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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6077F6 it is the complementary color #9F8809. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6077F6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6077F6 shade: #6577F1, #7689FF, #879BFF, #98ADFF and #A9BFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6077F6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6077F6 shade: #6077F6, #4F65E3, #3E53D0, #2D41BD and #1C2FAA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6077F6 shade: #6077F6, #7160F6, #9A60F6, #C260F6 and #EB60F6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6077F6 shade: #6077F6 and #6060F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6077F6 shade matches the following richer shades: #6077F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6077F6 shade: #6077F6, #6E80E8, #7B8ADB, #8993CD and #969DBF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6077F6 shade: #60C9F6, #60A1F6, #6079F6, #6F60F6 and #9760F6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6077F6 shade: #1234F1, #3956F3, #6077F6, #8798F8 and #AEBAFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6077F6 shade: #6077F6, #F660F1 and #B5F660

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6077F6 shade: #6077F6, #F66079 and #79F660

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6077F6 shade: #6077F6, #F660F1, #F6DD60 and #60F665

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6077F6 shade: #6077F6, #F660C4, #F6DD60 and #60F692

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 52 / 0 / 4

HEX #6077F6

RGB 96 119 246

HSL 230.8, 0.89%, 0.67%

LAB 54.38, 29.55, -66.37

 

Complementary color

CMYK 0 / 14 / 94 / 38

HEX #9F8809

RGB 159 136 9

HSL 50.8, 0.89%, 0.33%

LAB 57.07, -2.72, 60.27

 

CMYK 58 / 51 / 0 / 5

HEX #6577F1

RGB 101 119 241

HSL 232.29, 0.83%, 0.67%

LAB 54.36, 28.8, -63.61

 

CMYK 54 / 46 / 0 / 0

HEX #7689FF

RGB 118 137 255

HSL 231.68, 1%, 0.73%

LAB 60.75, 25.74, -61.03

 

CMYK 47 / 39 / 0 / 0

HEX #879BFF

RGB 135 155 255

HSL 230, 1%, 0.76%

LAB 66.38, 18.88, -52

 

CMYK 40 / 32 / 0 / 0

HEX #98ADFF

RGB 152 173 255

HSL 227.77, 1%, 0.8%

LAB 72.08, 12.73, -42.95

 

CMYK 34 / 25 / 0 / 0

HEX #A9BFFF

RGB 169 191 255

HSL 224.65, 1%, 0.83%

LAB 77.83, 7.23, -33.94

 

CMYK 61 / 52 / 0 / 4

HEX #6077F6

RGB 96 119 246

HSL 230.8, 0.89%, 0.67%

LAB 54.38, 29.55, -66.37

 

CMYK 65 / 56 / 0 / 11

HEX #4F65E3

RGB 79 101 227

HSL 231.08, 0.73%, 0.6%

LAB 47.64, 31.47, -66.67

 

CMYK 70 / 60 / 0 / 18

HEX #3E53D0

RGB 62 83 208

HSL 231.37, 0.61%, 0.53%

LAB 40.84, 33.73, -66.94

 

CMYK 76 / 66 / 0 / 26

HEX #2D41BD

RGB 45 65 189

HSL 231.67, 0.62%, 0.46%

LAB 34.01, 36.37, -67.09

 

CMYK 84 / 72 / 0 / 33

HEX #1C2FAA

RGB 28 47 170

HSL 231.97, 0.72%, 0.39%

LAB 27.25, 39.36, -66.95

 

CMYK 61 / 52 / 0 / 4

HEX #6077F6

RGB 96 119 246

HSL 230.8, 0.89%, 0.67%

LAB 54.38, 29.55, -66.37

 

CMYK 54 / 61 / 0 / 4

HEX #7160F6

RGB 113 96 246

HSL 246.8, 0.89%, 0.67%

LAB 50.13, 46.15, -73.19

 

CMYK 37 / 61 / 0 / 4

HEX #9A60F6

RGB 154 96 246

HSL 263.2, 0.89%, 0.67%

LAB 53.91, 54.1, -66.89

 

CMYK 21 / 61 / 0 / 4

HEX #C260F6

RGB 194 96 246

HSL 279.2, 0.89%, 0.67%

LAB 58.5, 62.92, -59.27

 

CMYK 4 / 61 / 0 / 4

HEX #EB60F6

RGB 235 96 246

HSL 295.6, 0.89%, 0.67%

LAB 63.9, 72.45, -50.35

 

CMYK 61 / 52 / 0 / 4

HEX #6077F6

RGB 96 119 246

HSL 230.8, 0.89%, 0.67%

LAB 54.38, 29.55, -66.37

 

CMYK 61 / 61 / 0 / 4

HEX #6060F6

RGB 96 96 246

HSL 240, 0.89%, 0.67%

LAB 48.89, 43.37, -75.27

 

CMYK 61 / 52 / 0 / 4

HEX #6077F6

RGB 96 119 246

HSL 230.8, 0.89%, 0.67%

LAB 54.38, 29.55, -66.37

 

CMYK 61 / 52 / 0 / 4

HEX #6077F6

RGB 96 119 246

HSL 230.8, 0.89%, 0.67%

LAB 54.38, 29.55, -66.37

 

CMYK 53 / 45 / 0 / 9

HEX #6E80E8

RGB 110 128 232

HSL 231.15, 0.73%, 0.67%

LAB 56.66, 22.3, -54.87

 

CMYK 44 / 37 / 0 / 14

HEX #7B8ADB

RGB 123 138 219

HSL 230.63, 0.57%, 0.67%

LAB 59.44, 15.44, -43.16

 

CMYK 33 / 28 / 0 / 20

HEX #8993CD

RGB 137 147 205

HSL 231.18, 0.4%, 0.67%

LAB 62.16, 10.09, -31

 

CMYK 21 / 18 / 0 / 25

HEX #969DBF

RGB 150 157 191

HSL 229.76, 0.24%, 0.67%

LAB 65.25, 4.87, -18.35

 

CMYK 61 / 18 / 0 / 4

HEX #60C9F6

RGB 96 201 246

HSL 198, 0.89%, 0.67%

LAB 76.63, -17.38, -31.26

 

CMYK 61 / 35 / 0 / 4

HEX #60A1F6

RGB 96 161 246

HSL 214, 0.89%, 0.67%

LAB 65.46, 4.52, -48.68

 

CMYK 61 / 51 / 0 / 4

HEX #6079F6

RGB 96 121 246

HSL 230, 0.89%, 0.67%

LAB 54.88, 28.34, -65.56

 

CMYK 55 / 61 / 0 / 4

HEX #6F60F6

RGB 111 96 246

HSL 246, 0.89%, 0.67%

LAB 49.98, 45.81, -73.45

 

CMYK 39 / 61 / 0 / 4

HEX #9760F6

RGB 151 96 246

HSL 262, 0.89%, 0.67%

LAB 53.6, 53.47, -67.41

 

CMYK 93 / 78 / 0 / 5

HEX #1234F1

RGB 18 52 241

HSL 230.85, 0.89%, 0.51%

LAB 35.86, 60.13, -94.04

 

CMYK 77 / 65 / 0 / 5

HEX #3956F3

RGB 57 86 243

HSL 230.65, 0.89%, 0.59%

LAB 44.23, 43.59, -81.3

 

CMYK 61 / 52 / 0 / 4

HEX #6077F6

RGB 96 119 246

HSL 230.8, 0.89%, 0.67%

LAB 54.38, 29.55, -66.37

 

CMYK 46 / 39 / 0 / 3

HEX #8798F8

RGB 135 152 248

HSL 230.97, 0.89%, 0.75%

LAB 65.27, 18.58, -49.94

 

CMYK 30 / 26 / 0 / 2

HEX #AEBAFA

RGB 174 186 250

HSL 230.53, 0.88%, 0.83%

LAB 76.69, 10.12, -32.98

 

CMYK 61 / 52 / 0 / 4

HEX #6077F6

RGB 96 119 246

HSL 230.8, 0.89%, 0.67%

LAB 54.38, 29.55, -66.37

 

CMYK 0 / 61 / 2 / 4

HEX #F660F1

RGB 246 96 241

HSL 302, 0.89%, 0.67%

LAB 65.21, 74.23, -45.42

 

CMYK 26 / 0 / 61 / 4

HEX #B5F660

RGB 181 246 96

HSL 86, 0.89%, 0.67%

LAB 90.13, -43.02, 63.88

 

CMYK 61 / 52 / 0 / 4

HEX #6077F6

RGB 96 119 246

HSL 230.8, 0.89%, 0.67%

LAB 54.38, 29.55, -66.37

 

CMYK 0 / 61 / 51 / 4

HEX #F66079

RGB 246 96 121

HSL 350, 0.89%, 0.67%

LAB 61.08, 59.3, 16.71

 

CMYK 51 / 0 / 61 / 4

HEX #79F660

RGB 121 246 96

HSL 110, 0.89%, 0.67%

LAB 87.4, -61.99, 60.08

 

CMYK 61 / 52 / 0 / 4

HEX #6077F6

RGB 96 119 246

HSL 230.8, 0.89%, 0.67%

LAB 54.38, 29.55, -66.37

 

CMYK 0 / 61 / 2 / 4

HEX #F660F1

RGB 246 96 241

HSL 302, 0.89%, 0.67%

LAB 65.21, 74.23, -45.42

 

CMYK 0 / 10 / 61 / 4

HEX #F6DD60

RGB 246 221 96

HSL 50, 0.89%, 0.67%

LAB 88.04, -5.75, 62.89

 

CMYK 61 / 0 / 59 / 4

HEX #60F665

RGB 96 246 101

HSL 122, 0.89%, 0.67%

LAB 86.67, -67.45, 56.91

 

CMYK 61 / 52 / 0 / 4

HEX #6077F6

RGB 96 119 246

HSL 230.8, 0.89%, 0.67%

LAB 54.38, 29.55, -66.37

 

CMYK 0 / 61 / 20 / 4

HEX #F660C4

RGB 246 96 196

HSL 320, 0.89%, 0.67%

LAB 63.3, 67.54, -23.18

 

CMYK 0 / 10 / 61 / 4

HEX #F6DD60

RGB 246 221 96

HSL 50, 0.89%, 0.67%

LAB 88.04, -5.75, 62.89

 

CMYK 61 / 0 / 41 / 4

HEX #60F692

RGB 96 246 146

HSL 140, 0.89%, 0.67%

LAB 87.23, -61.21, 36.51

 

Description

Color code: HEX #6077F6 | qconv.com Color code: HEX #6077F6 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 119 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 119 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 52 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 52% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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