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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5FEBA7 it is the complementary color #A01458. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5FEBA7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5FEBA7 shade: #64EBA2, #75FDB5, #86FFC8, #97FFDB and #A8FFEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5FEBA7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5FEBA7 shade: #5FEBA7, #4ED994, #3DC781, #2CB56E and #1BA35B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5FEBA7 shade: #60EBA8, #60EB82, #64EB60, #89EB60 and #AFEB60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5FEBA7 shade: #60EBA8, #60EBCD, #60E4EB, #60BEEB and #6099EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5FEBA7 shade matches the following richer shades: #60EBA8 and #52FAA8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5FEBA7 shade: #60EBA8, #6FDDA7, #7DCEA7, #8BC0A7 and #9AB2A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5FEBA7 shade: #65EB60, #60EB81, #60EBA6, #60EBCB and #60E7EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5FEBA7 shade: #1BDE7F, #3BE794, #60EBA8, #85F0BC and #AAF4D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5FEBA7 shade: #5FEBA7, #608AEB and #EB6E60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5FEBA7 shade: #5FEBA7, #A660EB and #EBA660

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5FEBA7 shade: #5FEBA7, #608AEB, #EB60A6 and #EBC260

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5FEBA7 shade: #5FEBA7, #6060EB, #EB60A6 and #EBEB60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 29 / 8

HEX #5FEBA7

RGB 95 235 167

HSL 150.86, 0.78%, 0.65%

LAB 84.3, -53.29, 21.93

 

Complementary color

CMYK 0 / 88 / 45 / 37

HEX #A01458

RGB 160 20 88

HSL 330.86, 0.78%, 0.35%

LAB 35.36, 57.6, -1.8

 

CMYK 57 / 0 / 31 / 8

HEX #64EBA2

RGB 100 235 162

HSL 147.56, 0.77%, 0.66%

LAB 84.35, -53.25, 24.6

 

CMYK 54 / 0 / 28 / 1

HEX #75FDB5

RGB 117 253 181

HSL 148.24, 0.97%, 0.73%

LAB 90.49, -53.24, 23.39

 

CMYK 47 / 0 / 22 / 0

HEX #86FFC8

RGB 134 255 200

HSL 152.73, 1%, 0.76%

LAB 92.02, -46.41, 15.9

 

CMYK 41 / 0 / 14 / 0

HEX #97FFDB

RGB 151 255 219

HSL 159.23, 1%, 0.8%

LAB 93.11, -38.28, 7.76

 

CMYK 34 / 0 / 7 / 0

HEX #A8FFEE

RGB 168 255 238

HSL 168.28, 1%, 0.83%

LAB 94.32, -29.77, -0.19

 

CMYK 60 / 0 / 29 / 8

HEX #5FEBA7

RGB 95 235 167

HSL 150.86, 0.78%, 0.65%

LAB 84.3, -53.29, 21.93

 

CMYK 64 / 0 / 32 / 15

HEX #4ED994

RGB 78 217 148

HSL 150.22, 0.65%, 0.58%

LAB 78.1, -53.12, 23.23

 

CMYK 69 / 0 / 35 / 22

HEX #3DC781

RGB 61 199 129

HSL 149.57, 0.55%, 0.51%

LAB 71.84, -52.77, 24.63

 

CMYK 76 / 0 / 39 / 29

HEX #2CB56E

RGB 44 181 110

HSL 148.91, 0.61%, 0.44%

LAB 65.52, -52.13, 26.15

 

CMYK 83 / 0 / 44 / 36

HEX #1BA35B

RGB 27 163 91

HSL 148.24, 0.72%, 0.37%

LAB 59.14, -51.09, 27.82

 

CMYK 59 / 0 / 29 / 8

HEX #60EBA8

RGB 96 235 168

HSL 151.08, 0.78%, 0.65%

LAB 84.34, -52.89, 21.49

 

CMYK 59 / 0 / 45 / 8

HEX #60EB82

RGB 96 235 130

HSL 134.68, 0.78%, 0.65%

LAB 83.71, -59.65, 39.86

 

CMYK 57 / 0 / 59 / 8

HEX #64EB60

RGB 100 235 96

HSL 118.27, 0.78%, 0.65%

LAB 83.43, -63.23, 55.38

 

CMYK 42 / 0 / 59 / 8

HEX #89EB60

RGB 137 235 96

HSL 102.3, 0.78%, 0.65%

LAB 84.78, -53.15, 57.29

 

CMYK 26 / 0 / 59 / 8

HEX #AFEB60

RGB 175 235 96

HSL 85.9, 0.78%, 0.65%

LAB 86.69, -40.35, 59.96

 

CMYK 59 / 0 / 29 / 8

HEX #60EBA8

RGB 96 235 168

HSL 151.08, 0.78%, 0.65%

LAB 84.34, -52.89, 21.49

 

CMYK 59 / 0 / 13 / 8

HEX #60EBCD

RGB 96 235 205

HSL 167.05, 0.78%, 0.65%

LAB 85.15, -44.73, 3.32

 

CMYK 59 / 3 / 0 / 8

HEX #60E4EB

RGB 96 228 235

HSL 183.02, 0.78%, 0.65%

LAB 83.95, -33.86, -14.28

 

CMYK 59 / 19 / 0 / 8

HEX #60BEEB

RGB 96 190 235

HSL 199.42, 0.78%, 0.65%

LAB 73.1, -14.94, -30.78

 

CMYK 59 / 35 / 0 / 8

HEX #6099EB

RGB 96 153 235

HSL 215.4, 0.78%, 0.65%

LAB 62.73, 5.59, -46.94

 

CMYK 59 / 0 / 29 / 8

HEX #60EBA8

RGB 96 235 168

HSL 151.08, 0.78%, 0.65%

LAB 84.34, -52.89, 21.49

 

CMYK 67 / 0 / 33 / 2

HEX #52FAA8

RGB 82 250 168

HSL 150.71, 0.94%, 0.65%

LAB 88.44, -61.26, 27.04

 

CMYK 59 / 0 / 29 / 8

HEX #60EBA8

RGB 96 235 168

HSL 151.08, 0.78%, 0.65%

LAB 84.34, -52.89, 21.49

 

CMYK 50 / 0 / 24 / 13

HEX #6FDDA7

RGB 111 221 167

HSL 150.55, 0.62%, 0.65%

LAB 80.67, -43.92, 16.98

 

CMYK 39 / 0 / 19 / 19

HEX #7DCEA7

RGB 125 206 167

HSL 151.11, 0.45%, 0.65%

LAB 76.86, -33.51, 11.69

 

CMYK 28 / 0 / 13 / 25

HEX #8BC0A7

RGB 139 192 167

HSL 151.7, 0.3%, 0.65%

LAB 73.53, -22.57, 7.05

 

CMYK 13 / 0 / 7 / 30

HEX #9AB2A6

RGB 154 178 166

HSL 150, 0.13%, 0.65%

LAB 70.5, -10.65, 3.35

 

CMYK 57 / 0 / 59 / 8

HEX #65EB60

RGB 101 235 96

HSL 117.84, 0.78%, 0.65%

LAB 83.46, -63, 55.43

 

CMYK 59 / 0 / 45 / 8

HEX #60EB81

RGB 96 235 129

HSL 134.24, 0.78%, 0.65%

LAB 83.7, -59.8, 40.33

 

CMYK 59 / 0 / 29 / 8

HEX #60EBA6

RGB 96 235 166

HSL 150.22, 0.78%, 0.65%

LAB 84.31, -53.29, 22.47

 

CMYK 59 / 0 / 14 / 8

HEX #60EBCB

RGB 96 235 203

HSL 166.19, 0.78%, 0.65%

LAB 85.11, -45.21, 4.3

 

CMYK 59 / 2 / 0 / 8

HEX #60E7EB

RGB 96 231 235

HSL 181.73, 0.78%, 0.65%

LAB 84.81, -35.27, -12.99

 

CMYK 88 / 0 / 43 / 13

HEX #1BDE7F

RGB 27 222 127

HSL 150.77, 0.78%, 0.49%

LAB 78.47, -65.23, 34.34

 

CMYK 74 / 0 / 36 / 9

HEX #3BE794

RGB 59 231 148

HSL 151.05, 0.78%, 0.57%

LAB 81.96, -61.39, 28.38

 

CMYK 59 / 0 / 29 / 8

HEX #60EBA8

RGB 96 235 168

HSL 151.08, 0.78%, 0.65%

LAB 84.34, -52.89, 21.49

 

CMYK 45 / 0 / 22 / 6

HEX #85F0BC

RGB 133 240 188

HSL 150.84, 0.78%, 0.73%

LAB 87.45, -42.54, 15.65

 

CMYK 30 / 0 / 15 / 4

HEX #AAF4D0

RGB 170 244 208

HSL 150.81, 0.77%, 0.81%

LAB 90.69, -30.2, 10.1

 

CMYK 60 / 0 / 29 / 8

HEX #5FEBA7

RGB 95 235 167

HSL 150.86, 0.78%, 0.65%

LAB 84.3, -53.29, 21.93

 

CMYK 59 / 41 / 0 / 8

HEX #608AEB

RGB 96 138 235

HSL 221.87, 0.78%, 0.65%

LAB 58.66, 14.44, -53.4

 

CMYK 0 / 53 / 59 / 8

HEX #EB6E60

RGB 235 110 96

HSL 6.04, 0.78%, 0.65%

LAB 61.36, 47.24, 31.06

 

CMYK 60 / 0 / 29 / 8

HEX #5FEBA7

RGB 95 235 167

HSL 150.86, 0.78%, 0.65%

LAB 84.3, -53.29, 21.93

 

CMYK 29 / 59 / 0 / 8

HEX #A660EB

RGB 166 96 235

HSL 270.22, 0.78%, 0.65%

LAB 54.52, 54.08, -59.7

 

CMYK 0 / 29 / 59 / 8

HEX #EBA660

RGB 235 166 96

HSL 30.22, 0.78%, 0.65%

LAB 73.4, 18.3, 45.89

 

CMYK 60 / 0 / 29 / 8

HEX #5FEBA7

RGB 95 235 167

HSL 150.86, 0.78%, 0.65%

LAB 84.3, -53.29, 21.93

 

CMYK 59 / 41 / 0 / 8

HEX #608AEB

RGB 96 138 235

HSL 221.87, 0.78%, 0.65%

LAB 58.66, 14.44, -53.4

 

CMYK 0 / 59 / 29 / 8

HEX #EB60A6

RGB 235 96 166

HSL 329.78, 0.78%, 0.65%

LAB 60.59, 60.52, -10.28

 

CMYK 0 / 17 / 59 / 8

HEX #EBC260

RGB 235 194 96

HSL 42.3, 0.78%, 0.65%

LAB 80.23, 3.54, 53.85

 

CMYK 60 / 0 / 29 / 8

HEX #5FEBA7

RGB 95 235 167

HSL 150.86, 0.78%, 0.65%

LAB 84.3, -53.29, 21.93

 

CMYK 59 / 59 / 0 / 8

HEX #6060EB

RGB 96 96 235

HSL 240, 0.78%, 0.65%

LAB 48.07, 39.87, -70.44

 

CMYK 0 / 59 / 29 / 8

HEX #EB60A6

RGB 235 96 166

HSL 329.78, 0.78%, 0.65%

LAB 60.59, 60.52, -10.28

 

CMYK 0 / 0 / 59 / 8

HEX #EBEB60

RGB 235 235 96

HSL 60, 0.78%, 0.65%

LAB 90.74, -17.16, 65.58

 

Description

Color code: HEX #5FEBA7 | qconv.com Color code: HEX #5FEBA7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 235 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 235 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 29 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 29% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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