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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5FF036 it is the complementary color #A00FC9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5FF036. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5FF036 shade: #64F031, #75FF44, #86FF57, #97FF6A and #A8FF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5FF036. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5FF036 shade: #5FF036, #4EDE23, #3DCC10, #2CBA00 and #1BA800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5FF036 shade: #60F038, #92F038, #C4F038, #F0EB38 and #F0B938

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5FF036 shade: #60F038, #38F041, #38F073, #38F0A4 and #38F0D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5FF036 shade matches the following richer shades: #60F038

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5FF036 shade: #60F038, #6ADF49, #74CD5A, #7DBC6C and #87AB7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5FF036 shade: #C5F038, #94F038, #63F038, #38F03E and #38F06F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5FF036 shade: #37C60F, #42ED12, #60F038, #7FF35E and #9EF685

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5FF036 shade: #5FF036, #38F0EA and #F038AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5FF036 shade: #5FF036, #3863F0 and #F03863

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5FF036 shade: #5FF036, #38F0EA, #C538F0 and #F0383E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5FF036 shade: #5FF036, #38BFF0, #C538F0 and #F06938

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 78 / 6

HEX #5FF036

RGB 95 240 54

HSL 106.77, 0.86%, 0.58%

LAB 84.49, -69.58, 72.05

 

Complementary color

CMYK 20 / 93 / 0 / 21

HEX #A00FC9

RGB 160 15 201

HSL 286.77, 0.86%, 0.42%

LAB 41.27, 74.41, -61.74

 

CMYK 58 / 0 / 80 / 6

HEX #64F031

RGB 100 240 49

HSL 103.98, 0.86%, 0.57%

LAB 84.61, -68.69, 73.61

 

CMYK 54 / 0 / 73 / 0

HEX #75FF44

RGB 117 255 68

HSL 104.28, 1%, 0.63%

LAB 89.73, -68.53, 73.02

 

CMYK 47 / 0 / 66 / 0

HEX #86FF57

RGB 134 255 87

HSL 103.21, 1%, 0.67%

LAB 90.45, -62.57, 67.18

 

CMYK 41 / 0 / 58 / 0

HEX #97FF6A

RGB 151 255 106

HSL 101.88, 1%, 0.71%

LAB 91.3, -55.86, 60.57

 

CMYK 34 / 0 / 51 / 0

HEX #A8FF7D

RGB 168 255 125

HSL 100.15, 1%, 0.75%

LAB 92.28, -48.52, 53.48

 

CMYK 60 / 0 / 78 / 6

HEX #5FF036

RGB 95 240 54

HSL 106.77, 0.86%, 0.58%

LAB 84.49, -69.58, 72.05

 

CMYK 65 / 0 / 84 / 13

HEX #4EDE23

RGB 78 222 35

HSL 106.2, 0.74%, 0.5%

LAB 78.45, -68.34, 71.27

 

CMYK 70 / 0 / 92 / 20

HEX #3DCC10

RGB 61 204 16

HSL 105.64, 0.85%, 0.43%

LAB 72.37, -66.6, 69.37

 

CMYK 76 / 0 / 100 / 27

HEX #2CBA00

RGB 44 186 0

HSL 105.81, 1%, 0.36%

LAB 66.25, -64.27, 66.13

 

CMYK 84 / 0 / 100 / 34

HEX #1BA800

RGB 27 168 0

HSL 110.36, 1%, 0.33%

LAB 60.1, -61.15, 61.11

 

CMYK 60 / 0 / 77 / 6

HEX #60F038

RGB 96 240 56

HSL 106.96, 0.86%, 0.58%

LAB 84.53, -69.24, 71.5

 

CMYK 39 / 0 / 77 / 6

HEX #92F038

RGB 146 240 56

HSL 90.65, 0.86%, 0.58%

LAB 86.36, -55.23, 73.89

 

CMYK 18 / 0 / 77 / 6

HEX #C4F038

RGB 196 240 56

HSL 74.35, 0.86%, 0.58%

LAB 89.08, -37.2, 77.4

 

CMYK 0 / 2 / 77 / 6

HEX #F0EB38

RGB 240 235 56

HSL 58.37, 0.86%, 0.58%

LAB 90.88, -17.14, 80.21

 

CMYK 0 / 23 / 77 / 6

HEX #F0B938

RGB 240 185 56

HSL 42.07, 0.86%, 0.58%

LAB 78.17, 8.19, 68.59

 

CMYK 60 / 0 / 77 / 6

HEX #60F038

RGB 96 240 56

HSL 106.96, 0.86%, 0.58%

LAB 84.53, -69.24, 71.5

 

CMYK 77 / 0 / 73 / 6

HEX #38F041

RGB 56 240 65

HSL 122.93, 0.86%, 0.58%

LAB 83.73, -75.81, 67.54

 

CMYK 77 / 0 / 52 / 6

HEX #38F073

RGB 56 240 115

HSL 139.24, 0.86%, 0.58%

LAB 84.17, -70.4, 47.44

 

CMYK 77 / 0 / 32 / 6

HEX #38F0A4

RGB 56 240 164

HSL 155.22, 0.86%, 0.58%

LAB 84.92, -61.88, 24.19

 

CMYK 77 / 0 / 11 / 6

HEX #38F0D6

RGB 56 240 214

HSL 171.52, 0.86%, 0.58%

LAB 86.01, -50.23, -0.25

 

CMYK 60 / 0 / 77 / 6

HEX #60F038

RGB 96 240 56

HSL 106.96, 0.86%, 0.58%

LAB 84.53, -69.24, 71.5

 

CMYK 60 / 0 / 77 / 6

HEX #60F038

RGB 96 240 56

HSL 106.96, 0.86%, 0.58%

LAB 84.53, -69.24, 71.5

 

CMYK 52 / 0 / 67 / 13

HEX #6ADF49

RGB 106 223 73

HSL 106.8, 0.7%, 0.58%

LAB 79.8, -59.61, 60.95

 

CMYK 43 / 0 / 56 / 20

HEX #74CD5A

RGB 116 205 90

HSL 106.43, 0.53%, 0.58%

LAB 74.9, -48.07, 48.33

 

CMYK 34 / 0 / 43 / 26

HEX #7DBC6C

RGB 125 188 108

HSL 107.25, 0.37%, 0.58%

LAB 70.46, -35.5, 34.18

 

CMYK 21 / 0 / 27 / 33

HEX #87AB7D

RGB 135 171 125

HSL 106.96, 0.21%, 0.58%

LAB 66.33, -21.18, 19.79

 

CMYK 18 / 0 / 77 / 6

HEX #C5F038

RGB 197 240 56

HSL 74.02, 0.86%, 0.58%

LAB 89.15, -36.82, 77.48

 

CMYK 38 / 0 / 77 / 6

HEX #94F038

RGB 148 240 56

HSL 90, 0.86%, 0.58%

LAB 86.46, -54.57, 74.01

 

CMYK 59 / 0 / 77 / 6

HEX #63F038

RGB 99 240 56

HSL 105.98, 0.86%, 0.58%

LAB 84.62, -68.55, 71.61

 

CMYK 77 / 0 / 74 / 6

HEX #38F03E

RGB 56 240 62

HSL 121.96, 0.86%, 0.58%

LAB 83.71, -76.03, 68.52

 

CMYK 77 / 0 / 54 / 6

HEX #38F06F

RGB 56 240 111

HSL 137.93, 0.86%, 0.58%

LAB 84.13, -70.96, 49.24

 

CMYK 72 / 0 / 92 / 22

HEX #37C60F

RGB 55 198 15

HSL 106.89, 0.86%, 0.42%

LAB 70.34, -65.83, 67.77

 

CMYK 72 / 0 / 92 / 7

HEX #42ED12

RGB 66 237 18

HSL 106.85, 0.86%, 0.5%

LAB 82.79, -75.68, 77.82

 

CMYK 60 / 0 / 77 / 6

HEX #60F038

RGB 96 240 56

HSL 106.96, 0.86%, 0.58%

LAB 84.53, -69.24, 71.5

 

CMYK 48 / 0 / 61 / 5

HEX #7FF35E

RGB 127 243 94

HSL 106.71, 0.86%, 0.66%

LAB 86.71, -59.41, 60.21

 

CMYK 36 / 0 / 46 / 4

HEX #9EF685

RGB 158 246 133

HSL 106.73, 0.86%, 0.74%

LAB 89.33, -46.96, 46

 

CMYK 60 / 0 / 78 / 6

HEX #5FF036

RGB 95 240 54

HSL 106.77, 0.86%, 0.58%

LAB 84.49, -69.58, 72.05

 

CMYK 77 / 0 / 3 / 6

HEX #38F0EA

RGB 56 240 234

HSL 178.04, 0.86%, 0.58%

LAB 86.55, -44.86, -9.95

 

CMYK 0 / 77 / 28 / 6

HEX #F038AC

RGB 240 56 172

HSL 322.17, 0.86%, 0.58%

LAB 56.42, 76.96, -19.99

 

CMYK 60 / 0 / 78 / 6

HEX #5FF036

RGB 95 240 54

HSL 106.77, 0.86%, 0.58%

LAB 84.49, -69.58, 72.05

 

CMYK 77 / 59 / 0 / 6

HEX #3863F0

RGB 56 99 240

HSL 225.98, 0.86%, 0.58%

LAB 47.05, 34.4, -75.01

 

CMYK 0 / 77 / 59 / 6

HEX #F03863

RGB 240 56 99

HSL 345.98, 0.86%, 0.58%

LAB 54.3, 70.45, 20.22

 

CMYK 60 / 0 / 78 / 6

HEX #5FF036

RGB 95 240 54

HSL 106.77, 0.86%, 0.58%

LAB 84.49, -69.58, 72.05

 

CMYK 77 / 0 / 3 / 6

HEX #38F0EA

RGB 56 240 234

HSL 178.04, 0.86%, 0.58%

LAB 86.55, -44.86, -9.95

 

CMYK 18 / 77 / 0 / 6

HEX #C538F0

RGB 197 56 240

HSL 285.98, 0.86%, 0.58%

LAB 52.94, 78.07, -64.84

 

CMYK 0 / 77 / 74 / 6

HEX #F0383E

RGB 240 56 62

HSL 358.04, 0.86%, 0.58%

LAB 53.71, 68.58, 41.1

 

CMYK 60 / 0 / 78 / 6

HEX #5FF036

RGB 95 240 54

HSL 106.77, 0.86%, 0.58%

LAB 84.49, -69.58, 72.05

 

CMYK 77 / 20 / 0 / 6

HEX #38BFF0

RGB 56 191 240

HSL 195.98, 0.86%, 0.58%

LAB 72.49, -19.7, -34.51

 

CMYK 18 / 77 / 0 / 6

HEX #C538F0

RGB 197 56 240

HSL 285.98, 0.86%, 0.58%

LAB 52.94, 78.07, -64.84

 

CMYK 0 / 56 / 77 / 6

HEX #F06938

RGB 240 105 56

HSL 15.98, 0.86%, 0.58%

LAB 60.71, 49.3, 51.66

 

Description

Color code: HEX #5FF036 | qconv.com Color code: HEX #5FF036 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 240 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 240 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 78 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 78% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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