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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6064DF it is the complementary color #9F9B20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6064DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6064DF shade: #6564DA, #7676ED, #8788FF, #989AFF and #A9ACFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6064DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6064DF shade: #6064DF, #4F52CC, #3E40B9, #2D2EA6 and #1C1C93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6064DF shade: #6266DF, #8062DF, #A262DF, #C362DF and #DF62D9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6064DF shade: #6266DF and #6262DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6064DF shade matches the following richer shades: #6266DF, #5358EE and #444AFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6064DF shade: #6266DF, #7275D0, #8183C0, #9091B1 and #9FA0A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6064DF shade: #62A9DF, #6288DF, #6267DF, #7F62DF and #A162DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6064DF shade: #292EC6, #4045D8, #6266DF, #8588E6 and #A7A9ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6064DF shade: #6064DF, #DF62CA and #98DF62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6064DF shade: #6064DF, #DF6267 and #67DF62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6064DF shade: #6064DF, #DF62CA, #DFDB62 and #62DF77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6064DF shade: #6064DF, #DF62A5, #DFDB62 and #62DF9C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 55 / 0 / 13

HEX #6064DF

RGB 96 100 223

HSL 238.11, 0.66%, 0.63%

LAB 48.17, 33.62, -63.51

 

Complementary color

CMYK 0 / 3 / 80 / 38

HEX #9F9B20

RGB 159 155 32

HSL 58.11, 0.66%, 0.37%

LAB 62.44, -12.36, 59.35

 

CMYK 54 / 54 / 0 / 15

HEX #6564DA

RGB 101 100 218

HSL 240.51, 0.61%, 0.62%

LAB 48.19, 32.99, -60.63

 

CMYK 50 / 50 / 0 / 7

HEX #7676ED

RGB 118 118 237

HSL 240, 0.77%, 0.7%

LAB 54.99, 31.51, -60.3

 

CMYK 47 / 47 / 0 / 0

HEX #8788FF

RGB 135 136 255

HSL 239.5, 1%, 0.76%

LAB 61.64, 29.94, -59.54

 

CMYK 40 / 40 / 0 / 0

HEX #989AFF

RGB 152 154 255

HSL 238.83, 1%, 0.8%

LAB 67.28, 23.53, -50.5

 

CMYK 34 / 33 / 0 / 0

HEX #A9ACFF

RGB 169 172 255

HSL 237.91, 1%, 0.83%

LAB 73, 17.76, -41.44

 

CMYK 57 / 55 / 0 / 13

HEX #6064DF

RGB 96 100 223

HSL 238.11, 0.66%, 0.63%

LAB 48.17, 33.62, -63.51

 

CMYK 61 / 60 / 0 / 20

HEX #4F52CC

RGB 79 82 204

HSL 238.56, 0.55%, 0.55%

LAB 41.31, 35.48, -63.83

 

CMYK 66 / 65 / 0 / 27

HEX #3E40B9

RGB 62 64 185

HSL 239.02, 0.5%, 0.48%

LAB 34.38, 37.62, -64.09

 

CMYK 73 / 72 / 0 / 35

HEX #2D2EA6

RGB 45 46 166

HSL 239.5, 0.57%, 0.41%

LAB 27.48, 40.01, -64.13

 

CMYK 81 / 81 / 0 / 42

HEX #1C1C93

RGB 28 28 147

HSL 240, 0.68%, 0.34%

LAB 20.77, 42.37, -63.63

 

CMYK 56 / 54 / 0 / 13

HEX #6266DF

RGB 98 102 223

HSL 238.08, 0.66%, 0.63%

LAB 48.79, 32.78, -62.5

 

CMYK 43 / 56 / 0 / 13

HEX #8062DF

RGB 128 98 223

HSL 254.4, 0.66%, 0.63%

LAB 50.28, 41.33, -59.98

 

CMYK 27 / 56 / 0 / 13

HEX #A262DF

RGB 162 98 223

HSL 270.72, 0.66%, 0.63%

LAB 53.75, 49.28, -54.21

 

CMYK 13 / 56 / 0 / 13

HEX #C362DF

RGB 195 98 223

HSL 286.56, 0.66%, 0.63%

LAB 57.72, 57.55, -47.66

 

CMYK 0 / 56 / 3 / 13

HEX #DF62D9

RGB 223 98 217

HSL 302.88, 0.66%, 0.63%

LAB 61.16, 63.7, -38.61

 

CMYK 56 / 54 / 0 / 13

HEX #6266DF

RGB 98 102 223

HSL 238.08, 0.66%, 0.63%

LAB 48.79, 32.78, -62.5

 

CMYK 56 / 56 / 0 / 13

HEX #6262DF

RGB 98 98 223

HSL 240, 0.66%, 0.63%

LAB 47.83, 35.2, -64.06

 

CMYK 56 / 54 / 0 / 13

HEX #6266DF

RGB 98 102 223

HSL 238.08, 0.66%, 0.63%

LAB 48.79, 32.78, -62.5

 

CMYK 65 / 63 / 0 / 7

HEX #5358EE

RGB 83 88 238

HSL 238.06, 0.82%, 0.63%

LAB 45.62, 43.64, -76.16

 

CMYK 73 / 71 / 0 / 1

HEX #444AFD

RGB 68 74 253

HSL 238.05, 0.98%, 0.63%

LAB 43.09, 54.89, -88.75

 

CMYK 56 / 54 / 0 / 13

HEX #6266DF

RGB 98 102 223

HSL 238.08, 0.66%, 0.63%

LAB 48.79, 32.78, -62.5

 

CMYK 45 / 44 / 0 / 18

HEX #7275D0

RGB 114 117 208

HSL 238.09, 0.5%, 0.63%

LAB 52.79, 22.51, -47.52

 

CMYK 33 / 32 / 0 / 25

HEX #8183C0

RGB 129 131 192

HSL 238.1, 0.33%, 0.63%

LAB 56.79, 13.66, -32.06

 

CMYK 19 / 18 / 0 / 31

HEX #9091B1

RGB 144 145 177

HSL 238.18, 0.17%, 0.63%

LAB 61.09, 6.47, -16.83

 

CMYK 2 / 1 / 0 / 36

HEX #9FA0A2

RGB 159 160 162

HSL 220, 0.02%, 0.63%

LAB 65.84, 0.03, -1.17

 

CMYK 56 / 24 / 0 / 13

HEX #62A9DF

RGB 98 169 223

HSL 205.92, 0.66%, 0.63%

LAB 66.75, -6.88, -34.04

 

CMYK 56 / 39 / 0 / 13

HEX #6288DF

RGB 98 136 223

HSL 221.76, 0.66%, 0.63%

LAB 57.59, 12.13, -48.41

 

CMYK 56 / 54 / 0 / 13

HEX #6267DF

RGB 98 103 223

HSL 237.6, 0.66%, 0.63%

LAB 49.04, 32.17, -62.1

 

CMYK 43 / 56 / 0 / 13

HEX #7F62DF

RGB 127 98 223

HSL 253.92, 0.66%, 0.63%

LAB 50.19, 41.11, -60.13

 

CMYK 28 / 56 / 0 / 13

HEX #A162DF

RGB 161 98 223

HSL 270.24, 0.66%, 0.63%

LAB 53.64, 49.04, -54.4

 

CMYK 79 / 77 / 0 / 22

HEX #292EC6

RGB 41 46 198

HSL 238.09, 0.66%, 0.47%

LAB 30.65, 50.36, -77.93

 

CMYK 70 / 68 / 0 / 15

HEX #4045D8

RGB 64 69 216

HSL 238.03, 0.66%, 0.55%

LAB 38.38, 45.29, -75.56

 

CMYK 56 / 54 / 0 / 13

HEX #6266DF

RGB 98 102 223

HSL 238.08, 0.66%, 0.63%

LAB 48.79, 32.78, -62.5

 

CMYK 42 / 41 / 0 / 10

HEX #8588E6

RGB 133 136 230

HSL 238.14, 0.66%, 0.71%

LAB 60.17, 22.27, -48.09

 

CMYK 30 / 29 / 0 / 7

HEX #A7A9ED

RGB 167 169 237

HSL 238.29, 0.66%, 0.79%

LAB 71.35, 14.35, -34.24

 

CMYK 57 / 55 / 0 / 13

HEX #6064DF

RGB 96 100 223

HSL 238.11, 0.66%, 0.63%

LAB 48.17, 33.62, -63.51

 

CMYK 0 / 56 / 9 / 13

HEX #DF62CA

RGB 223 98 202

HSL 310.08, 0.66%, 0.63%

LAB 60.5, 61.26, -31.16

 

CMYK 32 / 0 / 56 / 13

HEX #98DF62

RGB 152 223 98

HSL 94.08, 0.66%, 0.63%

LAB 82.02, -43.05, 53.42

 

CMYK 57 / 55 / 0 / 13

HEX #6064DF

RGB 96 100 223

HSL 238.11, 0.66%, 0.63%

LAB 48.17, 33.62, -63.51

 

CMYK 0 / 56 / 54 / 13

HEX #DF6267

RGB 223 98 103

HSL 357.6, 0.66%, 0.63%

LAB 57.47, 49.23, 21.63

 

CMYK 54 / 0 / 56 / 13

HEX #67DF62

RGB 103 223 98

HSL 117.6, 0.66%, 0.63%

LAB 79.92, -57.87, 50.44

 

CMYK 57 / 55 / 0 / 13

HEX #6064DF

RGB 96 100 223

HSL 238.11, 0.66%, 0.63%

LAB 48.17, 33.62, -63.51

 

CMYK 0 / 56 / 9 / 13

HEX #DF62CA

RGB 223 98 202

HSL 310.08, 0.66%, 0.63%

LAB 60.5, 61.26, -31.16

 

CMYK 0 / 2 / 56 / 13

HEX #DFDB62

RGB 223 219 98

HSL 58.08, 0.66%, 0.63%

LAB 85.62, -14, 58.79

 

CMYK 56 / 0 / 47 / 13

HEX #62DF77

RGB 98 223 119

HSL 130.08, 0.66%, 0.63%

LAB 80.01, -56.31, 40.57

 

CMYK 57 / 55 / 0 / 13

HEX #6064DF

RGB 96 100 223

HSL 238.11, 0.66%, 0.63%

LAB 48.17, 33.62, -63.51

 

CMYK 0 / 56 / 26 / 13

HEX #DF62A5

RGB 223 98 165

HSL 327.84, 0.66%, 0.63%

LAB 59.1, 55.87, -12.11

 

CMYK 0 / 2 / 56 / 13

HEX #DFDB62

RGB 223 219 98

HSL 58.08, 0.66%, 0.63%

LAB 85.62, -14, 58.79

 

CMYK 56 / 0 / 30 / 13

HEX #62DF9C

RGB 98 223 156

HSL 147.84, 0.66%, 0.63%

LAB 80.61, -49.95, 22.58

 

Description

Color code: HEX #6064DF | qconv.com Color code: HEX #6064DF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 100 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 100 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 55 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 55% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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