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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #605FB2 it is the complementary color #9FA04D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #605FB2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #605FB2 shade: #655FAD, #7671C0, #8783D3, #9895E6 and #A9A7F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #605FB2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #605FB2 shade: #605FB2, #4F4D9F, #3E3B8C, #2D2979 and #1C1766

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #605FB2 shade: #6261B3, #7861B3, #8E61B3, #A461B3 and #B361AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #605FB2 shade: #6261B3 and #6161B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #605FB2 shade matches the following richer shades: #6261B3, #4F4EC6, #3D3BD9, #2A28EC and #1815FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #605FB2 shade: #6261B3, #7474A0, #87878D, #999A7A and #ACAD67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #605FB2 shade: #618CB3, #6177B3, #6161B3, #7761B3 and #8C61B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #605FB2 shade: #3F3F82, #4D4C9E, #6261B3, #7D7CC0 and #9998CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #605FB2 shade: #605FB2, #B361A2 and #81B361

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #605FB2 shade: #605FB2, #B36161 and #61B361

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #605FB2 shade: #605FB2, #B361A2, #B3B361 and #61B371

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #605FB2 shade: #605FB2, #B3618A, #B3B361 and #61B38A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 47 / 0 / 30

HEX #605FB2

RGB 96 95 178

HSL 240.72, 0.35%, 0.54%

LAB 44.07, 22.53, -44.19

 

Complementary color

CMYK 1 / 0 / 52 / 37

HEX #9FA04D

RGB 159 160 77

HSL 60.72, 0.35%, 0.46%

LAB 64.2, -12.17, 42.62

 

CMYK 42 / 45 / 0 / 32

HEX #655FAD

RGB 101 95 173

HSL 244.62, 0.32%, 0.53%

LAB 44.19, 22.29, -41.04

 

CMYK 39 / 41 / 0 / 25

HEX #7671C0

RGB 118 113 192

HSL 243.8, 0.39%, 0.6%

LAB 51.23, 21.3, -40.84

 

CMYK 36 / 38 / 0 / 17

HEX #8783D3

RGB 135 131 211

HSL 243, 0.48%, 0.67%

LAB 58.12, 20.44, -40.69

 

CMYK 34 / 35 / 0 / 10

HEX #9895E6

RGB 152 149 230

HSL 242.22, 0.62%, 0.74%

LAB 64.87, 19.7, -40.59

 

CMYK 32 / 33 / 0 / 2

HEX #A9A7F9

RGB 169 167 249

HSL 241.46, 0.87%, 0.82%

LAB 71.5, 19.04, -40.53

 

CMYK 46 / 47 / 0 / 30

HEX #605FB2

RGB 96 95 178

HSL 240.72, 0.35%, 0.54%

LAB 44.07, 22.53, -44.19

 

CMYK 50 / 52 / 0 / 38

HEX #4F4D9F

RGB 79 77 159

HSL 241.46, 0.35%, 0.46%

LAB 36.88, 23.85, -44.5

 

CMYK 56 / 58 / 0 / 45

HEX #3E3B8C

RGB 62 59 140

HSL 242.22, 0.41%, 0.39%

LAB 29.53, 25.45, -44.85

 

CMYK 63 / 66 / 0 / 53

HEX #2D2979

RGB 45 41 121

HSL 243, 0.49%, 0.32%

LAB 22.03, 27.41, -45.18

 

CMYK 73 / 77 / 0 / 60

HEX #1C1766

RGB 28 23 102

HSL 243.8, 0.63%, 0.25%

LAB 14.51, 29.68, -45.26

 

CMYK 45 / 46 / 0 / 30

HEX #6261B3

RGB 98 97 179

HSL 240.73, 0.35%, 0.54%

LAB 44.8, 22.09, -43.6

 

CMYK 33 / 46 / 0 / 30

HEX #7861B3

RGB 120 97 179

HSL 256.83, 0.35%, 0.54%

LAB 46.71, 27.88, -40.46

 

CMYK 21 / 46 / 0 / 30

HEX #8E61B3

RGB 142 97 179

HSL 272.93, 0.35%, 0.54%

LAB 48.95, 34.15, -36.76

 

CMYK 8 / 46 / 0 / 30

HEX #A461B3

RGB 164 97 179

HSL 289.02, 0.35%, 0.54%

LAB 51.49, 40.67, -32.6

 

CMYK 0 / 46 / 4 / 30

HEX #B361AB

RGB 179 97 171

HSL 305.85, 0.35%, 0.54%

LAB 53.03, 43.7, -25.41

 

CMYK 45 / 46 / 0 / 30

HEX #6261B3

RGB 98 97 179

HSL 240.73, 0.35%, 0.54%

LAB 44.8, 22.09, -43.6

 

CMYK 46 / 46 / 0 / 30

HEX #6161B3

RGB 97 97 179

HSL 240, 0.35%, 0.54%

LAB 44.72, 21.84, -43.73

 

CMYK 45 / 46 / 0 / 30

HEX #6261B3

RGB 98 97 179

HSL 240.73, 0.35%, 0.54%

LAB 44.8, 22.09, -43.6

 

CMYK 60 / 61 / 0 / 22

HEX #4F4EC6

RGB 79 78 198

HSL 240.5, 0.51%, 0.54%

LAB 39.9, 35.96, -62.65

 

CMYK 72 / 73 / 0 / 15

HEX #3D3BD9

RGB 61 59 217

HSL 240.76, 0.68%, 0.54%

LAB 36.23, 51.01, -79.69

 

CMYK 82 / 83 / 0 / 7

HEX #2A28EC

RGB 42 40 236

HSL 240.61, 0.84%, 0.54%

LAB 34.12, 64.87, -94.08

 

CMYK 91 / 92 / 0 / 0

HEX #1815FF

RGB 24 21 255

HSL 240.77, 1%, 0.54%

LAB 33.88, 75.78, -105.22

 

CMYK 45 / 46 / 0 / 30

HEX #6261B3

RGB 98 97 179

HSL 240.73, 0.35%, 0.54%

LAB 44.8, 22.09, -43.6

 

CMYK 28 / 28 / 0 / 37

HEX #7474A0

RGB 116 116 160

HSL 240, 0.19%, 0.54%

LAB 50.38, 10.23, -23.63

 

CMYK 4 / 4 / 0 / 45

HEX #87878D

RGB 135 135 141

HSL 240, 0.03%, 0.54%

LAB 56.49, 1.21, -3.21

 

CMYK 1 / 0 / 21 / 40

HEX #999A7A

RGB 153 154 122

HSL 61.88, 0.14%, 0.54%

LAB 62.75, -5.94, 16.73

 

CMYK 1 / 0 / 40 / 32

HEX #ACAD67

RGB 172 173 103

HSL 60.86, 0.3%, 0.54%

LAB 69.21, -10.95, 35.8

 

CMYK 46 / 22 / 0 / 30

HEX #618CB3

RGB 97 140 179

HSL 208.54, 0.35%, 0.54%

LAB 56.64, -4.04, -25.06

 

CMYK 46 / 34 / 0 / 30

HEX #6177B3

RGB 97 119 179

HSL 223.9, 0.35%, 0.54%

LAB 50.68, 8.32, -34.32

 

CMYK 46 / 46 / 0 / 30

HEX #6161B3

RGB 97 97 179

HSL 240, 0.35%, 0.54%

LAB 44.72, 21.84, -43.73

 

CMYK 34 / 46 / 0 / 30

HEX #7761B3

RGB 119 97 179

HSL 256.1, 0.35%, 0.54%

LAB 46.61, 27.61, -40.61

 

CMYK 22 / 46 / 0 / 30

HEX #8C61B3

RGB 140 97 179

HSL 271.46, 0.35%, 0.54%

LAB 48.73, 33.57, -37.12

 

CMYK 52 / 52 / 0 / 49

HEX #3F3F82

RGB 63 63 130

HSL 240, 0.35%, 0.38%

LAB 29.97, 19.66, -37.93

 

CMYK 51 / 52 / 0 / 38

HEX #4D4C9E

RGB 77 76 158

HSL 240.73, 0.35%, 0.46%

LAB 36.4, 23.71, -44.69

 

CMYK 45 / 46 / 0 / 30

HEX #6261B3

RGB 98 97 179

HSL 240.73, 0.35%, 0.54%

LAB 44.8, 22.09, -43.6

 

CMYK 35 / 35 / 0 / 25

HEX #7D7CC0

RGB 125 124 192

HSL 240.88, 0.35%, 0.62%

LAB 54.64, 16.65, -35.44

 

CMYK 26 / 26 / 0 / 19

HEX #9998CE

RGB 153 152 206

HSL 241.11, 0.36%, 0.7%

LAB 64.71, 12.2, -27.52

 

CMYK 46 / 47 / 0 / 30

HEX #605FB2

RGB 96 95 178

HSL 240.72, 0.35%, 0.54%

LAB 44.07, 22.53, -44.19

 

CMYK 0 / 46 / 9 / 30

HEX #B361A2

RGB 179 97 162

HSL 312.44, 0.35%, 0.54%

LAB 52.67, 42.12, -20.72

 

CMYK 28 / 0 / 46 / 30

HEX #81B361

RGB 129 179 97

HSL 96.59, 0.35%, 0.54%

LAB 67.85, -31.41, 36.54

 

CMYK 46 / 47 / 0 / 30

HEX #605FB2

RGB 96 95 178

HSL 240.72, 0.35%, 0.54%

LAB 44.07, 22.53, -44.19

 

CMYK 0 / 46 / 46 / 30

HEX #B36161

RGB 179 97 97

HSL 0, 0.35%, 0.54%

LAB 50.68, 33.03, 14.86

 

CMYK 46 / 0 / 46 / 30

HEX #61B361

RGB 97 179 97

HSL 120, 0.35%, 0.54%

LAB 66.25, -42, 34.18

 

CMYK 46 / 47 / 0 / 30

HEX #605FB2

RGB 96 95 178

HSL 240.72, 0.35%, 0.54%

LAB 44.07, 22.53, -44.19

 

CMYK 0 / 46 / 9 / 30

HEX #B361A2

RGB 179 97 162

HSL 312.44, 0.35%, 0.54%

LAB 52.67, 42.12, -20.72

 

CMYK 0 / 0 / 46 / 30

HEX #B3B361

RGB 179 179 97

HSL 60, 0.35%, 0.54%

LAB 71.34, -11.83, 41.63

 

CMYK 46 / 0 / 37 / 30

HEX #61B371

RGB 97 179 113

HSL 131.71, 0.35%, 0.54%

LAB 66.5, -39.44, 26.14

 

CMYK 46 / 47 / 0 / 30

HEX #605FB2

RGB 96 95 178

HSL 240.72, 0.35%, 0.54%

LAB 44.07, 22.53, -44.19

 

CMYK 0 / 46 / 23 / 30

HEX #B3618A

RGB 179 97 138

HSL 330, 0.35%, 0.54%

LAB 51.8, 38.26, -7.9

 

CMYK 0 / 0 / 46 / 30

HEX #B3B361

RGB 179 179 97

HSL 60, 0.35%, 0.54%

LAB 71.34, -11.83, 41.63

 

CMYK 46 / 0 / 23 / 30

HEX #61B38A

RGB 97 179 138

HSL 150, 0.35%, 0.54%

LAB 66.99, -34.65, 13.29

 

Description

Color code: HEX #605FB2 | qconv.com Color code: HEX #605FB2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 95 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 95 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 47 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 47% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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