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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5FD88F it is the complementary color #A02770. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5FD88F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5FD88F shade: #64D88A, #75EA9D, #86FCB0, #97FFC3 and #A8FFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5FD88F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5FD88F shade: #5FD88F, #4EC67C, #3DB469, #2CA256 and #1B9043

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5FD88F shade: #5FD88F, #5FD86E, #70D85F, #91D85F and #B2D85F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5FD88F shade: #5FD88F, #5FD8B0, #5FD8D0, #5FBFD8 and #5F9FD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5FD88F shade matches the following richer shades: #5FD88F, #4FE88C and #3FF888

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5FD88F shade: #5FD88F, #6FC892, #7FB896, #8FA899 and #9F989C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5FD88F shade: #71D85F, #5FD86D, #5FD88D, #5FD8AE and #5FD8CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5FD88F shade: #2DB864, #3ED078, #5FD88F, #80E0A6 and #A1E8BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5FD88F shade: #5FD88F, #5F91D8 and #D85F61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5FD88F shade: #5FD88F, #8D5FD8 and #D88D5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5FD88F shade: #5FD88F, #5F91D8, #D85FAA and #D8A65F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5FD88F shade: #5FD88F, #5F6DD8, #D85FAA and #D8CA5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 34 / 15

HEX #5FD88F

RGB 95 216 143

HSL 143.8, 0.61%, 0.61%

LAB 78.19, -50.23, 26.02

 

Complementary color

CMYK 0 / 76 / 30 / 37

HEX #A02770

RGB 160 39 112

HSL 323.8, 0.61%, 0.39%

LAB 38.01, 55.11, -13.12

 

CMYK 54 / 0 / 36 / 15

HEX #64D88A

RGB 100 216 138

HSL 139.66, 0.6%, 0.62%

LAB 78.26, -49.98, 28.74

 

CMYK 50 / 0 / 33 / 8

HEX #75EA9D

RGB 117 234 157

HSL 140.51, 0.74%, 0.69%

LAB 84.52, -49.88, 27.49

 

CMYK 47 / 0 / 30 / 1

HEX #86FCB0

RGB 134 252 176

HSL 141.36, 0.95%, 0.76%

LAB 90.7, -49.72, 26.31

 

CMYK 41 / 0 / 24 / 0

HEX #97FFC3

RGB 151 255 195

HSL 145.38, 1%, 0.8%

LAB 92.59, -43.07, 19.36

 

CMYK 34 / 0 / 16 / 0

HEX #A8FFD6

RGB 168 255 214

HSL 151.72, 1%, 0.83%

LAB 93.75, -34.73, 11.36

 

CMYK 56 / 0 / 34 / 15

HEX #5FD88F

RGB 95 216 143

HSL 143.8, 0.61%, 0.61%

LAB 78.19, -50.23, 26.02

 

CMYK 61 / 0 / 37 / 22

HEX #4EC67C

RGB 78 198 124

HSL 143, 0.51%, 0.54%

LAB 71.87, -50.16, 27.36

 

CMYK 66 / 0 / 42 / 29

HEX #3DB469

RGB 61 180 105

HSL 142.18, 0.49%, 0.47%

LAB 65.48, -49.91, 28.8

 

CMYK 73 / 0 / 47 / 36

HEX #2CA256

RGB 44 162 86

HSL 141.36, 0.57%, 0.4%

LAB 59.02, -49.37, 30.36

 

CMYK 81 / 0 / 53 / 44

HEX #1B9043

RGB 27 144 67

HSL 140.51, 0.68%, 0.34%

LAB 52.49, -48.37, 32.01

 

CMYK 56 / 0 / 34 / 15

HEX #5FD88F

RGB 95 216 143

HSL 143.8, 0.61%, 0.61%

LAB 78.19, -50.23, 26.02

 

CMYK 56 / 0 / 49 / 15

HEX #5FD86E

RGB 95 216 110

HSL 127.44, 0.61%, 0.61%

LAB 77.68, -55.63, 42.02

 

CMYK 48 / 0 / 56 / 15

HEX #70D85F

RGB 112 216 95

HSL 111.57, 0.61%, 0.61%

LAB 78.1, -53.11, 49.75

 

CMYK 33 / 0 / 56 / 15

HEX #91D85F

RGB 145 216 95

HSL 95.21, 0.61%, 0.61%

LAB 79.59, -42.72, 51.87

 

CMYK 18 / 0 / 56 / 15

HEX #B2D85F

RGB 178 216 95

HSL 78.84, 0.61%, 0.61%

LAB 81.51, -30.67, 54.58

 

CMYK 56 / 0 / 34 / 15

HEX #5FD88F

RGB 95 216 143

HSL 143.8, 0.61%, 0.61%

LAB 78.19, -50.23, 26.02

 

CMYK 56 / 0 / 19 / 15

HEX #5FD8B0

RGB 95 216 176

HSL 160.17, 0.61%, 0.61%

LAB 78.86, -43.41, 9.58

 

CMYK 56 / 0 / 4 / 15

HEX #5FD8D0

RGB 95 216 208

HSL 176.03, 0.61%, 0.61%

LAB 79.67, -35.63, -6.31

 

CMYK 56 / 12 / 0 / 15

HEX #5FBFD8

RGB 95 191 216

HSL 192.4, 0.61%, 0.61%

LAB 72.66, -21.26, -21.13

 

CMYK 56 / 26 / 0 / 15

HEX #5F9FD8

RGB 95 159 216

HSL 208.26, 0.61%, 0.61%

LAB 63.5, -4.08, -35.24

 

CMYK 56 / 0 / 34 / 15

HEX #5FD88F

RGB 95 216 143

HSL 143.8, 0.61%, 0.61%

LAB 78.19, -50.23, 26.02

 

CMYK 66 / 0 / 40 / 9

HEX #4FE88C

RGB 79 232 140

HSL 143.92, 0.77%, 0.61%

LAB 82.52, -60.2, 33.26

 

CMYK 75 / 0 / 45 / 3

HEX #3FF888

RGB 63 248 136

HSL 143.68, 0.93%, 0.61%

LAB 86.98, -69, 40.96

 

CMYK 56 / 0 / 34 / 15

HEX #5FD88F

RGB 95 216 143

HSL 143.8, 0.61%, 0.61%

LAB 78.19, -50.23, 26.02

 

CMYK 45 / 0 / 27 / 22

HEX #6FC892

RGB 111 200 146

HSL 143.6, 0.45%, 0.61%

LAB 74.04, -38.82, 18.87

 

CMYK 31 / 0 / 18 / 28

HEX #7FB896

RGB 127 184 150

HSL 144.21, 0.29%, 0.61%

LAB 70.17, -25.79, 11.42

 

CMYK 15 / 0 / 9 / 34

HEX #8FA899

RGB 143 168 153

HSL 144, 0.13%, 0.61%

LAB 66.63, -11.7, 4.84

 

CMYK 0 / 4 / 2 / 38

HEX #9F989C

RGB 159 152 156

HSL 325.71, 0.04%, 0.61%

LAB 63.53, 3.31, -1.19

 

CMYK 48 / 0 / 56 / 15

HEX #71D85F

RGB 113 216 95

HSL 111.07, 0.61%, 0.61%

LAB 78.14, -52.83, 49.8

 

CMYK 56 / 0 / 50 / 15

HEX #5FD86D

RGB 95 216 109

HSL 126.94, 0.61%, 0.61%

LAB 77.67, -55.77, 42.48

 

CMYK 56 / 0 / 35 / 15

HEX #5FD88D

RGB 95 216 141

HSL 142.81, 0.61%, 0.61%

LAB 78.15, -50.6, 27.01

 

CMYK 56 / 0 / 19 / 15

HEX #5FD8AE

RGB 95 216 174

HSL 159.17, 0.61%, 0.61%

LAB 78.81, -43.86, 10.58

 

CMYK 56 / 0 / 5 / 15

HEX #5FD8CE

RGB 95 216 206

HSL 175.04, 0.61%, 0.61%

LAB 79.61, -36.14, -5.32

 

CMYK 76 / 0 / 46 / 28

HEX #2DB864

RGB 45 184 100

HSL 143.74, 0.61%, 0.45%

LAB 66.34, -54.93, 32.44

 

CMYK 70 / 0 / 42 / 18

HEX #3ED078

RGB 62 208 120

HSL 143.84, 0.61%, 0.53%

LAB 74.5, -57.67, 32.82

 

CMYK 56 / 0 / 34 / 15

HEX #5FD88F

RGB 95 216 143

HSL 143.8, 0.61%, 0.61%

LAB 78.19, -50.23, 26.02

 

CMYK 43 / 0 / 26 / 12

HEX #80E0A6

RGB 128 224 166

HSL 143.75, 0.61%, 0.69%

LAB 82.19, -41.08, 19.72

 

CMYK 31 / 0 / 19 / 9

HEX #A1E8BD

RGB 161 232 189

HSL 143.66, 0.61%, 0.77%

LAB 86.49, -30.88, 13.95

 

CMYK 56 / 0 / 34 / 15

HEX #5FD88F

RGB 95 216 143

HSL 143.8, 0.61%, 0.61%

LAB 78.19, -50.23, 26.02

 

CMYK 56 / 33 / 0 / 15

HEX #5F91D8

RGB 95 145 216

HSL 215.21, 0.61%, 0.61%

LAB 59.56, 3.95, -41.39

 

CMYK 0 / 56 / 55 / 15

HEX #D85F61

RGB 216 95 97

HSL 359.01, 0.61%, 0.61%

LAB 55.73, 47.71, 22.61

 

CMYK 56 / 0 / 34 / 15

HEX #5FD88F

RGB 95 216 143

HSL 143.8, 0.61%, 0.61%

LAB 78.19, -50.23, 26.02

 

CMYK 35 / 56 / 0 / 15

HEX #8D5FD8

RGB 141 95 216

HSL 262.81, 0.61%, 0.61%

LAB 50.46, 44.13, -55.65

 

CMYK 0 / 35 / 56 / 15

HEX #D88D5F

RGB 216 141 95

HSL 22.81, 0.61%, 0.61%

LAB 65.34, 23.82, 36.08

 

CMYK 56 / 0 / 34 / 15

HEX #5FD88F

RGB 95 216 143

HSL 143.8, 0.61%, 0.61%

LAB 78.19, -50.23, 26.02

 

CMYK 56 / 33 / 0 / 15

HEX #5F91D8

RGB 95 145 216

HSL 215.21, 0.61%, 0.61%

LAB 59.56, 3.95, -41.39

 

CMYK 0 / 56 / 21 / 15

HEX #D85FAA

RGB 216 95 170

HSL 322.81, 0.61%, 0.61%

LAB 57.74, 55.82, -17.17

 

CMYK 0 / 23 / 56 / 15

HEX #D8A65F

RGB 216 166 95

HSL 35.21, 0.61%, 0.61%

LAB 71.35, 10.34, 43.44

 

CMYK 56 / 0 / 34 / 15

HEX #5FD88F

RGB 95 216 143

HSL 143.8, 0.61%, 0.61%

LAB 78.19, -50.23, 26.02

 

CMYK 56 / 50 / 0 / 15

HEX #5F6DD8

RGB 95 109 216

HSL 233.06, 0.61%, 0.61%

LAB 49.89, 25.67, -56.77

 

CMYK 0 / 56 / 21 / 15

HEX #D85FAA

RGB 216 95 170

HSL 322.81, 0.61%, 0.61%

LAB 57.74, 55.82, -17.17

 

CMYK 0 / 6 / 56 / 15

HEX #D8CA5F

RGB 216 202 95

HSL 53.06, 0.61%, 0.61%

LAB 80.55, -8.54, 54.23

 

Description

Color code: HEX #5FD88F | qconv.com Color code: HEX #5FD88F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 216 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 216 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 34 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 34% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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