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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5FF77B it is the complementary color #A00884. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5FF77B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5FF77B shade: #64F776, #75FF89, #86FF9C, #97FFAF and #A8FFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5FF77B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5FF77B shade: #5FF77B, #4EE568, #3DD355, #2CC142 and #1BAF2F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5FF77B shade: #5FF77B, #6CF75F, #95F75F, #BEF75F and #E7F75F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5FF77B shade: #5FF77B, #5FF7A4, #5FF7CD, #5FF7F6 and #5FCFF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5FF77B shade matches the following richer shades: #5FF77B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5FF77B shade: #5FF77B, #6DE984, #7ADB8C, #88CE95 and #96C09D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5FF77B shade: #94F75F, #6CF75F, #5FF77B, #5FF7A3 and #5FF7CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5FF77B shade: #11F23A, #38F55B, #5FF77B, #86F99B and #AEFBBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5FF77B shade: #5FF77B, #5FBDF7 and #F75F80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5FF77B shade: #5FF77B, #7B5FF7 and #F77B5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5FF77B shade: #5FF77B, #5FBDF7, #F75FDB and #F7995F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5FF77B shade: #5FF77B, #5F8FF7, #F75FDB and #F7C75F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 50 / 3

HEX #5FF77B

RGB 95 247 123

HSL 131.05, 0.9%, 0.67%

LAB 87.19, -65.27, 47.57

 

Complementary color

CMYK 0 / 95 / 18 / 37

HEX #A00884

RGB 160 8 132

HSL 311.05, 0.9%, 0.33%

LAB 36.58, 64.42, -27.83

 

CMYK 60 / 0 / 52 / 3

HEX #64F776

RGB 100 247 118

HSL 127.35, 0.9%, 0.68%

LAB 87.26, -64.9, 50.02

 

CMYK 54 / 0 / 46 / 0

HEX #75FF89

RGB 117 255 137

HSL 128.7, 1%, 0.73%

LAB 90.37, -61.4, 45.05

 

CMYK 47 / 0 / 39 / 0

HEX #86FF9C

RGB 134 255 156

HSL 130.91, 1%, 0.76%

LAB 91.23, -54.33, 37.04

 

CMYK 41 / 0 / 31 / 0

HEX #97FFAF

RGB 151 255 175

HSL 133.85, 1%, 0.8%

LAB 92.22, -46.64, 29

 

CMYK 34 / 0 / 24 / 0

HEX #A8FFC2

RGB 168 255 194

HSL 137.93, 1%, 0.83%

LAB 93.34, -38.48, 21.02

 

CMYK 62 / 0 / 50 / 3

HEX #5FF77B

RGB 95 247 123

HSL 131.05, 0.9%, 0.67%

LAB 87.19, -65.27, 47.57

 

CMYK 66 / 0 / 55 / 10

HEX #4EE568

RGB 78 229 104

HSL 130.33, 0.74%, 0.6%

LAB 81.1, -64.8, 48.92

 

CMYK 71 / 0 / 60 / 17

HEX #3DD355

RGB 61 211 85

HSL 129.6, 0.63%, 0.53%

LAB 74.97, -64.02, 50.25

 

CMYK 77 / 0 / 66 / 24

HEX #2CC142

RGB 44 193 66

HSL 128.86, 0.63%, 0.46%

LAB 68.8, -62.81, 51.44

 

CMYK 85 / 0 / 73 / 31

HEX #1BAF2F

RGB 27 175 47

HSL 128.11, 0.73%, 0.4%

LAB 62.59, -60.99, 52.32

 

CMYK 62 / 0 / 50 / 3

HEX #5FF77B

RGB 95 247 123

HSL 131.05, 0.9%, 0.67%

LAB 87.19, -65.27, 47.57

 

CMYK 56 / 0 / 62 / 3

HEX #6CF75F

RGB 108 247 95

HSL 114.87, 0.9%, 0.67%

LAB 87.26, -65.73, 60.22

 

CMYK 40 / 0 / 62 / 3

HEX #95F75F

RGB 149 247 95

HSL 98.68, 0.9%, 0.67%

LAB 88.8, -54.32, 62.37

 

CMYK 23 / 0 / 62 / 3

HEX #BEF75F

RGB 190 247 95

HSL 82.5, 0.9%, 0.67%

LAB 90.91, -40.27, 65.3

 

CMYK 6 / 0 / 62 / 3

HEX #E7F75F

RGB 231 247 95

HSL 66.32, 0.9%, 0.67%

LAB 93.6, -24.59, 68.98

 

CMYK 62 / 0 / 50 / 3

HEX #5FF77B

RGB 95 247 123

HSL 131.05, 0.9%, 0.67%

LAB 87.19, -65.27, 47.57

 

CMYK 62 / 0 / 34 / 3

HEX #5FF7A4

RGB 95 247 164

HSL 147.24, 0.9%, 0.67%

LAB 87.79, -58.61, 28.24

 

CMYK 62 / 0 / 17 / 3

HEX #5FF7CD

RGB 95 247 205

HSL 163.42, 0.9%, 0.67%

LAB 88.62, -50.03, 8.31

 

CMYK 62 / 0 / 0 / 3

HEX #5FF7F6

RGB 95 247 246

HSL 179.61, 0.9%, 0.67%

LAB 89.68, -39.82, -11.49

 

CMYK 62 / 16 / 0 / 3

HEX #5FCFF7

RGB 95 207 247

HSL 195.79, 0.9%, 0.67%

LAB 78.33, -20.33, -29.18

 

CMYK 62 / 0 / 50 / 3

HEX #5FF77B

RGB 95 247 123

HSL 131.05, 0.9%, 0.67%

LAB 87.19, -65.27, 47.57

 

CMYK 62 / 0 / 50 / 3

HEX #5FF77B

RGB 95 247 123

HSL 131.05, 0.9%, 0.67%

LAB 87.19, -65.27, 47.57

 

CMYK 53 / 0 / 43 / 9

HEX #6DE984

RGB 109 233 132

HSL 131.13, 0.74%, 0.67%

LAB 83.54, -55.6, 38.74

 

CMYK 44 / 0 / 36 / 14

HEX #7ADB8C

RGB 122 219 140

HSL 131.13, 0.57%, 0.67%

LAB 80.01, -45.19, 30.18

 

CMYK 34 / 0 / 28 / 19

HEX #88CE95

RGB 136 206 149

HSL 131.14, 0.42%, 0.67%

LAB 77.01, -33.69, 21.56

 

CMYK 22 / 0 / 18 / 25

HEX #96C09D

RGB 150 192 157

HSL 130, 0.25%, 0.67%

LAB 73.94, -20.93, 13.14

 

CMYK 40 / 0 / 62 / 3

HEX #94F75F

RGB 148 247 95

HSL 99.08, 0.9%, 0.67%

LAB 88.75, -54.63, 62.31

 

CMYK 56 / 0 / 62 / 3

HEX #6CF75F

RGB 108 247 95

HSL 114.87, 0.9%, 0.67%

LAB 87.26, -65.73, 60.22

 

CMYK 62 / 0 / 50 / 3

HEX #5FF77B

RGB 95 247 123

HSL 131.05, 0.9%, 0.67%

LAB 87.19, -65.27, 47.57

 

CMYK 62 / 0 / 34 / 3

HEX #5FF7A3

RGB 95 247 163

HSL 146.84, 0.9%, 0.67%

LAB 87.78, -58.79, 28.72

 

CMYK 62 / 0 / 17 / 3

HEX #5FF7CC

RGB 95 247 204

HSL 163.03, 0.9%, 0.67%

LAB 88.6, -50.26, 8.8

 

CMYK 93 / 0 / 76 / 5

HEX #11F23A

RGB 17 242 58

HSL 130.93, 0.9%, 0.51%

LAB 83.93, -80.21, 69.89

 

CMYK 77 / 0 / 63 / 4

HEX #38F55B

RGB 56 245 91

HSL 131.11, 0.9%, 0.59%

LAB 85.45, -74.96, 59.54

 

CMYK 62 / 0 / 50 / 3

HEX #5FF77B

RGB 95 247 123

HSL 131.05, 0.9%, 0.67%

LAB 87.19, -65.27, 47.57

 

CMYK 46 / 0 / 38 / 2

HEX #86F99B

RGB 134 249 155

HSL 130.96, 0.91%, 0.75%

LAB 89.48, -52.04, 35.23

 

CMYK 31 / 0 / 25 / 2

HEX #AEFBBC

RGB 174 251 188

HSL 130.91, 0.91%, 0.83%

LAB 92.41, -35.92, 22.84

 

CMYK 62 / 0 / 50 / 3

HEX #5FF77B

RGB 95 247 123

HSL 131.05, 0.9%, 0.67%

LAB 87.19, -65.27, 47.57

 

CMYK 62 / 23 / 0 / 3

HEX #5FBDF7

RGB 95 189 247

HSL 202.89, 0.9%, 0.67%

LAB 73.25, -10.92, -37.03

 

CMYK 0 / 62 / 48 / 3

HEX #F75F80

RGB 247 95 128

HSL 346.97, 0.9%, 0.67%

LAB 61.24, 60.64, 12.9

 

CMYK 62 / 0 / 50 / 3

HEX #5FF77B

RGB 95 247 123

HSL 131.05, 0.9%, 0.67%

LAB 87.19, -65.27, 47.57

 

CMYK 50 / 62 / 0 / 3

HEX #7B5FF7

RGB 123 95 247

HSL 251.05, 0.9%, 0.67%

LAB 50.82, 48.79, -72.6

 

CMYK 0 / 50 / 62 / 3

HEX #F77B5F

RGB 247 123 95

HSL 11.05, 0.9%, 0.67%

LAB 65.57, 45.22, 37.26

 

CMYK 62 / 0 / 50 / 3

HEX #5FF77B

RGB 95 247 123

HSL 131.05, 0.9%, 0.67%

LAB 87.19, -65.27, 47.57

 

CMYK 62 / 23 / 0 / 3

HEX #5FBDF7

RGB 95 189 247

HSL 202.89, 0.9%, 0.67%

LAB 73.25, -10.92, -37.03

 

CMYK 0 / 62 / 11 / 3

HEX #F75FDB

RGB 247 95 219

HSL 311.05, 0.9%, 0.67%

LAB 64.22, 71.48, -34.71

 

CMYK 0 / 38 / 62 / 3

HEX #F7995F

RGB 247 153 95

HSL 22.89, 0.9%, 0.67%

LAB 71.81, 29.94, 44.84

 

CMYK 62 / 0 / 50 / 3

HEX #5FF77B

RGB 95 247 123

HSL 131.05, 0.9%, 0.67%

LAB 87.19, -65.27, 47.57

 

CMYK 62 / 42 / 0 / 3

HEX #5F8FF7

RGB 95 143 247

HSL 221.05, 0.9%, 0.67%

LAB 60.6, 15.22, -56.94

 

CMYK 0 / 62 / 11 / 3

HEX #F75FDB

RGB 247 95 219

HSL 311.05, 0.9%, 0.67%

LAB 64.22, 71.48, -34.71

 

CMYK 0 / 19 / 62 / 3

HEX #F7C75F

RGB 247 199 95

HSL 41.05, 0.9%, 0.67%

LAB 82.62, 5.85, 57.34

 

Description

Color code: HEX #5FF77B | qconv.com Color code: HEX #5FF77B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 247 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 247 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 50 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 50% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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