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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5FD6DD it is the complementary color #A02922. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5FD6DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5FD6DD shade: #64D6D8, #75E8EB, #86FAFE, #97FFFF and #A8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5FD6DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5FD6DD shade: #5FD6DD, #4EC4CA, #3DB2B7, #2CA0A4 and #1B8E91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5FD6DD shade: #5FD6DD, #5FB4DD, #5F92DD, #5F70DD and #705FDD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5FD6DD shade: #5FD6DD, #5FB4DD, #5F92DD, #5F70DD and #5F5FDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5FD6DD shade matches the following richer shades: #5FD6DD, #4FE4EC and #3FF1FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5FD6DD shade: #5FD6DD, #6EC8CD, #7EBABD, #8EACAE and #9D9E9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5FD6DD shade: #5FDDA0, #5FDDC1, #5FD6DD, #5FB5DD and #5F93DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5FD6DD shade: #28B8C0, #3DCDD5, #5FD6DD, #81DEE4 and #A3E7EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5FD6DD shade: #5FD6DD, #7E5FDD and #DDB05F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5FD6DD shade: #5FD6DD, #DD5FD6 and #D6DD5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5FD6DD shade: #5FD6DD, #7E5FDD, #DD655F and #BDDD5F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5FD6DD shade: #5FD6DD, #A45FDD, #DD655F and #97DD5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 3 / 0 / 13

HEX #5FD6DD

RGB 95 214 221

HSL 183.33, 0.65%, 0.62%

LAB 79.47, -31.22, -13.55

 

Complementary color

CMYK 0 / 74 / 79 / 37

HEX #A02922

RGB 160 41 34

HSL 3.33, 0.65%, 0.38%

LAB 36.32, 48.12, 33.64

 

CMYK 54 / 1 / 0 / 15

HEX #64D6D8

RGB 100 214 216

HSL 181.03, 0.6%, 0.62%

LAB 79.48, -31.62, -10.85

 

CMYK 50 / 1 / 0 / 8

HEX #75E8EB

RGB 117 232 235

HSL 181.53, 0.75%, 0.69%

LAB 85.75, -31.79, -11.51

 

CMYK 47 / 2 / 0 / 0

HEX #86FAFE

RGB 134 250 254

HSL 182, 0.98%, 0.76%

LAB 91.95, -31.89, -12.13

 

CMYK 41 / 0 / 0 / 0

HEX #97FFFF

RGB 151 255 255

HSL 180, 1%, 0.8%

LAB 94.02, -30.19, -9.5

 

CMYK 34 / 0 / 0 / 0

HEX #A8FFFF

RGB 168 255 255

HSL 180, 1%, 0.83%

LAB 94.77, -25.99, -8.31

 

CMYK 57 / 3 / 0 / 13

HEX #5FD6DD

RGB 95 214 221

HSL 183.33, 0.65%, 0.62%

LAB 79.47, -31.22, -13.55

 

CMYK 61 / 3 / 0 / 21

HEX #4EC4CA

RGB 78 196 202

HSL 182.9, 0.54%, 0.55%

LAB 73.13, -30.85, -12.86

 

CMYK 67 / 3 / 0 / 28

HEX #3DB2B7

RGB 61 178 183

HSL 182.46, 0.5%, 0.48%

LAB 66.71, -30.32, -12.11

 

CMYK 73 / 2 / 0 / 36

HEX #2CA0A4

RGB 44 160 164

HSL 182, 0.58%, 0.41%

LAB 60.21, -29.57, -11.27

 

CMYK 81 / 2 / 0 / 43

HEX #1B8E91

RGB 27 142 145

HSL 181.53, 0.69%, 0.34%

LAB 53.63, -28.5, -10.33

 

CMYK 57 / 3 / 0 / 13

HEX #5FD6DD

RGB 95 214 221

HSL 183.33, 0.65%, 0.62%

LAB 79.47, -31.22, -13.55

 

CMYK 57 / 19 / 0 / 13

HEX #5FB4DD

RGB 95 180 221

HSL 199.52, 0.65%, 0.62%

LAB 69.68, -14.05, -28.42

 

CMYK 57 / 34 / 0 / 13

HEX #5F92DD

RGB 95 146 221

HSL 215.71, 0.65%, 0.62%

LAB 60.08, 4.96, -43.37

 

CMYK 57 / 49 / 0 / 13

HEX #5F70DD

RGB 95 112 221

HSL 231.9, 0.65%, 0.62%

LAB 50.97, 25.45, -57.87

 

CMYK 49 / 57 / 0 / 13

HEX #705FDD

RGB 112 95 221

HSL 248.1, 0.65%, 0.62%

LAB 48.07, 39.1, -62.48

 

CMYK 57 / 3 / 0 / 13

HEX #5FD6DD

RGB 95 214 221

HSL 183.33, 0.65%, 0.62%

LAB 79.47, -31.22, -13.55

 

CMYK 57 / 19 / 0 / 13

HEX #5FB4DD

RGB 95 180 221

HSL 199.52, 0.65%, 0.62%

LAB 69.68, -14.05, -28.42

 

CMYK 57 / 34 / 0 / 13

HEX #5F92DD

RGB 95 146 221

HSL 215.71, 0.65%, 0.62%

LAB 60.08, 4.96, -43.37

 

CMYK 57 / 49 / 0 / 13

HEX #5F70DD

RGB 95 112 221

HSL 231.9, 0.65%, 0.62%

LAB 50.97, 25.45, -57.87

 

CMYK 57 / 57 / 0 / 13

HEX #5F5FDD

RGB 95 95 221

HSL 240, 0.65%, 0.62%

LAB 46.76, 35.83, -64.66

 

CMYK 57 / 3 / 0 / 13

HEX #5FD6DD

RGB 95 214 221

HSL 183.33, 0.65%, 0.62%

LAB 79.47, -31.22, -13.55

 

CMYK 67 / 3 / 0 / 7

HEX #4FE4EC

RGB 79 228 236

HSL 183.06, 0.81%, 0.62%

LAB 83.55, -36.22, -15.45

 

CMYK 75 / 4 / 0 / 1

HEX #3FF1FC

RGB 63 241 252

HSL 183.49, 0.97%, 0.62%

LAB 87.48, -39.55, -17.98

 

CMYK 57 / 3 / 0 / 13

HEX #5FD6DD

RGB 95 214 221

HSL 183.33, 0.65%, 0.62%

LAB 79.47, -31.22, -13.55

 

CMYK 46 / 2 / 0 / 20

HEX #6EC8CD

RGB 110 200 205

HSL 183.16, 0.49%, 0.62%

LAB 75.47, -25.59, -10.88

 

CMYK 33 / 2 / 0 / 26

HEX #7EBABD

RGB 126 186 189

HSL 182.86, 0.32%, 0.62%

LAB 71.71, -18.49, -7.7

 

CMYK 18 / 1 / 0 / 32

HEX #8EACAE

RGB 142 172 174

HSL 183.75, 0.16%, 0.62%

LAB 68.25, -9.79, -4.45

 

CMYK 1 / 0 / 0 / 38

HEX #9D9E9E

RGB 157 158 158

HSL 180, 0.01%, 0.62%

LAB 65.03, -0.36, -0.13

 

CMYK 57 / 0 / 28 / 13

HEX #5FDDA0

RGB 95 221 160

HSL 150.95, 0.65%, 0.62%

LAB 80, -48.98, 19.64

 

CMYK 57 / 0 / 13 / 13

HEX #5FDDC1

RGB 95 221 193

HSL 166.67, 0.65%, 0.62%

LAB 80.74, -41.65, 3.25

 

CMYK 57 / 3 / 0 / 13

HEX #5FD6DD

RGB 95 214 221

HSL 183.33, 0.65%, 0.62%

LAB 79.47, -31.22, -13.55

 

CMYK 57 / 18 / 0 / 13

HEX #5FB5DD

RGB 95 181 221

HSL 199.05, 0.65%, 0.62%

LAB 69.97, -14.59, -27.98

 

CMYK 57 / 33 / 0 / 13

HEX #5F93DD

RGB 95 147 221

HSL 215.24, 0.65%, 0.62%

LAB 60.36, 4.38, -42.94

 

CMYK 79 / 4 / 0 / 25

HEX #28B8C0

RGB 40 184 192

HSL 183.16, 0.66%, 0.45%

LAB 68.42, -33.04, -14.56

 

CMYK 71 / 4 / 0 / 16

HEX #3DCDD5

RGB 61 205 213

HSL 183.16, 0.64%, 0.54%

LAB 75.74, -34.44, -14.95

 

CMYK 57 / 3 / 0 / 13

HEX #5FD6DD

RGB 95 214 221

HSL 183.33, 0.65%, 0.62%

LAB 79.47, -31.22, -13.55

 

CMYK 43 / 3 / 0 / 11

HEX #81DEE4

RGB 129 222 228

HSL 183.64, 0.65%, 0.7%

LAB 83.18, -26.12, -11.6

 

CMYK 31 / 2 / 0 / 8

HEX #A3E7EB

RGB 163 231 235

HSL 183.33, 0.64%, 0.78%

LAB 87.45, -20.18, -8.77

 

CMYK 57 / 3 / 0 / 13

HEX #5FD6DD

RGB 95 214 221

HSL 183.33, 0.65%, 0.62%

LAB 79.47, -31.22, -13.55

 

CMYK 43 / 57 / 0 / 13

HEX #7E5FDD

RGB 126 95 221

HSL 254.76, 0.65%, 0.62%

LAB 49.3, 42.05, -60.43

 

CMYK 0 / 20 / 57 / 13

HEX #DDB05F

RGB 221 176 95

HSL 38.57, 0.65%, 0.62%

LAB 74.35, 7.1, 47.14

 

CMYK 57 / 3 / 0 / 13

HEX #5FD6DD

RGB 95 214 221

HSL 183.33, 0.65%, 0.62%

LAB 79.47, -31.22, -13.55

 

CMYK 0 / 57 / 3 / 13

HEX #DD5FD6

RGB 221 95 214

HSL 303.33, 0.65%, 0.62%

LAB 60.26, 64, -38.36

 

CMYK 3 / 0 / 57 / 13

HEX #D6DD5F

RGB 214 221 95

HSL 63.33, 0.65%, 0.62%

LAB 85.42, -18.86, 59.69

 

CMYK 57 / 3 / 0 / 13

HEX #5FD6DD

RGB 95 214 221

HSL 183.33, 0.65%, 0.62%

LAB 79.47, -31.22, -13.55

 

CMYK 43 / 57 / 0 / 13

HEX #7E5FDD

RGB 126 95 221

HSL 254.76, 0.65%, 0.62%

LAB 49.3, 42.05, -60.43

 

CMYK 0 / 54 / 57 / 13

HEX #DD655F

RGB 221 101 95

HSL 2.86, 0.65%, 0.62%

LAB 57.56, 46.47, 26.32

 

CMYK 14 / 0 / 57 / 13

HEX #BDDD5F

RGB 189 221 95

HSL 75.24, 0.65%, 0.62%

LAB 83.63, -28.77, 57.19

 

CMYK 57 / 3 / 0 / 13

HEX #5FD6DD

RGB 95 214 221

HSL 183.33, 0.65%, 0.62%

LAB 79.47, -31.22, -13.55

 

CMYK 26 / 57 / 0 / 13

HEX #A45FDD

RGB 164 95 221

HSL 272.86, 0.65%, 0.62%

LAB 53.27, 50.88, -53.84

 

CMYK 0 / 54 / 57 / 13

HEX #DD655F

RGB 221 101 95

HSL 2.86, 0.65%, 0.62%

LAB 57.56, 46.47, 26.32

 

CMYK 32 / 0 / 57 / 13

HEX #97DD5F

RGB 151 221 95

HSL 93.33, 0.65%, 0.62%

LAB 81.36, -42.82, 53.99

 

Description

Color code: HEX #5FD6DD | qconv.com Color code: HEX #5FD6DD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 214 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 214 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 3 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 3% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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