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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5FE524 it is the complementary color #A01ADB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5FE524. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5FE524 shade: #64E51F, #75F732, #86FF45, #97FF58 and #A8FF6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5FE524. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5FE524 shade: #5FE524, #4ED311, #3DC100, #2CAF00 and #1B9D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5FE524 shade: #5FE524, #93E524, #C7E524, #E5CF24 and #E59B24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5FE524 shade: #5FE524, #2BE524, #24E551, #24E585 and #24E5B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5FE524 shade matches the following richer shades: #5FE524 and #57F910

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5FE524 shade: #5FE524, #67D138, #6EBE4C, #76AA5F and #7E9673

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5FE524 shade: #C8E524, #95E524, #61E524, #2EE524 and #24E54E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5FE524 shade: #3FA413, #4EC818, #5FE524, #7AEA49 and #95EE6E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5FE524 shade: #5FE524, #24E5CF and #E524AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5FE524 shade: #5FE524, #2461E5 and #E52461

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5FE524 shade: #5FE524, #24E5CF, #A824E5 and #E5243A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5FE524 shade: #5FE524, #24C2E5, #A824E5 and #E54724

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 84 / 10

HEX #5FE524

RGB 95 229 36

HSL 101.66, 0.79%, 0.52%

LAB 81.07, -66.78, 73.55

 

Complementary color

CMYK 27 / 88 / 0 / 14

HEX #A01ADB

RGB 160 26 219

HSL 281.66, 0.79%, 0.48%

LAB 43.25, 75.92, -68.91

 

CMYK 56 / 0 / 86 / 10

HEX #64E51F

RGB 100 229 31

HSL 99.09, 0.79%, 0.51%

LAB 81.21, -65.73, 74.77

 

CMYK 53 / 0 / 80 / 3

HEX #75F732

RGB 117 247 50

HSL 99.59, 0.92%, 0.58%

LAB 87.26, -66.76, 75.99

 

CMYK 47 / 0 / 73 / 0

HEX #86FF45

RGB 134 255 69

HSL 99.03, 1%, 0.64%

LAB 90.33, -63.87, 73.49

 

CMYK 41 / 0 / 65 / 0

HEX #97FF58

RGB 151 255 88

HSL 97.37, 1%, 0.67%

LAB 91.15, -57.44, 67.74

 

CMYK 34 / 0 / 58 / 0

HEX #A8FF6B

RGB 168 255 107

HSL 95.27, 1%, 0.71%

LAB 92.09, -50.36, 61.26

 

CMYK 59 / 0 / 84 / 10

HEX #5FE524

RGB 95 229 36

HSL 101.66, 0.79%, 0.52%

LAB 81.07, -66.78, 73.55

 

CMYK 63 / 0 / 92 / 17

HEX #4ED311

RGB 78 211 17

HSL 101.13, 0.85%, 0.45%

LAB 74.98, -65.37, 71.57

 

CMYK 68 / 0 / 100 / 24

HEX #3DC100

RGB 61 193 0

HSL 101.04, 1%, 0.38%

LAB 68.85, -63.47, 68.34

 

CMYK 75 / 0 / 100 / 31

HEX #2CAF00

RGB 44 175 0

HSL 104.91, 1%, 0.34%

LAB 62.67, -60.92, 63.27

 

CMYK 83 / 0 / 100 / 38

HEX #1B9D00

RGB 27 157 0

HSL 109.68, 1%, 0.31%

LAB 56.43, -57.88, 58.18

 

CMYK 59 / 0 / 84 / 10

HEX #5FE524

RGB 95 229 36

HSL 101.66, 0.79%, 0.52%

LAB 81.07, -66.78, 73.55

 

CMYK 36 / 0 / 84 / 10

HEX #93E524

RGB 147 229 36

HSL 85.49, 0.79%, 0.52%

LAB 83.11, -51.35, 76.12

 

CMYK 13 / 0 / 84 / 10

HEX #C7E524

RGB 199 229 36

HSL 69.33, 0.79%, 0.52%

LAB 86.16, -31.69, 79.93

 

CMYK 0 / 10 / 84 / 10

HEX #E5CF24

RGB 229 207 36

HSL 53.16, 0.79%, 0.52%

LAB 82.6, -8.48, 77.92

 

CMYK 0 / 32 / 84 / 10

HEX #E59B24

RGB 229 155 36

HSL 36.99, 0.79%, 0.52%

LAB 69.63, 18.72, 67.16

 

CMYK 59 / 0 / 84 / 10

HEX #5FE524

RGB 95 229 36

HSL 101.66, 0.79%, 0.52%

LAB 81.07, -66.78, 73.55

 

CMYK 81 / 0 / 84 / 10

HEX #2BE524

RGB 43 229 36

HSL 117.82, 0.79%, 0.52%

LAB 80, -75.89, 72.19

 

CMYK 84 / 0 / 65 / 10

HEX #24E551

RGB 36 229 81

HSL 133.99, 0.79%, 0.52%

LAB 80.18, -73.28, 57.73

 

CMYK 84 / 0 / 42 / 10

HEX #24E585

RGB 36 229 133

HSL 150.16, 0.79%, 0.52%

LAB 80.8, -65.88, 34.38

 

CMYK 84 / 0 / 19 / 10

HEX #24E5B9

RGB 36 229 185

HSL 166.32, 0.79%, 0.52%

LAB 81.79, -54.79, 8.86

 

CMYK 59 / 0 / 84 / 10

HEX #5FE524

RGB 95 229 36

HSL 101.66, 0.79%, 0.52%

LAB 81.07, -66.78, 73.55

 

CMYK 65 / 0 / 94 / 2

HEX #57F910

RGB 87 249 16

HSL 101.72, 0.95%, 0.52%

LAB 86.91, -75.54, 81.62

 

CMYK 59 / 0 / 84 / 10

HEX #5FE524

RGB 95 229 36

HSL 101.66, 0.79%, 0.52%

LAB 81.07, -66.78, 73.55

 

CMYK 51 / 0 / 73 / 18

HEX #67D138

RGB 103 209 56

HSL 101.57, 0.62%, 0.52%

LAB 75.31, -56.55, 62.56

 

CMYK 42 / 0 / 60 / 25

HEX #6EBE4C

RGB 110 190 76

HSL 102.11, 0.47%, 0.52%

LAB 69.94, -45.24, 48.92

 

CMYK 31 / 0 / 44 / 33

HEX #76AA5F

RGB 118 170 95

HSL 101.6, 0.31%, 0.52%

LAB 64.51, -31.37, 33.22

 

CMYK 16 / 0 / 23 / 41

HEX #7E9673

RGB 126 150 115

HSL 101.14, 0.14%, 0.52%

LAB 59.42, -15.31, 15.72

 

CMYK 13 / 0 / 84 / 10

HEX #C8E524

RGB 200 229 36

HSL 69.02, 0.79%, 0.52%

LAB 86.23, -31.29, 80.02

 

CMYK 35 / 0 / 84 / 10

HEX #95E524

RGB 149 229 36

HSL 84.87, 0.79%, 0.52%

LAB 83.21, -50.65, 76.25

 

CMYK 58 / 0 / 84 / 10

HEX #61E524

RGB 97 229 36

HSL 101.04, 0.79%, 0.52%

LAB 81.13, -66.3, 73.63

 

CMYK 80 / 0 / 84 / 10

HEX #2EE524

RGB 46 229 36

HSL 116.89, 0.79%, 0.52%

LAB 80.04, -75.56, 72.24

 

CMYK 84 / 0 / 66 / 10

HEX #24E54E

RGB 36 229 78

HSL 133.06, 0.79%, 0.52%

LAB 80.16, -73.59, 58.92

 

CMYK 62 / 0 / 88 / 36

HEX #3FA413

RGB 63 164 19

HSL 101.79, 0.79%, 0.36%

LAB 59.58, -52.92, 58.02

 

CMYK 61 / 0 / 88 / 22

HEX #4EC818

RGB 78 200 24

HSL 101.59, 0.79%, 0.44%

LAB 71.55, -61.52, 67.53

 

CMYK 59 / 0 / 84 / 10

HEX #5FE524

RGB 95 229 36

HSL 101.66, 0.79%, 0.52%

LAB 81.07, -66.78, 73.55

 

CMYK 48 / 0 / 69 / 8

HEX #7AEA49

RGB 122 234 73

HSL 101.74, 0.79%, 0.6%

LAB 83.69, -59.25, 65.21

 

CMYK 37 / 0 / 54 / 7

HEX #95EE6E

RGB 149 238 110

HSL 101.72, 0.79%, 0.68%

LAB 86.34, -49.16, 53.02

 

CMYK 59 / 0 / 84 / 10

HEX #5FE524

RGB 95 229 36

HSL 101.66, 0.79%, 0.52%

LAB 81.07, -66.78, 73.55

 

CMYK 84 / 0 / 10 / 10

HEX #24E5CF

RGB 36 229 207

HSL 173.16, 0.79%, 0.52%

LAB 82.34, -49.13, -1.98

 

CMYK 0 / 84 / 24 / 10

HEX #E524AF

RGB 229 36 175

HSL 316.79, 0.79%, 0.52%

LAB 52.97, 79.54, -27.22

 

CMYK 59 / 0 / 84 / 10

HEX #5FE524

RGB 95 229 36

HSL 101.66, 0.79%, 0.52%

LAB 81.07, -66.78, 73.55

 

CMYK 84 / 58 / 0 / 10

HEX #2461E5

RGB 36 97 229

HSL 221.04, 0.79%, 0.52%

LAB 45.06, 29.92, -72.09

 

CMYK 0 / 84 / 58 / 10

HEX #E52461

RGB 229 36 97

HSL 341.04, 0.79%, 0.52%

LAB 50.43, 72.38, 15.84

 

CMYK 59 / 0 / 84 / 10

HEX #5FE524

RGB 95 229 36

HSL 101.66, 0.79%, 0.52%

LAB 81.07, -66.78, 73.55

 

CMYK 84 / 0 / 10 / 10

HEX #24E5CF

RGB 36 229 207

HSL 173.16, 0.79%, 0.52%

LAB 82.34, -49.13, -1.98

 

CMYK 27 / 84 / 0 / 10

HEX #A824E5

RGB 168 36 229

HSL 281.04, 0.79%, 0.52%

LAB 45.97, 76.79, -70.14

 

CMYK 0 / 84 / 75 / 10

HEX #E5243A

RGB 229 36 58

HSL 353.16, 0.79%, 0.52%

LAB 49.77, 70.43, 38.38

 

CMYK 59 / 0 / 84 / 10

HEX #5FE524

RGB 95 229 36

HSL 101.66, 0.79%, 0.52%

LAB 81.07, -66.78, 73.55

 

CMYK 84 / 15 / 0 / 10

HEX #24C2E5

RGB 36 194 229

HSL 190.88, 0.79%, 0.52%

LAB 72.64, -26.56, -28.35

 

CMYK 27 / 84 / 0 / 10

HEX #A824E5

RGB 168 36 229

HSL 281.04, 0.79%, 0.52%

LAB 45.97, 76.79, -70.14

 

CMYK 0 / 69 / 84 / 10

HEX #E54724

RGB 229 71 36

HSL 10.88, 0.79%, 0.52%

LAB 53.27, 59.42, 53.27

 

Description

Color code: HEX #5FE524 | qconv.com Color code: HEX #5FE524 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 229 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 229 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 84 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 84% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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