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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5FF6A4 it is the complementary color #A0095B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5FF6A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5FF6A4 shade: #64F69F, #75FFB2, #86FFC5, #97FFD8 and #A8FFEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5FF6A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5FF6A4 shade: #5FF6A4, #4EE491, #3DD27E, #2CC06B and #1BAE58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5FF6A4 shade: #60F6A4, #60F67C, #6CF660, #95F660 and #BDF660

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5FF6A4 shade: #60F6A4, #60F6CD, #60F6F5, #60CEF6 and #60A6F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5FF6A4 shade matches the following richer shades: #60F6A4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5FF6A4 shade: #60F6A4, #6EE8A6, #7BDBA7, #89CDA8 and #96BFA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5FF6A4 shade: #6CF660, #60F67B, #60F6A3, #60F6CB and #60F6F3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5FF6A4 shade: #12F178, #39F38E, #60F6A4, #87F8BB and #AEFAD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5FF6A4 shade: #5FF6A4, #6094F6 and #F66760

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5FF6A4 shade: #5FF6A4, #A360F6 and #F6A360

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5FF6A4 shade: #5FF6A4, #6094F6, #F660B2 and #F6C160

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5FF6A4 shade: #5FF6A4, #6067F6, #F660B2 and #F6EE60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 33 / 4

HEX #5FF6A4

RGB 95 246 164

HSL 147.42, 0.89%, 0.67%

LAB 87.5, -58.22, 27.84

 

Complementary color

CMYK 0 / 94 / 43 / 37

HEX #A0095B

RGB 160 9 91

HSL 327.42, 0.89%, 0.33%

LAB 34.85, 59.64, -4.49

 

CMYK 59 / 0 / 35 / 4

HEX #64F69F

RGB 100 246 159

HSL 144.25, 0.89%, 0.68%

LAB 87.55, -58.16, 30.46

 

CMYK 54 / 0 / 30 / 0

HEX #75FFB2

RGB 117 255 178

HSL 146.52, 1%, 0.73%

LAB 91.01, -54.62, 25.63

 

CMYK 47 / 0 / 23 / 0

HEX #86FFC5

RGB 134 255 197

HSL 151.24, 1%, 0.76%

LAB 91.96, -47.01, 17.35

 

CMYK 41 / 0 / 15 / 0

HEX #97FFD8

RGB 151 255 216

HSL 157.5, 1%, 0.8%

LAB 93.04, -38.91, 9.21

 

CMYK 34 / 0 / 8 / 0

HEX #A8FFEB

RGB 168 255 235

HSL 166.21, 1%, 0.83%

LAB 94.25, -30.42, 1.25

 

CMYK 61 / 0 / 33 / 4

HEX #5FF6A4

RGB 95 246 164

HSL 147.42, 0.89%, 0.67%

LAB 87.5, -58.22, 27.84

 

CMYK 66 / 0 / 36 / 11

HEX #4EE491

RGB 78 228 145

HSL 146.8, 0.74%, 0.6%

LAB 81.37, -57.97, 29.2

 

CMYK 71 / 0 / 40 / 18

HEX #3DD27E

RGB 61 210 126

HSL 146.17, 0.62%, 0.53%

LAB 75.2, -57.5, 30.66

 

CMYK 77 / 0 / 44 / 25

HEX #2CC06B

RGB 44 192 107

HSL 145.54, 0.63%, 0.46%

LAB 68.97, -56.73, 32.22

 

CMYK 84 / 0 / 49 / 32

HEX #1BAE58

RGB 27 174 88

HSL 144.9, 0.73%, 0.39%

LAB 62.68, -55.53, 33.9

 

CMYK 61 / 0 / 33 / 4

HEX #60F6A4

RGB 96 246 164

HSL 147.2, 0.89%, 0.67%

LAB 87.52, -58.03, 27.88

 

CMYK 61 / 0 / 50 / 4

HEX #60F67C

RGB 96 246 124

HSL 131.2, 0.89%, 0.67%

LAB 86.92, -64.57, 46.78

 

CMYK 56 / 0 / 61 / 4

HEX #6CF660

RGB 108 246 96

HSL 115.2, 0.89%, 0.67%

LAB 86.97, -65.27, 59.48

 

CMYK 39 / 0 / 61 / 4

HEX #95F660

RGB 149 246 96

HSL 98.8, 0.89%, 0.67%

LAB 88.52, -53.83, 61.64

 

CMYK 23 / 0 / 61 / 4

HEX #BDF660

RGB 189 246 96

HSL 82.8, 0.89%, 0.67%

LAB 90.59, -40.12, 64.51

 

CMYK 61 / 0 / 33 / 4

HEX #60F6A4

RGB 96 246 164

HSL 147.2, 0.89%, 0.67%

LAB 87.52, -58.03, 27.88

 

CMYK 61 / 0 / 17 / 4

HEX #60F6CD

RGB 96 246 205

HSL 163.6, 0.89%, 0.67%

LAB 88.36, -49.44, 7.94

 

CMYK 61 / 0 / 0 / 4

HEX #60F6F5

RGB 96 246 245

HSL 179.6, 0.89%, 0.67%

LAB 89.39, -39.48, -11.4

 

CMYK 61 / 16 / 0 / 4

HEX #60CEF6

RGB 96 206 246

HSL 196, 0.89%, 0.67%

LAB 78.04, -19.95, -29.09

 

CMYK 61 / 33 / 0 / 4

HEX #60A6F6

RGB 96 166 246

HSL 212, 0.89%, 0.67%

LAB 66.83, 1.66, -46.51

 

CMYK 61 / 0 / 33 / 4

HEX #60F6A4

RGB 96 246 164

HSL 147.2, 0.89%, 0.67%

LAB 87.52, -58.03, 27.88

 

CMYK 61 / 0 / 33 / 4

HEX #60F6A4

RGB 96 246 164

HSL 147.2, 0.89%, 0.67%

LAB 87.52, -58.03, 27.88

 

CMYK 53 / 0 / 28 / 9

HEX #6EE8A6

RGB 110 232 166

HSL 147.54, 0.73%, 0.67%

LAB 83.85, -49.04, 21.91

 

CMYK 44 / 0 / 24 / 14

HEX #7BDBA7

RGB 123 219 167

HSL 147.5, 0.57%, 0.67%

LAB 80.55, -40, 16.88

 

CMYK 33 / 0 / 18 / 20

HEX #89CDA8

RGB 137 205 168

HSL 147.35, 0.4%, 0.67%

LAB 77.17, -29.35, 11.68

 

CMYK 21 / 0 / 12 / 25

HEX #96BFA9

RGB 150 191 169

HSL 147.8, 0.24%, 0.67%

LAB 73.94, -18.14, 6.64

 

CMYK 56 / 0 / 61 / 4

HEX #6CF660

RGB 108 246 96

HSL 115.2, 0.89%, 0.67%

LAB 86.97, -65.27, 59.48

 

CMYK 61 / 0 / 50 / 4

HEX #60F67B

RGB 96 246 123

HSL 130.8, 0.89%, 0.67%

LAB 86.91, -64.71, 47.24

 

CMYK 61 / 0 / 34 / 4

HEX #60F6A3

RGB 96 246 163

HSL 146.8, 0.89%, 0.67%

LAB 87.51, -58.21, 28.36

 

CMYK 61 / 0 / 17 / 4

HEX #60F6CB

RGB 96 246 203

HSL 162.8, 0.89%, 0.67%

LAB 88.31, -49.9, 8.91

 

CMYK 61 / 0 / 1 / 4

HEX #60F6F3

RGB 96 246 243

HSL 178.8, 0.89%, 0.67%

LAB 89.33, -40.01, -10.44

 

CMYK 93 / 0 / 50 / 5

HEX #12F178

RGB 18 241 120

HSL 147.44, 0.89%, 0.51%

LAB 84.17, -73.07, 45

 

CMYK 77 / 0 / 42 / 5

HEX #39F38E

RGB 57 243 142

HSL 147.42, 0.89%, 0.59%

LAB 85.47, -67.02, 36.04

 

CMYK 61 / 0 / 33 / 4

HEX #60F6A4

RGB 96 246 164

HSL 147.2, 0.89%, 0.67%

LAB 87.52, -58.03, 27.88

 

CMYK 46 / 0 / 25 / 3

HEX #87F8BB

RGB 135 248 187

HSL 147.61, 0.89%, 0.75%

LAB 89.8, -45.72, 19.46

 

CMYK 30 / 0 / 16 / 2

HEX #AEFAD1

RGB 174 250 209

HSL 147.63, 0.88%, 0.83%

LAB 92.56, -31.65, 12.28

 

CMYK 61 / 0 / 33 / 4

HEX #5FF6A4

RGB 95 246 164

HSL 147.42, 0.89%, 0.67%

LAB 87.5, -58.22, 27.84

 

CMYK 61 / 40 / 0 / 4

HEX #6094F6

RGB 96 148 246

HSL 219.2, 0.89%, 0.67%

LAB 61.93, 12.11, -54.27

 

CMYK 0 / 58 / 61 / 4

HEX #F66760

RGB 246 103 96

HSL 2.8, 0.89%, 0.67%

LAB 61.77, 54.38, 31.93

 

CMYK 61 / 0 / 33 / 4

HEX #5FF6A4

RGB 95 246 164

HSL 147.42, 0.89%, 0.67%

LAB 87.5, -58.22, 27.84

 

CMYK 34 / 61 / 0 / 4

HEX #A360F6

RGB 163 96 246

HSL 266.8, 0.89%, 0.67%

LAB 54.87, 56.02, -65.29

 

CMYK 0 / 34 / 61 / 4

HEX #F6A360

RGB 246 163 96

HSL 26.8, 0.89%, 0.67%

LAB 73.95, 24.37, 46.85

 

CMYK 61 / 0 / 33 / 4

HEX #5FF6A4

RGB 95 246 164

HSL 147.42, 0.89%, 0.67%

LAB 87.5, -58.22, 27.84

 

CMYK 61 / 40 / 0 / 4

HEX #6094F6

RGB 96 148 246

HSL 219.2, 0.89%, 0.67%

LAB 61.93, 12.11, -54.27

 

CMYK 0 / 61 / 28 / 4

HEX #F660B2

RGB 246 96 178

HSL 327.2, 0.89%, 0.67%

LAB 62.65, 65.21, -13.9

 

CMYK 0 / 22 / 61 / 4

HEX #F6C160

RGB 246 193 96

HSL 38.8, 0.89%, 0.67%

LAB 81.06, 8.62, 55.09

 

CMYK 61 / 0 / 33 / 4

HEX #5FF6A4

RGB 95 246 164

HSL 147.42, 0.89%, 0.67%

LAB 87.5, -58.22, 27.84

 

CMYK 61 / 58 / 0 / 4

HEX #6067F6

RGB 96 103 246

HSL 237.2, 0.89%, 0.67%

LAB 50.5, 39.21, -72.65

 

CMYK 0 / 61 / 28 / 4

HEX #F660B2

RGB 246 96 178

HSL 327.2, 0.89%, 0.67%

LAB 62.65, 65.21, -13.9

 

CMYK 0 / 3 / 61 / 4

HEX #F6EE60

RGB 246 238 96

HSL 56.8, 0.89%, 0.67%

LAB 92.39, -14.19, 67.62

 

Description

Color code: HEX #5FF6A4 | qconv.com Color code: HEX #5FF6A4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 246 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 246 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 33 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 33% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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