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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #602528 it is the complementary color #9FDAD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #602528. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #602528 shade: #652523, #763736, #874949, #985B5C and #A96D6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #602528. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #602528 shade: #602528, #4F1315, #3E0102, #2D0000 and #1C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #602528 shade: #5F2528 and #5F2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #602528 shade: #5F2528, #5F2538, #5F2548, #5F2557 and #58255F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #602528 shade matches the following richer shades: #5F2528, #6A1A1E, #751015 and #80050B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #602528 shade: #5F2528, #553032, #4A3B3B, #3F4545 and #35504F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #602528 shade: #5F2548, #5F2539, #5F2529, #5F3125 and #5F4025

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #602528 shade: #240E0F, #421A1C, #5F2528, #7D3135 and #9B3C41

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #602528 shade: #602528, #585F25 and #25405F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #602528 shade: #602528, #295F25 and #25295F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #602528 shade: #602528, #585F25, #255F5C and #2D255F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #602528 shade: #602528, #465F25, #255F5C and #3E255F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 58 / 62

HEX #602528

RGB 96 37 40

HSL 356.95, 0.44%, 0.26%

LAB 23.55, 27.15, 11.62

 

Complementary color

CMYK 27 / 0 / 1 / 15

HEX #9FDAD7

RGB 159 218 215

HSL 176.95, 0.44%, 0.74%

LAB 83.14, -19.33, -4.61

 

CMYK 0 / 63 / 65 / 60

HEX #652523

RGB 101 37 35

HSL 1.82, 0.49%, 0.27%

LAB 24.36, 28.73, 16.21

 

CMYK 0 / 53 / 54 / 54

HEX #763736

RGB 118 55 54

HSL 0.94, 0.37%, 0.34%

LAB 31.46, 27.48, 13.67

 

CMYK 0 / 46 / 46 / 47

HEX #874949

RGB 135 73 73

HSL 0, 0.3%, 0.41%

LAB 38.55, 26.26, 11.72

 

CMYK 0 / 40 / 39 / 40

HEX #985B5C

RGB 152 91 92

HSL 359.02, 0.25%, 0.48%

LAB 45.54, 25.15, 10.14

 

CMYK 0 / 36 / 34 / 34

HEX #A96D6F

RGB 169 109 111

HSL 358, 0.26%, 0.55%

LAB 52.42, 24.16, 8.82

 

CMYK 0 / 61 / 58 / 62

HEX #602528

RGB 96 37 40

HSL 356.95, 0.44%, 0.26%

LAB 23.55, 27.15, 11.62

 

CMYK 0 / 76 / 73 / 69

HEX #4F1315

RGB 79 19 21

HSL 358, 0.61%, 0.19%

LAB 16.42, 28.08, 14.84

 

CMYK 0 / 98 / 97 / 76

HEX #3E0102

RGB 62 1 2

HSL 359.02, 0.97%, 0.12%

LAB 9.4, 28.74, 14.01

 

CMYK 0 / 100 / 100 / 82

HEX #2D0000

RGB 45 0 0

HSL 0, 1%, 0.09%

LAB 5.04, 21.8, 7.96

 

CMYK 0 / 100 / 100 / 89

HEX #1C0000

RGB 28 0 0

HSL 0, 1%, 0.05%

LAB 2.23, 10.01, 3.52

 

CMYK 0 / 61 / 58 / 63

HEX #5F2528

RGB 95 37 40

HSL 356.9, 0.44%, 0.26%

LAB 23.37, 26.75, 11.35

 

CMYK 0 / 61 / 61 / 63

HEX #5F2525

RGB 95 37 37

HSL 0, 0.44%, 0.26%

LAB 23.3, 26.47, 13.29

 

CMYK 0 / 61 / 58 / 63

HEX #5F2528

RGB 95 37 40

HSL 356.9, 0.44%, 0.26%

LAB 23.37, 26.75, 11.35

 

CMYK 0 / 61 / 41 / 63

HEX #5F2538

RGB 95 37 56

HSL 340.34, 0.44%, 0.26%

LAB 23.81, 28.54, 1.06

 

CMYK 0 / 61 / 24 / 63

HEX #5F2548

RGB 95 37 72

HSL 323.79, 0.44%, 0.26%

LAB 24.4, 30.87, -8.92

 

CMYK 0 / 61 / 8 / 63

HEX #5F2557

RGB 95 37 87

HSL 308.28, 0.44%, 0.26%

LAB 25.09, 33.48, -17.86

 

CMYK 7 / 61 / 0 / 63

HEX #58255F

RGB 88 37 95

HSL 292.76, 0.44%, 0.26%

LAB 24.4, 32.94, -24.3

 

CMYK 0 / 61 / 58 / 63

HEX #5F2528

RGB 95 37 40

HSL 356.9, 0.44%, 0.26%

LAB 23.37, 26.75, 11.35

 

CMYK 0 / 75 / 72 / 58

HEX #6A1A1E

RGB 106 26 30

HSL 357, 0.61%, 0.26%

LAB 23.33, 35.45, 18.46

 

CMYK 0 / 86 / 82 / 54

HEX #751015

RGB 117 16 21

HSL 357.03, 0.76%, 0.26%

LAB 24.34, 42.05, 26.09

 

CMYK 0 / 96 / 91 / 50

HEX #80050B

RGB 128 5 11

HSL 357.07, 0.92%, 0.26%

LAB 25.93, 47.32, 33.93

 

CMYK 0 / 61 / 58 / 63

HEX #5F2528

RGB 95 37 40

HSL 356.9, 0.44%, 0.26%

LAB 23.37, 26.75, 11.35

 

CMYK 0 / 44 / 41 / 67

HEX #553032

RGB 85 48 50

HSL 356.76, 0.28%, 0.26%

LAB 24.56, 17.13, 5.99

 

CMYK 0 / 20 / 20 / 71

HEX #4A3B3B

RGB 74 59 59

HSL 0, 0.11%, 0.26%

LAB 26.45, 6.58, 2.48

 

CMYK 9 / 0 / 0 / 73

HEX #3F4545

RGB 63 69 69

HSL 180, 0.05%, 0.26%

LAB 28.75, -2.46, -0.85

 

CMYK 34 / 0 / 1 / 69

HEX #35504F

RGB 53 80 79

HSL 177.78, 0.2%, 0.26%

LAB 31.94, -10.38, -2.68

 

CMYK 0 / 61 / 24 / 63

HEX #5F2548

RGB 95 37 72

HSL 323.79, 0.44%, 0.26%

LAB 24.4, 30.87, -8.92

 

CMYK 0 / 61 / 40 / 63

HEX #5F2539

RGB 95 37 57

HSL 339.31, 0.44%, 0.26%

LAB 23.84, 28.67, 0.42

 

CMYK 0 / 61 / 57 / 63

HEX #5F2529

RGB 95 37 41

HSL 355.86, 0.44%, 0.26%

LAB 23.39, 26.84, 10.7

 

CMYK 0 / 48 / 61 / 63

HEX #5F3125

RGB 95 49 37

HSL 12.41, 0.44%, 0.26%

LAB 26.05, 19.5, 16.85

 

CMYK 0 / 33 / 61 / 63

HEX #5F4025

RGB 95 64 37

HSL 27.93, 0.44%, 0.26%

LAB 29.99, 10.2, 21.78

 

CMYK 0 / 61 / 58 / 86

HEX #240E0F

RGB 36 14 15

HSL 357.27, 0.44%, 0.1%

LAB 6.54, 11.34, 3.54

 

CMYK 0 / 61 / 58 / 74

HEX #421A1C

RGB 66 26 28

HSL 357, 0.43%, 0.18%

LAB 15.39, 19.61, 8.03

 

CMYK 0 / 61 / 58 / 63

HEX #5F2528

RGB 95 37 40

HSL 356.9, 0.44%, 0.26%

LAB 23.37, 26.75, 11.35

 

CMYK 0 / 61 / 58 / 51

HEX #7D3135

RGB 125 49 53

HSL 356.84, 0.44%, 0.34%

LAB 31.38, 33.37, 14.4

 

CMYK 0 / 61 / 58 / 39

HEX #9B3C41

RGB 155 60 65

HSL 356.84, 0.44%, 0.42%

LAB 38.87, 40.08, 17.67

 

CMYK 0 / 61 / 58 / 62

HEX #602528

RGB 96 37 40

HSL 356.95, 0.44%, 0.26%

LAB 23.55, 27.15, 11.62

 

CMYK 7 / 0 / 61 / 63

HEX #585F25

RGB 88 95 37

HSL 67.24, 0.44%, 0.26%

LAB 38.54, -11.92, 31.61

 

CMYK 61 / 33 / 0 / 63

HEX #25405F

RGB 37 64 95

HSL 212.07, 0.44%, 0.26%

LAB 26.41, 0.23, -21.49

 

CMYK 0 / 61 / 58 / 62

HEX #602528

RGB 96 37 40

HSL 356.95, 0.44%, 0.26%

LAB 23.55, 27.15, 11.62

 

CMYK 57 / 0 / 61 / 63

HEX #295F25

RGB 41 95 37

HSL 115.86, 0.44%, 0.26%

LAB 35.58, -30.8, 27.43

 

CMYK 61 / 57 / 0 / 63

HEX #25295F

RGB 37 41 95

HSL 235.86, 0.44%, 0.26%

LAB 19.25, 16.32, -32.87

 

CMYK 0 / 61 / 58 / 62

HEX #602528

RGB 96 37 40

HSL 356.95, 0.44%, 0.26%

LAB 23.55, 27.15, 11.62

 

CMYK 7 / 0 / 61 / 63

HEX #585F25

RGB 88 95 37

HSL 67.24, 0.44%, 0.26%

LAB 38.54, -11.92, 31.61

 

CMYK 61 / 0 / 3 / 63

HEX #255F5C

RGB 37 95 92

HSL 176.9, 0.44%, 0.26%

LAB 36.65, -19.51, -3.96

 

CMYK 53 / 61 / 0 / 63

HEX #2D255F

RGB 45 37 95

HSL 248.28, 0.44%, 0.26%

LAB 18.83, 20.97, -33.51

 

CMYK 0 / 61 / 58 / 62

HEX #602528

RGB 96 37 40

HSL 356.95, 0.44%, 0.26%

LAB 23.55, 27.15, 11.62

 

CMYK 26 / 0 / 61 / 63

HEX #465F25

RGB 70 95 37

HSL 85.86, 0.44%, 0.26%

LAB 37.15, -20, 29.66

 

CMYK 61 / 0 / 3 / 63

HEX #255F5C

RGB 37 95 92

HSL 176.9, 0.44%, 0.26%

LAB 36.65, -19.51, -3.96

 

CMYK 35 / 61 / 0 / 63

HEX #3E255F

RGB 62 37 95

HSL 265.86, 0.44%, 0.26%

LAB 20.73, 25.4, -30.36

 

Description

Color code: HEX #602528 | qconv.com Color code: HEX #602528 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 37 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 37 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 58 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 58% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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