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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5FF044 it is the complementary color #A00FBB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5FF044. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5FF044 shade: #64F03F, #75FF52, #86FF65, #97FF78 and #A8FF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5FF044. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5FF044 shade: #5FF044, #4EDE31, #3DCC1E, #2CBA0B and #1BA800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5FF044 shade: #5EF042, #8CF042, #BBF042, #EAF042 and #F0C742

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5FF044 shade: #5EF042, #42F056, #42F085, #42F0B3 and #42F0E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5FF044 shade matches the following richer shades: #5EF042

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5FF044 shade: #5EF042, #69DF53, #74CF63, #7FBE74 and #8BAE84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5FF044 shade: #BCF042, #8DF042, #5FF042, #42F054 and #42F082

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5FF044 shade: #2FCF11, #3DED1C, #5EF042, #7EF368 and #9FF68F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5FF044 shade: #5FF044, #42EAF0 and #F042A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5FF044 shade: #5FF044, #425FF0 and #F0425F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5FF044 shade: #5FF044, #42EAF0, #D342F0 and #F04842

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5FF044 shade: #5FF044, #42B6F0, #D342F0 and #F07C42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 72 / 6

HEX #5FF044

RGB 95 240 68

HSL 110.58, 0.85%, 0.6%

LAB 84.57, -68.67, 67.64

 

Complementary color

CMYK 14 / 92 / 0 / 27

HEX #A00FBB

RGB 160 15 187

HSL 290.58, 0.85%, 0.4%

LAB 40.25, 71.97, -55.2

 

CMYK 58 / 0 / 74 / 6

HEX #64F03F

RGB 100 240 63

HSL 107.46, 0.86%, 0.59%

LAB 84.68, -67.87, 69.48

 

CMYK 54 / 0 / 68 / 0

HEX #75FF52

RGB 117 255 82

HSL 107.86, 1%, 0.66%

LAB 89.82, -67.52, 68.22

 

CMYK 47 / 0 / 60 / 0

HEX #86FF65

RGB 134 255 101

HSL 107.14, 1%, 0.7%

LAB 90.56, -61.32, 61.67

 

CMYK 41 / 0 / 53 / 0

HEX #97FF78

RGB 151 255 120

HSL 106.22, 1%, 0.74%

LAB 91.44, -54.39, 54.57

 

CMYK 34 / 0 / 45 / 0

HEX #A8FF8B

RGB 168 255 139

HSL 105, 1%, 0.77%

LAB 92.45, -46.86, 47.14

 

CMYK 60 / 0 / 72 / 6

HEX #5FF044

RGB 95 240 68

HSL 110.58, 0.85%, 0.6%

LAB 84.57, -68.67, 67.64

 

CMYK 65 / 0 / 78 / 13

HEX #4EDE31

RGB 78 222 49

HSL 109.94, 0.72%, 0.53%

LAB 78.51, -67.63, 67.67

 

CMYK 70 / 0 / 85 / 20

HEX #3DCC1E

RGB 61 204 30

HSL 109.31, 0.74%, 0.46%

LAB 72.41, -66.14, 66.88

 

CMYK 76 / 0 / 94 / 27

HEX #2CBA0B

RGB 44 186 11

HSL 108.69, 0.89%, 0.39%

LAB 66.27, -64.03, 64.82

 

CMYK 84 / 0 / 100 / 34

HEX #1BA800

RGB 27 168 0

HSL 110.36, 1%, 0.33%

LAB 60.1, -61.15, 61.11

 

CMYK 61 / 0 / 73 / 6

HEX #5EF042

RGB 94 240 66

HSL 110.34, 0.85%, 0.6%

LAB 84.53, -69.04, 68.27

 

CMYK 42 / 0 / 73 / 6

HEX #8CF042

RGB 140 240 66

HSL 94.48, 0.85%, 0.6%

LAB 86.15, -56.59, 70.43

 

CMYK 22 / 0 / 73 / 6

HEX #BBF042

RGB 187 240 66

HSL 78.28, 0.85%, 0.6%

LAB 88.58, -40.18, 73.63

 

CMYK 3 / 0 / 73 / 6

HEX #EAF042

RGB 234 240 66

HSL 62.07, 0.85%, 0.6%

LAB 91.78, -21.63, 77.81

 

CMYK 0 / 17 / 73 / 6

HEX #F0C742

RGB 240 199 66

HSL 45.86, 0.85%, 0.6%

LAB 81.71, 1.32, 68.33

 

CMYK 61 / 0 / 73 / 6

HEX #5EF042

RGB 94 240 66

HSL 110.34, 0.85%, 0.6%

LAB 84.53, -69.04, 68.27

 

CMYK 73 / 0 / 64 / 6

HEX #42F056

RGB 66 240 86

HSL 126.9, 0.85%, 0.6%

LAB 84.04, -72.55, 60.07

 

CMYK 73 / 0 / 45 / 6

HEX #42F085

RGB 66 240 133

HSL 143.1, 0.85%, 0.6%

LAB 84.57, -66.32, 39.35

 

CMYK 73 / 0 / 25 / 6

HEX #42F0B3

RGB 66 240 179

HSL 158.97, 0.85%, 0.6%

LAB 85.37, -57.48, 17.11

 

CMYK 73 / 0 / 6 / 6

HEX #42F0E2

RGB 66 240 226

HSL 175.17, 0.85%, 0.6%

LAB 86.49, -46, -5.83

 

CMYK 61 / 0 / 73 / 6

HEX #5EF042

RGB 94 240 66

HSL 110.34, 0.85%, 0.6%

LAB 84.53, -69.04, 68.27

 

CMYK 61 / 0 / 73 / 6

HEX #5EF042

RGB 94 240 66

HSL 110.34, 0.85%, 0.6%

LAB 84.53, -69.04, 68.27

 

CMYK 53 / 0 / 63 / 13

HEX #69DF53

RGB 105 223 83

HSL 110.57, 0.69%, 0.6%

LAB 79.84, -58.96, 56.94

 

CMYK 44 / 0 / 52 / 19

HEX #74CF63

RGB 116 207 99

HSL 110.56, 0.53%, 0.6%

LAB 75.6, -47.84, 44.94

 

CMYK 33 / 0 / 39 / 25

HEX #7FBE74

RGB 127 190 116

HSL 111.08, 0.36%, 0.6%

LAB 71.28, -34.59, 31.12

 

CMYK 20 / 0 / 24 / 32

HEX #8BAE84

RGB 139 174 132

HSL 110, 0.21%, 0.6%

LAB 67.6, -20.09, 17.75

 

CMYK 22 / 0 / 73 / 6

HEX #BCF042

RGB 188 240 66

HSL 77.93, 0.85%, 0.6%

LAB 88.64, -39.8, 73.71

 

CMYK 41 / 0 / 73 / 6

HEX #8DF042

RGB 141 240 66

HSL 94.14, 0.85%, 0.6%

LAB 86.19, -56.28, 70.48

 

CMYK 60 / 0 / 73 / 6

HEX #5FF042

RGB 95 240 66

HSL 110, 0.85%, 0.6%

LAB 84.56, -68.81, 68.31

 

CMYK 73 / 0 / 65 / 6

HEX #42F054

RGB 66 240 84

HSL 126.21, 0.85%, 0.6%

LAB 84.03, -72.75, 60.86

 

CMYK 73 / 0 / 46 / 6

HEX #42F082

RGB 66 240 130

HSL 142.07, 0.85%, 0.6%

LAB 84.53, -66.81, 40.76

 

CMYK 77 / 0 / 92 / 19

HEX #2FCF11

RGB 47 207 17

HSL 110.53, 0.85%, 0.44%

LAB 73.07, -69.72, 69.71

 

CMYK 74 / 0 / 88 / 7

HEX #3DED1C

RGB 61 237 28

HSL 110.53, 0.85%, 0.52%

LAB 82.72, -76.19, 76.26

 

CMYK 61 / 0 / 73 / 6

HEX #5EF042

RGB 94 240 66

HSL 110.34, 0.85%, 0.6%

LAB 84.53, -69.04, 68.27

 

CMYK 48 / 0 / 57 / 5

HEX #7EF368

RGB 126 243 104

HSL 110.5, 0.85%, 0.68%

LAB 86.77, -58.68, 55.97

 

CMYK 35 / 0 / 42 / 4

HEX #9FF68F

RGB 159 246 143

HSL 110.68, 0.85%, 0.76%

LAB 89.52, -45.32, 41.41

 

CMYK 60 / 0 / 72 / 6

HEX #5FF044

RGB 95 240 68

HSL 110.58, 0.85%, 0.6%

LAB 84.57, -68.67, 67.64

 

CMYK 73 / 3 / 0 / 6

HEX #42EAF0

RGB 66 234 240

HSL 182.07, 0.85%, 0.6%

LAB 85.15, -39.48, -15.19

 

CMYK 0 / 73 / 31 / 6

HEX #F042A5

RGB 240 66 165

HSL 325.86, 0.85%, 0.6%

LAB 57.21, 73.2, -14.7

 

CMYK 60 / 0 / 72 / 6

HEX #5FF044

RGB 95 240 68

HSL 110.58, 0.85%, 0.6%

LAB 84.57, -68.67, 67.64

 

CMYK 73 / 60 / 0 / 6

HEX #425FF0

RGB 66 95 240

HSL 230, 0.85%, 0.6%

LAB 46.49, 37.95, -75.9

 

CMYK 0 / 73 / 60 / 6

HEX #F0425F

RGB 240 66 95

HSL 350, 0.85%, 0.6%

LAB 55.33, 67.09, 23.97

 

CMYK 60 / 0 / 72 / 6

HEX #5FF044

RGB 95 240 68

HSL 110.58, 0.85%, 0.6%

LAB 84.57, -68.67, 67.64

 

CMYK 73 / 3 / 0 / 6

HEX #42EAF0

RGB 66 234 240

HSL 182.07, 0.85%, 0.6%

LAB 85.15, -39.48, -15.19

 

CMYK 12 / 73 / 0 / 6

HEX #D342F0

RGB 211 66 240

HSL 290, 0.85%, 0.6%

LAB 56.12, 77.49, -59.61

 

CMYK 0 / 70 / 73 / 6

HEX #F04842

RGB 240 72 66

HSL 2.07, 0.85%, 0.6%

LAB 55.64, 63.51, 41.05

 

CMYK 60 / 0 / 72 / 6

HEX #5FF044

RGB 95 240 68

HSL 110.58, 0.85%, 0.6%

LAB 84.57, -68.67, 67.64

 

CMYK 73 / 24 / 0 / 6

HEX #42B6F0

RGB 66 182 240

HSL 200, 0.85%, 0.6%

LAB 70.11, -13.8, -38.19

 

CMYK 12 / 73 / 0 / 6

HEX #D342F0

RGB 211 66 240

HSL 290, 0.85%, 0.6%

LAB 56.12, 77.49, -59.61

 

CMYK 0 / 48 / 73 / 6

HEX #F07C42

RGB 240 124 66

HSL 20, 0.85%, 0.6%

LAB 64.43, 40.48, 50.71

 

Description

Color code: HEX #5FF044 | qconv.com Color code: HEX #5FF044 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 240 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 240 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 72 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 72% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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