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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5FE31F it is the complementary color #A01CE0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5FE31F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5FE31F shade: #64E31A, #75F52D, #86FF40, #97FF53 and #A8FF66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5FE31F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5FE31F shade: #5FE31F, #4ED10C, #3DBF00, #2CAD00 and #1B9B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5FE31F shade: #60E421, #95E421, #C9E421, #E4C921 and #E49521

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5FE31F shade: #60E421, #2CE421, #21E44A, #21E47F and #21E4B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5FE31F shade matches the following richer shades: #60E421 and #59F80C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5FE31F shade: #60E421, #67CF35, #6EBB49, #75A75D and #7C9371

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5FE31F shade: #CAE421, #96E421, #62E421, #2EE421 and #21E448

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5FE31F shade: #419E14, #50C318, #60E421, #7AE845 and #95ED6A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5FE31F shade: #5FE31F, #21E4CA and #E421B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5FE31F shade: #5FE31F, #2162E4 and #E42162

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5FE31F shade: #5FE31F, #21E4CA, #A321E4 and #E4213B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5FE31F shade: #5FE31F, #21C3E4, #A321E4 and #E44121

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 86 / 11

HEX #5FE31F

RGB 95 227 31

HSL 100.41, 0.78%, 0.51%

LAB 80.44, -66.3, 74.05

 

Complementary color

CMYK 29 / 88 / 0 / 12

HEX #A01CE0

RGB 160 28 224

HSL 280.41, 0.78%, 0.49%

LAB 43.78, 76.47, -70.91

 

CMYK 56 / 0 / 89 / 11

HEX #64E31A

RGB 100 227 26

HSL 97.91, 0.79%, 0.5%

LAB 80.58, -65.2, 75.15

 

CMYK 52 / 0 / 82 / 4

HEX #75F52D

RGB 117 245 45

HSL 98.4, 0.91%, 0.57%

LAB 86.64, -66.28, 76.69

 

CMYK 47 / 0 / 75 / 0

HEX #86FF40

RGB 134 255 64

HSL 98.01, 1%, 0.63%

LAB 90.3, -64.17, 75.05

 

CMYK 41 / 0 / 67 / 0

HEX #97FF53

RGB 151 255 83

HSL 96.28, 1%, 0.66%

LAB 91.11, -57.82, 69.6

 

CMYK 34 / 0 / 60 / 0

HEX #A8FF66

RGB 168 255 102

HSL 94.12, 1%, 0.7%

LAB 92.04, -50.81, 63.32

 

CMYK 58 / 0 / 86 / 11

HEX #5FE31F

RGB 95 227 31

HSL 100.41, 0.78%, 0.51%

LAB 80.44, -66.3, 74.05

 

CMYK 63 / 0 / 94 / 18

HEX #4ED10C

RGB 78 209 12

HSL 99.9, 0.89%, 0.43%

LAB 74.35, -64.82, 71.67

 

CMYK 68 / 0 / 100 / 25

HEX #3DBF00

RGB 61 191 0

HSL 100.84, 1%, 0.37%

LAB 68.21, -62.84, 67.83

 

CMYK 75 / 0 / 100 / 32

HEX #2CAD00

RGB 44 173 0

HSL 104.74, 1%, 0.34%

LAB 62.02, -60.31, 62.75

 

CMYK 83 / 0 / 100 / 39

HEX #1B9B00

RGB 27 155 0

HSL 109.55, 1%, 0.3%

LAB 55.76, -57.28, 57.64

 

CMYK 58 / 0 / 86 / 11

HEX #60E421

RGB 96 228 33

HSL 100.62, 0.78%, 0.51%

LAB 80.79, -66.32, 73.95

 

CMYK 35 / 0 / 86 / 11

HEX #95E421

RGB 149 228 33

HSL 84.31, 0.78%, 0.51%

LAB 82.91, -50.34, 76.61

 

CMYK 12 / 0 / 86 / 11

HEX #C9E421

RGB 201 228 33

HSL 68.31, 0.78%, 0.51%

LAB 86.01, -30.5, 80.48

 

CMYK 0 / 12 / 86 / 11

HEX #E4C921

RGB 228 201 33

HSL 51.69, 0.78%, 0.51%

LAB 80.95, -5.93, 77.2

 

CMYK 0 / 35 / 86 / 11

HEX #E49521

RGB 228 149 33

HSL 35.69, 0.78%, 0.51%

LAB 68.09, 21.42, 66.72

 

CMYK 58 / 0 / 86 / 11

HEX #60E421

RGB 96 228 33

HSL 100.62, 0.78%, 0.51%

LAB 80.79, -66.32, 73.95

 

CMYK 81 / 0 / 86 / 11

HEX #2CE421

RGB 44 228 33

HSL 116.62, 0.78%, 0.51%

LAB 79.69, -75.63, 72.57

 

CMYK 86 / 0 / 68 / 11

HEX #21E44A

RGB 33 228 74

HSL 132.62, 0.78%, 0.51%

LAB 79.79, -73.94, 60.08

 

CMYK 86 / 0 / 44 / 11

HEX #21E47F

RGB 33 228 127

HSL 148.92, 0.78%, 0.51%

LAB 80.37, -66.83, 36.82

 

CMYK 86 / 0 / 21 / 11

HEX #21E4B3

RGB 33 228 179

HSL 164.92, 0.78%, 0.51%

LAB 81.33, -56.06, 11.35

 

CMYK 58 / 0 / 86 / 11

HEX #60E421

RGB 96 228 33

HSL 100.62, 0.78%, 0.51%

LAB 80.79, -66.32, 73.95

 

CMYK 64 / 0 / 95 / 3

HEX #59F80C

RGB 89 248 12

HSL 100.42, 0.94%, 0.51%

LAB 86.65, -74.89, 81.81

 

CMYK 58 / 0 / 86 / 11

HEX #60E421

RGB 96 228 33

HSL 100.62, 0.78%, 0.51%

LAB 80.79, -66.32, 73.95

 

CMYK 50 / 0 / 74 / 19

HEX #67CF35

RGB 103 207 53

HSL 100.52, 0.62%, 0.51%

LAB 74.68, -56, 62.96

 

CMYK 41 / 0 / 61 / 27

HEX #6EBB49

RGB 110 187 73

HSL 100.53, 0.46%, 0.51%

LAB 68.99, -44.28, 49.19

 

CMYK 30 / 0 / 44 / 35

HEX #75A75D

RGB 117 167 93

HSL 100.54, 0.3%, 0.51%

LAB 63.52, -30.57, 33

 

CMYK 16 / 0 / 23 / 42

HEX #7C9371

RGB 124 147 113

HSL 100.59, 0.14%, 0.51%

LAB 58.36, -14.81, 15.36

 

CMYK 11 / 0 / 86 / 11

HEX #CAE421

RGB 202 228 33

HSL 68, 0.78%, 0.51%

LAB 86.08, -30.09, 80.56

 

CMYK 34 / 0 / 86 / 11

HEX #96E421

RGB 150 228 33

HSL 84, 0.78%, 0.51%

LAB 82.96, -49.99, 76.68

 

CMYK 57 / 0 / 86 / 11

HEX #62E421

RGB 98 228 33

HSL 100, 0.78%, 0.51%

LAB 80.85, -65.82, 74.03

 

CMYK 80 / 0 / 86 / 11

HEX #2EE421

RGB 46 228 33

HSL 116, 0.78%, 0.51%

LAB 79.71, -75.4, 72.6

 

CMYK 86 / 0 / 68 / 11

HEX #21E448

RGB 33 228 72

HSL 132, 0.78%, 0.51%

LAB 79.77, -74.12, 60.84

 

CMYK 59 / 0 / 87 / 38

HEX #419E14

RGB 65 158 20

HSL 100.43, 0.78%, 0.35%

LAB 57.68, -50.23, 56.18

 

CMYK 59 / 0 / 88 / 24

HEX #50C318

RGB 80 195 24

HSL 100.35, 0.78%, 0.43%

LAB 70.04, -59.32, 66.25

 

CMYK 58 / 0 / 86 / 11

HEX #60E421

RGB 96 228 33

HSL 100.62, 0.78%, 0.51%

LAB 80.79, -66.32, 73.95

 

CMYK 47 / 0 / 70 / 9

HEX #7AE845

RGB 122 232 69

HSL 100.49, 0.78%, 0.59%

LAB 83.06, -58.79, 66.03

 

CMYK 37 / 0 / 55 / 7

HEX #95ED6A

RGB 149 237 106

HSL 100.31, 0.78%, 0.67%

LAB 86.01, -49.17, 54.43

 

CMYK 58 / 0 / 86 / 11

HEX #5FE31F

RGB 95 227 31

HSL 100.41, 0.78%, 0.51%

LAB 80.44, -66.3, 74.05

 

CMYK 86 / 0 / 11 / 11

HEX #21E4CA

RGB 33 228 202

HSL 172, 0.78%, 0.51%

LAB 81.88, -50.25, -0

 

CMYK 0 / 86 / 23 / 11

HEX #E421B0

RGB 228 33 176

HSL 316, 0.78%, 0.51%

LAB 52.64, 80.01, -28.33

 

CMYK 58 / 0 / 86 / 11

HEX #5FE31F

RGB 95 227 31

HSL 100.41, 0.78%, 0.51%

LAB 80.44, -66.3, 74.05

 

CMYK 86 / 57 / 0 / 11

HEX #2162E4

RGB 33 98 228

HSL 220, 0.78%, 0.51%

LAB 45.17, 28.7, -71.35

 

CMYK 0 / 86 / 57 / 11

HEX #E42162

RGB 228 33 98

HSL 340, 0.78%, 0.51%

LAB 50.05, 72.79, 14.68

 

CMYK 58 / 0 / 86 / 11

HEX #5FE31F

RGB 95 227 31

HSL 100.41, 0.78%, 0.51%

LAB 80.44, -66.3, 74.05

 

CMYK 86 / 0 / 11 / 11

HEX #21E4CA

RGB 33 228 202

HSL 172, 0.78%, 0.51%

LAB 81.88, -50.25, -0

 

CMYK 29 / 86 / 0 / 11

HEX #A321E4

RGB 163 33 228

HSL 280, 0.78%, 0.51%

LAB 44.91, 76.58, -71.33

 

CMYK 0 / 86 / 74 / 11

HEX #E4213B

RGB 228 33 59

HSL 352, 0.78%, 0.51%

LAB 49.37, 70.81, 37.3

 

CMYK 58 / 0 / 86 / 11

HEX #5FE31F

RGB 95 227 31

HSL 100.41, 0.78%, 0.51%

LAB 80.44, -66.3, 74.05

 

CMYK 86 / 14 / 0 / 11

HEX #21C3E4

RGB 33 195 228

HSL 190.15, 0.78%, 0.51%

LAB 72.86, -27.58, -27.47

 

CMYK 29 / 86 / 0 / 11

HEX #A321E4

RGB 163 33 228

HSL 280, 0.78%, 0.51%

LAB 44.91, 76.58, -71.33

 

CMYK 0 / 71 / 86 / 11

HEX #E44121

RGB 228 65 33

HSL 9.85, 0.78%, 0.51%

LAB 52.27, 61.23, 53.67

 

Description

Color code: HEX #5FE31F | qconv.com Color code: HEX #5FE31F | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 227 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 227 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 86 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 86% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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