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Color name
HEX #5FD52B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5FD52B it is the complementary color #A02AD4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5FD52B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5FD52B shade: #64D526, #75E739, #86F94C, #97FF5F and #A8FF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5FD52B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5FD52B shade: #5FD52B, #4EC318, #3DB105, #2C9F00 and #1B8D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5FD52B shade: #5ED52A, #8CD52A, #BAD52A, #D5C12A and #D5932A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5FD52B shade: #5ED52A, #30D52A, #2AD552, #2AD580 and #2AD5AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5FD52B shade matches the following richer shades: #5ED52A, #56EA15 and #4EFE01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5FD52B shade: #5ED52A, #66C03F, #6EAC53, #769768 and #7E827D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5FD52B shade: #BBD52A, #8ED52A, #60D52A, #33D52A and #2AD54F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5FD52B shade: #40901C, #4FB223, #5ED52A, #78DC4D and #92E36F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5FD52B shade: #5FD52B, #2AD5C1 and #D52AA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5FD52B shade: #5FD52B, #2A60D5 and #D52A60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5FD52B shade: #5FD52B, #2AD5C1, #9F2AD5 and #D52A3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5FD52B shade: #5FD52B, #2AB6D5, #9F2AD5 and #D5492A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 80 / 16

HEX #5FD52B

RGB 95 213 43

HSL 101.65, 0.67%, 0.5%

LAB 76.19, -60.96, 67.38

 

Complementary color

CMYK 25 / 80 / 0 / 17

HEX #A02AD4

RGB 160 42 212

HSL 281.65, 0.67%, 0.5%

LAB 44.06, 70.63, -63.57

 

CMYK 53 / 0 / 82 / 16

HEX #64D526

RGB 100 213 38

HSL 98.74, 0.7%, 0.49%

LAB 76.34, -59.86, 68.91

 

CMYK 49 / 0 / 75 / 9

HEX #75E739

RGB 117 231 57

HSL 99.31, 0.78%, 0.56%

LAB 82.5, -60.65, 69.47

 

CMYK 46 / 0 / 69 / 2

HEX #86F94C

RGB 134 249 76

HSL 99.88, 0.94%, 0.64%

LAB 88.61, -61.17, 69.35

 

CMYK 41 / 0 / 63 / 0

HEX #97FF5F

RGB 151 255 95

HSL 99, 1%, 0.69%

LAB 91.2, -56.87, 65.04

 

CMYK 34 / 0 / 55 / 0

HEX #A8FF72

RGB 168 255 114

HSL 97.02, 1%, 0.72%

LAB 92.16, -49.68, 58.29

 

CMYK 55 / 0 / 80 / 16

HEX #5FD52B

RGB 95 213 43

HSL 101.65, 0.67%, 0.5%

LAB 76.19, -60.96, 67.38

 

CMYK 60 / 0 / 88 / 24

HEX #4EC318

RGB 78 195 24

HSL 101.05, 0.78%, 0.43%

LAB 69.98, -59.82, 66.18

 

CMYK 66 / 0 / 97 / 31

HEX #3DB105

RGB 61 177 5

HSL 100.47, 0.95%, 0.36%

LAB 63.71, -58.19, 63.61

 

CMYK 72 / 0 / 100 / 38

HEX #2C9F00

RGB 44 159 0

HSL 103.4, 1%, 0.31%

LAB 57.4, -55.9, 59.07

 

CMYK 81 / 0 / 100 / 45

HEX #1B8D00

RGB 27 141 0

HSL 108.51, 1%, 0.28%

LAB 51.02, -53, 53.85

 

CMYK 56 / 0 / 80 / 16

HEX #5ED52A

RGB 94 213 42

HSL 101.75, 0.67%, 0.5%

LAB 76.15, -61.27, 67.61

 

CMYK 34 / 0 / 80 / 16

HEX #8CD52A

RGB 140 213 42

HSL 85.61, 0.67%, 0.5%

LAB 78.07, -47, 70.07

 

CMYK 13 / 0 / 80 / 16

HEX #BAD52A

RGB 186 213 42

HSL 69.47, 0.67%, 0.5%

LAB 80.85, -29.31, 73.6

 

CMYK 0 / 9 / 80 / 16

HEX #D5C12A

RGB 213 193 42

HSL 52.98, 0.67%, 0.5%

LAB 77.55, -8.05, 71.54

 

CMYK 0 / 31 / 80 / 16

HEX #D5932A

RGB 213 147 42

HSL 36.84, 0.67%, 0.5%

LAB 65.89, 16.31, 61.21

 

CMYK 56 / 0 / 80 / 16

HEX #5ED52A

RGB 94 213 42

HSL 101.75, 0.67%, 0.5%

LAB 76.15, -61.27, 67.61

 

CMYK 77 / 0 / 80 / 16

HEX #30D52A

RGB 48 213 42

HSL 117.89, 0.67%, 0.5%

LAB 75.07, -70.34, 66.21

 

CMYK 80 / 0 / 62 / 16

HEX #2AD552

RGB 42 213 82

HSL 134.04, 0.67%, 0.5%

LAB 75.26, -67.65, 51.81

 

CMYK 80 / 0 / 40 / 16

HEX #2AD580

RGB 42 213 128

HSL 150.18, 0.67%, 0.5%

LAB 75.85, -60.66, 30.43

 

CMYK 80 / 0 / 18 / 16

HEX #2AD5AE

RGB 42 213 174

HSL 166.32, 0.67%, 0.5%

LAB 76.76, -50.6, 7.5

 

CMYK 56 / 0 / 80 / 16

HEX #5ED52A

RGB 94 213 42

HSL 101.75, 0.67%, 0.5%

LAB 76.15, -61.27, 67.61

 

CMYK 63 / 0 / 91 / 8

HEX #56EA15

RGB 86 234 21

HSL 101.69, 0.84%, 0.5%

LAB 82.31, -70.94, 77.21

 

CMYK 69 / 0 / 100 / 0

HEX #4EFE01

RGB 78 254 1

HSL 101.74, 0.99%, 0.5%

LAB 88.21, -78.95, 83.81

 

CMYK 56 / 0 / 80 / 16

HEX #5ED52A

RGB 94 213 42

HSL 101.75, 0.67%, 0.5%

LAB 76.15, -61.27, 67.61

 

CMYK 47 / 0 / 67 / 25

HEX #66C03F

RGB 102 192 63

HSL 101.86, 0.51%, 0.5%

LAB 70.09, -49.77, 54.55

 

CMYK 36 / 0 / 52 / 33

HEX #6EAC53

RGB 110 172 83

HSL 101.8, 0.35%, 0.5%

LAB 64.52, -36.65, 39.24

 

CMYK 22 / 0 / 31 / 41

HEX #769768

RGB 118 151 104

HSL 102.13, 0.18%, 0.5%

LAB 58.96, -20.66, 21.13

 

CMYK 3 / 0 / 4 / 49

HEX #7E827D

RGB 126 130 125

HSL 108, 0.02%, 0.5%

LAB 53.9, -2.48, 2.18

 

CMYK 12 / 0 / 80 / 16

HEX #BBD52A

RGB 187 213 42

HSL 69.12, 0.67%, 0.5%

LAB 80.92, -28.9, 73.69

 

CMYK 33 / 0 / 80 / 16

HEX #8ED52A

RGB 142 213 42

HSL 84.91, 0.67%, 0.5%

LAB 78.17, -46.29, 70.21

 

CMYK 55 / 0 / 80 / 16

HEX #60D52A

RGB 96 213 42

HSL 101.05, 0.67%, 0.5%

LAB 76.22, -60.74, 67.7

 

CMYK 76 / 0 / 80 / 16

HEX #33D52A

RGB 51 213 42

HSL 116.84, 0.67%, 0.5%

LAB 75.11, -69.93, 66.27

 

CMYK 80 / 0 / 63 / 16

HEX #2AD54F

RGB 42 213 79

HSL 132.98, 0.67%, 0.5%

LAB 75.23, -67.99, 53.07

 

CMYK 56 / 0 / 81 / 44

HEX #40901C

RGB 64 144 28

HSL 101.38, 0.67%, 0.34%

LAB 53.08, -44.88, 49.82

 

CMYK 56 / 0 / 80 / 30

HEX #4FB223

RGB 79 178 35

HSL 101.54, 0.67%, 0.42%

LAB 64.66, -53.05, 58.74

 

CMYK 56 / 0 / 80 / 16

HEX #5ED52A

RGB 94 213 42

HSL 101.75, 0.67%, 0.5%

LAB 76.15, -61.27, 67.61

 

CMYK 45 / 0 / 65 / 14

HEX #78DC4D

RGB 120 220 77

HSL 101.96, 0.67%, 0.58%

LAB 79.45, -54.15, 59.15

 

CMYK 36 / 0 / 51 / 11

HEX #92E36F

RGB 146 227 111

HSL 101.9, 0.67%, 0.66%

LAB 83.02, -45.38, 48.55

 

CMYK 55 / 0 / 80 / 16

HEX #5FD52B

RGB 95 213 43

HSL 101.65, 0.67%, 0.5%

LAB 76.19, -60.96, 67.38

 

CMYK 80 / 0 / 9 / 16

HEX #2AD5C1

RGB 42 213 193

HSL 172.98, 0.67%, 0.5%

LAB 77.24, -45.66, -1.98

 

CMYK 0 / 80 / 23 / 16

HEX #D52AA5

RGB 213 42 165

HSL 316.84, 0.67%, 0.5%

LAB 50.12, 73.59, -25.97

 

CMYK 55 / 0 / 80 / 16

HEX #5FD52B

RGB 95 213 43

HSL 101.65, 0.67%, 0.5%

LAB 76.19, -60.96, 67.38

 

CMYK 80 / 55 / 0 / 16

HEX #2A60D5

RGB 42 96 213

HSL 221.05, 0.67%, 0.5%

LAB 43.74, 25.01, -65.12

 

CMYK 0 / 80 / 55 / 16

HEX #D52A60

RGB 213 42 96

HSL 341.05, 0.67%, 0.5%

LAB 47.81, 66.81, 12.36

 

CMYK 55 / 0 / 80 / 16

HEX #5FD52B

RGB 95 213 43

HSL 101.65, 0.67%, 0.5%

LAB 76.19, -60.96, 67.38

 

CMYK 80 / 0 / 9 / 16

HEX #2AD5C1

RGB 42 213 193

HSL 172.98, 0.67%, 0.5%

LAB 77.24, -45.66, -1.98

 

CMYK 25 / 80 / 0 / 16

HEX #9F2AD5

RGB 159 42 213

HSL 281.05, 0.67%, 0.5%

LAB 43.99, 70.66, -64.27

 

CMYK 0 / 80 / 71 / 16

HEX #D52A3E

RGB 213 42 62

HSL 352.98, 0.67%, 0.5%

LAB 47.17, 64.85, 32.22

 

CMYK 55 / 0 / 80 / 16

HEX #5FD52B

RGB 95 213 43

HSL 101.65, 0.67%, 0.5%

LAB 76.19, -60.96, 67.38

 

CMYK 80 / 15 / 0 / 16

HEX #2AB6D5

RGB 42 182 213

HSL 190.88, 0.67%, 0.5%

LAB 68.57, -25.26, -25.86

 

CMYK 25 / 80 / 0 / 16

HEX #9F2AD5

RGB 159 42 213

HSL 281.05, 0.67%, 0.5%

LAB 43.99, 70.66, -64.27

 

CMYK 0 / 66 / 80 / 16

HEX #D5492A

RGB 213 73 42

HSL 10.88, 0.67%, 0.5%

LAB 50.78, 53.5, 47.14

 

Description

Color code: HEX #5FD52B | qconv.com Color code: HEX #5FD52B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 213 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 213 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 80 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 80% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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