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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5FE0B4 it is the complementary color #A01F4B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5FE0B4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5FE0B4 shade: #64E0AF, #75F2C2, #86FFD5, #97FFE8 and #A8FFFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5FE0B4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5FE0B4 shade: #5FE0B4, #4ECEA1, #3DBC8E, #2CAA7B and #1B9868

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5FE0B4 shade: #60E1B5, #60E192, #60E170, #74E160 and #96E160

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5FE0B4 shade: #60E1B5, #60E1D8, #60C7E1, #60A5E1 and #6082E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5FE0B4 shade matches the following richer shades: #60E1B5 and #51F0BA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5FE0B4 shade: #60E1B5, #70D2B0, #7FC2AB, #8EB3A6 and #9EA4A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5FE0B4 shade: #60E16F, #60E192, #60E1B4, #60E1D6 and #60C9E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5FE0B4 shade: #26C991, #3EDAA5, #60E1B5, #83E7C5 and #A6EED5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5FE0B4 shade: #5FE0B4, #6074E1 and #E18160

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5FE0B4 shade: #5FE0B4, #B460E1 and #E1B460

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5FE0B4 shade: #5FE0B4, #6074E1, #E1608D and #E1CE60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5FE0B4 shade: #5FE0B4, #7460E1, #E1608D and #CEE160

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 20 / 12

HEX #5FE0B4

RGB 95 224 180

HSL 159.53, 0.68%, 0.63%

LAB 81.31, -45.97, 10.96

 

Complementary color

CMYK 0 / 81 / 53 / 37

HEX #A01F4B

RGB 160 31 75

HSL 339.53, 0.68%, 0.37%

LAB 35.91, 53.8, 7.41

 

CMYK 55 / 0 / 22 / 12

HEX #64E0AF

RGB 100 224 175

HSL 156.29, 0.67%, 0.64%

LAB 81.36, -46.04, 13.68

 

CMYK 52 / 0 / 20 / 5

HEX #75F2C2

RGB 117 242 194

HSL 156.96, 0.83%, 0.7%

LAB 87.57, -45.99, 12.62

 

CMYK 47 / 0 / 16 / 0

HEX #86FFD5

RGB 134 255 213

HSL 159.17, 1%, 0.76%

LAB 92.31, -43.71, 9.62

 

CMYK 41 / 0 / 9 / 0

HEX #97FFE8

RGB 151 255 232

HSL 166.73, 1%, 0.8%

LAB 93.42, -35.48, 1.5

 

CMYK 34 / 0 / 2 / 0

HEX #A8FFFB

RGB 168 255 251

HSL 177.24, 1%, 0.83%

LAB 94.66, -26.9, -6.41

 

CMYK 58 / 0 / 20 / 12

HEX #5FE0B4

RGB 95 224 180

HSL 159.53, 0.68%, 0.63%

LAB 81.31, -45.97, 10.96

 

CMYK 62 / 0 / 22 / 19

HEX #4ECEA1

RGB 78 206 161

HSL 158.91, 0.57%, 0.56%

LAB 75.04, -45.85, 12.09

 

CMYK 68 / 0 / 24 / 26

HEX #3DBC8E

RGB 61 188 142

HSL 158.27, 0.51%, 0.49%

LAB 68.69, -45.57, 13.32

 

CMYK 74 / 0 / 28 / 33

HEX #2CAA7B

RGB 44 170 123

HSL 157.62, 0.59%, 0.42%

LAB 62.27, -45.06, 14.69

 

CMYK 82 / 0 / 32 / 40

HEX #1B9868

RGB 27 152 104

HSL 156.96, 0.7%, 0.35%

LAB 55.78, -44.2, 16.22

 

CMYK 57 / 0 / 20 / 12

HEX #60E1B5

RGB 96 225 181

HSL 159.53, 0.68%, 0.63%

LAB 81.66, -45.98, 10.93

 

CMYK 57 / 0 / 35 / 12

HEX #60E192

RGB 96 225 146

HSL 143.26, 0.68%, 0.63%

LAB 80.97, -53.09, 28.22

 

CMYK 57 / 0 / 50 / 12

HEX #60E170

RGB 96 225 112

HSL 127.44, 0.68%, 0.63%

LAB 80.46, -58.53, 44.5

 

CMYK 48 / 0 / 57 / 12

HEX #74E160

RGB 116 225 96

HSL 110.7, 0.68%, 0.63%

LAB 80.97, -55.39, 52.68

 

CMYK 33 / 0 / 57 / 12

HEX #96E160

RGB 150 225 96

HSL 94.88, 0.68%, 0.63%

LAB 82.47, -44.79, 54.82

 

CMYK 57 / 0 / 20 / 12

HEX #60E1B5

RGB 96 225 181

HSL 159.53, 0.68%, 0.63%

LAB 81.66, -45.98, 10.93

 

CMYK 57 / 0 / 4 / 12

HEX #60E1D8

RGB 96 225 216

HSL 175.81, 0.68%, 0.63%

LAB 82.54, -37.52, -6.32

 

CMYK 57 / 12 / 0 / 12

HEX #60C7E1

RGB 96 199 225

HSL 192.09, 0.68%, 0.63%

LAB 75.31, -22.54, -21.98

 

CMYK 57 / 27 / 0 / 12

HEX #60A5E1

RGB 96 165 225

HSL 207.91, 0.68%, 0.63%

LAB 65.62, -4.44, -36.91

 

CMYK 57 / 42 / 0 / 12

HEX #6082E1

RGB 96 130 225

HSL 224.19, 0.68%, 0.63%

LAB 55.98, 15.98, -52.1

 

CMYK 57 / 0 / 20 / 12

HEX #60E1B5

RGB 96 225 181

HSL 159.53, 0.68%, 0.63%

LAB 81.66, -45.98, 10.93

 

CMYK 66 / 0 / 23 / 6

HEX #51F0BA

RGB 81 240 186

HSL 159.62, 0.84%, 0.63%

LAB 85.81, -53.78, 14.15

 

CMYK 57 / 0 / 20 / 12

HEX #60E1B5

RGB 96 225 181

HSL 159.53, 0.68%, 0.63%

LAB 81.66, -45.98, 10.93

 

CMYK 47 / 0 / 16 / 18

HEX #70D2B0

RGB 112 210 176

HSL 159.18, 0.52%, 0.63%

LAB 77.68, -36.87, 7.98

 

CMYK 35 / 0 / 12 / 24

HEX #7FC2AB

RGB 127 194 171

HSL 159.4, 0.35%, 0.63%

LAB 73.57, -26.35, 4.85

 

CMYK 21 / 0 / 7 / 30

HEX #8EB3A6

RGB 142 179 166

HSL 158.92, 0.2%, 0.63%

LAB 70, -15.19, 2.52

 

CMYK 4 / 0 / 1 / 36

HEX #9EA4A2

RGB 158 164 162

HSL 160, 0.03%, 0.63%

LAB 66.85, -2.52, 0.29

 

CMYK 57 / 0 / 51 / 12

HEX #60E16F

RGB 96 225 111

HSL 126.98, 0.68%, 0.63%

LAB 80.45, -58.66, 44.96

 

CMYK 57 / 0 / 35 / 12

HEX #60E192

RGB 96 225 146

HSL 143.26, 0.68%, 0.63%

LAB 80.97, -53.09, 28.22

 

CMYK 57 / 0 / 20 / 12

HEX #60E1B4

RGB 96 225 180

HSL 159.07, 0.68%, 0.63%

LAB 81.64, -46.2, 11.43

 

CMYK 57 / 0 / 5 / 12

HEX #60E1D6

RGB 96 225 214

HSL 174.88, 0.68%, 0.63%

LAB 82.48, -38.03, -5.34

 

CMYK 57 / 11 / 0 / 12

HEX #60C9E1

RGB 96 201 225

HSL 191.16, 0.68%, 0.63%

LAB 75.88, -23.55, -21.11

 

CMYK 81 / 0 / 28 / 21

HEX #26C991

RGB 38 201 145

HSL 159.39, 0.68%, 0.47%

LAB 72.38, -53.1, 16.81

 

CMYK 72 / 0 / 24 / 15

HEX #3EDAA5

RGB 62 218 165

HSL 159.62, 0.68%, 0.55%

LAB 78.39, -52.46, 14.65

 

CMYK 57 / 0 / 20 / 12

HEX #60E1B5

RGB 96 225 181

HSL 159.53, 0.68%, 0.63%

LAB 81.66, -45.98, 10.93

 

CMYK 43 / 0 / 15 / 9

HEX #83E7C5

RGB 131 231 197

HSL 159.6, 0.68%, 0.71%

LAB 85, -37.14, 7.45

 

CMYK 30 / 0 / 11 / 7

HEX #A6EED5

RGB 166 238 213

HSL 159.17, 0.68%, 0.79%

LAB 88.95, -27.52, 4.97

 

CMYK 58 / 0 / 20 / 12

HEX #5FE0B4

RGB 95 224 180

HSL 159.53, 0.68%, 0.63%

LAB 81.31, -45.97, 10.96

 

CMYK 57 / 48 / 0 / 12

HEX #6074E1

RGB 96 116 225

HSL 230.7, 0.68%, 0.63%

LAB 52.3, 24.49, -57.98

 

CMYK 0 / 43 / 57 / 12

HEX #E18160

RGB 225 129 96

HSL 15.35, 0.68%, 0.63%

LAB 63.8, 33.88, 33.86

 

CMYK 58 / 0 / 20 / 12

HEX #5FE0B4

RGB 95 224 180

HSL 159.53, 0.68%, 0.63%

LAB 81.31, -45.97, 10.96

 

CMYK 20 / 57 / 0 / 12

HEX #B460E1

RGB 180 96 225

HSL 279.07, 0.68%, 0.63%

LAB 55.59, 55.18, -52.29

 

CMYK 0 / 20 / 57 / 12

HEX #E1B460

RGB 225 180 96

HSL 39.07, 0.68%, 0.63%

LAB 75.76, 6.73, 48.41

 

CMYK 58 / 0 / 20 / 12

HEX #5FE0B4

RGB 95 224 180

HSL 159.53, 0.68%, 0.63%

LAB 81.31, -45.97, 10.96

 

CMYK 57 / 48 / 0 / 12

HEX #6074E1

RGB 96 116 225

HSL 230.7, 0.68%, 0.63%

LAB 52.3, 24.49, -57.98

 

CMYK 0 / 57 / 37 / 12

HEX #E1608D

RGB 225 96 141

HSL 339.07, 0.68%, 0.63%

LAB 58.32, 54.49, 0.7

 

CMYK 0 / 8 / 57 / 12

HEX #E1CE60

RGB 225 206 96

HSL 51.16, 0.68%, 0.63%

LAB 82.38, -6.79, 56.06

 

CMYK 58 / 0 / 20 / 12

HEX #5FE0B4

RGB 95 224 180

HSL 159.53, 0.68%, 0.63%

LAB 81.31, -45.97, 10.96

 

CMYK 48 / 57 / 0 / 12

HEX #7460E1

RGB 116 96 225

HSL 249.3, 0.68%, 0.63%

LAB 48.9, 40.5, -63.38

 

CMYK 0 / 57 / 37 / 12

HEX #E1608D

RGB 225 96 141

HSL 339.07, 0.68%, 0.63%

LAB 58.32, 54.49, 0.7

 

CMYK 8 / 0 / 57 / 12

HEX #CEE160

RGB 206 225 96

HSL 68.84, 0.68%, 0.63%

LAB 85.91, -23.92, 59.64

 

Description

Color code: HEX #5FE0B4 | qconv.com Color code: HEX #5FE0B4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 224 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 224 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 20 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 20% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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