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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #606BA5 it is the complementary color #9F945A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #606BA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #606BA5 shade: #656BA0, #767DB3, #878FC6, #98A1D9 and #A9B3EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #606BA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #606BA5 shade: #606BA5, #4F5992, #3E477F, #2D356C and #1C2359

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #606BA5 shade: #5F6AA5, #675FA5, #7A5FA5, #8D5FA5 and #9F5FA5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #606BA5 shade: #5F6AA5 and #5F5FA5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #606BA5 shade matches the following richer shades: #5F6AA5, #4B5CB9, #374FCD, #2241E2 and #0E33F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #606BA5 shade: #5F6AA5, #737891, #87867D, #9C9468 and #B0A154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #606BA5 shade: #5F90A5, #5F7DA5, #5F6BA5, #665FA5 and #795FA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #606BA5 shade: #404872, #4F598C, #5F6AA5, #7983B4 and #949BC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #606BA5 shade: #606BA5, #A55FA3 and #87A55F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #606BA5 shade: #606BA5, #A55F6B and #6BA55F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #606BA5 shade: #606BA5, #A55FA3, #A5995F and #5FA561

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #606BA5 shade: #606BA5, #A55F8E, #A5995F and #5FA576

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 35 / 0 / 35

HEX #606BA5

RGB 96 107 165

HSL 230.43, 0.28%, 0.51%

LAB 46.6, 11.17, -32.56

 

Complementary color

CMYK 0 / 7 / 43 / 38

HEX #9F945A

RGB 159 148 90

HSL 50.43, 0.28%, 0.49%

LAB 61.04, -4.45, 32.07

 

CMYK 37 / 33 / 0 / 37

HEX #656BA0

RGB 101 107 160

HSL 233.9, 0.24%, 0.51%

LAB 46.74, 11.12, -29.38

 

CMYK 34 / 30 / 0 / 30

HEX #767DB3

RGB 118 125 179

HSL 233.11, 0.29%, 0.58%

LAB 53.79, 10.51, -29.36

 

CMYK 32 / 28 / 0 / 22

HEX #878FC6

RGB 135 143 198

HSL 232.38, 0.36%, 0.65%

LAB 60.67, 9.99, -29.39

 

CMYK 30 / 26 / 0 / 15

HEX #98A1D9

RGB 152 161 217

HSL 231.69, 0.46%, 0.72%

LAB 67.41, 9.53, -29.47

 

CMYK 28 / 24 / 0 / 7

HEX #A9B3EC

RGB 169 179 236

HSL 231.04, 0.64%, 0.79%

LAB 74.02, 9.12, -29.58

 

CMYK 42 / 35 / 0 / 35

HEX #606BA5

RGB 96 107 165

HSL 230.43, 0.28%, 0.51%

LAB 46.6, 11.17, -32.56

 

CMYK 46 / 39 / 0 / 43

HEX #4F5992

RGB 79 89 146

HSL 231.04, 0.3%, 0.44%

LAB 39.38, 12.02, -32.69

 

CMYK 51 / 44 / 0 / 50

HEX #3E477F

RGB 62 71 127

HSL 231.69, 0.34%, 0.37%

LAB 31.95, 13.09, -32.91

 

CMYK 58 / 51 / 0 / 58

HEX #2D356C

RGB 45 53 108

HSL 232.38, 0.41%, 0.3%

LAB 24.28, 14.5, -33.22

 

CMYK 69 / 61 / 0 / 65

HEX #1C2359

RGB 28 35 89

HSL 233.11, 0.52%, 0.23%

LAB 16.36, 16.47, -33.59

 

CMYK 42 / 36 / 0 / 35

HEX #5F6AA5

RGB 95 106 165

HSL 230.57, 0.28%, 0.51%

LAB 46.25, 11.51, -33.11

 

CMYK 38 / 42 / 0 / 35

HEX #675FA5

RGB 103 95 165

HSL 246.86, 0.28%, 0.51%

LAB 43.92, 20.51, -36.74

 

CMYK 26 / 42 / 0 / 35

HEX #7A5FA5

RGB 122 95 165

HSL 263.14, 0.28%, 0.51%

LAB 45.69, 26, -33.84

 

CMYK 15 / 42 / 0 / 35

HEX #8D5FA5

RGB 141 95 165

HSL 279.43, 0.28%, 0.51%

LAB 47.71, 31.79, -30.53

 

CMYK 4 / 42 / 0 / 35

HEX #9F5FA5

RGB 159 95 165

HSL 294.86, 0.28%, 0.51%

LAB 49.82, 37.41, -27.07

 

CMYK 42 / 36 / 0 / 35

HEX #5F6AA5

RGB 95 106 165

HSL 230.57, 0.28%, 0.51%

LAB 46.25, 11.51, -33.11

 

CMYK 42 / 42 / 0 / 35

HEX #5F5FA5

RGB 95 95 165

HSL 240, 0.28%, 0.51%

LAB 43.26, 18.33, -37.83

 

CMYK 42 / 36 / 0 / 35

HEX #5F6AA5

RGB 95 106 165

HSL 230.57, 0.28%, 0.51%

LAB 46.25, 11.51, -33.11

 

CMYK 59 / 50 / 0 / 27

HEX #4B5CB9

RGB 75 92 185

HSL 230.73, 0.44%, 0.51%

LAB 42.24, 22.07, -51.3

 

CMYK 73 / 61 / 0 / 20

HEX #374FCD

RGB 55 79 205

HSL 230.4, 0.6%, 0.51%

LAB 39.26, 34.33, -67.8

 

CMYK 85 / 71 / 0 / 11

HEX #2241E2

RGB 34 65 226

HSL 230.31, 0.77%, 0.51%

LAB 37.14, 48.63, -83.39

 

CMYK 94 / 79 / 0 / 4

HEX #0E33F6

RGB 14 51 246

HSL 230.43, 0.93%, 0.51%

LAB 36.2, 62.11, -96.29

 

CMYK 42 / 36 / 0 / 35

HEX #5F6AA5

RGB 95 106 165

HSL 230.57, 0.28%, 0.51%

LAB 46.25, 11.51, -33.11

 

CMYK 21 / 17 / 0 / 43

HEX #737891

RGB 115 120 145

HSL 230, 0.12%, 0.51%

LAB 50.83, 3.77, -14.17

 

CMYK 0 / 1 / 7 / 47

HEX #87867D

RGB 135 134 125

HSL 54, 0.04%, 0.51%

LAB 55.77, -1.34, 4.97

 

CMYK 0 / 5 / 33 / 39

HEX #9C9468

RGB 156 148 104

HSL 50.77, 0.21%, 0.51%

LAB 61, -4.03, 24.37

 

CMYK 0 / 9 / 52 / 31

HEX #B0A154

RGB 176 161 84

HSL 50.22, 0.37%, 0.51%

LAB 66.03, -4.83, 41.67

 

CMYK 42 / 13 / 0 / 35

HEX #5F90A5

RGB 95 144 165

HSL 198, 0.28%, 0.51%

LAB 57.17, -10.81, -16.26

 

CMYK 42 / 24 / 0 / 35

HEX #5F7DA5

RGB 95 125 165

HSL 214.29, 0.28%, 0.51%

LAB 51.63, 0.05, -24.74

 

CMYK 42 / 35 / 0 / 35

HEX #5F6BA5

RGB 95 107 165

HSL 229.71, 0.28%, 0.51%

LAB 46.53, 10.9, -32.67

 

CMYK 38 / 42 / 0 / 35

HEX #665FA5

RGB 102 95 165

HSL 246, 0.28%, 0.51%

LAB 43.84, 20.23, -36.88

 

CMYK 27 / 42 / 0 / 35

HEX #795FA5

RGB 121 95 165

HSL 262.29, 0.28%, 0.51%

LAB 45.59, 25.7, -34

 

CMYK 44 / 37 / 0 / 55

HEX #404872

RGB 64 72 114

HSL 230.4, 0.28%, 0.35%

LAB 31.67, 8.69, -25.22

 

CMYK 44 / 36 / 0 / 45

HEX #4F598C

RGB 79 89 140

HSL 230.16, 0.28%, 0.43%

LAB 39.07, 10.14, -29.56

 

CMYK 42 / 36 / 0 / 35

HEX #5F6AA5

RGB 95 106 165

HSL 230.57, 0.28%, 0.51%

LAB 46.25, 11.51, -33.11

 

CMYK 33 / 27 / 0 / 29

HEX #7983B4

RGB 121 131 180

HSL 229.83, 0.28%, 0.59%

LAB 55.68, 8.12, -26.98

 

CMYK 24 / 21 / 0 / 24

HEX #949BC3

RGB 148 155 195

HSL 231.06, 0.28%, 0.67%

LAB 64.71, 6.31, -21.42

 

CMYK 42 / 35 / 0 / 35

HEX #606BA5

RGB 96 107 165

HSL 230.43, 0.28%, 0.51%

LAB 46.6, 11.17, -32.56

 

CMYK 0 / 42 / 1 / 35

HEX #A55FA3

RGB 165 95 163

HSL 301.71, 0.28%, 0.51%

LAB 50.49, 38.91, -24.81

 

CMYK 18 / 0 / 42 / 35

HEX #87A55F

RGB 135 165 95

HSL 85.71, 0.28%, 0.51%

LAB 64.07, -22.59, 32.89

 

CMYK 42 / 35 / 0 / 35

HEX #606BA5

RGB 96 107 165

HSL 230.43, 0.28%, 0.51%

LAB 46.6, 11.17, -32.56

 

CMYK 0 / 42 / 35 / 35

HEX #A55F6B

RGB 165 95 107

HSL 349.71, 0.28%, 0.51%

LAB 48.57, 29.91, 5.64

 

CMYK 35 / 0 / 42 / 35

HEX #6BA55F

RGB 107 165 95

HSL 109.71, 0.28%, 0.51%

LAB 62.39, -32.84, 30.4

 

CMYK 42 / 35 / 0 / 35

HEX #606BA5

RGB 96 107 165

HSL 230.43, 0.28%, 0.51%

LAB 46.6, 11.17, -32.56

 

CMYK 0 / 42 / 1 / 35

HEX #A55FA3

RGB 165 95 163

HSL 301.71, 0.28%, 0.51%

LAB 50.49, 38.91, -24.81

 

CMYK 0 / 7 / 42 / 35

HEX #A5995F

RGB 165 153 95

HSL 49.71, 0.28%, 0.51%

LAB 63.02, -4.09, 32.03

 

CMYK 42 / 0 / 41 / 35

HEX #5FA561

RGB 95 165 97

HSL 121.71, 0.28%, 0.51%

LAB 61.83, -36.45, 28.5

 

CMYK 42 / 35 / 0 / 35

HEX #606BA5

RGB 96 107 165

HSL 230.43, 0.28%, 0.51%

LAB 46.6, 11.17, -32.56

 

CMYK 0 / 42 / 14 / 35

HEX #A55F8E

RGB 165 95 142

HSL 319.71, 0.28%, 0.51%

LAB 49.66, 35.15, -13.67

 

CMYK 0 / 7 / 42 / 35

HEX #A5995F

RGB 165 153 95

HSL 49.71, 0.28%, 0.51%

LAB 63.02, -4.09, 32.03

 

CMYK 42 / 0 / 28 / 35

HEX #5FA576

RGB 95 165 118

HSL 139.71, 0.28%, 0.51%

LAB 62.21, -32.73, 17.62

 

Description

Color code: HEX #606BA5 | qconv.com Color code: HEX #606BA5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 107 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 107 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 35 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 35% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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