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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5FE52C it is the complementary color #A01AD3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5FE52C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5FE52C shade: #64E527, #75F73A, #86FF4D, #97FF60 and #A8FF73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5FE52C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5FE52C shade: #5FE52C, #4ED319, #3DC106, #2CAF00 and #1B9D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5FE52C shade: #61E52E, #92E52E, #C3E52E, #E5D62E and #E5A42E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5FE52C shade: #61E52E, #2FE52E, #2EE55E, #2EE590 and #2EE5C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5FE52C shade matches the following richer shades: #61E52E and #58F81B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5FE52C shade: #61E52E, #69D241, #72BF54, #7AAC67 and #83997A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5FE52C shade: #C4E52E, #93E52E, #62E52E, #31E52E and #2EE55C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5FE52C shade: #3FAC15, #4CD01A, #61E52E, #7CEA53 and #98EE78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5FE52C shade: #5FE52C, #2EE5D6 and #E52EAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5FE52C shade: #5FE52C, #2E62E5 and #E52E62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5FE52C shade: #5FE52C, #2EE5D6, #B12EE5 and #E52E3D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5FE52C shade: #5FE52C, #2EBEE5, #B12EE5 and #E5562E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 81 / 10

HEX #5FE52C

RGB 95 229 44

HSL 103.46, 0.78%, 0.54%

LAB 81.1, -66.43, 71.65

 

Complementary color

CMYK 24 / 88 / 0 / 17

HEX #A01AD3

RGB 160 26 211

HSL 283.46, 0.78%, 0.46%

LAB 42.64, 74.41, -65.31

 

CMYK 56 / 0 / 83 / 10

HEX #64E527

RGB 100 229 39

HSL 100.74, 0.79%, 0.53%

LAB 81.23, -65.43, 73.07

 

CMYK 53 / 0 / 77 / 3

HEX #75F73A

RGB 117 247 58

HSL 101.27, 0.92%, 0.6%

LAB 87.29, -66.34, 73.77

 

CMYK 47 / 0 / 70 / 0

HEX #86FF4D

RGB 134 255 77

HSL 100.79, 1%, 0.65%

LAB 90.38, -63.33, 70.8

 

CMYK 41 / 0 / 62 / 0

HEX #97FF60

RGB 151 255 96

HSL 99.25, 1%, 0.69%

LAB 91.21, -56.78, 64.64

 

CMYK 34 / 0 / 55 / 0

HEX #A8FF73

RGB 168 255 115

HSL 97.29, 1%, 0.73%

LAB 92.17, -49.58, 57.86

 

CMYK 59 / 0 / 81 / 10

HEX #5FE52C

RGB 95 229 44

HSL 103.46, 0.78%, 0.54%

LAB 81.1, -66.43, 71.65

 

CMYK 63 / 0 / 88 / 17

HEX #4ED319

RGB 78 211 25

HSL 102.9, 0.79%, 0.46%

LAB 75, -65.14, 70.31

 

CMYK 68 / 0 / 97 / 24

HEX #3DC106

RGB 61 193 6

HSL 102.35, 0.94%, 0.39%

LAB 68.86, -63.36, 67.66

 

CMYK 75 / 0 / 100 / 31

HEX #2CAF00

RGB 44 175 0

HSL 104.91, 1%, 0.34%

LAB 62.67, -60.92, 63.27

 

CMYK 83 / 0 / 100 / 38

HEX #1B9D00

RGB 27 157 0

HSL 109.68, 1%, 0.31%

LAB 56.43, -57.88, 58.18

 

CMYK 58 / 0 / 80 / 10

HEX #61E52E

RGB 97 229 46

HSL 103.28, 0.78%, 0.54%

LAB 81.17, -65.85, 71.2

 

CMYK 36 / 0 / 80 / 10

HEX #92E52E

RGB 146 229 46

HSL 87.21, 0.78%, 0.54%

LAB 83.1, -51.31, 73.68

 

CMYK 15 / 0 / 80 / 10

HEX #C3E52E

RGB 195 229 46

HSL 71.15, 0.78%, 0.54%

LAB 85.93, -32.98, 77.28

 

CMYK 0 / 7 / 80 / 10

HEX #E5D62E

RGB 229 214 46

HSL 55.08, 0.78%, 0.54%

LAB 84.46, -11.72, 76.98

 

CMYK 0 / 28 / 80 / 10

HEX #E5A42E

RGB 229 164 46

HSL 38.69, 0.78%, 0.54%

LAB 71.83, 14.22, 65.84

 

CMYK 58 / 0 / 80 / 10

HEX #61E52E

RGB 97 229 46

HSL 103.28, 0.78%, 0.54%

LAB 81.17, -65.85, 71.2

 

CMYK 79 / 0 / 80 / 10

HEX #2FE52E

RGB 47 229 46

HSL 119.67, 0.78%, 0.54%

LAB 80.09, -74.94, 69.81

 

CMYK 80 / 0 / 59 / 10

HEX #2EE55E

RGB 46 229 94

HSL 135.74, 0.78%, 0.54%

LAB 80.42, -70.81, 52.49

 

CMYK 80 / 0 / 37 / 10

HEX #2EE590

RGB 46 229 144

HSL 152.13, 0.78%, 0.54%

LAB 81.09, -62.93, 29.23

 

CMYK 80 / 0 / 16 / 10

HEX #2EE5C1

RGB 46 229 193

HSL 168.2, 0.78%, 0.54%

LAB 82.09, -51.99, 5.08

 

CMYK 58 / 0 / 80 / 10

HEX #61E52E

RGB 97 229 46

HSL 103.28, 0.78%, 0.54%

LAB 81.17, -65.85, 71.2

 

CMYK 65 / 0 / 89 / 3

HEX #58F81B

RGB 88 248 27

HSL 103.44, 0.94%, 0.54%

LAB 86.65, -74.78, 79.98

 

CMYK 58 / 0 / 80 / 10

HEX #61E52E

RGB 97 229 46

HSL 103.28, 0.78%, 0.54%

LAB 81.17, -65.85, 71.2

 

CMYK 50 / 0 / 69 / 18

HEX #69D241

RGB 105 210 65

HSL 103.45, 0.62%, 0.54%

LAB 75.75, -55.69, 59.76

 

CMYK 40 / 0 / 56 / 25

HEX #72BF54

RGB 114 191 84

HSL 103.18, 0.46%, 0.54%

LAB 70.51, -43.52, 45.95

 

CMYK 29 / 0 / 40 / 33

HEX #7AAC67

RGB 122 172 103

HSL 103.48, 0.29%, 0.54%

LAB 65.45, -29.77, 30.3

 

CMYK 14 / 0 / 20 / 40

HEX #83997A

RGB 131 153 122

HSL 102.58, 0.13%, 0.54%

LAB 60.79, -13.82, 13.75

 

CMYK 14 / 0 / 80 / 10

HEX #C4E52E

RGB 196 229 46

HSL 70.82, 0.78%, 0.54%

LAB 85.99, -32.59, 77.36

 

CMYK 36 / 0 / 80 / 10

HEX #93E52E

RGB 147 229 46

HSL 86.89, 0.78%, 0.54%

LAB 83.15, -50.97, 73.74

 

CMYK 57 / 0 / 80 / 10

HEX #62E52E

RGB 98 229 46

HSL 102.95, 0.78%, 0.54%

LAB 81.2, -65.6, 71.24

 

CMYK 79 / 0 / 80 / 10

HEX #31E52E

RGB 49 229 46

HSL 119.02, 0.78%, 0.54%

LAB 80.12, -74.7, 69.84

 

CMYK 80 / 0 / 60 / 10

HEX #2EE55C

RGB 46 229 92

HSL 135.08, 0.78%, 0.54%

LAB 80.4, -71.05, 53.35

 

CMYK 63 / 0 / 88 / 33

HEX #3FAC15

RGB 63 172 21

HSL 103.31, 0.78%, 0.38%

LAB 62.18, -55.62, 59.86

 

CMYK 63 / 0 / 88 / 18

HEX #4CD01A

RGB 76 208 26

HSL 103.52, 0.78%, 0.46%

LAB 74.01, -64.57, 69.25

 

CMYK 58 / 0 / 80 / 10

HEX #61E52E

RGB 97 229 46

HSL 103.28, 0.78%, 0.54%

LAB 81.17, -65.85, 71.2

 

CMYK 47 / 0 / 65 / 8

HEX #7CEA53

RGB 124 234 83

HSL 103.71, 0.78%, 0.62%

LAB 83.84, -57.85, 61.52

 

CMYK 36 / 0 / 50 / 7

HEX #98EE78

RGB 152 238 120

HSL 103.73, 0.78%, 0.7%

LAB 86.59, -47.07, 48.73

 

CMYK 59 / 0 / 81 / 10

HEX #5FE52C

RGB 95 229 44

HSL 103.46, 0.78%, 0.54%

LAB 81.1, -66.43, 71.65

 

CMYK 80 / 0 / 7 / 10

HEX #2EE5D6

RGB 46 229 214

HSL 175.08, 0.78%, 0.54%

LAB 82.63, -46.48, -5.23

 

CMYK 0 / 80 / 25 / 10

HEX #E52EAB

RGB 229 46 171

HSL 319.02, 0.78%, 0.54%

LAB 53.55, 76.91, -23.98

 

CMYK 59 / 0 / 81 / 10

HEX #5FE52C

RGB 95 229 44

HSL 103.46, 0.78%, 0.54%

LAB 81.1, -66.43, 71.65

 

CMYK 80 / 57 / 0 / 10

HEX #2E62E5

RGB 46 98 229

HSL 222.95, 0.78%, 0.54%

LAB 45.6, 30.08, -71.2

 

CMYK 0 / 80 / 57 / 10

HEX #E52E62

RGB 229 46 98

HSL 342.95, 0.78%, 0.54%

LAB 51.26, 70.15, 16.37

 

CMYK 59 / 0 / 81 / 10

HEX #5FE52C

RGB 95 229 44

HSL 103.46, 0.78%, 0.54%

LAB 81.1, -66.43, 71.65

 

CMYK 80 / 0 / 7 / 10

HEX #2EE5D6

RGB 46 229 214

HSL 175.08, 0.78%, 0.54%

LAB 82.63, -46.48, -5.23

 

CMYK 23 / 80 / 0 / 10

HEX #B12EE5

RGB 177 46 229

HSL 282.95, 0.78%, 0.54%

LAB 48.21, 75.56, -66.44

 

CMYK 0 / 80 / 73 / 10

HEX #E52E3D

RGB 229 46 61

HSL 355.08, 0.78%, 0.54%

LAB 50.63, 68.21, 37.63

 

CMYK 59 / 0 / 81 / 10

HEX #5FE52C

RGB 95 229 44

HSL 103.46, 0.78%, 0.54%

LAB 81.1, -66.43, 71.65

 

CMYK 80 / 17 / 0 / 10

HEX #2EBEE5

RGB 46 190 229

HSL 192.79, 0.78%, 0.54%

LAB 71.6, -23.75, -29.94

 

CMYK 23 / 80 / 0 / 10

HEX #B12EE5

RGB 177 46 229

HSL 282.95, 0.78%, 0.54%

LAB 48.21, 75.56, -66.44

 

CMYK 0 / 62 / 80 / 10

HEX #E5562E

RGB 229 86 46

HSL 13.11, 0.78%, 0.54%

LAB 55.59, 53.61, 50.79

 

Description

Color code: HEX #5FE52C | qconv.com Color code: HEX #5FE52C | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 229 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 229 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 81 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 81% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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