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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #603ABCCE it is the complementary color #9FC543CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #603ABCCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #603ABCCE shade: #653AB7CE, #764CCACE, #875EDDCE, #9870F0CE and #A982FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #603ABCCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #603ABCCE shade: #603ABCCE, #4F28A9CE, #3E1696CE, #2D0483CE and #1C0070CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #603ABCCE shade: #5F3ABB, #823ABB, #A53ABB, #BB3AAE and #BB3A8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #603ABCCE shade: #5F3ABB, #3C3ABB and #3A3ABB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #603ABCCE shade matches the following richer shades: #5F3ABB, #5726CF and #4F12E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #603ABCCE shade: #5F3ABB, #684DA7, #706194, #787580 and #80896C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #603ABCCE shade: #3A5ABB, #3C3ABB, #5E3ABB, #813ABB and #A33ABB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #603ABCCE shade: #3F267C, #4F309C, #5F3ABB, #7654CA and #9073D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #603ABCCE shade: #603ABC, #BB3A7D and #49BB3A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #603ABCCE shade: #603ABC, #BB5E3A and #3ABB5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #603ABCCE shade: #603ABC, #BB3A7D, #97BB3A and #3ABB78

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #603ABCCE shade: #603ABC, #BB3A56, #97BB3A and #3ABB9F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 56 / 0 / 21

HEX #603ABCCE

RGBA 96 58 188 0.81

HSLA 257.54, 0.53%, 0.48%, 0.81

LABA 36.26, 47.41, -62.67, 0.81

 

Complementary color

CMYK 16 / 0 / 53 / 18

HEX #9FC543CE

RGBA 159 197 67 0.81

HSLA 77.54, 0.53%, 0.52%, 0.81

LABA 74.64, -31.37, 58.66, 0.81

 

CMYK 36 / 55 / 0 / 23

HEX #653AB7CE

RGBA 101 58 183 0.81

HSLA 260.64, 0.52%, 0.47%, 0.81

LABA 36.39, 46.93, -59.49, 0.81

 

CMYK 34 / 51 / 0 / 17

HEX #764CCACE

RGBA 118 76 202 0.81

HSLA 260, 0.54%, 0.55%, 0.81

LABA 43.19, 45.78, -59.47, 0.81

 

CMYK 32 / 47 / 0 / 11

HEX #875EDDCE

RGBA 135 94 221 0.81

HSLA 259.37, 0.65%, 0.62%, 0.81

LABA 49.95, 44.6, -59.34, 0.81

 

CMYK 30 / 43 / 0 / 5

HEX #9870F0CE

RGBA 152 112 240 0.81

HSLA 258.75, 0.81%, 0.69%, 0.81

LABA 56.64, 43.47, -59.17, 0.81

 

CMYK 27 / 40 / 0 / 0

HEX #A982FFCE

RGBA 169 130 255 0.81

HSLA 258.72, 1%, 0.75%, 0.81

LABA 63.03, 41.39, -57.16, 0.81

 

CMYK 40 / 56 / 0 / 21

HEX #603ABCCE

RGBA 96 58 188 0.81

HSLA 257.54, 0.53%, 0.48%, 0.81

LABA 36.26, 47.41, -62.67, 0.81

 

CMYK 43 / 62 / 0 / 27

HEX #4F28A9CE

RGBA 79 40 169 0.81

HSLA 258.14, 0.62%, 0.41%, 0.81

LABA 29.52, 48.5, -62.46, 0.81

 

CMYK 48 / 69 / 0 / 33

HEX #3E1696CE

RGBA 62 22 150 0.81

HSLA 258.75, 0.74%, 0.34%, 0.81

LABA 23, 48.98, -61.7, 0.81

 

CMYK 53 / 79 / 0 / 39

HEX #2D0483CE

RGBA 45 4 131 0.81

HSLA 259.37, 0.94%, 0.26%, 0.81

LABA 16.91, 48.23, -59.97, 0.81

 

CMYK 61 / 81 / 0 / 45

HEX #1C0070CE

RGBA 28 0 112 0.81

HSLA 255, 1%, 0.22%, 0.81

LABA 12.07, 43.82, -55.86, 0.81

 

CMYK 49 / 69 / 0 / 27

HEX #5F3ABB

RGB 95 58 187

HSL 257.21, 0.53%, 0.48%

LAB 36.07, 46.95, -62.39

 

CMYK 30 / 69 / 0 / 27

HEX #823ABB

RGB 130 58 187

HSL 273.49, 0.53%, 0.48%

LAB 40.18, 53.69, -55.53

 

CMYK 12 / 69 / 0 / 27

HEX #A53ABB

RGB 165 58 187

HSL 289.77, 0.53%, 0.48%

LAB 45.1, 61.21, -47.36

 

CMYK 0 / 69 / 7 / 27

HEX #BB3AAE

RGB 187 58 174

HSL 306.05, 0.53%, 0.48%

LAB 47.81, 64.04, -35.21

 

CMYK 0 / 69 / 26 / 27

HEX #BB3A8B

RGB 187 58 139

HSL 322.33, 0.53%, 0.48%

LAB 46.25, 59, -16.76

 

CMYK 49 / 69 / 0 / 27

HEX #5F3ABB

RGB 95 58 187

HSL 257.21, 0.53%, 0.48%

LAB 36.07, 46.95, -62.39

 

CMYK 68 / 69 / 0 / 27

HEX #3C3ABB

RGB 60 58 187

HSL 240.93, 0.53%, 0.48%

LAB 33.08, 41.67, -67.41

 

CMYK 69 / 69 / 0 / 27

HEX #3A3ABB

RGB 58 58 187

HSL 240, 0.53%, 0.48%

LAB 32.95, 41.42, -67.63

 

CMYK 49 / 69 / 0 / 27

HEX #5F3ABB

RGB 95 58 187

HSL 257.21, 0.53%, 0.48%

LAB 36.07, 46.95, -62.39

 

CMYK 58 / 82 / 0 / 19

HEX #5726CF

RGB 87 38 207

HSL 257.4, 0.69%, 0.48%

LAB 33.81, 60.72, -77.84

 

CMYK 65 / 92 / 0 / 11

HEX #4F12E3

RGB 79 18 227

HSL 257.51, 0.85%, 0.48%

LAB 33.22, 71.22, -90.37

 

CMYK 49 / 69 / 0 / 27

HEX #5F3ABB

RGB 95 58 187

HSL 257.21, 0.53%, 0.48%

LAB 36.07, 46.95, -62.39

 

CMYK 38 / 54 / 0 / 35

HEX #684DA7

RGB 104 77 167

HSL 258, 0.37%, 0.48%

LAB 39.65, 32.35, -44.72

 

CMYK 24 / 34 / 0 / 42

HEX #706194

RGB 112 97 148

HSL 257.65, 0.21%, 0.48%

LAB 44.42, 17.36, -25.8

 

CMYK 6 / 9 / 0 / 50

HEX #787580

RGB 120 117 128

HSL 256.36, 0.04%, 0.48%

LAB 49.83, 3.41, -5.62

 

CMYK 7 / 0 / 21 / 46

HEX #80896C

RGB 128 137 108

HSL 78.62, 0.12%, 0.48%

LAB 55.65, -8.71, 14.48

 

CMYK 69 / 52 / 0 / 27

HEX #3A5ABB

RGB 58 90 187

HSL 225.12, 0.53%, 0.48%

LAB 40.9, 21.13, -54.68

 

CMYK 68 / 69 / 0 / 27

HEX #3C3ABB

RGB 60 58 187

HSL 240.93, 0.53%, 0.48%

LAB 33.08, 41.67, -67.41

 

CMYK 50 / 69 / 0 / 27

HEX #5E3ABB

RGB 94 58 187

HSL 256.74, 0.53%, 0.48%

LAB 35.97, 46.78, -62.56

 

CMYK 31 / 69 / 0 / 27

HEX #813ABB

RGB 129 58 187

HSL 273.02, 0.53%, 0.48%

LAB 40.05, 53.48, -55.75

 

CMYK 13 / 69 / 0 / 27

HEX #A33ABB

RGB 163 58 187

HSL 288.84, 0.53%, 0.48%

LAB 44.8, 60.77, -47.85

 

CMYK 49 / 69 / 0 / 51

HEX #3F267C

RGB 63 38 124

HSL 257.44, 0.53%, 0.32%

LAB 23.33, 33.68, -44.89

 

CMYK 49 / 69 / 0 / 39

HEX #4F309C

RGB 79 48 156

HSL 257.22, 0.53%, 0.4%

LAB 29.85, 40.6, -54.06

 

CMYK 49 / 69 / 0 / 27

HEX #5F3ABB

RGB 95 58 187

HSL 257.21, 0.53%, 0.48%

LAB 36.07, 46.95, -62.39

 

CMYK 42 / 58 / 0 / 21

HEX #7654CA

RGB 118 84 202

HSL 257.29, 0.53%, 0.56%

LAB 44.88, 41.3, -56.73

 

CMYK 32 / 46 / 0 / 17

HEX #9073D4

RGB 144 115 212

HSL 257.94, 0.53%, 0.64%

LAB 55.01, 32.49, -46.1

 

CMYK 49 / 69 / 0 / 26

HEX #603ABC

RGB 96 58 188

HSL 257.54, 0.53%, 0.48%

LAB 36.26, 47.41, -62.67

 

CMYK 0 / 69 / 33 / 27

HEX #BB3A7D

RGB 187 58 125

HSL 328.84, 0.53%, 0.48%

LAB 45.73, 57.27, -9.04

 

CMYK 61 / 0 / 69 / 27

HEX #49BB3A

RGB 73 187 58

HSL 113.02, 0.53%, 0.48%

LAB 67.47, -56.18, 53.46

 

CMYK 49 / 69 / 0 / 26

HEX #603ABC

RGB 96 58 188

HSL 257.54, 0.53%, 0.48%

LAB 36.26, 47.41, -62.67

 

CMYK 0 / 50 / 69 / 27

HEX #BB5E3A

RGB 187 94 58

HSL 16.74, 0.53%, 0.48%

LAB 50.54, 34.65, 37.31

 

CMYK 69 / 0 / 50 / 27

HEX #3ABB5E

RGB 58 187 94

HSL 136.74, 0.53%, 0.48%

LAB 67.46, -54.93, 36.96

 

CMYK 49 / 69 / 0 / 26

HEX #603ABC

RGB 96 58 188

HSL 257.54, 0.53%, 0.48%

LAB 36.26, 47.41, -62.67

 

CMYK 0 / 69 / 33 / 27

HEX #BB3A7D

RGB 187 58 125

HSL 328.84, 0.53%, 0.48%

LAB 45.73, 57.27, -9.04

 

CMYK 19 / 0 / 69 / 27

HEX #97BB3A

RGB 151 187 58

HSL 76.74, 0.53%, 0.48%

LAB 71.16, -30.44, 58.44

 

CMYK 69 / 0 / 36 / 27

HEX #3ABB78

RGB 58 187 120

HSL 148.84, 0.53%, 0.48%

LAB 67.87, -50.36, 24.03

 

CMYK 49 / 69 / 0 / 26

HEX #603ABC

RGB 96 58 188

HSL 257.54, 0.53%, 0.48%

LAB 36.26, 47.41, -62.67

 

CMYK 0 / 69 / 54 / 27

HEX #BB3A56

RGB 187 58 86

HSL 346.98, 0.53%, 0.48%

LAB 44.61, 53.41, 13.34

 

CMYK 19 / 0 / 69 / 27

HEX #97BB3A

RGB 151 187 58

HSL 76.74, 0.53%, 0.48%

LAB 71.16, -30.44, 58.44

 

CMYK 69 / 0 / 15 / 27

HEX #3ABB9F

RGB 58 187 159

HSL 166.98, 0.53%, 0.48%

LAB 68.71, -41.5, 4.07

 

Description

Color code: HEX #603ABCCE | qconv.com Color code: HEX #603ABCCE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 58 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 58 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 56 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 56% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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