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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5FFE56 it is the complementary color #A001A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5FFE56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5FFE56 shade: #64FE51, #75FF64, #86FF77, #97FF8A and #A8FF9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5FFE56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5FFE56 shade: #5FFE56, #4EEC43, #3DDA30, #2CC81D and #1BB60A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5FFE56 shade: #60FE58, #8DFE58, #BAFE58, #E7FE58 and #FEE858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5FFE56 shade: #60FE58, #58FE7C, #58FEA8, #58FED5 and #58FAFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5FFE56 shade matches the following richer shades: #60FE58

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5FFE56 shade: #60FE58, #6DF165, #79E373, #85D580 and #91C88E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5FFE56 shade: #BCFE58, #8FFE58, #63FE58, #58FE79 and #58FEA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5FFE56 shade: #13FE05, #3AFE2E, #60FE58, #87FE81 and #AEFFAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5FFE56 shade: #5FFE56, #58E8FE and #FE58A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5FFE56 shade: #5FFE56, #5863FE and #FE5863

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5FFE56 shade: #5FFE56, #58E8FE, #F358FE and #FE6E58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5FFE56 shade: #5FFE56, #58B6FE, #F358FE and #FEA058

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 66 / 0

HEX #5FFE56

RGB 95 254 86

HSL 116.79, 0.99%, 0.67%

LAB 88.92, -71.87, 65.56

 

Complementary color

CMYK 5 / 99 / 0 / 34

HEX #A001A9

RGB 160 1 169

HSL 296.79, 0.99%, 0.33%

LAB 38.48, 70.62, -47.36

 

CMYK 61 / 0 / 68 / 0

HEX #64FE51

RGB 100 254 81

HSL 113.41, 0.99%, 0.66%

LAB 89.01, -71.24, 67.59

 

CMYK 54 / 0 / 61 / 0

HEX #75FF64

RGB 117 255 100

HSL 113.42, 1%, 0.7%

LAB 89.96, -65.9, 61.25

 

CMYK 47 / 0 / 53 / 0

HEX #86FF77

RGB 134 255 119

HSL 113.38, 1%, 0.73%

LAB 90.74, -59.4, 54.02

 

CMYK 41 / 0 / 46 / 0

HEX #97FF8A

RGB 151 255 138

HSL 113.33, 1%, 0.77%

LAB 91.66, -52.2, 46.46

 

CMYK 34 / 0 / 38 / 0

HEX #A8FF9D

RGB 168 255 157

HSL 113.27, 1%, 0.81%

LAB 92.7, -44.44, 38.74

 

CMYK 63 / 0 / 66 / 0

HEX #5FFE56

RGB 95 254 86

HSL 116.79, 0.99%, 0.67%

LAB 88.92, -71.87, 65.56

 

CMYK 67 / 0 / 72 / 7

HEX #4EEC43

RGB 78 236 67

HSL 116.09, 0.82%, 0.59%

LAB 82.92, -70.93, 66.17

 

CMYK 72 / 0 / 78 / 15

HEX #3DDA30

RGB 61 218 48

HSL 115.41, 0.7%, 0.52%

LAB 76.89, -69.57, 66.29

 

CMYK 78 / 0 / 86 / 22

HEX #2CC81D

RGB 44 200 29

HSL 114.74, 0.75%, 0.45%

LAB 70.82, -67.65, 65.58

 

CMYK 85 / 0 / 95 / 29

HEX #1BB60A

RGB 27 182 10

HSL 114.07, 0.9%, 0.38%

LAB 64.73, -64.98, 63.57

 

CMYK 62 / 0 / 65 / 0

HEX #60FE58

RGB 96 254 88

HSL 117.11, 0.99%, 0.67%

LAB 88.96, -71.48, 64.83

 

CMYK 44 / 0 / 65 / 0

HEX #8DFE58

RGB 141 254 88

HSL 100.84, 0.99%, 0.67%

LAB 90.44, -60.09, 66.86

 

CMYK 27 / 0 / 65 / 0

HEX #BAFE58

RGB 186 254 88

HSL 84.58, 0.99%, 0.67%

LAB 92.59, -45.29, 69.79

 

CMYK 9 / 0 / 65 / 0

HEX #E7FE58

RGB 231 254 88

HSL 68.31, 0.99%, 0.67%

LAB 95.4, -28.31, 73.6

 

CMYK 0 / 9 / 65 / 0

HEX #FEE858

RGB 254 232 88

HSL 52.05, 0.99%, 0.67%

LAB 91.45, -8.45, 70.07

 

CMYK 62 / 0 / 65 / 0

HEX #60FE58

RGB 96 254 88

HSL 117.11, 0.99%, 0.67%

LAB 88.96, -71.48, 64.83

 

CMYK 65 / 0 / 51 / 0

HEX #58FE7C

RGB 88 254 124

HSL 133.01, 0.99%, 0.67%

LAB 89.12, -68.95, 49.44

 

CMYK 65 / 0 / 34 / 0

HEX #58FEA8

RGB 88 254 168

HSL 148.92, 0.99%, 0.67%

LAB 89.76, -61.78, 28.85

 

CMYK 65 / 0 / 16 / 0

HEX #58FED5

RGB 88 254 213

HSL 165.18, 0.99%, 0.67%

LAB 90.67, -52.23, 7.09

 

CMYK 65 / 2 / 0 / 0

HEX #58FAFE

RGB 88 250 254

HSL 181.45, 0.99%, 0.67%

LAB 90.6, -40.06, -14.3

 

CMYK 62 / 0 / 65 / 0

HEX #60FE58

RGB 96 254 88

HSL 117.11, 0.99%, 0.67%

LAB 88.96, -71.48, 64.83

 

CMYK 62 / 0 / 65 / 0

HEX #60FE58

RGB 96 254 88

HSL 117.11, 0.99%, 0.67%

LAB 88.96, -71.48, 64.83

 

CMYK 55 / 0 / 58 / 5

HEX #6DF165

RGB 109 241 101

HSL 116.57, 0.83%, 0.67%

LAB 85.56, -62.7, 55.73

 

CMYK 47 / 0 / 49 / 11

HEX #79E373

RGB 121 227 115

HSL 116.79, 0.67%, 0.67%

LAB 81.97, -52.49, 45.12

 

CMYK 38 / 0 / 40 / 16

HEX #85D580

RGB 133 213 128

HSL 116.47, 0.5%, 0.67%

LAB 78.54, -41.22, 34.47

 

CMYK 28 / 0 / 29 / 22

HEX #91C88E

RGB 145 200 142

HSL 116.9, 0.35%, 0.67%

LAB 75.63, -29.16, 23.44

 

CMYK 26 / 0 / 65 / 0

HEX #BCFE58

RGB 188 254 88

HSL 83.86, 0.99%, 0.67%

LAB 92.7, -44.57, 69.94

 

CMYK 44 / 0 / 65 / 0

HEX #8FFE58

RGB 143 254 88

HSL 100.12, 0.99%, 0.67%

LAB 90.52, -59.5, 66.97

 

CMYK 61 / 0 / 65 / 0

HEX #63FE58

RGB 99 254 88

HSL 116.02, 0.99%, 0.67%

LAB 89.04, -70.85, 64.94

 

CMYK 65 / 0 / 52 / 0

HEX #58FE79

RGB 88 254 121

HSL 131.93, 0.99%, 0.67%

LAB 89.08, -69.35, 50.78

 

CMYK 65 / 0 / 35 / 0

HEX #58FEA5

RGB 88 254 165

HSL 147.83, 0.99%, 0.67%

LAB 89.71, -62.34, 30.29

 

CMYK 93 / 0 / 98 / 0

HEX #13FE05

RGB 19 254 5

HSL 116.63, 0.99%, 0.51%

LAB 87.5, -85.24, 82.64

 

CMYK 77 / 0 / 82 / 0

HEX #3AFE2E

RGB 58 254 46

HSL 116.54, 0.99%, 0.59%

LAB 87.96, -80.79, 77.12

 

CMYK 62 / 0 / 65 / 0

HEX #60FE58

RGB 96 254 88

HSL 117.11, 0.99%, 0.67%

LAB 88.96, -71.48, 64.83

 

CMYK 47 / 0 / 49 / 0

HEX #87FE81

RGB 135 254 129

HSL 117.12, 0.98%, 0.75%

LAB 90.61, -57.51, 49.26

 

CMYK 32 / 0 / 33 / 0

HEX #AEFFAA

RGB 174 255 170

HSL 117.18, 1%, 0.83%

LAB 93.2, -40.64, 33.01

 

CMYK 63 / 0 / 66 / 0

HEX #5FFE56

RGB 95 254 86

HSL 116.79, 0.99%, 0.67%

LAB 88.92, -71.87, 65.56

 

CMYK 65 / 9 / 0 / 0

HEX #58E8FE

RGB 88 232 254

HSL 187.95, 0.99%, 0.67%

LAB 85.48, -31.7, -22.01

 

CMYK 0 / 65 / 35 / 0

HEX #FE58A5

RGB 254 88 165

HSL 332.17, 0.99%, 0.67%

LAB 62.31, 69.17, -6.82

 

CMYK 63 / 0 / 66 / 0

HEX #5FFE56

RGB 95 254 86

HSL 116.79, 0.99%, 0.67%

LAB 88.92, -71.87, 65.56

 

CMYK 65 / 61 / 0 / 0

HEX #5863FE

RGB 88 99 254

HSL 236.02, 0.99%, 0.67%

LAB 49.68, 43.02, -78.45

 

CMYK 0 / 65 / 61 / 0

HEX #FE5863

RGB 254 88 99

HSL 356.02, 0.99%, 0.67%

LAB 60.74, 63.54, 29.16

 

CMYK 63 / 0 / 66 / 0

HEX #5FFE56

RGB 95 254 86

HSL 116.79, 0.99%, 0.67%

LAB 88.92, -71.87, 65.56

 

CMYK 65 / 9 / 0 / 0

HEX #58E8FE

RGB 88 232 254

HSL 187.95, 0.99%, 0.67%

LAB 85.48, -31.7, -22.01

 

CMYK 4 / 65 / 0 / 0

HEX #F358FE

RGB 243 88 254

HSL 296.02, 0.99%, 0.67%

LAB 64.31, 78.75, -54.03

 

CMYK 0 / 57 / 65 / 0

HEX #FE6E58

RGB 254 110 88

HSL 7.95, 0.99%, 0.67%

LAB 64.1, 53.49, 39.51

 

CMYK 63 / 0 / 66 / 0

HEX #5FFE56

RGB 95 254 86

HSL 116.79, 0.99%, 0.67%

LAB 88.92, -71.87, 65.56

 

CMYK 65 / 28 / 0 / 0

HEX #58B6FE

RGB 88 182 254

HSL 206.02, 0.99%, 0.67%

LAB 71.34, -6.07, -43.8

 

CMYK 4 / 65 / 0 / 0

HEX #F358FE

RGB 243 88 254

HSL 296.02, 0.99%, 0.67%

LAB 64.31, 78.75, -54.03

 

CMYK 0 / 37 / 65 / 0

HEX #FEA058

RGB 254 160 88

HSL 26.02, 0.99%, 0.67%

LAB 74.14, 28.65, 51.25

 

Description

Color code: HEX #5FFE56 | qconv.com Color code: HEX #5FFE56 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 254 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 254 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 66 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 66% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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