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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6010F7 it is the complementary color #9FEF08. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6010F7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6010F7 shade: #6510F2, #7622FF, #8734FF, #9846FF and #A958FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6010F7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6010F7 shade: #6010F7, #4F00E4, #3E00D1, #2D00BE and #1C00AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6010F7 shade: #6112F8, #9F12F8, #DD12F8, #F812D4 and #F81296

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6010F7 shade: #6112F8, #2312F8 and #1212F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6010F7 shade matches the following richer shades: #6112F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6010F7 shade: #6112F8, #6725E4, #6D39D0, #734DBC and #7A61A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6010F7 shade: #1240F8, #2112F8, #5E12F8, #9C12F8 and #D912F8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6010F7 shade: #4105B1, #5007D9, #6112F8, #7C3AF9 and #9662FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6010F7 shade: #6010F7, #F8127D and #21F812

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6010F7 shade: #6010F7, #F85E12 and #12F85E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6010F7 shade: #6010F7, #F8127D, #ABF812 and #12F88C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6010F7 shade: #6010F7, #F81238, #ABF812 and #12F8D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 94 / 0 / 3

HEX #6010F7

RGB 96 16 247

HSL 260.78, 0.94%, 0.52%

LAB 37.06, 77.32, -95.29

 

Complementary color

CMYK 33 / 0 / 97 / 6

HEX #9FEF08

RGB 159 239 8

HSL 80.78, 0.94%, 0.48%

LAB 86.56, -51.79, 83.16

 

CMYK 58 / 93 / 0 / 5

HEX #6510F2

RGB 101 16 242

HSL 262.57, 0.9%, 0.51%

LAB 37.02, 76.5, -92.53

 

CMYK 54 / 87 / 0 / 0

HEX #7622FF

RGB 118 34 255

HSL 262.81, 1%, 0.57%

LAB 41.56, 76.87, -92.27

 

CMYK 47 / 80 / 0 / 0

HEX #8734FF

RGB 135 52 255

HSL 264.53, 1%, 0.6%

LAB 45.4, 73.01, -85.87

 

CMYK 40 / 73 / 0 / 0

HEX #9846FF

RGB 152 70 255

HSL 266.59, 1%, 0.64%

LAB 49.83, 68.35, -78.54

 

CMYK 34 / 65 / 0 / 0

HEX #A958FF

RGB 169 88 255

HSL 269.1, 1%, 0.67%

LAB 54.69, 63.31, -70.54

 

CMYK 61 / 94 / 0 / 3

HEX #6010F7

RGB 96 16 247

HSL 260.78, 0.94%, 0.52%

LAB 37.06, 77.32, -95.29

 

CMYK 65 / 100 / 0 / 11

HEX #4F00E4

RGB 79 0 228

HSL 260.79, 1%, 0.45%

LAB 32.4, 74.35, -92.31

 

CMYK 70 / 100 / 0 / 18

HEX #3E00D1

RGB 62 0 209

HSL 257.8, 1%, 0.41%

LAB 28.45, 69.24, -87.96

 

CMYK 76 / 100 / 0 / 25

HEX #2D00BE

RGB 45 0 190

HSL 254.21, 1%, 0.37%

LAB 24.56, 64.13, -83.32

 

CMYK 84 / 100 / 0 / 33

HEX #1C00AB

RGB 28 0 171

HSL 249.82, 1%, 0.34%

LAB 20.78, 59.03, -78.3

 

CMYK 61 / 93 / 0 / 3

HEX #6112F8

RGB 97 18 248

HSL 260.61, 0.94%, 0.52%

LAB 37.39, 77.27, -95.31

 

CMYK 36 / 93 / 0 / 3

HEX #9F12F8

RGB 159 18 248

HSL 276.78, 0.94%, 0.52%

LAB 45.05, 82.69, -82.4

 

CMYK 11 / 93 / 0 / 3

HEX #DD12F8

RGB 221 18 248

HSL 292.96, 0.94%, 0.52%

LAB 54.64, 90.85, -66.38

 

CMYK 0 / 93 / 15 / 3

HEX #F812D4

RGB 248 18 212

HSL 309.39, 0.94%, 0.52%

LAB 57.21, 90.22, -41.71

 

CMYK 0 / 93 / 40 / 3

HEX #F81296

RGB 248 18 150

HSL 325.57, 0.94%, 0.52%

LAB 54.65, 83.53, -9.58

 

CMYK 61 / 93 / 0 / 3

HEX #6112F8

RGB 97 18 248

HSL 260.61, 0.94%, 0.52%

LAB 37.39, 77.27, -95.31

 

CMYK 86 / 93 / 0 / 3

HEX #2312F8

RGB 35 18 248

HSL 244.43, 0.94%, 0.52%

LAB 33.06, 74.86, -102.63

 

CMYK 93 / 93 / 0 / 3

HEX #1212F8

RGB 18 18 248

HSL 240, 0.94%, 0.52%

LAB 32.57, 74.62, -103.48

 

CMYK 61 / 93 / 0 / 3

HEX #6112F8

RGB 97 18 248

HSL 260.61, 0.94%, 0.52%

LAB 37.39, 77.27, -95.31

 

CMYK 61 / 93 / 0 / 3

HEX #6112F8

RGB 97 18 248

HSL 260.61, 0.94%, 0.52%

LAB 37.39, 77.27, -95.31

 

CMYK 55 / 84 / 0 / 11

HEX #6725E4

RGB 103 37 228

HSL 260.73, 0.78%, 0.52%

LAB 37.5, 68.09, -83.78

 

CMYK 48 / 73 / 0 / 18

HEX #6D39D0

RGB 109 57 208

HSL 260.66, 0.62%, 0.52%

LAB 39.12, 55.54, -69.59

 

CMYK 39 / 59 / 0 / 26

HEX #734DBC

RGB 115 77 188

HSL 260.54, 0.45%, 0.52%

LAB 42.13, 40.78, -53.06

 

CMYK 27 / 42 / 0 / 34

HEX #7A61A8

RGB 122 97 168

HSL 261.13, 0.29%, 0.52%

LAB 46.33, 25.57, -34.59

 

CMYK 93 / 74 / 0 / 3

HEX #1240F8

RGB 18 64 248

HSL 228, 0.94%, 0.52%

LAB 38.85, 56.06, -93.02

 

CMYK 87 / 93 / 0 / 3

HEX #2112F8

RGB 33 18 248

HSL 243.91, 0.94%, 0.52%

LAB 32.99, 74.82, -102.76

 

CMYK 62 / 93 / 0 / 3

HEX #5E12F8

RGB 94 18 248

HSL 259.83, 0.94%, 0.52%

LAB 37.1, 77.09, -95.81

 

CMYK 37 / 93 / 0 / 3

HEX #9C12F8

RGB 156 18 248

HSL 276, 0.94%, 0.52%

LAB 44.63, 82.36, -83.12

 

CMYK 13 / 93 / 0 / 3

HEX #D912F8

RGB 217 18 248

HSL 291.91, 0.94%, 0.52%

LAB 53.99, 90.26, -67.47

 

CMYK 63 / 97 / 0 / 31

HEX #4105B1

RGB 65 5 177

HSL 260.93, 0.95%, 0.36%

LAB 24.97, 60.77, -74.84

 

CMYK 63 / 97 / 0 / 15

HEX #5007D9

RGB 80 7 217

HSL 260.86, 0.94%, 0.44%

LAB 31.5, 70.8, -87.47

 

CMYK 61 / 93 / 0 / 3

HEX #6112F8

RGB 97 18 248

HSL 260.61, 0.94%, 0.52%

LAB 37.39, 77.27, -95.31

 

CMYK 50 / 77 / 0 / 2

HEX #7C3AF9

RGB 124 58 249

HSL 260.73, 0.94%, 0.6%

LAB 44.45, 67.82, -84.12

 

CMYK 40 / 61 / 0 / 2

HEX #9662FA

RGB 150 98 250

HSL 260.53, 0.94%, 0.68%

LAB 54.16, 53.24, -68.74

 

CMYK 61 / 94 / 0 / 3

HEX #6010F7

RGB 96 16 247

HSL 260.78, 0.94%, 0.52%

LAB 37.06, 77.32, -95.29

 

CMYK 0 / 93 / 50 / 3

HEX #F8127D

RGB 248 18 125

HSL 332.09, 0.94%, 0.52%

LAB 53.89, 81.49, 4.26

 

CMYK 87 / 0 / 93 / 3

HEX #21F812

RGB 33 248 18

HSL 116.09, 0.94%, 0.52%

LAB 85.76, -82.62, 80.11

 

CMYK 61 / 94 / 0 / 3

HEX #6010F7

RGB 96 16 247

HSL 260.78, 0.94%, 0.52%

LAB 37.06, 77.32, -95.29

 

CMYK 0 / 62 / 93 / 3

HEX #F85E12

RGB 248 94 18

HSL 19.83, 0.94%, 0.52%

LAB 59.89, 56.18, 65.95

 

CMYK 93 / 0 / 62 / 3

HEX #12F85E

RGB 18 248 94

HSL 139.83, 0.94%, 0.52%

LAB 86.04, -78.62, 58.86

 

CMYK 61 / 94 / 0 / 3

HEX #6010F7

RGB 96 16 247

HSL 260.78, 0.94%, 0.52%

LAB 37.06, 77.32, -95.29

 

CMYK 0 / 93 / 50 / 3

HEX #F8127D

RGB 248 18 125

HSL 332.09, 0.94%, 0.52%

LAB 53.89, 81.49, 4.26

 

CMYK 31 / 0 / 93 / 3

HEX #ABF812

RGB 171 248 18

HSL 80.09, 0.94%, 0.52%

LAB 89.78, -51.07, 85.05

 

CMYK 93 / 0 / 44 / 3

HEX #12F88C

RGB 18 248 140

HSL 151.83, 0.94%, 0.52%

LAB 86.58, -72.05, 38.41

 

CMYK 61 / 94 / 0 / 3

HEX #6010F7

RGB 96 16 247

HSL 260.78, 0.94%, 0.52%

LAB 37.06, 77.32, -95.29

 

CMYK 0 / 93 / 77 / 3

HEX #F81238

RGB 248 18 56

HSL 350.09, 0.94%, 0.52%

LAB 52.59, 77.92, 43.7

 

CMYK 31 / 0 / 93 / 3

HEX #ABF812

RGB 171 248 18

HSL 80.09, 0.94%, 0.52%

LAB 89.78, -51.07, 85.05

 

CMYK 93 / 0 / 16 / 3

HEX #12F8D1

RGB 18 248 209

HSL 169.83, 0.94%, 0.52%

LAB 87.9, -57.23, 5.06

 

Description

Color code: HEX #6010F7 | qconv.com Color code: HEX #6010F7 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 16 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 16 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 94 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 94% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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