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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5FE89C it is the complementary color #A01763. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5FE89C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5FE89C shade: #64E897, #75FAAA, #86FFBD, #97FFD0 and #A8FFE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5FE89C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5FE89C shade: #5FE89C, #4ED689, #3DC476, #2CB263 and #1BA050

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5FE89C shade: #5EE89C, #5EE877, #6BE85E, #90E85E and #B6E85E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5FE89C shade: #5EE89C, #5EE8C1, #5EE8E6, #5EC5E8 and #5EA0E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5FE89C shade matches the following richer shades: #5EE89C and #4FF79A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5FE89C shade: #5EE89C, #6DD99D, #7CCA9F, #8BBBA1 and #9AADA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5FE89C shade: #6CE85E, #5EE875, #5EE89A, #5EE8BF and #5EE8E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5FE89C shade: #1ED570, #3AE385, #5EE89C, #82EDB2 and #A7F2C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5FE89C shade: #5FE89C, #5E91E8 and #E8635E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5FE89C shade: #5FE89C, #9A5EE8 and #E89A5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5FE89C shade: #5FE89C, #5E91E8, #E85EAC and #E8B65E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5FE89C shade: #5FE89C, #5E68E8, #E85EAC and #E8DF5E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 33 / 9

HEX #5FE89C

RGB 95 232 156

HSL 146.72, 0.75%, 0.64%

LAB 83.2, -54.23, 26.1

 

Complementary color

CMYK 0 / 86 / 38 / 37

HEX #A01763

RGB 160 23 99

HSL 326.72, 0.75%, 0.36%

LAB 35.96, 58.06, -7.98

 

CMYK 57 / 0 / 35 / 9

HEX #64E897

RGB 100 232 151

HSL 143.18, 0.74%, 0.65%

LAB 83.26, -54.1, 28.77

 

CMYK 53 / 0 / 32 / 2

HEX #75FAAA

RGB 117 250 170

HSL 143.91, 0.93%, 0.72%

LAB 89.42, -54.08, 27.51

 

CMYK 47 / 0 / 26 / 0

HEX #86FFBD

RGB 134 255 189

HSL 147.27, 1%, 0.76%

LAB 91.8, -48.57, 21.22

 

CMYK 41 / 0 / 18 / 0

HEX #97FFD0

RGB 151 255 208

HSL 152.88, 1%, 0.8%

LAB 92.86, -40.54, 13.07

 

CMYK 34 / 0 / 11 / 0

HEX #A8FFE3

RGB 168 255 227

HSL 160.69, 1%, 0.83%

LAB 94.05, -32.1, 5.09

 

CMYK 59 / 0 / 33 / 9

HEX #5FE89C

RGB 95 232 156

HSL 146.72, 0.75%, 0.64%

LAB 83.2, -54.23, 26.1

 

CMYK 64 / 0 / 36 / 16

HEX #4ED689

RGB 78 214 137

HSL 146.03, 0.62%, 0.57%

LAB 76.99, -54.07, 27.44

 

CMYK 69 / 0 / 40 / 23

HEX #3DC476

RGB 61 196 118

HSL 145.33, 0.53%, 0.5%

LAB 70.72, -53.71, 28.89

 

CMYK 75 / 0 / 44 / 30

HEX #2CB263

RGB 44 178 99

HSL 144.63, 0.6%, 0.44%

LAB 64.38, -53.05, 30.45

 

CMYK 83 / 0 / 50 / 37

HEX #1BA050

RGB 27 160 80

HSL 143.91, 0.71%, 0.37%

LAB 57.99, -51.95, 32.12

 

CMYK 59 / 0 / 33 / 9

HEX #5EE89C

RGB 94 232 156

HSL 146.96, 0.75%, 0.64%

LAB 83.18, -54.44, 26.06

 

CMYK 59 / 0 / 49 / 9

HEX #5EE877

RGB 94 232 119

HSL 130.87, 0.75%, 0.64%

LAB 82.61, -60.6, 43.79

 

CMYK 54 / 0 / 59 / 9

HEX #6BE85E

RGB 107 232 94

HSL 114.35, 0.75%, 0.64%

LAB 82.73, -60.65, 55.51

 

CMYK 38 / 0 / 59 / 9

HEX #90E85E

RGB 144 232 94

HSL 98.26, 0.75%, 0.64%

LAB 84.2, -49.92, 57.58

 

CMYK 22 / 0 / 59 / 9

HEX #B6E85E

RGB 182 232 94

HSL 81.74, 0.75%, 0.64%

LAB 86.24, -36.61, 60.43

 

CMYK 59 / 0 / 33 / 9

HEX #5EE89C

RGB 94 232 156

HSL 146.96, 0.75%, 0.64%

LAB 83.18, -54.44, 26.06

 

CMYK 59 / 0 / 17 / 9

HEX #5EE8C1

RGB 94 232 193

HSL 163.04, 0.75%, 0.64%

LAB 83.94, -46.63, 7.86

 

CMYK 59 / 0 / 1 / 9

HEX #5EE8E6

RGB 94 232 230

HSL 179.13, 0.75%, 0.64%

LAB 84.9, -37.41, -10.23

 

CMYK 59 / 15 / 0 / 9

HEX #5EC5E8

RGB 94 197 232

HSL 195.22, 0.75%, 0.64%

LAB 74.91, -19.85, -26.37

 

CMYK 59 / 31 / 0 / 9

HEX #5EA0E8

RGB 94 160 232

HSL 211.3, 0.75%, 0.64%

LAB 64.44, 0.21, -42.61

 

CMYK 59 / 0 / 33 / 9

HEX #5EE89C

RGB 94 232 156

HSL 146.96, 0.75%, 0.64%

LAB 83.18, -54.44, 26.06

 

CMYK 68 / 0 / 38 / 3

HEX #4FF79A

RGB 79 247 154

HSL 146.79, 0.91%, 0.64%

LAB 87.25, -63.25, 32.48

 

CMYK 59 / 0 / 33 / 9

HEX #5EE89C

RGB 94 232 156

HSL 146.96, 0.75%, 0.64%

LAB 83.18, -54.44, 26.06

 

CMYK 50 / 0 / 28 / 15

HEX #6DD99D

RGB 109 217 157

HSL 146.67, 0.59%, 0.64%

LAB 79.22, -44.68, 20.2

 

CMYK 39 / 0 / 21 / 21

HEX #7CCA9F

RGB 124 202 159

HSL 146.92, 0.42%, 0.64%

LAB 75.47, -33.54, 14.01

 

CMYK 26 / 0 / 14 / 27

HEX #8BBBA1

RGB 139 187 161

HSL 147.5, 0.26%, 0.64%

LAB 71.96, -21.28, 8.07

 

CMYK 11 / 0 / 6 / 32

HEX #9AADA2

RGB 154 173 162

HSL 145.26, 0.1%, 0.64%

LAB 69.02, -8.78, 3.4

 

CMYK 53 / 0 / 59 / 9

HEX #6CE85E

RGB 108 232 94

HSL 113.91, 0.75%, 0.64%

LAB 82.76, -60.4, 55.56

 

CMYK 59 / 0 / 50 / 9

HEX #5EE875

RGB 94 232 117

HSL 130, 0.75%, 0.64%

LAB 82.58, -60.88, 44.72

 

CMYK 59 / 0 / 34 / 9

HEX #5EE89A

RGB 94 232 154

HSL 146.09, 0.75%, 0.64%

LAB 83.14, -54.81, 27.04

 

CMYK 59 / 0 / 18 / 9

HEX #5EE8BF

RGB 94 232 191

HSL 162.17, 0.75%, 0.64%

LAB 83.89, -47.09, 8.84

 

CMYK 59 / 0 / 2 / 9

HEX #5EE8E3

RGB 94 232 227

HSL 177.83, 0.75%, 0.64%

LAB 84.81, -38.2, -8.77

 

CMYK 86 / 0 / 47 / 16

HEX #1ED570

RGB 30 213 112

HSL 146.89, 0.75%, 0.48%

LAB 75.47, -64.57, 37.99

 

CMYK 74 / 0 / 41 / 11

HEX #3AE385

RGB 58 227 133

HSL 146.63, 0.75%, 0.56%

LAB 80.48, -62.85, 34.02

 

CMYK 59 / 0 / 33 / 9

HEX #5EE89C

RGB 94 232 156

HSL 146.96, 0.75%, 0.64%

LAB 83.18, -54.44, 26.06

 

CMYK 45 / 0 / 25 / 7

HEX #82EDB2

RGB 130 237 178

HSL 146.92, 0.75%, 0.72%

LAB 86.27, -43.96, 19.16

 

CMYK 31 / 0 / 17 / 5

HEX #A7F2C8

RGB 167 242 200

HSL 146.4, 0.74%, 0.8%

LAB 89.81, -31.69, 12.97

 

CMYK 59 / 0 / 33 / 9

HEX #5FE89C

RGB 95 232 156

HSL 146.72, 0.75%, 0.64%

LAB 83.2, -54.23, 26.1

 

CMYK 59 / 38 / 0 / 9

HEX #5E91E8

RGB 94 145 232

HSL 217.83, 0.75%, 0.64%

LAB 60.3, 8.92, -49.14

 

CMYK 0 / 57 / 59 / 9

HEX #E8635E

RGB 232 99 94

HSL 2.17, 0.75%, 0.64%

LAB 58.87, 51.23, 28.91

 

CMYK 59 / 0 / 33 / 9

HEX #5FE89C

RGB 95 232 156

HSL 146.72, 0.75%, 0.64%

LAB 83.2, -54.23, 26.1

 

CMYK 34 / 59 / 0 / 9

HEX #9A5EE8

RGB 154 94 232

HSL 266.09, 0.75%, 0.64%

LAB 52.62, 51.67, -61.14

 

CMYK 0 / 34 / 59 / 9

HEX #E89A5E

RGB 232 154 94

HSL 26.09, 0.75%, 0.64%

LAB 70.23, 23.31, 43.02

 

CMYK 59 / 0 / 33 / 9

HEX #5FE89C

RGB 95 232 156

HSL 146.72, 0.75%, 0.64%

LAB 83.2, -54.23, 26.1

 

CMYK 59 / 38 / 0 / 9

HEX #5E91E8

RGB 94 145 232

HSL 217.83, 0.75%, 0.64%

LAB 60.3, 8.92, -49.14

 

CMYK 0 / 59 / 26 / 9

HEX #E85EAC

RGB 232 94 172

HSL 326.09, 0.75%, 0.64%

LAB 60.01, 61.26, -14.65

 

CMYK 0 / 22 / 59 / 9

HEX #E8B65E

RGB 232 182 94

HSL 38.26, 0.75%, 0.64%

LAB 76.93, 8.44, 50.93

 

CMYK 59 / 0 / 33 / 9

HEX #5FE89C

RGB 95 232 156

HSL 146.72, 0.75%, 0.64%

LAB 83.2, -54.23, 26.1

 

CMYK 59 / 55 / 0 / 9

HEX #5E68E8

RGB 94 104 232

HSL 235.65, 0.75%, 0.64%

LAB 49.63, 33.74, -66.24

 

CMYK 0 / 59 / 26 / 9

HEX #E85EAC

RGB 232 94 172

HSL 326.09, 0.75%, 0.64%

LAB 60.01, 61.26, -14.65

 

CMYK 0 / 4 / 59 / 9

HEX #E8DF5E

RGB 232 223 94

HSL 56.09, 0.75%, 0.64%

LAB 87.36, -12.61, 62.66

 

Description

Color code: HEX #5FE89C | qconv.com Color code: HEX #5FE89C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 232 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 232 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 33 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 33% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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