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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5FFB06 it is the complementary color #A004F9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5FFB06. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5FFB06 shade: #64FB01, #75FF14, #86FF27, #97FF3A and #A8FF4D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5FFB06. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5FFB06 shade: #5FFB06, #4EE900, #3DD700, #2CC500 and #1BB300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5FFB06 shade: #5EFB04, #A0FB04, #E3FB04, #FBD104 and #FB8E04

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5FFB06 shade: #5EFB04, #1BFB04, #04FB2F, #04FB72 and #04FBB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5FFB06 shade matches the following richer shades: #5EFB04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5FFB06 shade: #5EFB04, #63E718, #69D22D, #6FBD42 and #74A956

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5FFB06 shade: #E2FB04, #A0FB04, #5FFB04, #1DFB04 and #04FB2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5FFB06 shade: #3FAA03, #4FD303, #5EFB04, #78FC2C and #92FC55

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5FFB06 shade: #5FFB06, #04FBD2 and #FB04C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5FFB06 shade: #5FFB06, #045FFB and #FB045F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5FFB06 shade: #5FFB06, #04FBD2, #A004FB and #FB042D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5FFB06 shade: #5FFB06, #04DAFB, #A004FB and #FB2504

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 98 / 2

HEX #5FFB06

RGB 95 251 6

HSL 98.2, 0.97%, 0.5%

LAB 87.7, -74.64, 83.19

 

Complementary color

CMYK 36 / 98 / 0 / 2

HEX #A004F9

RGB 160 4 249

HSL 278.2, 0.97%, 0.5%

LAB 44.8, 84.45, -83.38

 

CMYK 60 / 0 / 100 / 2

HEX #64FB01

RGB 100 251 1

HSL 96.24, 0.99%, 0.49%

LAB 87.83, -73.59, 83.73

 

CMYK 54 / 0 / 92 / 0

HEX #75FF14

RGB 117 255 20

HSL 95.23, 1%, 0.54%

LAB 89.56, -70.49, 83.7

 

CMYK 47 / 0 / 85 / 0

HEX #86FF27

RGB 134 255 39

HSL 93.61, 1%, 0.58%

LAB 90.2, -65.31, 81.42

 

CMYK 41 / 0 / 77 / 0

HEX #97FF3A

RGB 151 255 58

HSL 91.68, 1%, 0.61%

LAB 90.96, -59.36, 77.71

 

CMYK 34 / 0 / 70 / 0

HEX #A8FF4D

RGB 168 255 77

HSL 89.33, 1%, 0.65%

LAB 91.86, -52.71, 72.78

 

CMYK 62 / 0 / 98 / 2

HEX #5FFB06

RGB 95 251 6

HSL 98.2, 0.97%, 0.5%

LAB 87.7, -74.64, 83.19

 

CMYK 67 / 0 / 100 / 9

HEX #4EE900

RGB 78 233 0

HSL 99.91, 1%, 0.46%

LAB 81.78, -72.63, 78.78

 

CMYK 72 / 0 / 100 / 16

HEX #3DD700

RGB 61 215 0

HSL 102.98, 1%, 0.42%

LAB 75.82, -70.26, 73.88

 

CMYK 78 / 0 / 100 / 23

HEX #2CC500

RGB 44 197 0

HSL 106.6, 1%, 0.39%

LAB 69.8, -67.54, 68.96

 

CMYK 85 / 0 / 100 / 30

HEX #1BB300

RGB 27 179 0

HSL 110.95, 1%, 0.35%

LAB 63.73, -64.34, 64.01

 

CMYK 63 / 0 / 98 / 2

HEX #5EFB04

RGB 94 251 4

HSL 98.14, 0.97%, 0.5%

LAB 87.67, -74.88, 83.31

 

CMYK 36 / 0 / 98 / 2

HEX #A0FB04

RGB 160 251 4

HSL 82.11, 0.97%, 0.5%

LAB 90.08, -56.28, 86.23

 

CMYK 10 / 0 / 98 / 2

HEX #E3FB04

RGB 227 251 4

HSL 65.83, 0.97%, 0.5%

LAB 94.03, -31.05, 90.97

 

CMYK 0 / 17 / 98 / 2

HEX #FBD104

RGB 251 209 4

HSL 49.8, 0.97%, 0.5%

LAB 85.06, -0.55, 85.29

 

CMYK 0 / 43 / 98 / 2

HEX #FB8E04

RGB 251 142 4

HSL 33.52, 0.97%, 0.5%

LAB 69.37, 34.23, 74.62

 

CMYK 63 / 0 / 98 / 2

HEX #5EFB04

RGB 94 251 4

HSL 98.14, 0.97%, 0.5%

LAB 87.67, -74.88, 83.31

 

CMYK 89 / 0 / 98 / 2

HEX #1BFB04

RGB 27 251 4

HSL 114.41, 0.97%, 0.5%

LAB 86.62, -84.05, 82.02

 

CMYK 98 / 0 / 81 / 2

HEX #04FB2F

RGB 4 251 47

HSL 130.45, 0.97%, 0.5%

LAB 86.62, -83.72, 75.49

 

CMYK 98 / 0 / 55 / 2

HEX #04FB72

RGB 4 251 114

HSL 146.72, 0.97%, 0.5%

LAB 87.11, -77.45, 51.36

 

CMYK 98 / 0 / 28 / 2

HEX #04FBB5

RGB 4 251 181

HSL 163, 0.97%, 0.5%

LAB 88.14, -65.38, 19.86

 

CMYK 63 / 0 / 98 / 2

HEX #5EFB04

RGB 94 251 4

HSL 98.14, 0.97%, 0.5%

LAB 87.67, -74.88, 83.31

 

CMYK 63 / 0 / 98 / 2

HEX #5EFB04

RGB 94 251 4

HSL 98.14, 0.97%, 0.5%

LAB 87.67, -74.88, 83.31

 

CMYK 57 / 0 / 90 / 9

HEX #63E718

RGB 99 231 24

HSL 98.26, 0.81%, 0.5%

LAB 81.77, -66.87, 76.46

 

CMYK 50 / 0 / 79 / 18

HEX #69D22D

RGB 105 210 45

HSL 98.18, 0.65%, 0.5%

LAB 75.63, -57.01, 66.41

 

CMYK 41 / 0 / 65 / 26

HEX #6FBD42

RGB 111 189 66

HSL 98.05, 0.48%, 0.5%

LAB 69.59, -45.44, 52.89

 

CMYK 31 / 0 / 49 / 34

HEX #74A956

RGB 116 169 86

HSL 98.31, 0.33%, 0.5%

LAB 63.97, -32.79, 37.14

 

CMYK 10 / 0 / 98 / 2

HEX #E2FB04

RGB 226 251 4

HSL 66.07, 0.97%, 0.5%

LAB 93.96, -31.45, 90.89

 

CMYK 36 / 0 / 98 / 2

HEX #A0FB04

RGB 160 251 4

HSL 82.11, 0.97%, 0.5%

LAB 90.08, -56.28, 86.23

 

CMYK 62 / 0 / 98 / 2

HEX #5FFB04

RGB 95 251 4

HSL 97.89, 0.97%, 0.5%

LAB 87.7, -74.67, 83.34

 

CMYK 88 / 0 / 98 / 2

HEX #1DFB04

RGB 29 251 4

HSL 113.93, 0.97%, 0.5%

LAB 86.63, -83.92, 82.04

 

CMYK 98 / 0 / 82 / 2

HEX #04FB2D

RGB 4 251 45

HSL 129.96, 0.97%, 0.5%

LAB 86.61, -83.82, 75.98

 

CMYK 63 / 0 / 98 / 33

HEX #3FAA03

RGB 63 170 3

HSL 98.44, 0.97%, 0.34%

LAB 61.49, -55.43, 62.11

 

CMYK 63 / 0 / 99 / 17

HEX #4FD303

RGB 79 211 3

HSL 98.08, 0.97%, 0.42%

LAB 74.99, -65.4, 73.1

 

CMYK 63 / 0 / 98 / 2

HEX #5EFB04

RGB 94 251 4

HSL 98.14, 0.97%, 0.5%

LAB 87.67, -74.88, 83.31

 

CMYK 52 / 0 / 83 / 1

HEX #78FC2C

RGB 120 252 44

HSL 98.08, 0.97%, 0.58%

LAB 88.83, -67.97, 78.93

 

CMYK 42 / 0 / 66 / 1

HEX #92FC55

RGB 146 252 85

HSL 98.08, 0.97%, 0.66%

LAB 90.04, -58.05, 67.65

 

CMYK 62 / 0 / 98 / 2

HEX #5FFB06

RGB 95 251 6

HSL 98.2, 0.97%, 0.5%

LAB 87.7, -74.64, 83.19

 

CMYK 98 / 0 / 16 / 2

HEX #04FBD2

RGB 4 251 210

HSL 170.04, 0.97%, 0.5%

LAB 88.77, -58.51, 5.78

 

CMYK 0 / 98 / 23 / 2

HEX #FB04C1

RGB 251 4 193

HSL 314.09, 0.97%, 0.5%

LAB 56.53, 89.51, -31.84

 

CMYK 62 / 0 / 98 / 2

HEX #5FFB06

RGB 95 251 6

HSL 98.2, 0.97%, 0.5%

LAB 87.7, -74.64, 83.19

 

CMYK 98 / 62 / 0 / 2

HEX #045FFB

RGB 4 95 251

HSL 217.89, 0.97%, 0.5%

LAB 45.87, 38.22, -83.12

 

CMYK 0 / 98 / 62 / 2

HEX #FB045F

RGB 251 4 95

HSL 337.89, 0.97%, 0.5%

LAB 53.41, 81.34, 21.81

 

CMYK 62 / 0 / 98 / 2

HEX #5FFB06

RGB 95 251 6

HSL 98.2, 0.97%, 0.5%

LAB 87.7, -74.64, 83.19

 

CMYK 98 / 0 / 16 / 2

HEX #04FBD2

RGB 4 251 210

HSL 170.04, 0.97%, 0.5%

LAB 88.77, -58.51, 5.78

 

CMYK 36 / 98 / 0 / 2

HEX #A004FB

RGB 160 4 251

HSL 277.89, 0.97%, 0.5%

LAB 44.98, 84.83, -84.21

 

CMYK 0 / 98 / 82 / 2

HEX #FB042D

RGB 251 4 45

HSL 350.04, 0.97%, 0.5%

LAB 52.71, 79.45, 49.99

 

CMYK 62 / 0 / 98 / 2

HEX #5FFB06

RGB 95 251 6

HSL 98.2, 0.97%, 0.5%

LAB 87.7, -74.64, 83.19

 

CMYK 98 / 13 / 0 / 2

HEX #04DAFB

RGB 4 218 251

HSL 188.02, 0.97%, 0.5%

LAB 80.25, -32.45, -28.48

 

CMYK 36 / 98 / 0 / 2

HEX #A004FB

RGB 160 4 251

HSL 277.89, 0.97%, 0.5%

LAB 44.98, 84.83, -84.21

 

CMYK 0 / 85 / 98 / 2

HEX #FB2504

RGB 251 37 4

HSL 8.02, 0.97%, 0.5%

LAB 53.86, 75.04, 65.99

 

Description

Color code: HEX #5FFB06 | qconv.com Color code: HEX #5FFB06 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 251 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 251 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 98 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 98% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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