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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6062FE it is the complementary color #9F9D01. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6062FE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6062FE shade: #6562F9, #7674FF, #8786FF, #9898FF and #A9AAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6062FE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6062FE shade: #6062FE, #4F50EB, #3E3ED8, #2D2CC5 and #1C1AB2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6062FE shade: #6264FE, #8A62FE, #B462FE, #DE62FE and #FE62F4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6062FE shade: #6264FE and #6262FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6062FE shade matches the following richer shades: #6264FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6062FE shade: #6264FE, #6E70F1, #7B7DE5, #8889D8 and #9596CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6062FE shade: #62B8FE, #628EFE, #6264FE, #8962FE and #B362FE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6062FE shade: #1013FE, #393BFE, #6264FE, #8B8CFE and #B4B5FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6062FE shade: #6062FE, #FE62E2 and #A3FE62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6062FE shade: #6062FE, #FE6264 and #64FE62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6062FE shade: #6062FE, #FE62E2, #FEFC62 and #62FE7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6062FE shade: #6062FE, #FE62B3, #FEFC62 and #62FEAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 61 / 0 / 0

HEX #6062FE

RGB 96 98 254

HSL 239.24, 0.99%, 0.69%

LAB 49.95, 44.74, -77.99

 

Complementary color

CMYK 0 / 1 / 99 / 38

HEX #9F9D01

RGB 159 157 1

HSL 59.24, 0.99%, 0.31%

LAB 62.92, -14.09, 65.82

 

CMYK 59 / 61 / 0 / 2

HEX #6562F9

RGB 101 98 249

HSL 241.19, 0.93%, 0.68%

LAB 49.91, 43.92, -75.27

 

CMYK 54 / 55 / 0 / 0

HEX #7674FF

RGB 118 116 255

HSL 240.86, 1%, 0.73%

LAB 55.65, 38.16, -69.23

 

CMYK 47 / 47 / 0 / 0

HEX #8786FF

RGB 135 134 255

HSL 240.5, 1%, 0.76%

LAB 61.15, 31.1, -60.32

 

CMYK 40 / 40 / 0 / 0

HEX #9898FF

RGB 152 152 255

HSL 240, 1%, 0.8%

LAB 66.79, 24.68, -51.28

 

CMYK 34 / 33 / 0 / 0

HEX #A9AAFF

RGB 169 170 255

HSL 239.3, 1%, 0.83%

LAB 72.5, 18.88, -42.22

 

CMYK 62 / 61 / 0 / 0

HEX #6062FE

RGB 96 98 254

HSL 239.24, 0.99%, 0.69%

LAB 49.95, 44.74, -77.99

 

CMYK 66 / 66 / 0 / 8

HEX #4F50EB

RGB 79 80 235

HSL 239.62, 0.8%, 0.62%

LAB 43.36, 46.85, -78.19

 

CMYK 71 / 71 / 0 / 15

HEX #3E3ED8

RGB 62 62 216

HSL 240, 0.66%, 0.55%

LAB 36.79, 49.11, -78.18

 

CMYK 77 / 78 / 0 / 23

HEX #2D2CC5

RGB 45 44 197

HSL 240.39, 0.63%, 0.47%

LAB 30.38, 51.36, -77.78

 

CMYK 84 / 85 / 0 / 30

HEX #1C1AB2

RGB 28 26 178

HSL 240.79, 0.75%, 0.4%

LAB 24.32, 53.11, -76.6

 

CMYK 61 / 61 / 0 / 0

HEX #6264FE

RGB 98 100 254

HSL 239.23, 0.99%, 0.69%

LAB 50.53, 43.86, -77.04

 

CMYK 46 / 61 / 0 / 0

HEX #8A62FE

RGB 138 98 254

HSL 255.38, 0.99%, 0.69%

LAB 53.27, 51.91, -72.45

 

CMYK 29 / 61 / 0 / 0

HEX #B462FE

RGB 180 98 254

HSL 271.54, 0.99%, 0.69%

LAB 57.65, 60.58, -65.16

 

CMYK 13 / 61 / 0 / 0

HEX #DE62FE

RGB 222 98 254

HSL 287.69, 0.99%, 0.69%

LAB 62.86, 70.02, -56.52

 

CMYK 0 / 61 / 4 / 0

HEX #FE62F4

RGB 254 98 244

HSL 303.85, 0.99%, 0.69%

LAB 66.78, 75.83, -44.53

 

CMYK 61 / 61 / 0 / 0

HEX #6264FE

RGB 98 100 254

HSL 239.23, 0.99%, 0.69%

LAB 50.53, 43.86, -77.04

 

CMYK 61 / 61 / 0 / 0

HEX #6262FE

RGB 98 98 254

HSL 240, 0.99%, 0.69%

LAB 50.08, 45.03, -77.77

 

CMYK 61 / 61 / 0 / 0

HEX #6264FE

RGB 98 100 254

HSL 239.23, 0.99%, 0.69%

LAB 50.53, 43.86, -77.04

 

CMYK 61 / 61 / 0 / 0

HEX #6264FE

RGB 98 100 254

HSL 239.23, 0.99%, 0.69%

LAB 50.53, 43.86, -77.04

 

CMYK 54 / 54 / 0 / 5

HEX #6E70F1

RGB 110 112 241

HSL 239.08, 0.82%, 0.69%

LAB 53.23, 34.7, -65.4

 

CMYK 46 / 45 / 0 / 10

HEX #7B7DE5

RGB 123 125 229

HSL 238.87, 0.67%, 0.69%

LAB 56.62, 26.07, -53.21

 

CMYK 37 / 37 / 0 / 15

HEX #8889D8

RGB 136 137 216

HSL 239.25, 0.51%, 0.69%

LAB 59.96, 18.56, -40.59

 

CMYK 27 / 26 / 0 / 20

HEX #9596CB

RGB 149 150 203

HSL 238.89, 0.34%, 0.69%

LAB 63.77, 11.4, -27.33

 

CMYK 61 / 28 / 0 / 0

HEX #62B8FE

RGB 98 184 254

HSL 206.92, 0.99%, 0.69%

LAB 72.25, -5.49, -42.35

 

CMYK 61 / 44 / 0 / 0

HEX #628EFE

RGB 98 142 254

HSL 223.08, 0.99%, 0.69%

LAB 60.87, 18.66, -60.35

 

CMYK 61 / 61 / 0 / 0

HEX #6264FE

RGB 98 100 254

HSL 239.23, 0.99%, 0.69%

LAB 50.53, 43.86, -77.04

 

CMYK 46 / 61 / 0 / 0

HEX #8962FE

RGB 137 98 254

HSL 255, 0.99%, 0.69%

LAB 53.18, 51.72, -72.6

 

CMYK 30 / 61 / 0 / 0

HEX #B362FE

RGB 179 98 254

HSL 271.15, 0.99%, 0.69%

LAB 57.54, 60.36, -65.35

 

CMYK 94 / 93 / 0 / 0

HEX #1013FE

RGB 16 19 254

HSL 239.24, 0.99%, 0.53%

LAB 33.42, 75.9, -105.43

 

CMYK 78 / 77 / 0 / 0

HEX #393BFE

RGB 57 59 254

HSL 239.39, 0.99%, 0.61%

LAB 39.84, 62.26, -94.71

 

CMYK 61 / 61 / 0 / 0

HEX #6264FE

RGB 98 100 254

HSL 239.23, 0.99%, 0.69%

LAB 50.53, 43.86, -77.04

 

CMYK 45 / 45 / 0 / 0

HEX #8B8CFE

RGB 139 140 254

HSL 239.48, 0.98%, 0.77%

LAB 62.84, 28.22, -57.05

 

CMYK 29 / 29 / 0 / 0

HEX #B4B5FF

RGB 180 181 255

HSL 239.2, 1%, 0.85%

LAB 76.05, 15.79, -36.62

 

CMYK 62 / 61 / 0 / 0

HEX #6062FE

RGB 96 98 254

HSL 239.24, 0.99%, 0.69%

LAB 49.95, 44.74, -77.99

 

CMYK 0 / 61 / 11 / 0

HEX #FE62E2

RGB 254 98 226

HSL 310.77, 0.99%, 0.69%

LAB 65.98, 73.09, -35.8

 

CMYK 36 / 0 / 61 / 0

HEX #A3FE62

RGB 163 254 98

HSL 95, 0.99%, 0.69%

LAB 91.48, -52.39, 64.29

 

CMYK 62 / 61 / 0 / 0

HEX #6062FE

RGB 96 98 254

HSL 239.24, 0.99%, 0.69%

LAB 49.95, 44.74, -77.99

 

CMYK 0 / 61 / 61 / 0

HEX #FE6264

RGB 254 98 100

HSL 359.23, 0.99%, 0.69%

LAB 62.28, 59.5, 30.57

 

CMYK 61 / 0 / 61 / 0

HEX #64FE62

RGB 100 254 98

HSL 119.23, 0.99%, 0.69%

LAB 89.15, -69.67, 61.03

 

CMYK 62 / 61 / 0 / 0

HEX #6062FE

RGB 96 98 254

HSL 239.24, 0.99%, 0.69%

LAB 49.95, 44.74, -77.99

 

CMYK 0 / 61 / 11 / 0

HEX #FE62E2

RGB 254 98 226

HSL 310.77, 0.99%, 0.69%

LAB 65.98, 73.09, -35.8

 

CMYK 0 / 1 / 61 / 0

HEX #FEFC62

RGB 254 252 98

HSL 59.23, 0.99%, 0.69%

LAB 96.65, -17.65, 71.54

 

CMYK 61 / 0 / 50 / 0

HEX #62FE7E

RGB 98 254 126

HSL 130.77, 0.99%, 0.69%

LAB 89.39, -66.75, 48.89

 

CMYK 62 / 61 / 0 / 0

HEX #6062FE

RGB 96 98 254

HSL 239.24, 0.99%, 0.69%

LAB 49.95, 44.74, -77.99

 

CMYK 0 / 61 / 30 / 0

HEX #FE62B3

RGB 254 98 179

HSL 328.85, 0.99%, 0.69%

LAB 64.21, 66.78, -12.01

 

CMYK 0 / 1 / 61 / 0

HEX #FEFC62

RGB 254 252 98

HSL 59.23, 0.99%, 0.69%

LAB 96.65, -17.65, 71.54

 

CMYK 61 / 0 / 32 / 0

HEX #62FEAD

RGB 98 254 173

HSL 148.85, 0.99%, 0.69%

LAB 90.09, -59.05, 26.81

 

Description

Color code: HEX #6062FE | qconv.com Color code: HEX #6062FE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 98 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 98 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 61 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 61% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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