABA 54.5, 20.27, -55.58, 0.3

 

CMYK 19 / 15 / 0 / 6

HEX #4F6AD04C

RGBA 79 106 208 0.3

HSLA 227.44, 0.58%, 0.56%, 0.3

LABA 47.66, 21.84, -55.86, 0.3

 

CMYK 20 / 16 / 0 / 8

HEX #3E58BD4C

RGBA 62 88 189 0.3

HSLA 227.72, 0.51%, 0.49%, 0.3

LABA 40.7, 23.76, -56.16, 0.3

 

CMYK 22 / 18 / 0 / 10

HEX #2D46AA4C

RGBA 45 70 170 0.3

HSLA 228, 0.58%, 0.42%, 0.3

LABA 33.65, 26.12, -56.42, 0.3

 

CMYK 24 / 20 / 0 / 12

HEX #1C34974C

RGBA 28 52 151 0.3

HSLA 228.29, 0.69%, 0.35%, 0.3

LABA 26.56, 29.04, -56.55, 0.3

 

CMYK 58 / 46 / 0 / 11

HEX #5F7BE3

RGB 95 123 227

HSL 227.27, 0.7%, 0.63%

LAB 54.18, 20.68, -56.09

 

CMYK 55 / 58 / 0 / 11

HEX #665FE3

RGB 102 95 227

HSL 243.18, 0.7%, 0.63%

LAB 47.69, 38.99, -66.52

 

CMYK 39 / 58 / 0 / 11

HEX #8A5FE3

RGB 138 95 227

HSL 259.55, 0.7%, 0.63%

LAB 50.84, 46.3, -61.28

 

CMYK 24 / 58 / 0 / 11

HEX #AD5FE3

RGB 173 95 227

HSL 275.45, 0.7%, 0.63%

LAB 54.67, 54.41, -54.92

 

CMYK 8 / 58 / 0 / 11

HEX #D15FE3

RGB 209 95 227

HSL 291.82, 0.7%, 0.63%

LAB 59.24, 63.22, -47.38

 

CMYK 58 / 46 / 0 / 11

HEX #5F7BE3

RGB 95 123 227

HSL 227.27, 0.7%, 0.63%

LAB 54.18, 20.68, -56.09

 

CMYK 58 / 58 / 0 / 11

HEX #5F5FE3

RGB 95 95 227

HSL 240, 0.7%, 0.63%

LAB 47.19, 37.75, -67.37

 

CMYK 58 / 46 / 0 / 11

HEX #5F7BE3

RGB 95 123 227

HSL 227.27, 0.7%, 0.63%

LAB 54.18, 20.68, -56.09

 

CMYK 67 / 53 / 0 / 5

HEX #4F72F2

RGB 79 114 242

HSL 227.12, 0.86%, 0.63%

LAB 51.96, 28.58, -68.1

 

CMYK 58 / 46 / 0 / 11

HEX #5F7BE3

RGB 95 123 227

HSL 227.27, 0.7%, 0.63%

LAB 54.18, 20.68, -56.09

 

CMYK 48 / 37 / 0 / 17

HEX #6E84D3

RGB 110 132 211

HSL 226.93, 0.53%, 0.63%

LAB 56.61, 13.44, -43.19

 

CMYK 36 / 29 / 0 / 23

HEX #7D8CC4

RGB 125 140 196

HSL 227.32, 0.38%, 0.63%

LAB 59.07, 8.33, -30.8

 

CMYK 23 / 18 / 0 / 29

HEX #8C95B5

RGB 140 149 181

HSL 226.83, 0.22%, 0.63%

LAB 62, 3.84, -17.74

 

CMYK 6 / 5 / 0 / 35

HEX #9C9EA6

RGB 156 158 166

HSL 228, 0.05%, 0.63%

LAB 65.18, 0.87, -4.41

 

CMYK 58 / 15 / 0 / 11

HEX #5FC2E3

RGB 95 194 227

HSL 195, 0.7%, 0.63%

LAB 73.91, -19.6, -25.2

 

CMYK 58 / 30 / 0 / 11

HEX #5F9EE3

RGB 95 158 227

HSL 211.36, 0.7%, 0.63%

LAB 63.7, -0.06, -41.01

 

CMYK 58 / 46 / 0 / 11

HEX #5F7BE3

RGB 95 123 227

HSL 227.27, 0.7%, 0.63%

LAB 54.18, 20.68, -56.09

 

CMYK 56 / 58 / 0 / 11

HEX #655FE3

RGB 101 95 227

HSL 242.73, 0.7%, 0.63%

LAB 47.62, 38.81, -66.65

 

CMYK 40 / 58 / 0 / 11

HEX #885FE3

RGB 136 95 227

HSL 258.64, 0.7%, 0.63%

LAB 50.65, 45.86, -61.61

 

CMYK 82 / 65 / 0 / 20

HEX #2448CB

RGB 36 72 203

HSL 227.07, 0.7%, 0.47%

LAB 36.6, 36.24, -71.04

 

CMYK 73 / 57 / 0 / 13

HEX #3C5EDD

RGB 60 94 221

HSL 227.33, 0.7%, 0.55%

LAB 44.5, 31.16, -68.43

 

CMYK 58 / 46 / 0 / 11

HEX #5F7BE3

RGB 95 123 227

HSL 227.27, 0.7%, 0.63%

LAB 54.18, 20.68, -56.09

 

CMYK 44 / 35 / 0 / 9

HEX #8298E9

RGB 130 152 233

HSL 227.18, 0.7%, 0.71%

LAB 64.23, 13.05, -43.36

 

CMYK 31 / 24 / 0 / 6

HEX #A5B5EF

RGB 165 181 239

HSL 227.03, 0.7%, 0.79%

LAB 74.37, 7.6, -30.68

 

CMYK 58 / 45 / 0 / 11

HEX #607CE3

RGB 96 124 227

HSL 227.18, 0.7%, 0.63%

LAB 54.5, 20.27, -55.58

 

CMYK 1 / 58 / 0 / 11

HEX #E05FE3

RGB 224 95 227

HSL 298.64, 0.7%, 0.63%

LAB 61.29, 66.95, -44.01

 

CMYK 22 / 0 / 58 / 11

HEX #B0E35F

RGB 176 227 95

HSL 83.18, 0.7%, 0.63%

LAB 84.48, -36.49, 57.93

 

CMYK 58 / 45 / 0 / 11

HEX #607CE3

RGB 96 124 227

HSL 227.18, 0.7%, 0.63%

LAB 54.5, 20.27, -55.58

 

CMYK 0 / 58 / 46 / 11

HEX #E35F7B

RGB 227 95 123

HSL 347.27, 0.7%, 0.63%

LAB 57.99, 53.74, 10.79

 

CMYK 46 / 0 / 58 / 11

HEX #7BE35F

RGB 123 227 95

HSL 107.27, 0.7%, 0.63%

LAB 81.82, -54.28, 54.19

 

CMYK 58 / 45 / 0 / 11

HEX #607CE3

RGB 96 124 227

HSL 227.18, 0.7%, 0.63%

LAB 54.5, 20.27, -55.58

 

CMYK 1 / 58 / 0 / 11

HEX #E05FE3

RGB 224 95 227

HSL 298.64, 0.7%, 0.63%

LAB 61.29, 66.95, -44.01

 

CMYK 0 / 13 / 58 / 11

HEX #E3C65F

RGB 227 198 95

HSL 46.82, 0.7%, 0.63%

LAB 80.49, -1.93, 54.41

 

CMYK 57 / 0 / 58 / 11

HEX #61E35F

RGB 97 227 95

HSL 119.09, 0.7%, 0.63%

LAB 80.91, -61.16, 52.9

 

CMYK 58 / 45 / 0 / 11

HEX #607CE3

RGB 96 124 227

HSL 227.18, 0.7%, 0.63%

LAB 54.5, 20.27, -55.58

 

CMYK 0 / 58 / 17 / 11

HEX #E35FBD

RGB 227 95 189

HSL 317.27, 0.7%, 0.63%

LAB 60.06, 61.73, -24.4

 

CMYK 0 / 13 / 58 / 11

HEX #E3C65F

RGB 227 198 95

HSL 46.82, 0.7%, 0.63%

LAB 80.49, -1.93, 54.41

 

CMYK 58 / 0 / 42 / 11

HEX #5FE384

RGB 95 227 132

HSL 136.82, 0.7%, 0.63%

LAB 81.31, -56.51, 35.77

 

Description

Color code: HEX #607CE34C | qconv.com Color code: HEX #607CE34C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 124 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 124 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 14 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 14% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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