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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #606CCD it is the complementary color #9F9332. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #606CCD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #606CCD shade: #656CC8, #767EDB, #8790EE, #98A2FF and #A9B4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #606CCD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #606CCD shade: #606CCD, #4F5ABA, #3E48A7, #2D3694 and #1C2481

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #606CCD shade: #606CCD, #7160CD, #8F60CD, #AC60CD and #C960CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #606CCD shade: #606CCD and #6060CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #606CCD shade matches the following richer shades: #606CCD, #4F5FDE and #3E52EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #606CCD shade: #606CCD, #7179BC, #8286AB, #93949A and #A4A189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #606CCD shade: #60A7CD, #608ACD, #606DCD, #7060CD and #8D60CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #606CCD shade: #3441A6, #414FC3, #606CCD, #7F89D7 and #9FA6E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #606CCD shade: #606CCD, #CD60C4 and #98CD60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #606CCD shade: #606CCD, #CD606D and #6DCD60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #606CCD shade: #606CCD, #CD60C4, #CDC060 and #60CD69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #606CCD shade: #606CCD, #CD60A3, #CDC060 and #60CD8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 47 / 0 / 20

HEX #606CCD

RGB 96 108 205

HSL 233.39, 0.52%, 0.59%

LAB 49.03, 22.95, -51.88

 

Complementary color

CMYK 0 / 8 / 69 / 38

HEX #9F9332

RGB 159 147 50

HSL 53.39, 0.52%, 0.41%

LAB 60.31, -7.25, 50.77

 

CMYK 50 / 46 / 0 / 22

HEX #656CC8

RGB 101 108 200

HSL 235.76, 0.47%, 0.59%

LAB 49.08, 22.48, -48.92

 

CMYK 46 / 42 / 0 / 14

HEX #767EDB

RGB 118 126 219

HSL 235.25, 0.58%, 0.66%

LAB 55.98, 21.33, -48.66

 

CMYK 43 / 39 / 0 / 7

HEX #8790EE

RGB 135 144 238

HSL 234.76, 0.75%, 0.73%

LAB 62.74, 20.36, -48.45

 

CMYK 40 / 36 / 0 / 0

HEX #98A2FF

RGB 152 162 255

HSL 234.17, 1%, 0.8%

LAB 69.28, 18.96, -47.35

 

CMYK 34 / 29 / 0 / 0

HEX #A9B4FF

RGB 169 180 255

HSL 232.33, 1%, 0.83%

LAB 75.01, 13.3, -38.3

 

CMYK 53 / 47 / 0 / 20

HEX #606CCD

RGB 96 108 205

HSL 233.39, 0.52%, 0.59%

LAB 49.03, 22.95, -51.88

 

CMYK 58 / 52 / 0 / 27

HEX #4F5ABA

RGB 79 90 186

HSL 233.83, 0.44%, 0.52%

LAB 42.03, 24.46, -52.21

 

CMYK 63 / 57 / 0 / 35

HEX #3E48A7

RGB 62 72 167

HSL 234.29, 0.46%, 0.45%

LAB 34.9, 26.31, -52.55

 

CMYK 70 / 64 / 0 / 42

HEX #2D3694

RGB 45 54 148

HSL 234.76, 0.53%, 0.38%

LAB 27.67, 28.57, -52.85

 

CMYK 78 / 72 / 0 / 49

HEX #1C2481

RGB 28 36 129

HSL 235.25, 0.64%, 0.31%

LAB 20.41, 31.28, -52.95

 

CMYK 53 / 47 / 0 / 20

HEX #606CCD

RGB 96 108 205

HSL 233.39, 0.52%, 0.59%

LAB 49.03, 22.95, -51.88

 

CMYK 45 / 53 / 0 / 20

HEX #7160CD

RGB 113 96 205

HSL 249.36, 0.52%, 0.59%

LAB 47.35, 34.01, -54.52

 

CMYK 30 / 53 / 0 / 20

HEX #8F60CD

RGB 143 96 205

HSL 265.87, 0.52%, 0.59%

LAB 50.23, 41.28, -49.73

 

CMYK 16 / 53 / 0 / 20

HEX #AC60CD

RGB 172 96 205

HSL 281.83, 0.52%, 0.59%

LAB 53.54, 48.87, -44.27

 

CMYK 2 / 53 / 0 / 20

HEX #C960CD

RGB 201 96 205

HSL 297.8, 0.52%, 0.59%

LAB 57.26, 56.68, -38.16

 

CMYK 53 / 47 / 0 / 20

HEX #606CCD

RGB 96 108 205

HSL 233.39, 0.52%, 0.59%

LAB 49.03, 22.95, -51.88

 

CMYK 53 / 53 / 0 / 20

HEX #6060CD

RGB 96 96 205

HSL 240, 0.52%, 0.59%

LAB 45.99, 30.33, -56.77

 

CMYK 53 / 47 / 0 / 20

HEX #606CCD

RGB 96 108 205

HSL 233.39, 0.52%, 0.59%

LAB 49.03, 22.95, -51.88

 

CMYK 64 / 57 / 0 / 13

HEX #4F5FDE

RGB 79 95 222

HSL 233.29, 0.68%, 0.59%

LAB 45.8, 33.49, -66.84

 

CMYK 74 / 66 / 0 / 6

HEX #3E52EF

RGB 62 82 239

HSL 233.22, 0.85%, 0.59%

LAB 43.2, 45.1, -80.74

 

CMYK 53 / 47 / 0 / 20

HEX #606CCD

RGB 96 108 205

HSL 233.39, 0.52%, 0.59%

LAB 49.03, 22.95, -51.88

 

CMYK 40 / 36 / 0 / 26

HEX #7179BC

RGB 113 121 188

HSL 233.6, 0.36%, 0.59%

LAB 52.75, 14, -36.18

 

CMYK 24 / 22 / 0 / 33

HEX #8286AB

RGB 130 134 171

HSL 234.15, 0.2%, 0.59%

LAB 56.82, 6.84, -20.02

 

CMYK 5 / 4 / 0 / 40

HEX #93949A

RGB 147 148 154

HSL 231.43, 0.03%, 0.59%

LAB 61.41, 0.83, -3.29

 

CMYK 0 / 2 / 16 / 36

HEX #A4A189

RGB 164 161 137

HSL 53.33, 0.13%, 0.59%

LAB 65.9, -3.11, 12.9

 

CMYK 53 / 19 / 0 / 20

HEX #60A7CD

RGB 96 167 205

HSL 200.92, 0.52%, 0.59%

LAB 65.38, -11.64, -26.22

 

CMYK 53 / 33 / 0 / 20

HEX #608ACD

RGB 96 138 205

HSL 216.88, 0.52%, 0.59%

LAB 57.15, 4.79, -39.02

 

CMYK 53 / 47 / 0 / 20

HEX #606DCD

RGB 96 109 205

HSL 232.84, 0.52%, 0.59%

LAB 49.29, 22.33, -51.47

 

CMYK 45 / 53 / 0 / 20

HEX #7060CD

RGB 112 96 205

HSL 248.81, 0.52%, 0.59%

LAB 47.26, 33.79, -54.66

 

CMYK 31 / 53 / 0 / 20

HEX #8D60CD

RGB 141 96 205

HSL 264.77, 0.52%, 0.59%

LAB 50.02, 40.78, -50.08

 

CMYK 69 / 61 / 0 / 35

HEX #3441A6

RGB 52 65 166

HSL 233.16, 0.52%, 0.43%

LAB 32.4, 28.9, -56.04

 

CMYK 67 / 59 / 0 / 24

HEX #414FC3

RGB 65 79 195

HSL 233.54, 0.52%, 0.51%

LAB 38.99, 32.11, -62.41

 

CMYK 53 / 47 / 0 / 20

HEX #606CCD

RGB 96 108 205

HSL 233.39, 0.52%, 0.59%

LAB 49.03, 22.95, -51.88

 

CMYK 41 / 36 / 0 / 16

HEX #7F89D7

RGB 127 137 215

HSL 233.18, 0.52%, 0.67%

LAB 59.26, 15.9, -41.18

 

CMYK 29 / 26 / 0 / 12

HEX #9FA6E1

RGB 159 166 225

HSL 233.64, 0.52%, 0.75%

LAB 69.53, 10.75, -30.56

 

CMYK 53 / 47 / 0 / 20

HEX #606CCD

RGB 96 108 205

HSL 233.39, 0.52%, 0.59%

LAB 49.03, 22.95, -51.88

 

CMYK 0 / 53 / 4 / 20

HEX #CD60C4

RGB 205 96 196

HSL 304.95, 0.52%, 0.59%

LAB 57.4, 56.21, -32.78

 

CMYK 26 / 0 / 53 / 20

HEX #98CD60

RGB 152 205 96

HSL 89.17, 0.52%, 0.59%

LAB 76.79, -35.23, 48.22

 

CMYK 53 / 47 / 0 / 20

HEX #606CCD

RGB 96 108 205

HSL 233.39, 0.52%, 0.59%

LAB 49.03, 22.95, -51.88

 

CMYK 0 / 53 / 47 / 20

HEX #CD606D

RGB 205 96 109

HSL 352.84, 0.52%, 0.59%

LAB 54.5, 44.39, 13.63

 

CMYK 47 / 0 / 53 / 20

HEX #6DCD60

RGB 109 205 96

HSL 112.84, 0.52%, 0.59%

LAB 74.67, -49.46, 45.18

 

CMYK 53 / 47 / 0 / 20

HEX #606CCD

RGB 96 108 205

HSL 233.39, 0.52%, 0.59%

LAB 49.03, 22.95, -51.88

 

CMYK 0 / 53 / 4 / 20

HEX #CD60C4

RGB 205 96 196

HSL 304.95, 0.52%, 0.59%

LAB 57.4, 56.21, -32.78

 

CMYK 0 / 6 / 53 / 20

HEX #CDC060

RGB 205 192 96

HSL 52.84, 0.52%, 0.59%

LAB 76.99, -7.88, 49.4

 

CMYK 53 / 0 / 49 / 20

HEX #60CD69

RGB 96 205 105

HSL 124.95, 0.52%, 0.59%

LAB 74.3, -51.82, 40.26

 

CMYK 53 / 47 / 0 / 20

HEX #606CCD

RGB 96 108 205

HSL 233.39, 0.52%, 0.59%

LAB 49.03, 22.95, -51.88

 

CMYK 0 / 53 / 20 / 20

HEX #CD60A3

RGB 205 96 163

HSL 323.12, 0.52%, 0.59%

LAB 56.08, 50.99, -15.78

 

CMYK 0 / 6 / 53 / 20

HEX #CDC060

RGB 205 192 96

HSL 52.84, 0.52%, 0.59%

LAB 76.99, -7.88, 49.4

 

CMYK 53 / 0 / 33 / 20

HEX #60CD8A

RGB 96 205 138

HSL 143.12, 0.52%, 0.59%

LAB 74.82, -46.38, 24.08

 

Description

Color code: HEX #606CCD | qconv.com Color code: HEX #606CCD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 108 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 108 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 47 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 47% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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