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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6054CD3F it is the complementary color #9FAB323F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6054CD3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6054CD3F shade: #6554C83F, #7666DB3F, #8778EE3F, #988AFF3F and #A99CFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6054CD3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6054CD3F shade: #6054CD3F, #4F42BA3F, #3E30A73F, #2D1E943F and #1C0C813F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6054CD3F shade: #6155CE, #8255CE, #A255CE, #C355CE and #CE55B8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6054CD3F shade: #6155CE and #5555CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6054CD3F shade matches the following richer shades: #6155CE, #5343DF and #4532F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6054CD3F shade: #6155CE, #6F67BC, #7D79AA, #8C8A98 and #9A9C87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6054CD3F shade: #558BCE, #556BCE, #5F55CE, #7F55CE and #9F55CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6054CD3F shade: #3A2FA1, #4638C1, #6155CE, #7F75D7 and #9C95E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6054CD3F shade: #6054CD, #CE55AB and #7BCE55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6054CD3F shade: #6054CD, #CE5F55 and #55CE5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6054CD3F shade: #6054CD, #CE55AB, #C4CE55 and #55CE77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6054CD3F shade: #6054CD, #CE5587, #C4CE55 and #55CE9B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 15 / 0 / 5

HEX #6054CD3F

RGBA 96 84 205 0.25

HSLA 245.95, 0.55%, 0.57%, 0.25

LABA 43.12, 37.62, -61.41, 0.25

 

Complementary color

CMYK 2 / 0 / 18 / 8

HEX #9FAB323F

RGBA 159 171 50 0.25

HSLA 65.95, 0.55%, 0.43%, 0.25

LABA 67.07, -19.78, 57.57, 0.25

 

CMYK 12 / 15 / 0 / 5

HEX #6554C83F

RGBA 101 84 200 0.25

HSLA 248.79, 0.51%, 0.56%, 0.25

LABA 43.18, 37.08, -58.41, 0.25

 

CMYK 12 / 13 / 0 / 4

HEX #7666DB3F

RGBA 118 102 219 0.25

HSLA 248.21, 0.62%, 0.63%, 0.25

LABA 50.06, 35.66, -58.11, 0.25

 

CMYK 11 / 12 / 0 / 2

HEX #8778EE3F

RGBA 135 120 238 0.25

HSLA 247.63, 0.78%, 0.7%, 0.25

LABA 56.84, 34.39, -57.83, 0.25

 

CMYK 10 / 11 / 0 / 0

HEX #988AFF3F

RGBA 152 138 255 0.25

HSLA 247.18, 1%, 0.77%, 0.25

LABA 63.4, 32.71, -56.65, 0.25

 

CMYK 8 / 10 / 0 / 0

HEX #A99CFF3F

RGBA 169 156 255 0.25

HSLA 247.88, 1%, 0.81%, 0.25

LABA 69.06, 26.77, -47.6, 0.25

 

CMYK 13 / 15 / 0 / 5

HEX #6054CD3F

RGBA 96 84 205 0.25

HSLA 245.95, 0.55%, 0.57%, 0.25

LABA 43.12, 37.62, -61.41, 0.25

 

CMYK 14 / 16 / 0 / 7

HEX #4F42BA3F

RGBA 79 66 186 0.25

HSLA 246.5, 0.48%, 0.49%, 0.25

LABA 36.18, 39.35, -61.68, 0.25

 

CMYK 16 / 18 / 0 / 9

HEX #3E30A73F

RGBA 62 48 167 0.25

HSLA 247.06, 0.55%, 0.42%, 0.25

LABA 29.23, 41.23, -61.8, 0.25

 

CMYK 17 / 20 / 0 / 10

HEX #2D1E943F

RGBA 45 30 148 0.25

HSLA 247.63, 0.66%, 0.35%, 0.25

LABA 22.39, 43.03, -61.53, 0.25

 

CMYK 20 / 23 / 0 / 12

HEX #1C0C813F

RGBA 28 12 129 0.25

HSLA 248.21, 0.83%, 0.28%, 0.25

LABA 15.98, 44.02, -60.3, 0.25

 

CMYK 53 / 59 / 0 / 19

HEX #6155CE

RGB 97 85 206

HSL 245.95, 0.55%, 0.57%

LAB 43.5, 37.52, -61.36

 

CMYK 37 / 59 / 0 / 19

HEX #8255CE

RGB 130 85 206

HSL 262.31, 0.55%, 0.57%

LAB 46.58, 44.51, -56.24

 

CMYK 21 / 59 / 0 / 19

HEX #A255CE

RGB 162 85 206

HSL 278.18, 0.55%, 0.57%

LAB 50.26, 52.13, -50.14

 

CMYK 5 / 59 / 0 / 19

HEX #C355CE

RGB 195 85 206

HSL 294.55, 0.55%, 0.57%

LAB 54.61, 60.38, -42.95

 

CMYK 0 / 59 / 11 / 19

HEX #CE55B8

RGB 206 85 184

HSL 310.91, 0.55%, 0.57%

LAB 55.15, 59.54, -29.36

 

CMYK 53 / 59 / 0 / 19

HEX #6155CE

RGB 97 85 206

HSL 245.95, 0.55%, 0.57%

LAB 43.5, 37.52, -61.36

 

CMYK 59 / 59 / 0 / 19

HEX #5555CE

RGB 85 85 206

HSL 240, 0.55%, 0.57%

LAB 42.59, 35.31, -62.88

 

CMYK 53 / 59 / 0 / 19

HEX #6155CE

RGB 97 85 206

HSL 245.95, 0.55%, 0.57%

LAB 43.5, 37.52, -61.36

 

CMYK 63 / 70 / 0 / 13

HEX #5343DF

RGB 83 67 223

HSL 246.15, 0.71%, 0.57%

LAB 39.88, 50.93, -77.06

 

CMYK 71 / 79 / 0 / 5

HEX #4532F1

RGB 69 50 241

HSL 245.97, 0.87%, 0.57%

LAB 37.66, 63.47, -90.99

 

CMYK 53 / 59 / 0 / 19

HEX #6155CE

RGB 97 85 206

HSL 245.95, 0.55%, 0.57%

LAB 43.5, 37.52, -61.36

 

CMYK 41 / 45 / 0 / 26

HEX #6F67BC

RGB 111 103 188

HSL 245.65, 0.39%, 0.57%

LAB 47.89, 24.37, -43.85

 

CMYK 26 / 29 / 0 / 33

HEX #7D79AA

RGB 125 121 170

HSL 244.9, 0.22%, 0.57%

LAB 52.88, 12.64, -25.53

 

CMYK 8 / 9 / 0 / 40

HEX #8C8A98

RGB 140 138 152

HSL 248.57, 0.06%, 0.57%

LAB 58.06, 3.58, -7.18

 

CMYK 1 / 0 / 13 / 39

HEX #9A9C87

RGB 154 156 135

HSL 65.71, 0.1%, 0.57%

LAB 63.67, -4.53, 10.76

 

CMYK 59 / 33 / 0 / 19

HEX #558BCE

RGB 85 139 206

HSL 213.22, 0.55%, 0.57%

LAB 56.93, 2.19, -39.95

 

CMYK 59 / 48 / 0 / 19

HEX #556BCE

RGB 85 107 206

HSL 229.09, 0.55%, 0.57%

LAB 48.14, 21.66, -53.93

 

CMYK 54 / 59 / 0 / 19

HEX #5F55CE

RGB 95 85 206

HSL 244.96, 0.55%, 0.57%

LAB 43.34, 37.14, -61.63

 

CMYK 38 / 59 / 0 / 19

HEX #7F55CE

RGB 127 85 206

HSL 260.83, 0.55%, 0.57%

LAB 46.26, 43.83, -56.76

 

CMYK 23 / 59 / 0 / 19

HEX #9F55CE

RGB 159 85 206

HSL 276.69, 0.55%, 0.57%

LAB 49.89, 51.4, -50.75

 

CMYK 64 / 71 / 0 / 37

HEX #3A2FA1

RGB 58 47 161

HSL 245.79, 0.55%, 0.41%

LAB 28.13, 39.31, -59.99

 

CMYK 64 / 71 / 0 / 24

HEX #4638C1

RGB 70 56 193

HSL 246.13, 0.55%, 0.49%

LAB 33.94, 46.03, -69.5

 

CMYK 53 / 59 / 0 / 19

HEX #6155CE

RGB 97 85 206

HSL 245.95, 0.55%, 0.57%

LAB 43.5, 37.52, -61.36

 

CMYK 41 / 46 / 0 / 16

HEX #7F75D7

RGB 127 117 215

HSL 246.12, 0.55%, 0.65%

LAB 54.18, 27.73, -49.22

 

CMYK 30 / 33 / 0 / 12

HEX #9C95E0

RGB 156 149 224

HSL 245.6, 0.55%, 0.73%

LAB 64.92, 19.27, -37.17

 

CMYK 53 / 59 / 0 / 20

HEX #6054CD

RGB 96 84 205

HSL 245.95, 0.55%, 0.57%

LAB 43.12, 37.62, -61.41

 

CMYK 0 / 59 / 17 / 19

HEX #CE55AB

RGB 206 85 171

HSL 317.36, 0.55%, 0.57%

LAB 54.62, 57.56, -22.65

 

CMYK 40 / 0 / 59 / 19

HEX #7BCE55

RGB 123 206 85

HSL 101.16, 0.55%, 0.57%

LAB 75.46, -46.81, 51.33

 

CMYK 53 / 59 / 0 / 20

HEX #6054CD

RGB 96 84 205

HSL 245.95, 0.55%, 0.57%

LAB 43.12, 37.62, -61.41

 

CMYK 0 / 54 / 59 / 19

HEX #CE5F55

RGB 206 95 85

HSL 4.96, 0.55%, 0.57%

LAB 53.99, 43.19, 26.99

 

CMYK 59 / 0 / 54 / 19

HEX #55CE5F

RGB 85 206 95

HSL 124.96, 0.55%, 0.57%

LAB 74.13, -56.24, 44.8

 

CMYK 53 / 59 / 0 / 20

HEX #6054CD

RGB 96 84 205

HSL 245.95, 0.55%, 0.57%

LAB 43.12, 37.62, -61.41

 

CMYK 0 / 59 / 17 / 19

HEX #CE55AB

RGB 206 85 171

HSL 317.36, 0.55%, 0.57%

LAB 54.62, 57.56, -22.65

 

CMYK 5 / 0 / 59 / 19

HEX #C4CE55

RGB 196 206 85

HSL 64.96, 0.55%, 0.57%

LAB 79.92, -19.52, 57.56

 

CMYK 59 / 0 / 42 / 19

HEX #55CE77

RGB 85 206 119

HSL 136.86, 0.55%, 0.57%

LAB 74.45, -52.69, 33.37

 

CMYK 53 / 59 / 0 / 20

HEX #6054CD

RGB 96 84 205

HSL 245.95, 0.55%, 0.57%

LAB 43.12, 37.62, -61.41

 

CMYK 0 / 59 / 34 / 19

HEX #CE5587

RGB 206 85 135

HSL 335.21, 0.55%, 0.57%

LAB 53.35, 52.77, -3.39

 

CMYK 5 / 0 / 59 / 19

HEX #C4CE55

RGB 196 206 85

HSL 64.96, 0.55%, 0.57%

LAB 79.92, -19.52, 57.56

 

CMYK 59 / 0 / 25 / 19

HEX #55CE9B

RGB 85 206 155

HSL 154.71, 0.55%, 0.57%

LAB 75.1, -45.81, 15.42

 

Description

Color code: HEX #6054CD3F | qconv.com Color code: HEX #6054CD3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 84 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 84 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 15 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 15% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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